I direct a flow of books to my booklog for posterity, thoroughness, bragging right. Mainly though it provides a framework to structure my thoughts (and feefees) on the them individually, and, through their connections, collectively. Was written initially in TeX, using the glossaries package. However a dearth of (input by me) obsequiously overindulgent in length subtitles led to title duplication, urging a switch to authors rather titles as entries, with their works as subentries. Eventually, that is, quickly, the package was overwhelmed. Likely due to my ineptitude with it, TeX, or large(r) projects. So I had to explore other possibilities: software, formats, conversion software. A terminal spreadsheet programs, visidata or sc-im, and a single .tsv file, easily generable via Perl enough subtition regexs from .tex ones, fit. Only barely working with the data—sum the read column; histograms of ratings, authors, titles, and I'm already hitting a wall...—, which itself was neither complex, nor numerical, I append rows, and add to the reds (as in past participles), that is adding 1s and rating glyphs. Good but not great, which is why I transferred to my text editor. If one craves bespoke eye candy, nothing beats TeX and elbow grease. But I was neither printing, nor publishing.
Regardless, before digitizing, as titles accumulated on the second or third paper-based booklog, lil' ol' me'd decided to
Three last notes: 1. a month through the ordeal, I'd accidentally sorted a part of the list, hence the first 130 items' alphanumerically ascending order; 2. I don't subscribe to any book or media cataloging system, and, torrenting the majority, I yank and paste what goes into the RSS feed, hence what the uploader deems correct, or find on the web, probably amazon, not the Library of Congress or the Vatican's, or ... I remove inane subtitles à la ^(A|The) (\S+ )?(Novel|Story)\b.*$, overly long ones, and ones I simply dislike; 3. I also prepend titles belonging to a series with, 1, its official name or my take, and, 2, their chronological (by universe not by publication) place within, usually a number, in it.
Regarding taste, objectively, I enjoy the new and or novel: be it knowledge, opinion, argument, viewpoint, thought, or thought patterns; things, my head hasn't so far conjured in itself or others' accurately; and, subjectively, what I consider to be good writing, e.g., Chuck Palahniuk >>> Tolkien (among other false idols for trash people). Omitting textbooks and reference material, genre-wise I indulge in, in no order: extreme horror, horror, gorefest, true crime, suspense, thriller, philosophy, essays/commentary/thoughts, short story anthologies, most science fiction, some translations of 'greats' or classics', books without many characters or gratuitous detail, among others still. I dislike and have little-to-no use for: the trivial and known, the lazy, the stupid, the greedy, the easy and comfortable, the indulgent, the dogmatic, and the predictable; additionally, most series, most anything by a woman, jew-apologetics, war stories, and cringe. Fuck weak-willed, smooth-brained, auto-fellatory, ultimately stupid readers. Namely: /lit/-kiddies; underageds (in the 4chan sense, nonage hasn't much to do with it); females; soyboys; Marxists, and all their prostrating drone ilk on Goodreads, Tumblr, Twitter, FaceBook, literally anything Reddit, any 'left' platform/system/program; any'journalist'; just about any and all social sites, media, fora, and so on.
Also, disregard fuck Russian lit—a good >95% of what I've (tried to) read is very horribly predictable, stereotypical, class-based commentary from either direction, or Marxist propagandist waste. Russian 'classics' are overtly overhyped—better garbage than other garbage, maybe, disputable, but trash nonetheless. Burn. It. All. All the moreso for Soviet such.
And Japanese lit... . . . Most everything modern (that I have read) is (intolerably) bad—flooded in the sterotypes, cliché, which arose post-WW2; with little-to-no redeeming qualities, at least the latter are disparate from American and or European ones. Standouts in quality were written and or published around and shortly after WW2. Could, of course, be a translation thing. Complexity, subtlety, nuance lost. Funnily, that's less so for Korean, and much, much less so for Chinese. Coinkydink, or evidence of stagnant language and culture? Those touting these books don't partake of them in the original either, so it may be an intelligence thing.
As of writing this, 20210417T055800, I've gone through (finished or attempted) some 300 titles starting roughly 20201214. That was when I'd lost my external hard drive with some 1.5 TB of audio files, that I'd been collecting, tagging, organizing, listening to. For eight years. Around 2016 (or '17?) I'd been a music reviewer for a growingly popular metal site; I dropped out due to disagreements with management, but the experience had only intensified my obsession with music. It is-, or rather was.., my second passion in life. I lost, as if, a sizeable chunk of myself that day. Since realization doesn't impale You from the sky, but weedles in over time, it wasn't really a day, but weeks. But that too shall pass.
Most of my personal library had bitten the street years earlier, in a charming bureaucratic tragedy I like to call the Great Shitcanning. It involved credit card numbers and the storage locker into which I had filed too much of my life for far too long. By the time I learned that the locker was no longer under my name, and its contents had gone for landfill or used-store credit at the hands of employees unknown and untraceable, management of the storage establishment had rotated its usual five or six times and the misdeed was buried in ancient history, which was to say, more than one year ago. Along with my clothes, which had become moth-riddled, and my kitchenware, which had become obsolete, and my desk, which had grown senile from rot, had gone all of my books. I had put them where they could remain safe until I could decide about new living arrangements in another state, and they had been mugged en masse while I was out of reach. To rebuild was impractical, out of the question, absurd. I had already invested effort and love into the books which had died, or been executed, and my heart just wasn't into the idea of recapture until I opened one of those books at the garage sale and the smell hit me.
2c Worth
David J. Schow.
I've not much changed personality-wise, I think—I'd merely exchanged habits, similarly to addicts or the problemed traversing cognitive behavioral therapy. I've been cramming the then newly created chasm with the thoughts and opinions of others, as well my subsequent own, with fiction and non-fiction (~65/35 was my ratio around 202107XX), with ideals, knowledge, opinions, arguments, etc. Although I employ some of that, he'd still cringe at my efforts and goings-about. A lovely quote from him and an additional one:
A precondition for reading good books is not reading bad ones, for life is short.
The Art of Literature.
Arthur Schopenhauer.
Reading is a passionate act. If You read a story not just with Your head, but also with Your body and feelings and soul, the way You dance or listen to music, then it becomes Your story. And it can mean infinitely more than any message. It can offer beauty. It can take You through pain. It can signify freedom. And it can mean something different every time You reread it.
A Message about Messages
Ursula K. Le Guin
Another apt one on books and reading is Pierre Bayard's How to Talk About Books You Haven't Read
, which I recommend. Its expounding overlaps much with my own thoughts on the matter, and gave material for digestion with time. Brian Doyle's Reading in Bed
is passion pressurized—bibliomania or -philia..?⸻, it, rather he, gets it, gets me, so I feel a camaraderie. Jeff Deutsch's In Praise of Good Bookstores
is also a great choice, focusing on the role of bookstores throughout time, however, nixing a quarter, one's left with something resembling the preceding one. A Gentle Madness
by Nicholas A. Basbanes fits with these, but boring me greatly while dealing with a worthwhile topic, puts it at a disadvantage. In any case,
I've nobody to talk to regarding books, my opinions, thoughts, so it's rather lonesome when amidst blathering, infantile, predictable children in the bodies of adult Homo sapiens sapiens: be it on 4chan, lainchan, leddit, or the rather uncommon case of real-world reading person. The malignant, human-shaped tumors posting on the internet would necessitate multiple daily, hour-long beatings to begin to comprehending basics of how and why the world functions as it does.
If You have any objections, rebuttals, contributions, remarks, jokes, or would like to talk about any of the below books read and rated or not—their authors, titles, subject, and so on—, then do drop a line.
My reading is mainly done through my ears and eyes, that is, via audiobooks and pagers, with the speed cranked up to 13 (since mpv taps out at 4x, audiobook with slow readers get treated to ffmpeg -i ${q::=...} -filter:a atempo=2 ${q:r}.2x.mp3, where values greater 2 are achieved multiplicatively via chaining; or to sox ${q} ${w} tempo -s 2.0, where any ol' float'll do) and plain text files, paged. And, if no audiobook (torrent) exists, but a file does, I use a text-to-speech program, namely, flite (or piper). From all tested—all my repository's relevant packages save the few relevant snaps and flatpaks, all relevant, from-my-stupid-ass-buildable FOSS, and online services—these are best in terms of usability, speed, and output quality. The former I've used most with the below settings and most often the first of the following three voices, which can be downloaded via the make option get_voices: fem, slt, or the built-in kal16. That is, flite -voice /path/to/voice –setf int_f0_target_mean=110 –setf int_f0_target_stddev=35 –setf duration_stretch=$((1./1.95)). The latter one, being released in 2022, is 23 years younger. Using neural networks and vast training sets, it consistently outputs better, while requiring less preprocessing (~60 PCREs, ordered). For some reason, the General American voices I find shite, and latch onto the deeper ones like, as I call 'im, English Harrington. flite's fem, or Scottish Alba (piper). Again... So I use the deep male voice, en_GB-alan-low; the (cute) Irish/Scottish one, en_GB-alba-medium; another female one, en_GB-semaine-medium; and en_GB-vctk-medium. Alba, you munchkin, You
For those few interested, here are my flit
#!/bin/zsh
emulate -LR zsh;
# set -x
setopt pipefail rematchpcre #errexit;
alias -g n='>&/dev/null;'; alias H=hash;
h () { hash n };
h flite fzf dmenu perl date || exit 2;
typeset voice speed q w Q;
typeset -r d=/abooks t=.$(rand);
typeset -i pitchstddiv pitch write=1 print=1;
Q () { rm -f /{*,flit.*}; exit ; };
trap Q\ 1 INT HUP QUIT KILL TERM;
set – -c 1 -s 1.72 ;
while { getopts nwvs:p:d:c: q; } { case {
(n) print=0;;
(w) write=0;;
(v) if { tty -s; } { voice=$(printf %s\\n /root/Downloads/voices/* | fzf +m) } else { voice=$(printf %s\\n /root/Downloads/voices/* | dmenu -r | head -1) };;
(s) [[ =~ '-?(\d+\.?\d*|\d*\.?\d+)' ]] && speed=;;
(p) [[ =~ '-?(\d+\.?\d*|\d*\.?\d+)' ]] && pitch=;;
(d) [[ =~ '-?(\d+\.?\d*|\d*\.?\d+)' ]] && pitchstddiv=;; # does nothing for 1,2 and 3?
(c) case { # presets
# (0) pitch=090; pitchstddiv=45; voice=ap;; # mimic
# (3) pitch=090; pitchstddiv=80; voice=kal16;;
(1) pitch=110; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_fem.flitevox;;
(2) pitch=095; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_slt.flitevox;;
(3) pitch=090; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_aew.flitevox;;
(4) pitch=090; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_ljm.flitevox;;
(5) pitch=090; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_ahw.flitevox;;
(6) pitch=090; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_clb.flitevox;;
(8) pitch=090; pitchstddiv=80; voice=/root/Downloads/voices/cmu_us_eey.flitevox;;
};;
(*) <
speed factor
-p <-?\d+>
pitch
-d <-?\d+>
pitch standard deviation
-c <[0-5]>
preconfigured combinations
q
exit 1;; }; }; shift $((OPTIND-1));
(IFS=; while { read -ret1; } { } >/q);
[[ -s /q ]] && set – /q;
for q ( ) {
if [[ $(file -bi ) =~ '^text/plain.*$' && -s && -r ]] { } else { printf %s\\n ; continue; }; #elif [[ -p ]] { < /.; q=/.; } # fixme
# perl -pe 's/(?:\e)\[[\d;]+[A-Za-z]//g;' >/.txt; # ANSI ESCAPE SEQUENCES
perl -pe 's/\e\[(?:\d*[ABCDEFGJSTK]|\d*;\d*[Hf]|\d* \d*|5i|4i|6n|(?:25h|\?(?:1049|2004))[hl]|[su]|[34]8;2(?:;\d+){3}m|d+(?:;\d)*m)//g;' >/; # ANSI ESCAPE SEQUENCES
if { ! h ebook-convert; } {
mv / /.txt;
ebook-convert /.txt /..txt –unsmarten-punctuation –txt-output-formatting –pretty-print –enable-heuristics –disable-unwrap-lines n
mv /..txt /.txt;
mv /.txt /.;
} else {
cp / /.;
};
Q=/.$(date +%FT%T).mp3;
perl -pe '
undef $/;
# FUCKING WEIRD PUNCTION BREAKS fixme
# s/(\S(['\''"]))\h*\n\s*(\1[a-z]|[a-z]\1)/\1 \2 \3. help me./gm; # fixme
# s/(\w\W?)\h*\n\h*\n(\W?[a-z])/\1 \2/gm;
# (LINE/PAGE)BROKEN WORDS, assuming word innards contain no capitals (pdfs mostly?)
# s/(?<=[a-z])[–—―‒-]\n\s*(?=[a-z])//g;
# ### s/(?<=[a-z])[–—―‒-](["'\''])?\n[\n\h]*(["'\''])?(?=[a-z])/\1\2\3\4/g;
# MERGE LINES INTO PARAGRAPHS
s/(\w)\s*\n\s*([a-z])/\1 \2/g;
# SQUASH NEWLINES
s/\n{3,}/\n\n/gm;
' /. \
| sed '
s/Æ/Ae/g;
s/Œ/Oe/g;
s/Ñ/Ny/g;
s/Ç/C/g;
s/Ä/Ae/g;
s/Ö/Oe/g;
s/Ü/Ue/g;
s/æ/ae/g;
s/œ/oe/g;
s/ñ/ny/g;
s/ç/c/g;
s/ä/ae/g;
s/ö/oe/g;
s/ü/ue/g;
s/ẞ/ss/gi;
s/[⦃❨❪｛]/{/g;
s/[「『【〔〖〘﹙﹝〚⸢⸤｢［]/[/g;
s/[」﹂｣』﹄】︼❳〕︺﹞〗︘⟭〙﹚⸣⸥］]/]/g;
s/[〈⦗《⟨⟪❬❮❰｟]//g;
s/[«»“”]/"/g;
s/[⦛⦠⦩⦫⦭⦅⦯⟬⟮（﹙﹝]/(/g; #❨
s/[⦘⦨⦪⦬⦆｠⦮⟭❩❫）﹚﹞]/)/g;
'"s/[‹›‘‘’]/'/g;" \
| perl -pe '
s/\e\S[\d;]{1,9}m//g;
# DOCUMENT SECTIONS
s/^(book|chapter|part|section|appendi(?:ces|x)|(?:note|reference|citation)[ie]*s?) +(\d+\.?|[ivxdlm]+\.?) *$/\1 \2.\n/i;
s/^((?:\d+\.? +)?(?:book|chapter|part|section|appendi[cx]|(?:note|reference|citation)[ie]*s?) *(?:[^\n]*)) *$/\1. \2.\n/i;
# s/^(\d+\.?) +([0-9A-Za-z,: -]{1,80})$/\1. \2./;
s/^(\d+\.?) *$/\1./;
# ROMAN TO DECIMAL
# m/((\b[ivxlcm]+\b))/ && q=system("/root/dcs/c/RomanNumeralParser/src/a.out | note") && s///; # fixme
# s/(\b[ivxlcm]+\b)\.?/system("/root/dcs/c/RomanNumeralParser/src/a.out" \1 | cut -d: -f3)/ig # fixme
# s/(\b[ivxlcm]+\b)/system(sh -c "/root/dcs/c/RomanNumeralParser/src/a.out \1 | cut -d: -f3")/ig; # fixme
# CAPITALIZED INITIAL WORDS
# s/^(\W*)([A-Z][\WA-Z]+)$/\1\L\u\2.\n/;
s/^(\W*)([A-Z][\WA-Z]+) /\1\L\u\2 /;
# NAMES OF CONVERSEES
s/^([A-Z][\WA-Z]+): */\L\u\1. /;
# NOT PAGEBROKEN WORD, EM DASH
s/—,? ?(?=\S)/, /g;
# TIME
s/\b(\d{1,2}):(\d{2})\b/\1 \2/g;
# NUMBERIC RANGES
s/\b(\d+(?:[.,]\d+)?)[:–—―‒-](\d+(?:[.,]\d+)?)\b/\1 to \2/g;
# DECIMAL SEPARATORS
s/(?<=[\p{PosixPunct}\s])([A-Z]{3}|[$£₠₡₢₣₤₥₦₧₨₩₪₫€₮₯₰₱₲₳₴₵₶₷₸₹₺₻₼₾₿])?(\d{1,3})[.,](\d{3})(?=[\p{PosixPunct}\s])/\1\2\3/g;
# CURRENCIES
s/(\b[A-Z]{3}|[$£₠₡₢₣₤₥₦₧₨₩₪₫€₮₯₰₱₲₳₴₵₶₷₸₹₺₻₼₾₿])(\d+)/\2 \1/g;
# s/(\d+)([A-Z]{3}|[$£₠₡₢₣₤₥₦₧₨₩₪₫€₮₯₰₱₲₳₴₵₶₷₸₹₺₻₼₾₿])/\1 \2/g; # uh what?
# s/(?:\$|USD) (\d+)/\1 dollars\1g;
s/(?:\$|USD) (\d+)/\1 USD/g;
# s/(\d+) (?:£|GBP)/\1 pounds/g;
s/(\d+) (?:£|GBP)/\1 GBP/g;
s/(\d+) (?:[€₠]|EUR)/\1 EUR/g;
s/(\d+) (?:₡|CRC|SVC)/\1 colons/g;
s/(\d+) (?:₢|BRL)/\1 cruzeiros/g;
s/(\d+) (?:₣|FRF)/\1 French francs/g;
s/(?:₤|TRL)/\1 TRL/g;
s/₥/\1 mills/g; # ?
# s/ (\d+(?:₦|NGN))/\1 nairas/g;
s/ (\d+ ?(?:₦|NGN)|(?:₦|NGN)\d+)/\1 NGN/g;
s/(\d+) ₧/\1 pesetas/g; # ?
s/ (\d+(?:₨|INR|IDR|MVR|MUR|NPR|PKR|SCR|LKR))/\1 rupees/g;
# s/₩/\1 won/g; # ?
s/₩/\1 SKW/g; # ?
# s/ (\d+(?:₪|ILS))/\1 new sheqels/g;
s/ (\d+(?:₪|ILS))/\1 ILS/g;
s/₫/\1 dongs/g; # ?
# s/ (\d+(?:MNT|₮))/\1 tugriks/g;
s/ (\d+(?:MNT|₮))/\1 MNT/g;
# s/(\d+) (?:GRD|₯)/\1 drachmas/g;
s/(\d+) (?:GRD|₯)/\1 GRD/g;
s/(\d+) ₰/\1 German pennies/g;
s/(\d+) ₱/\1 pesos/g;
# s/ (\d+(?:PYG|₲))/\1 guaranis/g;
s/ (\d+(?:PYG|₲))/\1 PYG/g;
# s/(\d+) (?:ARA|₳)/\1 australs/g;
s/(\d+) (?:ARA|₳)/\1 ARA/g;
# s/(\d+) (?:UAH|₴)/\1 hryvnias/g;
s/(\d+) (?:UAH|₴)/\1 UAH/g;
# s/(\d+) (?:GHS|₵)/\1 cedis/g;
s/(\d+) (?:GHS|₵)/\1 GHS/g;
s/₶/\1 livre tournois/g;
s/₷/\1 spesmilos/g;
# s/ (\d+(?:KZT|₸))/\1 tenges/g;
s/ (\d+(?:KZT|₸))/\1 KZT/g;
# s/₹/\1 Indian rupees/g;
s/(\d+) ₹/\1 IDR/g;
s/(\d+) ₻/\1 Nordic marks/g;
s/ (\d+(?:AZN|TMT|₼))/\1 manats/g;
# s/(\d+) (?:₾|GEL)/\1 laris/g;
s/(\d+) (?:₾|GEL)/\1 GEL/g;
# s/(\d+) (?:₿|BTC)/\1 bitcoins/g;
s/(\d+) (?:₿|BTC)/\1 BTC/g;
# PUNCTUATION
s/\b(?:etc\.?|et cet\.?|&c\.?|e\.c\.|et cetera)\b/and so on./gi;
s/\bw(?:[\/\\]o|o[\/\\])\b/without/gi;
s/\bw[\/\\]\b/with/gi;
s/&/ and /g;
s/(?:…|\.{2,}|\. \. \.(?: \.)*)/.../g;
s/(?<=\S)("\W?) */\1 /g;
s/(?<= )("\W?) +(?=\S)/\1/g;
s/\b&\b/and/g;
# s/_+/_/g;
s/(?<=\S) *, */, /g;
s/(?<=\S)" +/" /g;
s/((?<= )['\''"]) +(\S)/\1\2/g;
s/ (\.(?! \. \.)|[\?\!:;,])/\1/g;
# s/(['\''"])\. ?(\w)/\1\2/g;
# s/(['\''"])(.+\1)(\w)/\1\2 \3/g;
# PAUSE AFTER INTERJECTION
s/(?<=\w) *[–—―‒-],\s*(?=\w)/, —, /g;
# UNPUNCTUATED
s/([^\p{PosixPunct}]) ?$/\1./;
#s/(\p{PosixPunct} ?['\''"]) */\1. /g;
s/(".*[^\p{PosixPunct}]")/\1./g;
s/('\''.*[^\p{PosixPunct}]'\''])/\1./g;
s/(\S) '\''s/\1'\''s/g;
# ENGLISH UNITS
s/(\d+)'\'' *(\d+)"/\1 feet \2 inches/g;
s/\b(\d+)'\'' *(\d+)"/\1 feet/g;
s/\b(\d+)"/\1 inches/g;
s/\blbs?\b/pounds/gi;
# FREQUENCY NUMERALS
s/\b(\d+)\/(\d+)(?:\b|(?:st|nd|rd|th)s?)/\1 \2/gi;
# TIME
s/\b(\d?\d):(\d\d)\b/\1 \2/g;
s/\b(?:([ap])\.m\.)\b/\UM\1/gi;
# TITLE
s/\b(capt|col|cpl|drs?|gen|gov|hon|lt|(?|\{[ivxlcm]+\}//gi; # ROMAN
s/(?<=\b\d{1,3}),(?=\d{3}\b)//g;
# MISC
s/^ +(.*)|(.*) +$/\1/g;
s/ {2,}/ /g;
s/"\s*(.+?)\s*"/"\1"/g;
# s/(?<=\w)('\'') (\w{1,4})\b/\1\2/g; # fixme,
# s/(?/;
if ((write)) {
flite \
-voice \
–setf int_f0_target_mean=$((1.0 * pitch)) \
–setf int_f0_target_stddiv=$((1.0 * pitchstddiv)) \
-f / \
-o /.16s;
# –setf duration_stretch=$((1./speed)) \
# cat /;
if ((! ?)) {
if { hash sox n } {
# -t 16s \
# loudness -5 \
sox \
–temp \
-S \
–multi-threaded \
–norm=-2 \
/.16s \
-t mp3 \
-r 48k \
\
tempo -s \
dither -a;
} elif { hash ffmpeg n } {
ffmpeg \
-i /.16s \
-b:a 48.0k \
-af volume=1.80 \
;
} elif { hash loudgain n } {
loudgain -SLkd -2 ;
} else {
mv /.mp3 ;
};
};
} else {
# cat /;
flite \
-t pulseaudio \
-voice \
–setf int_f0_target_mean=$((1.0 * pitch)) \
–setf int_f0_target_stddiv=$((1.0 * pitchstddiv)) \
–setf duration_stretch=$((1.0 / (speed * 46 / 37))) \
-f \
-o /.wav \
&&sox \
–multi-threaded \
–norm=-4.5 \
-t wav \
/.wav \
-t mp3 \
-r 48000 \
/.mp3 \
dither -a \
&&mpv –loop-playlist=no –loop /.mp3; # –geometry=200x200-4+0 –force-window –no-terminal
};
};
Q;
totxt
#!/bin/zsh
# convert various formats of ebook formats to plain text
emulate -LR zsh;
# set -x
setopt nullglob extendedglob globstarshort rematchpcre;
autoload -Uz zmv;
alias -g n='>&/dev/null;';
typeset q w;
alias Q='() { printf %s\ %u $(hash >&/dev/null && printf 1 || printf 0); }';
typeset -rA H=(
# ebook-convert $(printf %u 0)
$(Q ebook-convert)
$(Q pdftotext)
$(Q atool)
$(Q btool)
$(Q catdoc)
$(Q docx2txt)
$(Q epub2txt)
$(Q jdupes)
$(Q rdrview)
$(Q perl)
$(Q lit2epub)
$(Q epy)
); unalias 'Q';
typeset -r t=$(rand);
(()) || exit 99;
rie () { if [[ -s ]] { mv -iv – .$(rand).; }; };
rie () { if [[ -s ]] { mv -iv – ..; }; };
for q ( (#i)*.{rar,zip}(D.) ) { if (()) { btool -xd ; } elif (()) { atool -x && rm -fv ; }; };
if (()) { for q ( (#i)*.{mobi,lit,fb2,azw{,3},rtf,doc{,x}}(D.) ) { rie .epub; ebook-convert .epub && if [[ -s .epub ]] { rm -fv ; }; }; };
if (()) { for q ( (#i)*.lit(D.) ) { rie .epub; lit2epub '??/' }; }; # fixme
if (()) { for q ( (#i)*.{fb2,mobi,azw{,3}}(D.) ) { rie .txt; epy -d >.txt && if [[ -s .txt ]] { rm -fv ; }; }; };
# if (()) { for q ( (#i)*.pdf(D.) ) { rie .epub; ebook-convert .epub –no-images –enable-heuristics; }; } elif (()) { for q ( (#i)*.pdf(D.) ) { rie .txt; pdftotext -nopgbrk -eol unix -nodiag ; }; };
if (()) { for q ( (#i)*.pdf(D.) ) { rie .txt; pdftotext -nopgbrk -eol unix -nodiag ; }; } elif (()) { for q ( (#i)*.pdf(D.) ) { rie .epub; ebook-convert .epub –no-images; }; }
for q ( (#i)*.djvu(D.) ) { if (()) { rie .epub; ebook-convert .epub; }; };
if (()) { for q ( (#i)*.epub(D.) ) { rie .txt; epub2txt -a -w 0 >.txt && rm -fv ; }; } elif (()) { for q ( (#i)*.epub(D.) ) { ebook-convert .txt –pretty-print –inline-toc –keep-color –max-line-length 0; }; };
if (()) { for q ( (#i)*.{,x}htm{,l}(D.) ) { rie .txt; rdrview -B 'elinks -dump -no-references -no-numbering' | perl -pe 's/(\S)\n(\W?[a-z])/\1 \2/' >.txt; if [[ -s .txt ]] { rm -fv ; }; }; };
if (()) { for q ( (#i)*.doc(D.) ) { rie .txt; catdoc -a | perl -pe 's/(\S)\n(\W?[a-z])/\1 \2/' >.txt; if [[ -s .txt ]] { rm -fv ; }; }; };
if (()) { for q ( (#i)*.docx(D.) ) { rie .txt; docx2txt - | perl -pe 's/(\S)\n(\W?[a-z])/\1 \2/' >.txt; if [[ -s .txt ]] { rm -fv ; }; }; };
if (()) { for q ( (#i)*.txt(D.) ) { ebook-convert .txt –unsmarten-punctuation –enable-heuristics –disable-unwrap-lines; perl -pe 's/(?; }; };
rm -fv .txt;
if (()) { jdupes -X onlyext:txt -r -d .; };
for q ( *.txt ) {
[[ =~ '^(.+?) +- +(.+?) *(\(.+?\)|(?<=\S)-\S.+?)?(?:[ -]*.?libgen.?\w*?)?\.txt$' ]] && mv " - .txt";
match=(); [[ =~ '^((?:\(.+?\)|\[.+?\]) *)?(.+?)(?: +- +)(.+) *\.txt$' ]];
author="$(printf %s "" | perl -pe 's/([^_;,]+) *, *([^_;,(]+)( *\(.+?\))?[_; ]*/\2 \1 \3, /g; s/\n//g; s/ +/ /g; s/ (?=,)//g; s/, $//')";
[[ -n && -n && - .txt"} != ]] || continue;
rie .txt;
mv -iv – .txt;
};
# {
# zmv -M '(*.txt)' '';
# zmv -MW '* \]*' '*]*';
# zmv -MW '* \)*' '*)*';
# zmv -MW '*\[ *' '*[*';
# zmv -MW '*\( *' '*(*';
# zmv -MW '*, - *' '* - *';
# zmv -MW '* \(retail\).txt' '*.txt';
# zmv -MW '* \(Retail\).txt' '*.txt';
# zmv -MW '* \(RETAIL\).txt' '*.txt';
# zmv -MW '* \(epub\).txt' '*.txt';
# zmv -MW '* \(Epub\).txt' '*.txt';
# zmv -MW '* \(EPUB\).txt' '*.txt';
# zmv -MW '* ]*' '*]*';
# zmv -MW '* )*' '*)*';
# repeat 3 { zmv -Mw '*, *;*, * - *' ' , - '; };
# zmv -MW '*_ *' '*: *';
# zmv -MW '* : *' '*: *';
# zmv -MW '* .txt' '*.txt';
# zmv '[[:space:]]##(*)' '';
# } n
rm -f *(.L0);
for q ( *.txt ) {
mv \
| perl -pe '
s/\s+\]/]/;
s/\s+\)/)/;
s/\[\s+/[/;
s/\(\s+/(/;
s/(.*?), - (.*?)/\1 - \2/;
s/\s*\((?:epub|retail)\)//i;
s/(.*?),\s*(.*?)\s*;\s*(.*?)\s*,\s*(.*?)(\s*[:-_]\s*)?(.*?)/\2 \1, \4 \3 \5/g;
s/_ /: /g;
s/\s(:)(?=\s)/\1/g;
s/\W(\s[:-])/\1/g;
s/(?<=\d),(?=\d{3})//g;
s/(?:\(\d{4}\)|\{\d{4}\}|\[\d{4}\])//;
s/(\w)/\L\1/g;
s/\b(\w)/\U\1/g;
s/\b(?:a(?:(?:n?d)?)|and|the|or|(?:(?:a|be)?side|in|between|a?ways?|a(?:fter|t)|off?|b(?:efore|y)|fr?om|o(?:n|ut|ver)|under|t(?:hrough|o)|with){1,3})\b/\L\1/gi;
s/(?<=[a-z]);(?= [A-Z])/,/g;
s/^\s+|\s+$//g;
').txt; };
perl -pe '
# s/(\e\[(?:\d*[ABCDEFGJSTK]|\d+;\d+[Hf]|\d+ \d+|4i|5i|6n|(?:25|\?(?:1049|2004))[hl]|[su]|[34]8;2(?:;\d+){3}m|d+(?:;\d+)*m)) /\1/g;
s/\e\[(?:\d*[ABCDEFGJSTK]|\d+;\d+[Hf]|\d+ \d+|4i|5i|6n|(?:25|\?(?:1049|2004))[hl]|[su]|[34]8;2(?:;\d+){3}m|d+(?:;\d+)*m) //g;
s/^(['\''"]) +/\1/;
s/^(['\''"]) *(.+?) *\1/\1\2\1/;
s/ +$|^ +//;
s/ +(?=\\e\[0m )//g;
# s/((?<=\S)['\''"]) */\1 /g;
# s/((?<= )['\''"]) +(\S)/\1\2/g;
# s/(?<=\S) *, */, /g;
s/[⦃❨❪｛]/{/g;
s/[「『【〔〖〘﹙﹝〚⸢⸤｢［]/[/g;
s/[〈⦗《⟨⟪❬❮❰｟]//g;
s/[«»“”]/"/g;
s/[⦗⦛⦠⦩⦫⦭⦅⦯⟬⟮❨❪❨❪⦗（﹙﹝]/(/g;
s/[⦘⦨⦪⦬⦆｠⦮⟭❩❫）﹚﹞]/)/g;
s/[」﹂｣』﹄】︼❳〕︺﹞〗︘⟭〙﹚⸣⸥］]/]/g;
s/[‹›‘’‘’]/'\''/g;
s/(\\e\[0m) ([.?!])/\1\2/g;
s/(['\''"]? [.?!])(?= [A-Z])/\1/g;
# s/Ñ/Ny/g;
# s/Ç/C/g;
# s/Ç/Ch/g;
# s/Ä/Ae/g;
# s/Ö/Oe/g;
# s/Ü/Ue/g;
s/Æ/Ae/g;
s/Œ/Oe/g;
s/æ/ae/g;
s/œ/oe/g;
# s/ñ/ny/g;
# s/ç/c/g;
# s/ç/ch/g;
# s/ä/ae/g;
# s/ö/oe/g;
# s/ü/ue/g;
# s/ẞ/ss/g;
s/^\s+|\s+$//g;
' >. && mv . ;
};
rm -f *(.L0);
ls –color=auto -A;
I listen to, and hence 'read', most books at ~700–900 words per minute. Less, ~500, if novelty and or (new) information dense, or particularly savory, and I've reined in my wantonness. I try to find, download, convert, process any title I'm listening to. Not always possible, and read along via less FILE, scrolling down rather than leafing along. This bolsters concentration on heavier and or more tedious books. I've not held a physical book in my hands in quite some time. I've little space as is, and even less so spare money for something, I'd argue, should be free. Forbearing completion to savor virginal pleasures with the material happens to me; titles might fall behind or, fuck forbid, be forgotten. A quote from Brian Doyle's essay A Note on How We Slow Down Near the End of a Terrific Book, Reluctant to Leave That Wondrous World
from his aforementioned book:
Prosepause, storyslowage, readingreluctability, talewaiting—that exquisite sense of deliberately delaying closure, of stretching out the moment, of sipping and savoring and swirling the characters and world and the ambience and milieu around in Your heart before they become, inevitably, as they must, past tense, a book You just read; and while there is a great pleasure in rereading a fine book (after letting enough time pass that You half-forget half of it), it is never quite as salty and stunning a pleasure as the first encounter; ...
Reading in Bed: Brief Headlong Essays About Books and Writers and Reading and Readers
Brian Doyle.
Others still will have reviews or remarks: click the equilateral triangle appearing before the title to open these. Titles are in approximate chronological order of completion or addition, unless being presently read. Lastly, if an entry's fourth column is closer to zero, it is unworthy of my time; and if not quite 1, ending or parts have been glanced over or skipped; if greater than 1, whole or sections multiply read.
With unread visible via the navigation's togglable, rows in alterating shades of
What follows is some non-fiction works that are non-literary, that I've liked and or found good. Inappropriate for these to be located within the booklog, so here:
Scandalous House of Calydon, Book 2
. Mind You, more often than not, these shit tier potboilers are series running into the tens and sometimes twenties. More examples. Perhaps I prefer self-contained things, with thought and meaning invested to drawn out, inanities. Omitting chick lit and its male (airport novels, or worse, series like Jack Reacher) and teenage (flat, cheap power fantasies featuring adolescents) counterparts, this still holds. Likely due to the failure of American public education in 'the West', and or some combination of the success of Marxism and its derivatives (to self-propagate whilst impoverishing constituencies), government cronyism (falls into former), perceived monopolies in education by public, unscrupulous and short-sighted power and money grabs (again, Marxism). They can compose good stuff, there is both historical and present-day evidence of this—they should just stick to what they're good at not attempt to compete with men in unsuitable disciplines. Same goes for men—don't fucking write gay, furry, tranny, trap shit. Don't write (bad) power fantasies (where nothing happens), LitRPGs (anime's isekai genre put to paper), or series when You can't even spell Your damn name without shame.
For fuck's sake. for the boldened glyph.
| Glyph | Meaning |
|---|---|
| a | annoying |
| b | boring |
| c | cringe |
| f | false |
| g | agenda |
| k | known |
| p | predictable |
| w | bad writing |
| ♀ | all of the aboveha-ha |
| m | mediocre⸺decent |
| ✓ | good |
| ✔ | great |
| j | Jewish |
| ? | undecided/unsure |
| _ | intensifer for the boldened glyph |
| Title | Author | Rating | Read |
|---|---|---|---|
| Big Boys Don't Cry | Tom Kratman | b | 0.05 |
| Blind Faith | Joe McGinniss | b | 1.00 |
| Buried Beneath the Boarding House | Ryan Green | mb | 0.65 |
| By Night In Chile | Roberto Bolaño, Chris Andrews (tr.) | ✔ | 1.00 |
| Caffeine: How Caffeine Created the Modern World | Michael Pollan | mK | 1.00 |
| Caliphate | Tom Kratman | ✓ | 1.00 |
| Can't Pay, Won't Pay: The Case for Economic Disobedience and Debt Abolition | Collective Debt | GWAf | 0.05 |
| Cannibal Creek | Jon Athan | ✓M | 1.00 |
| Carmine the Snake: Carmine Persico and His Murderous Mafia Family | Frank DiMatteo, Michael Benson | b | 0.15 |
| Chaos: Charles Manson, the CIA, and the Secret History of the Sixties | Tom O'Neill, Dan Piepenbring | Ba | 0.15 |
| Chase Darkness with Me: How One True-Crime Writer Started Solving Murders | Billy Jensen | Gbf | 0.10 |
| Conan the Cimmerian: The Coming of Conan the Cimmerian | Robert E. Howard | bw | 0.05 |
| Convenient Suspect: A Double Murder, a Flawed Investigation, and the Railroading of an Innocent Woman | Tammy Mal | m✓b | 1.00 |
| Cool Hand Luke | Donn Pearce | Bm | 0.15 |
Coyote BlueThe only C.M. book, so far, that I've found rather boring. >inb4 it gits gewd rait afta ya finish et. | Christopher Moore | bm | 0.20 |
| Cult of the Dead Cow: How the Original Hacking Supergroup Might Just Save the World | Joseph Menn | mkap | 0.80 |
| Dawn of the Dead | George A. Romero | baw | 0.10 |
| Deadbreak | Jorge Sanchez | ✓ | 1.00 |
| Deadly Force | Misty Evans | Gf | 0.10 |
| Devil's Knot: The True Story of the West Memphis Three | Mara Leveritt | ♀apb | 0.15 |
| Discipline Equals Freedom | Jocko Willink | PKam | 0.25 |
| Distracted and Defeated: The Rulers and the Ruled | Mike Bhangu | kwag | 0.33 |
| Donald Trump v. the United States: Inside the Struggle to Stop a President | Michael S. Schmidt | GFW | 0.05 |
| Dying Days 7 | Armand Rosamilia | gap | 0.20 |
| Eddie Flynn: 5 - Fifty-fifty | Steve Cavanagh | ✔✓ | 1.00 |
| Elevator Pitch | Linwood Barclay | ✔ | 1.00 |
| Emotional First Aid: Practical Strategies for Treating Failure, Rejection, Guilt, and Other Everyday Psychological Injuries | Guy Winch | KWf | 0.15 |
| Tales from the Gas Station: 1 | Jack Townsend | ✓a | 1.00 |
| Tales from the Gas Station: 2 | Jack Townsend | ✓map | 1.00 |
| Tales from the Gas Station: 2.5xmas | Jack Townsend | map | 1.00 |
| Tales from the Gas Station: 3 | Jack Townsend | AP | 1.00 |
| F*ck Whales: Also Families, Poetry, Folksy Wisdom and You | George 'Maddox' Ouzounian | ✓KPMj | 0.50 |
| Fat Vampire: 1 - Fat Vampire | Johnny B. Truant | ✓m | 1.00 |
| Fat Vampire: 2 - Tastes Like Chicken | Johnny B. Truant | m | 1.00 |
| Fat Vampire: 3 - All You Can Eat | Johnny B. Truant | mp | 1.00 |
| Fat Vampire: 4 - Harder Better Fatter Stronger | Johnny B. Truant | pam | 1.00 |
| Fluke, or, I Know Why the Winged Whale Sings | Christopher Moore | ✔ | 1.10 |
| Flu: 1 - Flu | Wayne Simmons | ✓ | 1.00 |
| Flu: 2 - Fever | Wayne Simmons | bm | 0.50 |
| Fool | Christopher Moore | ✔ | 1.00 |
| Fortitude: American Resilience in the Era of Outrage | Dan Crenshaw | PBAGfm | 0.33 |
| Deadbreak | Jorge Sanchez | cpa | 0.15 |
| Fred, the Vampire Accountant: 1 - The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant | Drew Hayes | M | 1.00 |
| Fred, the Vampire Accountant: 2 - Undeath and Taxes | Drew Hayes | M | 1.00 |
| Fred, the Vampire Accountant: 3 - Bloody Acquisitions | Drew Hayes | pam | 1.00 |
| Fred, the Vampire Accountant: 4 - The Fangs of Freelance | Drew Hayes | PAwm | 1.00 |
| Fred, the Vampire Accountant: 5 - Deadly Assessments | Drew Hayes | PAW | 0.33 |
| Frozen In Ice | Armand Rosamilia | mp | 0.30 |
| Fuck Yeah, Video Games: The Life and Extra Lives of a Professional Nerd | Daniel Hardcastle | cwa | 0.10 |
| Genius: The Life and Science of Richard Feynman | James Gleick | ✓M | 1.00 |
| Gotti's Boys: The Mafia Crew That Killed for John Gotti | Anthony M. DeStefano | b | 0.15 |
| Grandfather's House | Jon Athan | ✓ | 1.00 |
| Hackers and Painters | Paul Graham | bawp | 0.15 |
| Hartmann the Anarchist: The Doom of the Great City | Edward Douglas Fawcett | M✓ | 1.00 |
| Hiding from the Internet: Eliminating Personal Online Information | Michael Bazzell | km | 0.35 |
| Hunting LeRoux: The Inside Story of the DEA Takedown of a Criminal Genius and His Empire | Elaine Shannon | ba | 0.50 |
| Ice Station | Matthew Reilly | Wba | 0.05 |
| Inside Broadmoor: Up Close and Personal with Britain's Most Dangerous Criminals | Jonathan Levi, Emma French | mb | 1.00 |
| Isolation | David Moody | m | 1.00 |
| Killer Clown: The John Wayne Gacy Murders | Terry Sullivan, Peter T. Maiken | m | 1.00 |
| Kokoro | Natsume Soseki, Edwin McClellan (tr.) | ♀apBAP | 0.50 |
| Listen to Me Now | A.I. Nasser | m | 1.00 |
| Loneliness: Human Nature and the Need for Social Connection | John T. Cacioppo, William Patrick | Wbk | 0.10 |
| Lovesick | Jon Athan | ✔ | 1.00 |
| Magic Ex Libris: 1 - Libriomancer | Jim C. Hines | APw | 0.75 |
| Manhunt: The 12-Day Chase for Lincoln's Killer | James L. Swanson | ba | 0.20 |
| Manifest | Theodore J. Kaczynski | ✔ | 1.00 |
| Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China | Paul French | m | 1.00 |
| Midnight Son | James Dommek Jr., Josephine Holtzman, Isaac Kestenbaum | mw | 0.25 |
| Mark Genevich: 2 - No Sleep Til Wonderland | Paul Tremblay | m✓ | 1.00 |
| Sammy and the Cheese: 1 - Noir | Christopher Moore | ✔ | 1.00 |
| Norco '80: The True Story of the Most Spectacular Bank Robbery in American History | Peter Houlahan | bw | 0.10 |
| Norwegian Fairies | Librivox | b | 0.20 |
| Our Dumb World: The Onion's Atlas of the Planet Earth | the Onion | ✓ | 1.00 |
| Pale Fire | Vladimir Nabokov | mb | 1.00 |
| Parents Who Killed Their Children | R.J. Parker | mb | 1.00 |
| Peeling the Onion | Günter Grass | bm | 0.20 |
| Perfume | Patrick Süskind | ✔ | 1.00 |
| Pine Cove: 1 - Practical Demonkeeping | Christopher Moore | m | 1.00 |
| Pine Cove: 3 - The Stupidest Angel: A Heartwarming Tale of Christmas Terror | Christopher Moore | ✓ | 1.00 |
| Prisoners of Our Thoughts: Viktor Frankl's Principles for Discovering Meaning in Life and Work | Alex Pattakos | KWAf | 0.15 |
| Robert Pickton: The True Story of the Pig Farmer Killer | Chris Swinney | bm | 1.00 |
| Screaming Eagles: 1 - The Front | Timothy W. Long | agpb | 0.10 |
| Secret Knowledge: On the Dismantling of American Culture | David Mamet | BAgj | 0.15 |
| Secret Slave | Anna Ruston | ✔ | 1.00 |
| Sex Says | Max Monroe | baw | 0.05 |
| Skeleton in Space: 1 - Histaff | Andries Louws | bapw | 0.20 |
| Small Sacrifices | Ann Rule | ♀apbap | 0.10 |
| Survivor Song | Paul Tremblay | pbma | 0.20 |
| Tales of the Madman Underground | John Barnes | ✓ | 1.00 |
| The Abominable | Dan Simmons | ✔ | 1.00 |
| The Anime Trope System: 1 | Alvin Atwater | CWPa | 1.00 |
| The Cabin at the End of the World | Paul Tremblay | ✓m | 1.00 |
| The Candy Cards: The Shocking Story of Dean Corll | Robert Brown | m | 1.00 |
| The Case Against Education | Bryan Caplan | Ka | 0.25 |
| The Club: Johnson, Boswell, and the Friends who Shaped an Age | Leo Damrosch | bm | 0.10 |
| The Corner: A Year in the Life of an Inner-City Neighborhood | David Simon | ba | 0.10 |
| The Curse of Lono | Hunter S. Thompson | ✔ | 1.00 |
| The Devil All the Time | Donald Ray Pollock | B | 0.10 |
| The Devil and Karl Marx: Communism's Long March of Death, Deception, and Infiltration | Paul Kengor | mb | 1.00 |
| The Haunting of Alma Fielding | Kate Summerscale | ♀apBw | 0.05 |
| The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star | Nikki Six | ✓ | 1.00 |
| The Jokes of Nafsreddin Hodja: The World Is Not a Tragedy, But a Comedy | Molla Nasreddin | mKPa | 0.75 |
| The Mole People: Life in the Tunnels Beneath New York City | Jennifer Toth | ♀apgab | 0.10 |
| The People's Republic of Walmart: How the World's Biggest Corporations Are Laying the Foundation for Socialism | Leigh Phillips, Michal Rozworski | ✓ | 1.00 |
| The Sea Was Angry | Armand Rosamilia | mpa | 0.30 |
| The Smartest Guys in the Room: The Amazing Rise and Scandalous Fall of Enron | Bethany McLean | ✓ | 1.00 |
| The Stench of Honolulu | Jack Handey | ✓ | 1.00 |
| The Terror | Dan Simmons | ✔ | 1.00 |
| The Toughest Prison of All: The True Story of Bank Robbery, Prison Escapes, and the Search for Love on the Outside | Floyd C. Forsberg | m | 1.00 |
| The Unconsoled | Kazuo Ishiguro | B | 0.10 |
| The Vory: Russia's Super Mafia | Mark Galeotti | mbp | 0.75 |
| The Woman in Apartment 49 | Ross Armstrong | b | 0.15 |
| Thirteen Stories | Jonathan Sims | bm | 0.15 |
| This Dark Earth | John Hornor Jacobs | w | 0.05 |
| Timothy: 1 - Timothy | Mark Tufo | ✓ | 1.00 |
| Timothy: 3 - Sliced, Diced and Cubed | Mark Tufo | Mp | 1.00 |
| Torchwood Coffee | James Goss | bap | 0.75 |
| Under the Trestle | Ron Peterson Jr. | bm | 0.50 |
| Who Killed These Girls?: The Twenty-Five-Year History of Austin's Yogurt Shop Murders | Beverly Lowry | ♀apw | 0.20 |
| Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life | Lulu Miller | WB♀ap | 0.10 |
| Worldship Files: 1 | Erik Schubach | w | 0.01 |
| Zomblog: 1 | T.W. Brown | BW | 0.20 |
| Think Again | Adam Grant | kAf | 0.10 |
| Super Powereds: Year 1 | Drew Hayes | pAC | 0.25 |
| Zucked: Waking Up to the Facebook Catastrophe | Roger McNamee | GPb | 0.33 |
| The Case of the Haunted Haunted House | Drew Hayes | apw | 0.15 |
| People Mover | John David Card | m | 1.00 |
| Why We Sleep: Unlocking the Power of Sleep and Dreams | Matthew Walker | mkfa | 0.90 |
| On Bullshit | Harry G. Frankfurt | mB | 1.00 |
| A Shrouded World: 1 - Whistlers | Mark Tufo | m | 1.00 |
| A Shrouded World: 2 - Atlantis | Mark Tufo | mpa | 1.00 |
| A Shrouded World: 3 - Convergence | Mark Tufo | AP | 0.25 |
| Blue Ant: 1 - Pattern Recognition | William Gibson | M | 1.00 |
| Blue Ant: 2 - Spook Country | William Gibson | bam | 0.35 |
| Nothing Good Happens After Midnight | Jeffery Deaver, Lindwood Barclay, Rhys Bowen | m | 1.00 |
| Skulduggery: Building a Criminal Empire: 1 | Logan Jacobs | m | 1.00 |
| Skulduggery: Building a Criminal Empire: 2 | Logan Jacobs | mcp | 1.00 |
| Skulduggery: Building a Criminal Empire: 3 | Logan Jacobs | mpc | 1.00 |
| Skulduggery: Building a Criminal Empire: 4 | Logan Jacobs | pCm | 1.00 |
| Make Something Up: Stories You Can't Unread | Chuck Palahniuk | ✓ | 1.00 |
| Ocean Grave | Matt Serafini | ✓M | 1.00 |
| The Breach | Nick Cutter | ✓ | 1.00 |
| The Servant | Robin Maugham | M✓b | 1.00 |
| The Deep | Nick Cutter | ✔ | 1.00 |
| No-No Boy | John Okada | Map | 1.00 |
| Batavias Graveyard: The True Story of the Mad Heretic Who Led History's Bloodiest Mutiny | Mike Dash | mb | 0.15 |
| Twas the Nightshift Before Christmas | Adam Kay | ✓Mj | 1.00 |
| This Is Going to Hurt: Diaries of a Junior Doctor | Adam Kay | ✓MApj | 0.75 |
| Horus Rising | Dan Abnett | AP | 1.20 |
| Fulgrim | Graham McNeill | AP | 0.15 |
| In the Darkness, That's Where I'll Know You: 1 | Luke Smitherd | ✓ | 1.00 |
| In the Darkness, That's Where I'll Know You: 2 | Luke Smitherd | ✓Ma | 1.00 |
| In the Darkness, That's Where I'll Know You: 3 | Luke Smitherd | ✓M | 1.00 |
| In the Darkness, That's Where I'll Know You: 4 | Luke Smitherd | ✔ | 1.00 |
| 113 Minutes | James Patterson | apc | 0.25 |
| The ReWired Brain: Free Yourself of Negative Behaviors and Release Your Best Self | Ski Chilton | ka | 0.50 |
| The Curse of Yig | H.P. Lovecraft | pam | 1.00 |
| Never See Them Again | M. Whilliam Phelps | m | 1.00 |
| Mephiston: Blood of Sanguinius | Darius Hinks | bwac | 0.10 |
| The Horus Heresy Primarchs: 5 - Lorgar: Bearer of the Word | Gav Thorpe | wcaB | 0.10 |
| The Horus Heresy Primarchs: 6 - Fulgrim | Josh Reynolds | B | 0.25 |
| The Horus Heresy Primarchs: 7 - Ferrus Manus: The Gorgon of Medusa | David Guymer | B | 0.15 |
| Animal Kingdom | Iain Rob Wright | mwp | 0.88 |
| Dirk Gently: 1 - Dirk Gently's Holistic Detective Agency | Douglas Adams | ✔✓a | 1.00 |
| Underground the Tokyo Gas Attack and the Japanese Psyche | Haruki Murakami | bw | 0.05 |
| Rip-Off! | V.A., ? ? (ed.) | abw | 0.20 |
| The Bleed | Mark Tufo, Chris Philbrook, David Moody | wm | 0.10 |
| The Billionaire Murders: The Mysterious Deaths of Barry and Honey Sherman | Kevin Donovan | B | 0.10 |
| The Scarlet Plague | Jack London | ✓ | 1.00 |
| Youth | Isaac Asimov | m | 1.00 |
| Wings of Sorrow | Iain Rob Wright | mcwp | 0.40 |
| The Moor | Sam Haysom | b | 0.25 |
| The Scarifyers: Dinner Date with Death | Roland Moore | bm | 0.45 |
| The Demon in Democracy: Totalitarian Temptations in Free Societies | Rysard Legutko | ✓ | 1.00 |
| The Toilet of Doom: 1 | Michael Lawrence | mb | 0.50 |
| Pink Madness | James Hillman | ✓m | 1.00 |
| Capital and Ideology | Thomas Piketty | FJG | 0.10 |
| Dear Mr. M | Herman Koch | ✓ | 1.00 |
| Choke | Chuck Palahniuk | ✔✔ | 2.00 |
| Haunted | Chuck Palahniuk | ✔✔ | 2.00 |
| Running from the Dead | Mike Knowles | m | 0.38 |
| Space Taxis | Adam Frosh | JG | 0.05 |
| Bone White | Ronald Malfi | baw | 0.05 |
| Hell's Princess: The Mystery of Belle Gunness, Butcher of Men | Harold Schechter | wma | 0.60 |
| Satellite Love | Genki Ferguson | map | 0.15 |
| The Mad Kyoto Shoe Swapper and Other Short Stories from Japan | Rebecca Otowa | ♀pba | 0.15 |
| Alien: Into Charybdis | Alex White | wap | 0.02 |
| Dark Ride | Iain Rob Wright | bw | 0.17 |
| Capital Realism: Is There No Alternative? | Mark Fisher | ✔ | 1.00 |
| The Fly-By Nights | Brian Lumley | bw | 0.18 |
| The Monkey's Paw and Other Tales of Mystery and the Macabre | W.W. Jacobs | mbw | 0.15 |
| Khai of Khem | Brian Lumley | M✓ | 1.00 |
| Tantamount | Blaine Lee Pardoe, Victoria R. Hester | ♀ap | 0.02 |
| Perfect People | Peter James | mwa♀P | 0.32 |
| Dear Reader: The Unauthorized Autobiography of Kim Jong Il | Michael Malice | ✓MPak | 1.00 |
| The Savage Dead | Joe McKinney | wb | 0.05 |
| Charlatans | Robin Cook | wB♀ | 0.02 |
| Overruled! | V.A., Hank Davis (ed.) | mwb | 0.25 |
| Pendragon: 06 - The Rivers of Zadaa | D.J. MacHale | mp | 1.00 |
| Cat's Karma | Christopher Moore | m | 1.00 |
| Less Than Zero | Bret Easton Ellis | M✓ | 1.00 |
| Dear NHS | Adam Kay | agwj | 0.01 |
The Secret Life of Groceries: The Dark Miracle of the American SupermarketsJust great. Information, good resources, well-cited, good interviews, good descriptions. Writing style at times on par with Palahniuk's. Sufficient. | Benjamin Lorr | ✔✓ | 1.00 |
| Amusing Ourselves to Death: Public Discourse in the Age of Show Business | Neil Postman | ✔✓ | 1.00 |
| The Naked Truth: Using Shameless Honesty to Enhance Your Confidence, Connections and Integrity | Daniel Munro | MKP✓ | 0.85 |
| The Conspiracy Against the Human Race | Thomas Ligotti | M✓k | 1.00 |
Darkness at NoonJust real good. Top candidate for a screenplay. | Arthur Koestler | ✔ | 1.00 |
| The Weird and the Eerie | Mark Fisher | m | 1.00 |
| Find You First | Linwood Barclay | ✓ | 1.00 |
| F*cking History: 111 Lessons You Should Have Learned in School | The Captain | mAPJ | 0.35 |
Manufacturing Depression: The Secret History of a Modern DiseaseDescribes in too much detail big pharma's shenanigans. | Gary Greenberg | mWB | 1.00 |
Heart of DarknessSlow. More so in a good rather than bad way. Not much happens. Good descriptions and 'feel', or 'vibes', as the zoomies and those shilling to them call it. Style over substance, to me, at least. | Joseph Conrad | ✓ | 1.00 |
High RiseDangerously based at times. Good read for modern day cities. | J.G. Ballard | ✔ | 1.00 |
| Cannibal Reign | Thomas Koloniar | W | 0.05 |
| Hater | David Moody | wb | 0.01 |
| MIND: A Unified Theory of Life and Intelligence | Frank T. Vertosick Jr. | Fp | 0.10 |
| The Road to Revolution: The Complete and Authorized Unabomber | Theodore J. Kaczynski | ✔ | 1.00 |
| The Keepers of Limbo: The Range: 01 | Yuri Ulengov | cw | 0.01 |
The Consolation of PhilosophyStuff I figured out alone before graduation (though I'm not from the 6. century nobility). You could say, it's a good read if you've never thought and or are under 18. Also, fuck all your god shit. | Anicius Manlius Severinus Boethius | MKPAFG | 0.90 |
The Consolations of PhilosophyImmature, self-centered, superfluous examples and stories. Yo, this ain't a bio. KY. | Alain de Botton | maf | 0.01 |
Why Liberalism FailedGreat read, if you've not heard the arguments—I hadn't. Tad dry and theoretical, in that not all's grounded in reality. Worth a reread in .5–1 years' time. | Patrick J. Deneen | ✓Mw | 1.00 |
| The Wicked and the Damned | Josh Reynolds, David Annandale, Phil Kelly | Pwb | 0.05 |
| The Chaos Space Marines Audio Collection | V.A., ? ? (ed.) | mpb | 1.00 |
Hold Up the SkyHonest-to-fuck, (prolly CCP-sponsored/backed) chink scifi. Propaganda seeps thru, and is felt constantly. People 'act' unlike evolved creatures, or bogstandard hooman. | Cixin Liu | bmwp | 0.15 |
Time SpikeTimeline mixing—new to me, wanna see it explored more, supposedly alt. history is the genre. Although I'd love to read about the 'bad' parasites winning, instead of the 'good' ones. Rather unsaleable, and paperweights don't pay the bills, nor are nutritious. | Eric Flint, Marilyn Kosmatka | ✓M | 1.00 |
The Lobotomist: A Maverick Medical Genius and His Tragic Quest to Rid the World of Mental IllnessNice layman's dive into the shitsea that is psychiatry and, exponentially so, the now defunct psychosurgery. Often over-detailed but great nonetheless. | Jack El-Hai | M | 1.00 |
Pandemic!: COVID-19 Shakes the WorldBemused, infantile rantings of an old man trying to make sense of things using communism derivatives, postmodernism, history of old dogma and authority, and often times objectively false reasoning and premises. As a fellow hooman bean, sad. As sb w/ an bigass audience- spreading unknowledge, misinformation, regardless of pseudonym, annoyingly infuriating. | Slavoj Zizek | FGpa | 1.00 |
Pandemic! 2: Chronicles of a Time LostBemused, infantile rantings of an old man trying to make sense of things using communism derivatives, postmodernism, history of old dogma and authority, and often times objectively false reasoning and premises. As a fellow hooman bean, sad. As sb w/ an bigass audience- spreading unknowledge, misinformation, regardless of pseudonym, annoyingly infuriating. | Slavoj Zizek | FGpa | 1.00 |
| Planet of Slums | Mike Davis | m | 1.00 |
Alpha and OmegaStory revolved around jews... Inclined on boring you and wasting your time. | Harry Turtledove | jb | 0.10 |
Give Me Back My Legions!: A Novel of Ancient RomeTo be honest, I should've given this on more time, however, too many names, and I don't care who's who to whom in Rome. Implying, any writer or historian worth a grain of salt would write about household 'struggles', and boring shit, meanwhile—actual tribal genocide, burning and pillaging, but nah, weddings and brother-in-law 'n shit. Fuck this dude. Alternative history my ass. | Harry Turtledove | b | 0.20 |
| The Dictionary of Demons | M. Belanger | bm | 0.01 |
Against Nature (A Rebous)I'd read this, not listened through it, years ago. What had motivated me, I cannot remember. But given it took me ~1.5h of my usual speedy listening, before I caught the drift: Hey, don't I know you? The book is so devoid of meaning and content, I barely remembered anything about it. Because there was nothing to remember. Well, fuck you, Huysmans. | Joris-Karl Huysmans | apb | 0.20 |
| Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer | Harold Schechter | ✓Map | 1.00 |
The Rational Male: 1 - The Rational MaleBraindead. Copy-pasted collage of MRE tryhards, doing absolutely nobody a favor. Should be hung publicly by the balls for being so pussywhipped. Did the abook, had all three, and listening to parts of each chapter of all– fewer than two paragraphs sufficiently summarize the reasoning, goals, visions, mindsets and everything possible. Dude's more legible than a tower of Babel sized W at the ophthalmologist. | Rollo Tomassi | Kafc | 0.30 |
| The Rational Male: 2 - Preventive Medicine | Rollo Tomassi | kafc | 0.10 |
| The Rational Male: 3 - Positive Masculinity | Rollo Tomassi | kafc | 0.10 |
The Dictatorship of Woke Capital: How Political Correctness Captured Big BusinessHadn't seen/been shown the economic face of matters alongside the political/cultural one, this book is a good introduction. I'll have to reread it, since I've already forgotten whether or not it makes any predictions (other the obvious ones), or just describes history- ya no, the easy part. | Stephen R. Soukup | ✔ | 1.00 |
| Unfu*k Yourself | Gary John Bishop | KP | 0.25 |
Secrets in the CellarRepetition through the book and insufficient detail lower score. Otherwise great, would make one helluva movie. | John Glatt | ✓mw | 1.00 |
| The Caller of the Black | Brian Lumley | mb | 0.20 |
| The Art of Invisibility | Kevin Mitnick | kMa | 1.00 |
| Labyrinth of Ice the Triumphant and Tragic Greely Polar Expedition | Buddy Levy | mbp | 0.38 |
Out of MesopotamiaPerhaps my first modern Middle Eastern novel. Not half bad, predominantly caused by the foreignness of (civil) war in one's own country, the not jungle|city|space|high-tech|low-tech setting, just plain ol' Toyota Hilux and domestic and foreign terrorism against all people you deem unworthy. Boring whenever the interpersonal, or rather man-woman?, or 'civil'? or merely familiar?, occurs. The rest is fine by me. | Salar Abdoh | M | 1.00 |
| In the Shadow of Gold | Michael Kenneth Smith | b | 0.11 |
The Horrors of Fox Hollow FarmBoring, bad writing, wantonly fallacious. | Richard Estep, Robert Graves | cb | 0.33 |
An Old CaptivityWritten in 1940s by airplane engie, one the is first novels (I think), it's enjoyable, pacing could -be better in spots, be less foretelling overall, the last 20-30% were albeit decent, very predictable. Still, nice for a one-time read. The next novel will dictate the subsequents' lives on my drive. | Nevil Shute | M | 1.00 |
Evil Is a Matter of PerspectiveThe woman author massacred beforehand mediocrities in such a show of force, it whet my critique's edge such that within the ~1' I'd given each subsequent story, not a piece was left. Shit authors. To be expected of a woman, they shouldn't write about what they cannot comprehend- pick something you know, like knitting or emotional bullshit, chick lit and woman power fantasies—literally a good two thirds of audiobookbay material. | V.A., ? ? (ed.) | bw | 0.20 |
IshmaelIntroduced to me by Alex Jones on the second (or first?) podcast with Tim Pool. 'I am a gorilla—murder yourself.' Yeah, but turns out it really is a book, it really does have a following, the author's made a pretty penny selling propaganda. And, what can I say, it's some of the best written propaganda out there. Rather far from the perhaps jocular suggestions the show gave impression of. I'd've not thought about it, til I saw the site... The book itself– has circular, circuitous, or plain false reasoning/argumentation at various, critical points. Main goon's supposed to be the good guy(?) or be an average joe, so more or less equivalent- literally hero syndrome-levels of reason subjugation and disbelief suspension. So, we've delusion of grandeur, delusion of mind-reading, along with various informal logical fallacies. 'I'm the savior of all these poor folk'- it fails over itself in excess of zero times. I'm not gonna go into an essay. Bad faith, bad reasoning, awful argumentation, good/new viewpoints or frameworks of viewing things. It would make for onehelluva introduction to a character in a movie, play, or series precisely bc. it's so trivial at times, yet compelling, since it is, indeed, a gorilla. Best propaganda I've read so far. | Daniel Quinn | ✔g | 1.00 |
| Games: 1 - New Year | Sea Caummisar | m | 1.00 |
| Games: 2 - Brutality | Sea Caummisar | m | 1.00 |
| Games: 3 - Donny | Sea Caummisar | m | 1.00 |
| Games: 4 - Maze | Sea Caummisar | m | 1.00 |
| Games: 5 - New Guy | Sea Caummisar | m | 1.00 |
Games: 6 - Game OverDid the 13h abook of all six, dude apparently shits these babies out like a queen bee. Very little depth, likely self-published, couldn't easily find reading material to go along. He thinks in series; each introducing new element(s) or character(s), un-shy about 'gore', albeit tame and shallow compared to Chuck Palahniuk, not descriptive, yet not verbal/action-based. As a writer immature, incomplete and hasty maybe that's his niche. | Sea Caummisar | m | 1.00 |
Rabbit, RunLike(d) the style, but the main goon riots have no redeeming qualities, neither do any of the non-elderly characters. Could be a manual on how to be shit human. It's like all the niggers in a smallish American city, actually probably all ethnicities given there're several follow-up novels in the same universe, fit into their stereotypes, the ones prescribing bad qualities, mostly. Author blacklisted. | John Updike | ✓MA | 0.80 |
HungerFuckin' A. My kinda of kino. Second read. | Knut Hamsun | ✔ | 1.00 |
Rich Dad Poor DadRather condescending writing, catering to either bigger audience under publisher pressure, or actual malice, albeit the rich dad was supposedly the bad guy. Platitudes, garnished with too-detailed-to-be-real example from 'real life'. Nothing you can't figure out yourself before hitting 18, practicing it is another matter- and that's nothing to do with books. Also, contains falsehoods, flawed argumentation, and false premises. Of zero intellectual worth to >90-IQlet. | Robert Kiyosaki, Sharon Lechter | KaWf | 0.20 |
| A Most Remarkable Creature | Jonathan Meiburg | mba | 0.50 |
The Lost WorldAbook, actually greatly done. Lovely writing, humorous and witty, some new words for myself, very believable and consistent. Although I know criticisms of his main work, s.h., perhaps from seasoned, hard-boiled crime novelists and the like, but this, the first of 5 novels w/ prof. challenger, essentially a series, this books seems like an excellent package. | Arthur Conan Doyle | ✔ | 1.00 |
SnowNothing within (so far) suggests Nobel-prize-worthiness. Occurs in modern day Nowheresville, Turkey with its current issues. Boring though, and slow to boot. These 30% I've read could've'n a 1–2 paragraphs, action-wise, aaand the description or narration isn't worth my time. | Orhan Pamuk | mb | 0.30 |
Poison BeltSecond book of Doyle's Prof. Challenger series. Abook again, and this time I didn't feel like opening up the text, inferior to the preceding one- the ending is heralded before act one is half done. Appreciable epilogue though- some discussion around the topic of ether and additional anti-newqueuelar war propaganda stortk FIXME. | Arthur Conan Doyle | Mp | 1.00 |
Gotta Get Thereux ThisIn his documentaries, his mannerisms, the way he conducts himself, the question he asks and how he goes about everything, you've read some this book, at least, everything up to his 20s and career start in the US. Smart guy, but indoctrinated leftie in need of subjugation to harsh truth. | Loius Theroux | mkpba | 1.00 |
Dead Man Can't Complain and Other StoriesCollection of short stories but in a unprecedented fashion, I liked each and every one. Either I've only ever had bad luck starting stories, or the stories just are original in concepts, content, and feature good writing. Glad I gave the guy a shot, I'm dl'ing his other works hoping quality wasn't sacrificed for depth and longitude. | Peter Clines | ✓ | 1.00 |
The Art of LiteratureBased and pilled. Has decent advice and ideas to consider. | Arthur Schopenhauer | ✓ | 1.00 |
| Story of B | Daniel Quinn | G | 0.90 |
| The Last Exiles | Ann Shin | ♀wb | 0.09 |
| Weak Strongman: The Limits f Power in Putin's Russia | Timothy Frye | m | 1.00 |
| Ex-Heroes: 1 - Ex-Heroes | Peter Clines | b | 0.15 |
| The Eerie Adventures of theLycanthrope Robinson Crusoe | Peter Clines | b | 0.05 |
Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of IntrigueGives a decent to great view, indirectly for the most, into how a good and mature mind goes about tackling a strong foe. David vs. Goliath. However, here Goliath lacks his natural strength, instead hiding behind a system disallowing people without massive amounts of money to play. The first amendment, and freedom of '''press''', both in from the 2000s to early 2020s so very often misused, that lawyers specialize in this overlitigated law. Whereas before companies strove to shut up the the press, who then more frequently sided with the common folk and the average joe, currently things are exactly backasswards. Well, with Project Veritas' BIGASS cases against the jew jork times and cnn, soon the titanic Gawker case might be joined by two other leviathans in case la FIXME. | Ryan Holiday | MJ | 1.00 |
| Cruel Doubt | Joe McGinniss | mp | 1.00 |
| .The Killer Inside Me | Jim Thmpson | ac | 0.05 |
Serge Storms: 24 - Tropic o Stupid
| Tim Dorsey | m | 0.60 |
| The Chimes | Charles Dickens | ? | 0.30 |
| The Cold5st Case | James Patterson, Aaron Tracy, Ryan Silbert | w | 0.10 |
| Threads of Life: A History of the World through the Eye of a Needle | Clare Hunter | ♀B | 0.12 |
Paradox BoundI do love a time-traveling novel that's also closed off, that loops into itself, explaining more through different timelines, sets of eyes and eyes. This one also has nice ideas about the American dream, as if it were something physical, making myth out of the founding fathers' creation. If it'd employed better writing, less foreseeable or predictable- I'm always a paragraph ahe? FIXMErdad of where I'mied at-, it could've been a full checkmark. | Peter Clines | M | 1.00 |
American Gods: The Tenth Anniversary EditionThe book gets better, and better, and better. Maybe the hostility from 'Fortunately the Milk' has withered (maybe I should give it another go..?). It weaves together strands from various cultures, geographies, and times into an American story told from the settler on the continent far before the country's founding. Like Under the Volcano, it has a dreamlike, continuous, or stream-of-consciousness-like quality that I quite fancy, and similarly simultaneously find it hard to put down, and myself unwilling to go faster to avoid completion, to prolong virginal self-indulgence. | Neil Gaiman | ✔ | 1.00 |
Last Orgy of the Divine HermitThe stream of consciousness in this is gorgeous, it never stops. Even more so than Under the Volcano maybe. The matter of fact delivery, the similarities with the real world both make this extremely enjoyable and re-analyzable. | Mark Leyner | ✔ | 1.00 |
Nightmares in EcstasyGreat body horror short stories. That is all... | Brendan Vidito | ✓ | 1.00 |
Trust Me, I'm Lying: Confessions of a Media ManipulatorNice to hear what some had long been suspecting, me too albeit I've didn't care as much, but was nonetheless fascinated about the length people would and do go to for money and or power. Just power, actually, all things that be exchanged for in the book can be seen as power within some domain—financial, political, personal, etc. Personally, my first big insight into media manipulation, deception, and play on all team for gain. What ticked me off that he's a giant fucking jew, is how his unscrupulousness and unruefulness. That he sees James O'Keefe is fraudulent—this was most damning. He becomes the exact same person he claims to be short- and long-conning, the misinformed reader, the blogger. Showing no evidence, no sources, nothing but spurious claims, (same could be said about handing various other American '''news''' outlets compliments such as 'credible'). He's is no better than these people. And he's a long, long walk from doing anything of worth. | Ryan Holiday | MKJf | 0.85 |
Ego Is the EnemyAuto-fellatory. | Ryan Holiday | Jfba | 0.05 |
Dark FantasiesWritten in England during the 80s when cheap, explicit gore was all the rage (was it any good tho?), this gentleman's collection of what he call 'dark fantasy', offers a jab back. Were it you cup of tea, you might call it decisive blow, but the 7 first stories within did not grasp me. Dark or creepy, or spooky, they are not. Quaint, sure. Tolerable, even not too boring or predictable, just not enough happening to warrant the time currently with so much on the reading table. | V.A., Chris Morgan (ed.) | mb | 0.28 |
Happy Endings: The Tales of a Meaty-Breasted ZilchHard to believe this guy's a comedian, because this books is a good joke you can hear once, and it's good. And then it's repeated til the second book cover. It functions more like a friend one know well, whose stories all bare a certain tinge, nuance, flavor, that you enjoy, but recognize from afar and whose end you can spell out. | Jim Norton | Mp | 1.00 |
Empire of the SunToo mild. More historical through a child's eyes, than good fiction. Too sentimental, or human, or what would be a better way of putting? Normal, predictable? Were the war, world, characters all fictional, I'd've not cared and dropped it before the hour-mar. | J.G. Ballard | mb | 1.00 |
| Think Like a Cat: How to Raise a Well-Adjusted Cat, Not a Sour Puss | Pam Johnson-Bennett | ♀ap | 0.01 |
CertaintyI really could not bring myself to caring about anybody or anything within the first 1.5h of the audiobook. It's boring and bland. | Victor Bevine | b | 0.18 |
| Stillness Is the Key | Ryan Holiday | Kam | 0.20 |
A Confederacy of DuncesFrom the foreword already I'm hooked by the irrelevant to the book backstory of the author. From the first paragraph, it's a style of writing that regales me. Witty, good storytelling. This text is phonetically thickens speech with nearly everything embedded in an accent—here, that of New Orleans, Louisiana. Understandable unlike 1996's Now, this passage, albeit written in the 80s, demonstrates the type of thinking, at least superficially, present among modern-day lefties. Although satirical, somehow the author had had enough either fore- or insight, or had already witness this in his time. The ideas should have already taken root in American higher education then.
I like to laugh from a non-human perspective, because from a human one, it's just sad, disappoint, suboptimal, grotesque. I'd like to laugh knowing I've never stated or opined (only to not be heard or regarded) and turned out wrong. I'd like to, but I'd rather be wrong and have humanity be better for it, others, the ones I interact with. But no. I'm right, but for my own sake, and I mourn for society every waking moment in the presence of others. 'Maybe your boy went to school too long,' Mr. Robichaux advised. 'They got plenty communiss in colleges.' ..Anyways, it's a great read, it's reread-worthy. No wonder it's a cult classic of southern US. | John Kennedy Toole | ✔✔ | 1.00 |
| Value(s): Building a Better World for All | Mark Carney | fg | 0.05 |
Children of TimeDecent concept and dull storytelling at the (audiobook's) length of 16h, or ~2e5 words—uh, yeah, nah, cunt, I'm good. Not fucking waiting for more sub-par plot delivery. MNEEEEXT | Adrian Tchaikovsky | bm | 0.42 |
An Ancient EnemyNo fucking clue what the fuck is supposed to be happening. With zero on-boarding, hearing strange names (jacobarian..?), etc. is off-putting. I thought alt. history was supposed to deal with real historical things, not made up ones. Regardless, without the text in front of me—and I sure as shit wasn't giving it a chance with that delivery—, big no. NEXT! | Olan Thorensen | b | 0.05 |
MirrorshadesFirst story had this nice passage: I rushed into the nearest newsstand and gathered up as much as I could find on the petroleum crisis and the nuclear energy hazard. I'd just decided to plane ticket for New York. 'Helluva world we live in, huh?' The proprietor was a thin black man with bad teeth and an obvious wig. I nodded, fishing in my jeans for change, anxious to find a park bench, where I could submerge myself in hard evidence of the human near-dystopia we live in. 'But it could be worse, huh?' 'That's right', I said. 'Or even worse, it could be perfect.' That aside, these stories bore. The editor, himself a famed author in this direction, is enthralled however. I can't reconcile what kind of a person would actually find these monotonous, drab, snoozefests, i.e., cyberpunk-, interesting. Or anything positive really. Visionary in predicting future technologies and or ideas—sure. Entertaining, enjoyable, pleasant—no. | V.A., Bruce Sterling (ed.) | b | 0.53 |
| Destroying Angel | Richard Paul Russo | b | 0.15 |
| My India | Jim Corbett | B | 0.08 |
| The Emperor's Consciousness: 1 - Aspected | Michael Combs | b | 0.03 |
Dirty ThirtyA cocktail (or big soup) of 1 part interesting, 1 part bland, and 1 part sad, frustrating, and disappointing. I've only ever watched one Asa scene, I'm not into anal, or (pseudo-)rough stuff, or any of her strong parts. The surgery make her look fake, alien, uncanny, definitely all south of neutral, let alone arousing. Regardless, her name is recognizable and one can hear this or that over the years about her, the industry, specific other performers. So I was expecting to hear some depressing shit of 2. gen American immigrant youths squandering opportunity, being shitheads, and horrible people. Correct-o. I expected some cool, or interesting stories though. I know it's a profession like any other, but when you work with people you get to do more getting to know, more locations, more scenarios, idunno. Likely, this is her very first long-form text. Says she wanted to be a writer before becoming an addict and even more of whore. The work is stereotypical of a woman—{ aforementioned adjectives }; and either her nib has many miles more of paper to cover before something decent emerges, or, and this is subjective, I don't like autobiographical shit, esp. female. The repetition become more frequent, and predictability increments lockstep. After the first third, you can close the book content to not waste any more of your time Hetk FIXME. | Asa Akira | mbp | 0.50 |
| In Defense of Looting | Vicky Osterweil | GF | 0.01 |
| The Law of Lines | Hye-Young Pyun | ♀b | 0.08 |
The Only Good IndiansFor a horror/thriller/suspense novel—it's shit. I should've trusted my instinct, my disgust, revulsion at Stephen King's endorsement of this mediocre trash. Cut out three quarters, make it punchy, do something, for fuck's sake. Reads more like a a stereotypical midlife crisis—flirtation at work, bumps in marriage, trouble with family/heritage, increasing paranoia about meaningless, irrelevant shit. Pace is frozen solid compared to where it should be. And the reader? Bored, gets a middle fingwe FIXME. NEXT!!! | Stephen Graham Jones | bm | 0.48 |
| Gods of the Dark Web | Lucas Mangum | w | 0.50 |
A ManAnother boring Jap novel. Most characters are predictable. Up to the quarter that I'd reached, unexpected only was the main release in act 1. Beginning pages are way to rocky. Actual ground is missing, not 'rocky', if I were to continue with a metaphor of a vehicle driving you to the all the essential info of act 1. Also, way too many characters and plot points or lines introduced in too short a time span. I'm not decoding bad writing. Even when I eventually caught up to roughly what was happening, it's still falls flat. I could wait for 'the good stuff', or actually get a good book. | Keichiro Hirano | bwm | 0.25 |
Fears of a Setting Sun: The Disillusinment of America's FoundersMy kinda book, about the highly intelligent, prophetic, endeavorous, who were right about almost everything, and whom nobody listened to regarding most. Today, one gets single-sentence, singe-word, or, worst of all, emoji replies. Back then, good-faith discussion in long form, in 20-page letters was normal. Thought was expanded n-fold, refined m-fold both written and oral. Somewhere in the technological frenzy, probably since the invention of the telegraph (paraphrasing quote from another book (about why radio should be local)): 'What the fuck does Maine care about Missouri?'. This book is also my first encounter with founders' texts. I do have The Federalist Papers, but the amount of monographs, epistles, speeches given by these four dudes astounds. I've ever only twice spoken in front of people, both failing either time from being under-prepared, and nervous (having failed the first time many years ago). My dude Hamilton gives out five-hour speeches, ffs. I find the 4-four showcasing of only the currently examined founder's statements lamentable, albeit, it's supposed to be about their hesitancy, despondency, worry, not their correspondence. | Dennis C. Rasmussen | ✓M | 1.00 |
| Future Crimes: Everything Is Connected, Everyone Is Vulerable, and What We Can Do about It | Marc Goodman | k | 0.50 |
| Epicurus of Samos: His Philosophy andLife: All the Principal Source Texts | Hiram Crespo | M✓w | 1.00 |
Stop Saving the Planet!: An Environmetalist ManifestoNice critique and analysis of environmental problems and problems with environmentalists. Although it does get rather floaty after ~2/3, and becoming increasing irrational, petulant, and the type of person she was hating on beforehand. | Jenny Price | Mgf | 0.90 |
Breaking the News: Exposing the Establishment Media's Hidden Deals and Secret CorruptionDangerously red-pilled. | Alex Marlow | ✔ | 1.00 |
Fortunately the MilkFor children? FIXME rdn, I'd hope, I iedthink?, otherwise unfunny and or annoying. Alright-y, months later and in a better mood, I relistened and reread. It's actually quite nice for a short story, family-friendly too. | Neil Gaiman | ✓M | 1.50 |
| Night of the Mannequins | Stephen Graham Jones | wm | 0.50 |
| Global Jihad: A Brief History | Glenn E. Robinson | bm | 1.00 |
The Victory of Reason: How Christianity Led to Freedom, Capitalism, and Western SuccessReading this at first, I was struck by new-ness of the ideas, or narrative presented. I looking up ol' Rodney in audiobookbay to find that, lo and and behold, dude writes exclusively about religion. Fine, maybe the complete selection elucidates the connection with religion—and it does. A journalist turned sociologist, currently some distinguished prof. of it at some uni or religion-oriented institute, he writes about rel. diverse topics, mostly human ones regarding history, Christianity, etc.: From wiki 'Stark has written over 30 books, including The Rise of Christianity (1996), and more than 140 scholarly articles on subjects as diverse as prejudice, crime, suicide, and city life in ancient Rome' My only gripe is regarding assumptions for the emergence of 'science' in the Middle Ages being due to Christianity, Catholicism specifically. I grant you, no other society with or without religion succeeded in isolation to getting to it. But, just because I wore a mauve sweater today and it didn't rain on me, doesn't mean that: It didn't rain elsewhere, it would have rained on me had the material or color of the sweater been different, or the article, or had I gone bare-chested. An affirmative conclusion from a negative premise. It wouldn't be prudent, nor expedient, to takes thousands of modern-day hunter-gatherers, and observe them enough time in similar enough conditions to allow for a development of religions, and a progression of that development—as he points out, Christianity is the (perhaps?) only orthodox (i.e., based on correct interpretation/opining) religion, whereas others are orthoprax (i.e., based on correct execution of rites and practices): Judaism, Islam, Taoism, and even pseudo-religions such as whatever passes for Marxism these days. It is logically fallacious to assert that it is the sole contribution of Christianity. That it played a big role, however, crucial even, is substantiated sufficiently. The book is consistent through and through, covers history from around the 8th to the 18th century without unnecessary jumps; topics are chaptered well, and these in turn—well sectioned. Assuming his references are in check (and I've no reason to assume they're not), this book deprives wanton 'debunkers' and agenda-pushers, most of which he himself points to whenever relevant. Well written, presented. I will also check out some of the titles considered heavily biased, and demonstrably false by ol' Rodney 'ere. | Rodney Stark | ✔✓ | 1.00 |
| Zombies, More Recent Dead | V.A., Paula Guran (ed.) | Bw | 0.09 |
Why Do Men Have Nipples? Hundreds of Questions You'd Only Ask a Doctor After Your Third MartiniI'm not layperson when it comes to medicine, but I'm also no ER doc. This is mediocre. Almost all of these questions are easily answerable from an old corpus of scientific knowledge, or from thinking rationally about them, scientific method, bitch. What a waste of time. Speaking of time, I've'n thrusted longer religious sect pamphlets than this. A writer's and doctor's combined effort results in a pop-sci Q&A and old-wives-tales 'debunking'/explaining. Any search-savvy teen, non-idiotic teen could get to these answers sans the faux entertainment. | Mark Leyner, Billy Goldberg | K | 1.00 |
| Hitler: Anecdotes, Myths and Lies | Jose Delgado | bm | 0.45 |
| Great Again: How to Fix Our Crippled America | Donald J. Trump | km | 0.85 |
Devil's ChaplainFucking snoozefest, atrocious writing style. At least put the good stuff up front, for fuck's sake. Waste of time. | Richard Dawkins | mwba | 0.25 |
Books Do Furnish a LifeFaux condescension, the wording of every fucking sentence, annoys to the bone. Nothing of worth is said. This is below trash. And so is Dawkins regardless of all his previous work. | Richard Dawkins | Akpf | 0.13 |
Antifragile: Things That Gain from DisorderT.R.A.S.H. One of these days, I'm gonna stop considering all self-help books altogether, same as anything by a woman, or in a series. And this guy's supposed to be fucking smart? Smart in extracting money from trash humans stupid enough to forfeit their money for this garbage. MNEEEEEEEEEXT!!! | Nassim Nicholas Taleb | wAPK | 0.20 |
The Dead HusbandSupposed psychological thriller writer. Yeah, and I'm a tram. I gave it, like, 5 chances, and it never fails to disappoint. Regarding the rating, as they say, if it walks like a duck, and talks (uh, talking ducks..?) a duck... | Carter Wilson | ♀ | 0.02 |
| Third Annual Best Horror Stories of the Year | V.A., Orson Scott Card (ed.), Martin H. Greenberg (ed.) | m | 0.65 |
Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad OnesSame old garbage. Predictable, annoying, platitudinous, common-sense, unhelpful, waste of time. I won't again consider or download a self-help book. I'll rapid-fire go through every single one I've saved, just to reduce space and be content. Deletion s-s-s-satisfiesssied. | James Clear | paw | 0.20 |
| Shedrow | Dean DeLuke | bm | 0.29 |
| How to Think Like a Roman Emperor | Donald Robertson | KP | 0.02 |
| The Neil Gaiman at the End of the Universe | Arvind Ethan David | M | 1.00 |
The Day of the Donald: Trump Trumps America!Over-the-top parody/satire of the fecal fanfare that is US politics (be on a local or federal level, as seen by natives and foreigner from abroad and at home), albeit kinda leftie-biased, albeit not fully trump-derangement syndrome. Still though, all around good–great short, one-time read. | Andrew Shaffer | ✓Mg | 1.00 |
| Mapping the Interior | Stephen Graham Jones | b | 0.37 |
| Ghost in the Wires: My Adventures as the World's Most Wanted Hacker | Kevin Mitnick | Apkjm | 0.48 |
Robert Hunter: 08 - The CallerFound this in my dir whilst looking for some fiction, something to forfeit my mind to in pleasure. Welp. this Brazilian-born strange dude self-described as having been a criminal behaviorist/psychologist, been a 'musician' with famour glam rock bands (I've never read up, heard up, seen, experienced person describe themselves as such, rather they choose the more apt instrument-er/ist) and somehow settled from the US to London, of all shit places.., to become a (thriller) author. His major work is 10 novels with an L.A. detective Robert Hunter in the 'ultra violent crimes' division. There are no clear ties, or feelings of missing something, regardless that this is the 8. one. All in all, is was alright or good. Two flaws in the writing which haven't been fixed (and I'm hoping aren't intensified retroactively) are that: 1. faux drama—a very toned down version of Indian soap opera reaction shots and utterances that are distracting, non-plot-developmental and inconsequential, and, worst of all, jarringly out of character (for the main guy, at least); 2. 65 chapters, really? slightly redundant with former point, but they're structured like soap episodes, all but the epilogue end on suspenseful moments, that I wouldn't always call cliff-hangers, not even author's teasing. Annoying if anything, because you don't get all the information at the same time, or even in the same chapter. This staggering messes with suspense-release on > tracks, which I'd call bad. All that being said, given how shit the competition most often is, it a good thriller, or crime-novel. Gore was decent enough. | Chris Carter | ✓ | 1.00 |
Robert Hunter: 01 - The Crucifix KillerThinking back on the past 7 books, one, that is, I really do | Chris Carter | ✓ | 1.00 |
| Robert Hunter: .5 - The Hunter | Chris Carter | M | 1.00 |
Robert Hunter: 02 - The ExecutionerCompared to 01, much more complicated plot, and even though I paid more attention, the amount of characters (and you know author hand out only distinct, unique, hate-your-parents sort of names to facilitate remembrance) is ~4–5x that of 01. A lot less cringe, but the over-dramatized things still bug me. Given their presence in 08, it's likely a feature, not a bug, as Todd would say. I don't do good with history (dates), and names, much better with ideas, abstractions, actions, rather than descriptions. I think the following characterization will persist in all titles, even without the series: Filler à la Indian reaction shots, that is, exclamations (on the other hand, it makes it more cheesy, which sometimes works in its favor, like the new bitch boss of the police department with cliché overflow), a few catch-phrases that all three so far read have used 2–4 times, and something that probably has a name but I don't know it, namely, more or less '*overenthusiastic trailer/announcer voice: From an early age, this genius was abused (echo abused), he suffered trauma (..-ma.. -ma), and now, he's back for revenge!'—copy-paste with different extrema for for the main, support, and all villains. But it worth it, a nice plot. T h i c . | Chris Carter | ✓ | 1.00 |
Robert Hunter: 03 - The Night StalkerCompared to 02, less interwoven plot, less characters and fewer plot points to resolve. Sadly, less gore and violence, too. Nonetheless, worth a one-read, enjoyable. | Chris Carter | ✓M | 1.00 |
The Big Lie: Exposing the Nazi Roots of the American LeftI'd long thought about the American left (the European, British, and Australian follow suit with some delay) as cryptonazies and cryptofascists. I just didn't know how deep this shit ran. And how far back. Fucking hell. It is thoroughly disgusting what humans will do to each other | Dinesh D'Souza | ✔✔ | 1.00 |
| The Catalyst: How to Change Anyone's Mind | Jonah Berger | kwg | 0.15 |
| The Future of Us | Jay Asher, Carolyn Mackler | ♀m | 0.20 |
| The New Climate War: The Fight to Take Back Our Planet | Michael E. Mann | Gmf | 0.17 |
| Detour | Martin M. Goldsmith | mb | 0.27 |
Robert Hunter: 04 - The Death SculptorUp til ~2/3 was weak, not as deep as the previously read ones. A lot less suspense and release throughout, and, say, 3–5s of the mystery/plot see the Sun rapid-fire within 2 chapters around the 90%. Less gore. Again, no character development as if, the first book was strongest there. You can make the case as with other detective novels, that cases happen separately, as if in their own Everett universe. Shorter too. | Chris Carter | M✓ | 1.00 |
Robert Hunter: 05 - One By OneThe slope from 3 to 4 was downward, and steep, but tolerable. This jump was in the same direction and of the same magnitude. We're not quite vertical, but it's pretty mediocre. Explanation repetitions, long wind, and the same issue plaguing 8, 0, 1, 2, 3, and 4. Another unused cast of characters. Too little action, gore, which are the only reasons I liked this series, I've not had any exposure to gore novels, maybe I should research and find some. | Chris Carter | m | 1.00 |
| The Age of Wood: Our Most Useful Material and the Construction of Civilization | Roland Ennos | bm | 0.52 |
Lamb: The Gospel According to Biff, Christ's Childhood PalI like the jabs, and jokes. But I fucking hate jewry, and religious anything. The jesus char getting everything served on a silver platter, whilst whilst playing innocent is too annoying, to infuriating. These people should be shot. Given the current state of affairs at home, in the EU and US, there is little-to-no reason to tolerate this fucker. Great writer, bad topic, or too much worship. Fuck him for this. First Ch.Moore book I couldn't finish, ffs. I'm mad. FIXME | Christopher Moore | ja✓ | 0.17 |
| Tales from Outer Suburbia | Shaun Tan | a | 0.10 |
Robert Hunter: 06 - An Evil MindMajor game step-up. The last two were weak, as if written in financial need and or quick succession. What I dislike about this one is the incongruence within all significant characters: Being professional, then amateurish and or childish; being omniprescient, then—surprised; keeping their cool, then losing it. Robert Hunter is not believable, but the killer, the antag, my nigga is not perfect, but very close. Very nicely constructed. As much as I hated all the predictable interactions between the 'good' toons with and within themselves, and their surroundings, 3–5-fold more was my pleasure in scenes with antag in control, with thing going according to plan, with the stupid fucks incapable of independent thought. Putting aside plot armor, hypocrisy (again), and inconsistent morality: It is extremely кино. Tad disappointing ending though. We need more authors with balls to kill off mains and let the 'bad' guys 'win'. Not great for a running series most likely. | Chris Carter | ✔✔ | 1.00 |
| Apocalypse and Chill | Neil Bimbeau | cw | 0.30 |
Version ZeroNice idea, but either aimed at children/teens and or very naively and amateurishly executed with a rather palpable left-wing bias. From main to support to accidental, all characters are shallow and predictable. Also has false allegations, and cringe-worthy, unwarranted jabs at Trump, the US 'right', and the older parts of internet culture. I'd bet top dollar Yoon is either very old or younger than myself, in either case both uninvolved and very unknowledgeable. He might have good intentions, but that's worth fuck all, esp. so when the both means and results are mediocre at best meanwhile disseminating unhelpful, baby ideas and motivations, and (re-)stating falsehoods. NEEEEEEEEEEEEEEEEEEXT! | David Yoon | mGfap | 0.41 |
How the West WonThis book was publish 7 years after | Rodney Stark | ✔K | 1.00 |
Zeno's ConscienceI hate nearly all people within this novel. Pretentious, nagging, inconsistent. Other than human prediction and modelling practice, this novel offers nothing of value to me within the first 15%. Fuck you, Freudian shitknob. Fuck you too, Joyce. While I am at it, fuck everybody else too. | Italo Svevo | abw | 0.15 |
| Dumb Luck and the Kindness of Strangers | John Gierach | b | 0.09 |
| Standing in a River Waving a Stick | John Gierach | m | 0.71 |
| The Big Fat Surprise: Why Butter, Meat, and Cheese Belong in a Healthy Diet | Nina Teicholz | ✔✔ | 1.00 |
| Triggered: How the Left Thrives on Hate and Wants to Silence Us | Donald Trump Jr. | M | 0.89 |
| Refugees: A Very Short Introduction | Gil Loescher | wb | 0.15 |
Robert Hunter: 07 - I Am DeathThis was a treat, and it even had a bit of what 8 does. Great plot, and very nice and subtle twist(s) at the very end. Satisfying. | Chris Carter | ✔ | 1.00 |
Clown World Chronicles: The Human Primate in the 21st CenturyWhen one is this deluded, and wrong within less than 5 pages, the book would be an exercise in pointing out mistakes. I'm not teaching a class, and I'm not educating idiots, so that'd be less wisely spent time. Fuck you, Vince. Though I hope you learn some day. | Vince McLeod | FG | 0.05 |
| The Mood Elevator | Larry E. Senn | wa | 0.05 |
| Psycho USA: Famous American Killers You Never Heard Of | Harold Schechter | mb | 0.75 |
The Shadow Party: How George Soros, Hillary Clinton, and Sixties Radicals Seized Control of the Democratic PartyCui bono?, or 'follow the money'—the book. Even though it was written in 2006, it explain in detail how Soros acts, and how Soros benefits. Quintessential evil jew, smart enough to use Marxism-derived shit to make money hand over fist over hand over... The amount of foreshadowing, prescience is scary. Or rather, it's been the same since the 60s (and earlier still), the intensification of everything, acceleration has been getting out of hand as if? | David Horowitz, Richard Poe | ✔ | 1.00 |
| Bad Signs | R.J. Ellory | b | 0.05 |
| New Found Land: The Long Haul | Austin Grossman, Neal Stephenson, Sean Stewart | aw | 0.04 |
| The Great Depression and the New Deal: A Very Short Introduction | Eric Rauchway | bk | 0.09 |
| Travis Chase: 1 - The Breach | Patrick Lee | M | 1.00 |
Wasp FactorySomewhat interesting story, or rather interesting from the point of view that it's a nothing author from a shit country with shit writers (about as much as Ireland) making a story about a sociopathic child/teen inflicting harm on various living subjects for no discernible reason other than plot. Deus ex machina, divine intervention, plot armor, blind everyone, etc., all seem to be typical of 1970s–80s–90s whereversville, scotland. This is bad writing that's good enough for for somebody who occasionally reads, and has never thought for himself in his life. That some people might think this is normal sociopathic, or psychopathic, or any kind of consistent human behavior is appalling to me, but hypocrisy, that is, self-serving and often malevolent self-inconsistency reigns over most humans. | Iain Banks | Maw | 1.00 |
| Astrobiology: A Very Short Introduction | David C. Catling | M | 1.00 |
| The Mysterious Stanger and Other Stories | Mark Twain | ✓M | 1.00 |
| Travis Chase: 2 - Ghost Country | Patrick Lee | M | 1.00 |
| Kilgore and Co. | Edo Van Belkom | aw | 0.12 |
| Titus Andronicus | William Shakespeare | aw | 0.10 |
| American Psychosis: How the Federal Government Destroyed the Mental Illness Treatment System | E. Fuller Torrey | b | 0.34 |
| Travis Chase: 3 - Deep Sky | Patrick Lee | M | 1.00 |
Robert Hunter: 09 - Gallery of the DeadGood enough, not as strong as previous two. Great reminder of why women should be barred from mens' work (and vice versa), and why emotions are mostly useless, unhelpful trash. Ridden with same issues as previous . | Chris Carter | ✔ | 1.00 |
| The Executive Order | David Fisher | GBf | 0.50 |
| The Enemy Within | David Horowitz | ✔K | 1.00 |
| Down with Colonialism! | Ho Chi Minh, Walden Bello | bG | 0.12 |
| The Lost Weekend | Charles Jackson | b | 0.40 |
David Kepesh: 1 - The BreastThe Metamorphosis but funnier and with more exploration of sexual matter. | Philip Roth | ✔ | 1.00 |
The Overcoat and Other Russian TalesAlthough I fucking hate Russian literature, I've had Gogol stories in school lit curriculum, and have attended one of his plays as well. All I remember was 'The Overcoat', and that everything else was mind-numbingly boring. The audiobook version's translation is horrible (Isabel F. Hapgood, a fucking cunt a woman again ruins shit), given the amount of of existing ones. I mean, for fuck's sake, how often do you see beetles in the Russian winter indoors? From Kafka's Metamorphosis (in the original southern German), Ungeziefer would translate as vermin, pest, bugs, wild animals, how any translator would substitute a beetle in these' place and expect pay is beyond me. Anyways, I fucking hate Russia. All of it forever and always, regardless, at this particular point in time A.A. is an utter loser, wholly irredeemable. Self-improvement? Nah. Status? Nah. Friends? Nah. Family? Nah. Hobbies? Nah. Goals? Nah. Et cetera. The Gutenberg printing press has existed from a some 200, 300 years and these niggas still be using copyists to further fatten to bureaucracy. I take this despicable story as a tragicomedy for weak, shallow men, losers. Fuck Russia, and fuck Russians. | Nikolai Vasilievich Gogol, Isabel F. Hapgood (tr.) | ma | 1.00 |
Alien: CovenantBit of a while it took me to make concrete wherefrom remembrance was nagging me. The latest Alien franchise movie is based on this very novel (or vice versa, who fucking cares). However, whereas it was exponentially underperformant compared to the already diminishingly returning Alien3, this vivifies that sterile money grab, redeemed by its visuals only. Even though characters were too numerous for me to keep track of (personal flaw stemming from difficulty to relate to human matter—my guess), they were distinct in their motivations, alliances, relations, attitudes. To me, that, rather than some rando future space names, made the. Aboard the crashed ship and within the cathedral the movies hands-down outshines the book's descriptions. The latter's layout of the plot is substantially denser, more explicit, detailed (assuming it's the same). | Alan Dean Foster | ✓ | 1.00 |
The Subtle Art of Not Giving a F*ckI first rest this on my kindle back in, say, 10. grade, could've been 11. or 9th. It was a big turning point in my maturation, intellectual and emotional. I took much to heart and unconsciously acted and thought accordingly for the following 4–5 years, or til around when uni started getting too involved, me depressed and bogged down by circumstance, etc. Proper focus lacks in my life currently. Feelings of overpowering loneliness and malaise and disappointment constrict me with shrinking periods, blotting out hours up to the whole day. So I thought it prudent to 1: Keep handy this book as a .txt file; and 2: Revisit the sole worthwhile self-help book ever written. This, I think, is something to keep in mind and not forget. And I've forgotten some shit. Fuck me, I know. Comparing to others in the genre, two things soar out. First regards quality: It's not pretentious, self-righteous, absolute, nor condescending. Second regards style: No baby language, no exercises, summaries, key points/notes/takeaways or other filler. It is curt, albeit the examples are annoying and unrelatable, and well-structured: Example, thesis, argument, and possibly another example. The use of 'fuck' (or other expletives) is not too juvenile, more everyday, or tryhard so. I'd recommend this book—more accurately, the first 25–50% of it—to anybody growing up, having problems, or having forgotten its advice. | Mark Manson | K✓ | 0.74 |
| 1620: A Critical Response to the 1619 Project | Peter W. Wood | ✔ | 1.00 |
| Internal Combustion: How Corporations and Governments Addicted the World to Oil and Derailed the Alternatives | Edwin Black | Gfa | 0.07 |
| A Guide to the Good Life | William B. Irvine | Ka | 0.35 |
| Robert Hunter: 10 - Hunting Evil | Chris Carter | ✔ | 1.00 |
| Liberal Privilege: Joe Biden And The Democrats' Defense Of The Indefensible | Donald Trump Jr. | KM | 0.94 |
| The Arab Conquests | Justin Marozzi | FG | 0.30 |
| A Story of Us: A New Look at Human Evolution | Lesley Newson, Pete Richerson | FG | 0.02 |
| Science and Religion: A Very Short Introduction | Thomas Dixon | ka | 0.19 |
| Humble Pi: When Math Goes Wrong in the Real World | Matt Parker | km | 0.96 |
| Alien: Covenant Origins | Alan Dean Foster | bAGw | 0.93 |
| Humble Pie | Gordon Ramsey | km | 1.00 |
| The Hunger | Alma Katsu | wb | 0.05 |
| I'm Dying Up Here: Heartbreak and High Times in Standup Comedy's Golden Era | William Knoedelseder | ba | 0.05 |
| America: Imagine a World without Her | Dinesh D'Souza | ✓ | 1.00 |
| Truth Bombs: Confronting the Lies Conservatives Believe (To Our Own Demise) | Steve Deace | wa | 0.10 |
| Matter: A Very Short Introduction | Geoff Cottrell | K | 0.10 |
| Landslide: The Final Days of the Trump Presidency | Michael Wolff | gfWa | 0.03 |
| Apocalypse Z: The Beginning of the End | Manel Loureiro | Gfa | 0.06 |
| I'm A Joke And So Are You | Robin Ince | Ga | 0.04 |
127 Hours: Between a Rock and a Hard PlaceFucking hell, what an cunt this guy is. Everything opportunity in life, every chance turning out lucky for him, fucking hell, fucking hate self-entitled cunts like this, so fucking much. Fuck you. Spite aside, descriptions were mired, beleaguered with a handful of words used frequently enough to produce a positive afterimage in my when reading other material. Barely tolerable. | Aron Ralston | Abm | 0.91 |
Death in VeniceThe fuck is this— | Thomas Mann, Michael Henry Heim (tr.) | MCa? | 0.85 |
| The Deep Rig | Patrick Byrne | ✓M | 1.00 |
| Frankly, We Did Win This Election: The Inside Story of How Trump Lost | Michael C. Bender | kb | 0.11 |
| Ever Winter | Peter Hackshaw | am | 0.26 |
| Go the F–k to Sleep | Adam Mansbach | m | 1.00 |
| Alien: Alien | Alan Dean Foster | ✔ | 1.00 |
| The Basic Laws of Human Stupidity | Carlo M. Cipolla | KGaf | 0.09 |
| David Kepesh: 2 - The Professor of Desire | Philip Roth | ja | 0.04 |
| Think BIG and Kick Ass in Business and Life | Donald J. Trump, Bill Zanker | aw | 0.08 |
| Trump: Think Like a Billionaire: Everything You Need to Know about Success, Real Estate, and Life | Donald J. Trump, Meredith McIver | wb | 0.20 |
| Numbers Don't Lie: 71 Things You Need to Know about the World | Vaclav Smil | mk | 0.66 |
| The Secret of Ventriloquism | Jon Padgett | wa | 0.20 |
| Lolita | Vladimir Nabokov | ✔✔✔ | 1.43 |
| The Hunting | Stephen Leather | w | 0.08 |
| Tales of the Weird 3 | Tom Slemen | w | 0.02 |
| A Liberated Mind: How to Pivot Toward What Matters | Steven C. Hayes | mka | 0.19 |
| The Mental Floss History of the World An Irreverent Romp through Civilizations Best Bits | Steve Wiegand | mka | 0.39 |
| Cracked: The Unhappy Truth about Psychiatry | James Davies | M | 1.00 |
| Tell Me a Story: Science Fiction One | V.A., Paul Williams (ed.) | m | 0.72 |
Unmasked: Inside Antifa's Radical Plan to Destroy DemocracyOn-the-ground reporting, or documenting of Marxist infantiles destroying property, tradition; injuring/killing police officers/civilians, and, ultimately, making everything worse for themselves and anyone in their vicinity. This is no historic look-back, scholarly or theoretical work, as the other books on the subject that I have or have read. It's not new information, but nevertheless, the perspective it offers is one of a target and of just another blackbloc in the crowd. | Andy Ngo | MK | 1.00 |
| I'm a Therapist, and My Patient Is Going to Be the Next School Shooter: 6 Patient Files That Will Keep You up at Night | Dr. Harper | ma♀ | 0.43 |
The Art of Her Deal: The Untold Story of Melania TrumpSlightly one-sided biography. I get the drift once, and it keeping the very same every so often. Listening to Donald Trump Jr. talking about his grandparents was far more content-ful. The modelling world has changed much, if at all, I think, in the last 40 years. Despite the matter's potential, the author bores. | Mary Jordan | ♀mb | 0.31 |
How to Read and WhyIf you're the prominent a writer, as your foreword suggests, you fuck, why does nobody know your name? Regardless, the advice seemed at first (didn't leaf through to confirm) to be based on the class of the work with 'short stories' heading it. I assume novels, poems/sonatas, etc., follow but it was dogmatic, authoritarian, pontificating, and one-sided. What some mean by 'academic' in its worse sense, is precisely this. | Harold Bloom | wa | 0.09 |
The North WaterSurprised to a see a 'boat kino' I hopped aboard. HBO or NetFlix had made a series or movie out of this, I later learned—likely why the audiobook came out synchronously. The author's sole entry in libgen is our here title. It has its moment, few as they may be. Some characters seem to be more black-and-white (mostly black) than what the real world presents, and I wouldn't allow a measly century or two to change all humans (in the book) into either cunts and saints. Being involve in the conspiracy exculpates the somewhat, but moral qualms or thought are more deficient the present nonetheless. Like a theatrical play, wherein everything is exaggerated, such that 6-year-olds can get the moral of the story, The North Water (title drop, lol), to me, seems more staged than plausible, only—the lesson to be learned is missing. Just a story. | Ian McGuire | M | 1.00 |
| The Beautiful Poetry of Donald Trump | Robert Sears | gwm | 1.00 |
| Atheism: A Very Short Introduction | Julian Baggini | mk | 1.00 |
| Palm Springs Noir | V.A., Barbara DeMarco Barrett (ed.) | W | 0.26 |
| Real Food on Trial: How the Diet Dictators Tried to Destroy a Top Scientist | Tim Noakes, Marika Sboros | ✔✔ | 1.00 |
| The New Gothic | V.A., Patrick McGrath (ed.), Bradford Morrow (ed.) | b | 0.44 |
| The Protocols of the Elders of Zion | ? | GFWc | 0.15 |
| Lethal Kisses | V.A., Ellen Datlow (ed.) | bm | 0.58 |
| Dark Matter | Blake Crouch | mw | 1.00 |
| Unexplained Disappearances: Bizarre Missing People Stories That Baffled The Authorities | Joseph Exton | bm | 1.00 |
| The Secret of Crickley Hall | James Herbert | mpwa | 0.55 |
| Adventures in Cryptozoology: Hunting for Yetis, Mongolian Deathworms and Other Not-So-Mythical Monsters | Richard Freeman | bm | 0.81 |
| Blood, Sweat, and Pixels: The Triumphant, Turbulent Stories Behind How Video Games Are Made | Jason Schreier | mk | 0.82 |
| Press Reset: Ruin and Recovery in the Video Game Industry | Jason Schreier | mbka | 0.54 |
| Why Are All The Black Kids Sitting Together in the Cafeteria? | Beverly Daniel Tatum | ♀fg | 0.11 |
| MeatEater's Campfire Stories: Close Calls | Steve Rinella | ba | 0.25 |
| Recursion | Blake Crouch | b | 0.19 |
| Addicted to the Monkey Mind: Change the Programming That Sabotages Your Life | J.F. Benoist | wa | 0.04 |
| Lone Star Ranger | Zane Gray | b | 0.18 |
| Asking the Ultimate Questions with the Great Thinkers of Our Time | Robert L. Kuhn | wa | 0.12 |
| F–ked at Birth: Recalibrating the American Dream | Dale Maharidge | agf | 0.16 |
A History of Heavy MetalRather malinformed, Marxist cunt presents his opinions and the within the metal community popular, mainstream agreed upon views. Annoying for constantly spewing falsehoods and information that has nothing to do with heavy metal. Worthless if you've listened through majors and minors from the 50s onwards. Personally, I learned nothing, but needed something easy to listen to. | Andrew O'Neill | mkag | 0.92 |
| The Life-Changing Science of Detecting Bullshit | John V. Petrocelli | kaf | 0.67 |
| The Man Who Owns The News: Inside The Secret World of Rupert Murdoch | Michael Wolff | M | 1.00 |
| The Year's Best Fantasy and Horror: 13 | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | ♀Wa | 0.08 |
| Forensic Science: Beginners Guide | Jay Siegel | mk | 1.00 |
| Dinosaur Summer | Greg Bear | bm | 0.26 |
Fooled by RandomnessBlacklistting this motherfucker. | Nassim Nicholas Taleb | kwa | 1.00 |
Someone Who Will Love You in All Your Damaged GloryFirst collection stories, of which all are good or great, I've read. Some remind of observational standup routines: Deadpan delivery, absurdist themes and motifs—it does well to color them without ever harming the message, and de-pinkifying them, fore they are all mostly love stories, love of one kind or another. Overall great. I had annoyances with 2 stories, being gynocentric, -apologetic, and -enabling, also featuring degenerate human behavior as normal. Kind of 'leftie', but it's mostly skirting, and the majority of the stories' content is different from others I've read, and good despite the above. And even though others were told from the viewpoint of a female, which is a first for me (a collection of stories some 10 rows about I'd abruptly stopped for being bad, but was also from that POV and was so, so, so very weird, it'd been penned by one too). Lastly, fuck women. F-f-fuck women. Reading shit like this (part of how women are and men interact with women), in addition to seeing what the most 'modern', Marx-ball-sucking countries have allowed them to become (they for political power and financial gain), I've begun nursing a rejuvenated loathing for women. Humanity and evolution weren't enough. | Raphael Bob-Waksberg | M | 1.00 |
| I'm the Man: Story of That Guy From Anthrax | Scott Ian | m | 0.98 |
| Men without Country | Harrison Christian | b | 0.15 |
Alien: River of PainWY made a colony on LV-223, where Ripley's crew found the delerict dog ship, the xenos, etc., | Christopher Golden | ✔✓ | 1.00 |
| Judge Dredd: The Pit | John Wagner | w | 0.11 |
Alien: Sea of SorrowsChronologically publication-wise the first to have narration (or just view point) from the other side, that of the xenos. Although the quality of mr. Moore's writing is below that of the Foster and Lebbon, about on par Golden, the storyline, taking place some 300a after the events of the Nostromo (or the David, trimonite mine planet, fuck me if I'm gonna read through 100 pages of alien wiki; also a GIANT fuck you for not have easily comprehensible novel timeline). Has some niceties about how humans fuck up everything, for everybody else and themselves, about the self-propagating and evolving nature of 'life', and other shit to think about. | James A. Moore | ✓ | 1.00 |
| The Best American Mystery Stories: 2000 | V.A., Donald E. Westlake (ed.), Otto Penzler (ed.) | m | 0.92 |
| On Combat: The Psychology and Physiology of Deadly Conflict in War and in Peace | Dave Grossman | Kwfa | 0.18 |
| The Catcher in the Rye | J.D. Salinger | ✔ | 1.00 |
| Neanderthal Opens the Door to the Universe | Preston Norton | wp | 0.04 |
| Beasts: What Animals Can Teach Us about the Origins of Good Evil | Jeffrey Moussaieff Masson | FGw | 0.35 |
The Power of the PowerlessThis section deserves inclusion in its entirety. Dandily a bullseye's bullseye, especially post 202003xx. Ideology, in creating a bridge of excuses between the system and the individual, spans the abyss between the aims of the system and the aims of life. It pretends that the requirements of the system derive from the requirements of life. It is a world of appearances trying to pass for reality. The post-totalitarian system touches people at every step, but it does so with its ideological gloves on. This is why life in the system is so thoroughly permeated with hypocrisy and lies: Government by bureaucracy is called popular government; the working class is enslaved in the name of the working class; the complete degradation of the individual is presented as his or her ultimate liberation; depriving people of information is called making it available; the use of power to manipulate is called the public control of power, and the arbitrary abuse of power is called observing the legal code; the repression of culture is called its development; the expansion of imperial influence is presented as support for the oppressed; the lack of free expression becomes the highest form of freedom; farcical elections become the highest form of democracy; banning independent thought becomes the most scientific of world views; military occupation becomes fraternal assistance. Because the regime is captive to its own lies, it must falsify everything. It falsifies the past. It falsifies the present, and it falsifies the future. It falsifies statistics. It pretends not to possess an omnipotent and unprincipled police apparatus. It pretends to respect human rights. It pretends to persecute no one. It pretends to fear nothing. It pretends to pretend nothing. Individuals need not believe all these mystifications, but they must behave as though they did, or they must at least tolerate them in silence, or get along well with those who work with them. For this reason, however, they must live within a lie. They need not accept the lie. It is enough for them to have accepted their life with it and in it. For by this very fact, individuals confirm the system, fulfill the system, make the system, are the system. Rarely is material so stentorian. Rarely am I compelled to reread, rethread, relisten, remember every almost every paragraph. Easily one of the most important books regarding politics for the 20. and 21. centuries, one worthy of rereading a few times. | Václav Havel | ✔✔✔ | 2.33 |
The Curse of High IQI know, right?: The book, for me (kinda, I'm no genius). I (supposedly) have ~137 according to a trusted online test and an official, botched MENSA test. Defo not shelling out for another one. It's normalized such that 100 is the baseline, for the testees of that (or previous..?) year. Although slightly announcing, I found the book describing a significant chunk of my problems in life from highschool onward. Purporting to offer solutions, I didn't find any offered.. Mostly an encouragement to keep on doing the activity most likely to produce desired outcome. Pretty useless as a book, if you do or do not have the IQ score. At best, one, who is experiencing issues derived from having 1–3 standard deviations the intelligence quotient above the rest could, rather than repeating one's position and arguments therefor, suggest the forgetful parties to read through this short title to get their answers (for the umpteenth time). | Aaron Clarey | MK | 1.00 |
| When the Uncertainty Principle Goes to 11 Or How to Explain Quantum Physics with Heavy Metal | Philip Moriarty | Km | 0.96 |
| Time to Get Tough: Making America №1 Again | Donald J. Trump | K | 0.71 |
ArachnoidAmateurish work. It's like observing a person trying his hand at lying—details, interesting nobody, serving little-to-no plot purpose, tedious, being offered at every new location, character, plot point, etc. It's like watching people go about their day in anticipation of something, related to the plot of the book, happening. New author, I'd hope, but I'm not checking to get disappointed, enough time los. | Michael Cole | wmb | 0.30 |
| Daddy's Little Girl | William Malmborg | m | 0.98 |
| Fifty Shames of Earl Grey | Fanny Merkin, Andrew Shaffer | mwp | 0.81 |
| Forensics: What Bugs, Burns, Prints, DNA, And More Tell Us about Crime | Val McDermid | Worth the read despite the common knowledge level of most the informations. | 0.89 |
| Alien: Aliens | Alan Dean Foster | ✓ | 1.00 |
| Crisis Moon | Michael McGruther | bp | 0.61 |
| Meat Eater: Adventures from the Life of an American Hunter | Steven Rinella | b | 0.23 |
| The Little Book of Hygge: The Danish Way to Live Well | Meik Wiking | a | 0.11 |
| Hagakure: The Book of the Samurai | Yamamoto Tsunetomo, William Scott Wilson (tr.) | b | 0.80 |
| Happiness Is A Serious Problem: A Human Nature Repair Manual | Dennis Prager | jm | 1.00 |
| Apocalypse Machine | Jeremy Robinson | wc | 0.09 |
| Island 731 | Jeremy Robinson | mw | 0.47 |
| Decadence: A Very Short Introduction | David Weir | b | 0.95 |
| Robert Hunter: 11 - Written in Blood | Chris Carter | mMp | 1.00 |
| Year's Best Hardcore Horror: Volume 1 | V.A., Randy Chandler (ed.), Cheryl Mullenax (ed.) | ✔M | 1.00 |
| Moonglow | Michael Chabon | B | 0.12 |
| The Ages of Lulu | Almudena Grandes | mb | 1.00 |
| Smarter Tomorrow: How 15 Minutes of Neurohacking a Day Can Help You Work Better, Think Faster, and Get More Done | Elizabeth R. Ricker | ♀ak | 0.05 |
Everybody Is Wrong about GodAn exploration of the question: Why conversations pertaining to religion (almost) always go sour for either or both parties tacitly or vulgarly explicitly. A far greater divide than that resultant from arguing with a Marxist, which has been described aptly as two people in same cinema watching different movies simultaneously but thinking the other is watching, and indeed perceiving (concentrating on) the same thing. This is like that, only the two people don't recognize they're both wearing VR headsets, and aren't even sharing the physical space, that is, they're arguing on incommensurable levels. Reminds why church and state are separate, and why church should be so when talking about community, education, morals, rites, etc. Clear-cut argument, well-written. | James A. Lindsay | ✔✔ | 1.00 |
| Year's Best Hardcore Horror: Volume 2 | V.A., Wrath James White (ed.), Cheryl Mullenax (ed.), Randy Chandler (ed.) | M♀cw | 0.93 |
| Tokyo Decadence: 15 Stories | Ryu Murakami | b | 0.26 |
| A Horses Tale | Mark Twain | bm | 1.00 |
| Chasing The Boogeyman | Richard Chizmar | Wbm | 0.85 |
| Way of the Wolf: Become a Master Closer with Straight Line Selling | Jordan Belfort | pck | 0.25 |
| Necro Files: Two Decades of Extreme Horror | V.A., Cheryl Mullenax (ed.) | ✓M | 1.00 |
| Zombie Jesus | Edward Teach | mM | 1.25 |
| For Any Other Truth | Denzil Meyrick | b | 0.07 |
| Chaos: A Very Short Introduction | Leonard Smith | M | 1.00 |
| The Bizarro Starter Kit: Purple | V.A., ? ? (ed.) | ✔ | 1.50 |
| Ghost at Dusk | Kevan Dale | wc | 0.05 |
| The Loop | Jeremy Robert Johnson | bc | 0.25 |
| The Long Slide: Thirty Years in American Journalism | Tucker Carlson | m | 1.00 |
| Retreat: 1 - Pandemic | Craig DiLouie, Stephen Knight, Joe McKinney | mb | 0.50 |
| Alien: Alien3 | Alan Dean Foster | M | 1.00 |
Alien: ResurrectionVery nigga. P.S. Fuck me, the movie was bad: Ripley looks like an aged skeletor with hair; all interiors are smothered in socialist drabs (dark and dull shades of brown and gray), whilst also looking decared older than the first Alien movie's; the cast are reduced to one-paragraph memecicles or themself, as if. The weird thing for me is that the novel came later, meaning from that did Mr. Crispin create this. And this is much, much better is showing each's motivations and desires, history, relationships, making them more intense and less stereotype-y or comical than the movie does. The costumes and effects used for the xeno are also markedly worse off—using as if multiple nozzles to drown their heads in what should be saliva, comes off as cartoon-tier sweating, their movements (and numerous camera cuts to clothe how bad it looks in 'action') and bodies look stiff and rubber-y/plastic-y, respectively. Perhaps it was rushed, perhaps money was unwisely spent, or was never enough to begin with. | A.C. Crispin | ✔ | 1.00 |
| Don't Know Much about World Myths | Kenneth C. Davis, Sergio Ruzzier | km | 1.00 |
| Lies My Doctor Told Me: Medical Myths That Can Harm Your Health | Ken Berry | ✔✔ | 1.00 |
| The Mask: I Pledge Allegiance To The Mask | Christopher Cantwell, Patric Reynolds, Lee Loughridge, Nate Piekos | aw | 0.15 |
| The Proper Care and Feeding of Zombies | Mac Montandon | cw | 0.06 |
How to Have Impossible ConversationsIf ever there was a book for me and my oh,-im-so-gay,-i-wanna-foster-goodfaith-and-long-term-commitment-in-people, this'd be it. The unproductive, or otherwise stated, asshole-y, conversational methods, that I employ in real life, and much more so on the internet (evidenced by my 4chan posts and my neocities page) are featured in many a study by Peter Boghossian (et. al.), showing just how futile, counterproductive, and hence profligate, they are. Boghossian is a professor of philosophy, while Lindsay is mathematician-turned-*critic-of-Marxism's-newest-development. The content of this book is platinum-gilded paladium. Written for man, period; not an adjective man, the this/that group. Advice within is wildly sane and applicable to any person with an IQ above ~80 for any conversation. I feel like I should be rereading every chapter, section, paragraph, going outside, and practicing with so-called 'people'. Some of it seems annoying or coddling, but so far with 3 people it has helped, albeit 2 of which were just more productive and not doubt-in-belief-instilling. I'd highly recommend this, and I'll very soon be rereading it. | Peter Boghossian, James A. Lindsay | ✔✔ | 1.00 |
| Year's Best Hardcore Horror: Volume 3 | V.A., Randy Chandler (ed.) | m✓b | 0.83 |
| Daft Wee Stories | Limmy | b | 0.23 |
| A Hangman's Diary: The Journal of Master Franz Schmidt, Public Executioner of Nuremberg, 1573-1617 | Franz Schmidt, Albrecht Keller (ed., tr.), C. Calvert BA (tr.), A.W. Gruner MA (tr.) | mb | 1.00 |
The Genetically Engineered PandemicConcise presentation of the motivations and reasons (again). Ivor Cummins had a great podcast episode with guest Gabor Erdosi, who explained in more detail the virology and biochemistry in the latter half of it, and the chances of it being 'lmao, just nature, lol. accept the bat facts'. This was in March '20. | Peter Tremblay | ✓k | 1.00 |
A State of Fear: How the UK Government Weaponised Fear During the COVID-19 PandemicHaving followed the situation in the UK and Ireland with Ivor mostly, little was new to me, information-wise. Reading it in a single sitting—well, two actually, since it's so fucking depressing to read what humans do to each other—, overextensions and overreachings, double standards, otherings, dehumanizations, privations, economic turmoil, etc., etc., etc., etc. But I did allow me some more perspective of the common man, since I am abnormal in a few ways. Written by a female, it only occasionally juts up, rarely even, she kept her cool and did, lo and behold, actual journalism by talking, inquiring, reading, comparing, etc. | Laura Dodsworth | ✔k | 1.00 |
| Eat the Yolks: Discover Paleo, Fight Food Lies, and Reclaim Your Health | Liz Wolfe | ♀agK | 0.15 |
| Ghost Virus | Graham Masterton | mwbg | 0.21 |
Alien: IsolationNovelization of the eponymous video game. My second meeting with Amanda Ripley, daughter of best mommy Ripley, initial being in | Keith DeCandido | M✓ | 1.00 |
| The Dead Student | John Katzenbach | mb | 0.25 |
Anti-Tech Revolution: Why and HowUncle Ted book. Examines the characteristics of successful and un-such revolutions/activist things. Of course, propaganda to a degree, but also an educational handbook for how to organize movements. Although I don't think an anti-tech revolution is ever to happen, since what the fuck is a technology and who fucking decides, and all that jazz, just creates more problems than it solves. And given the problem-solving nature of engineers and scientists all around the world for the last several thousand years, I'm sure that them knocking their head against the reinforced concrete will eventually suggest a weak spot, as it has in the past. Kinda sad to see him citing the same things, it's as if the penitentiary won't lend out books, or inquire for more. | Theodore J. Kaczynski | mGb | 0.90 |
The October ListNice premise for a book: Chapter delivery in reverse, that is, reverse chronological plot unvealing. However, it's a fucking woman again and shit revolving around her, her child, and the cucks orbiting this slovenly whore. Fuck you, Deaver. | Jeffery Deaver | wapb | 0.08 |
| Dead Set | Richard Kadrey | b | 0.06 |
The Naked and the DeadSweet mother of fuck: | Norman Mailer | Bw | 0.03 |
The House of a Hundred WhispersHow not to tell a story: 1. take your damn-ass time unrolling the exposition with your impotent tiny, gay, woman hands; 2. extend coversations for filler with shit nobody cares about. I was play a game while listening to this, otherwise I'd've launched much sooner. That being said, every minute of the first 1.5h I was reconsidering quitting. This being my second chance to the author of | Graham Masterton | mwb | 0.56 |
| Year's Best Hardcore Horror: Volume 4 | V.A., Randy Chandler (ed.), Cheryl Mullenax (ed.) | M | 1.00 |
| The Nightmare Collection: Volume 1 | Lee Mountford | wp | 0.15 |
| Death By Food Pyramid: How Shoddy Science, Sketchy Politics, and Special Interests Have Ruined out Health | Denise Minge | ✔k | 1.00 |
| The Switch House | Tim Meyer | wp | 0.31 |
| That's Your Lot | Limmy | m | 0.60 |
| 10 Percent Human: How Your Body's Microbes Hold the Key to Health and Happiness | Alanna Collen | Km | 0.91 |
You See the MonsterMy third book from this dude. Indirectly centered around emotion (and controlling them or making use of them) and, vaguely, a few ideas. All (natural) characters drag mental baggage with every step of the plot, struggling til the end, wherein all is resolved. I find the character all unexceptional, normal, maybe a third of a standard deviation above the nation's average, but certainly not bright. The ideas of both tacit and explicit complicity in 'evil' and 'horrors', of rules, and of overarching, bigger-than-thyself things were well trod. I didn't enjoy the content as fully perhaps because 1. I'm so emotionally distant, or numb, or rational (whatever that means; think the word's lost all meaning nowadays...); 2. Smitherd's vocabulary isn't either well-utilized, or well-suited for horror, or tension: Local climax felt improperly heightened/intensified; 3. people. | Luke Smitherd | ✓M | 1.00 |
| World War C: Lessons from the COVID-19 Pandemic and How to Prepare for the Next One | Sanjay Gupta, Kristin Loberg | FG | 0.02 |
| Zero Lives Remaining | Adam Cesare | ✓ | 1.00 |
| Clown in a Cornfield: 1 | Adam Cesare | M✓p | 1.00 |
| Exponential | Adam Cesare | mpb | 0.48 |
| I See You | Gregg Hurwitz | M | 1.00 |
| Roanoke: Solving the Mystery of the Lost Colony | Lee Miller | b | 0.16 |
| The Nowhere Man | Gregg Hurwitz | c | 0.04 |
| The Survivor | Gregg Hurwitz | M✓p | 1.00 |
| The Con Season | Adam Cesare | mb | 1.00 |
| Darkness on the Edge of Town | Brian Keene | cpmb | 0.42 |
| Don't Look Back | Gregg Hurwitz | ap | 0.05 |
| The Dying Citizen | Victor Davis Hanson | ✓k | 1.00 |
| It's Only Slow Food Until You Try to Eat It: Misadventures of a Suburban Hunter Gatherer | Bill Heavey | mpc | 0.21 |
| You Might Be a Zombie and Other Bad News: Shocking but Utterly True Facts | Cracked.com | mk | 1.00 |
| Legion versus Phalanx | Myke Cole | mB | 0.48 |
| The Driver's Guide to Hitting Pedestrians | Andersen Prunty | M | 1.00 |
| Deliverance | James Dickey | mb | 0.52 |
| Alien: Echo | Mira Grant | ♀Wpga | 0.08 |
| Far North | Marcel Theroux | mbw | 0.15 |
Bowling Alone: The Collapse and Revival of American CommunityA wealth of information collated. Book itself slightly bores, given the format of 'year/s relative inc/dec, possible reasons' ad solitum vomitum. Although not presented as such, it well may (help to) explain many a trend in the US, as well as other countries. I'm no statistician, certainly I'm the doing the work of looking up all data sets and seeing if all the controlling supposedly done was proper, but it seems more true than false on most account. | Robert D. Putnam | Mb | 1.00 |
| Before and Laughter | Jimmy Carr | am | 0.28 |
| Eat Fat, Get Thin: Why the Fat We Eat Is Key to Sustained Weight Loss and Vibrant Health | Mark Hyman | Kwm | 0.50 |
| The Bomb Maker | Thomas Perry | mpc | 0.34 |
| Intercepts | T.J. Payne | m | 1.00 |
| Should the Tent Be Burning Like That? | Bill Heavey | M | 1.00 |
San Fransicko: Why Progressives Ruin CitiesWholly missing the point and shilling ineffective, self-destructive politics using faulty, objectively wrong reasoning. Fuck you for ruining the one country that could've be good on this shithole of a plane. | Michael Shellenberger | Kgfmb | 0.48 |
| Suspect Zero | Richard Kadrey | M | 1.00 |
Under the VolcanoStream-of-consciousness: I'd seen the cover many a time on in /lit/ threads, knew of the style just like 'slam poetry'. Only later did I realize I'd read something similar quite some years back, about a dude that got drunk in a Mexican tavern, went through an attic door inside it, ended up in a whimsical, nonsensical world, that ends up merely a mirror of the real one—politics, sex affairs, sexes' affairs, feuds and wars, clashes, revolutions and resolution, youth and senility: Same package, different wrapping.In the drinking aspect, Mexican'ness, and partially the writing style, it is similar, although I cannot remember that novel's title (and I checked out all of wikiepdia's novels set in Mexico in addition to 3 other lists. | Malcolm Lowry | ✔✔✔ | 1.61 |
| Hell: Prison Diary | Jeffrey Archer | amb | 0.39 |
| The Secret Teachings of All Ages | Manly P. Hall | cmb | 0.13 |
| The Color Purple | Alice Walker | b♀ | 0.22 |
The Perfect Police State: An Undercover Odyssey into China's Terrifying Surveillance Dystopia of the FutureThe dystopian future isn't a future. It's has been happening for at least years already. And it's being legalized, uncontensted, unprostested, even accepted, in most of the rest of world: North and South American, Europe, Asia, Oceania (Africa has other problems on its hands). Since some 2e8 weren't enough, let's see if just how many really have to die to get there—the no place. A must-read. | Geoffrey Cain | ✔✔ | 1.00 |
| The Amityville Horror | Jay Anson | wc | 0.08 |
| Year's Best Hardcore Horror: Volume 5 | V.A., Randy Chandler (ed.), Cheryl Mullenax (ed.) | M | 1.00 |
| The Collector | John Fowles | M✓ | 1.00 |
| The Door | John Holt | pmw | 1.00 |
| Confessions of a Bookseller | Shaun Bythell | mab | 0.55 |
| If You Didn't Bring Jerky, What Did I Just Eat?: Misadventures in Hunting, Fishing, and the Wilds of Suburbia | Bill Heavey | M | 0.93 |
GhostThe book very lighty explores these themes: Race, guilt, duty, respect, entertaining of ideas; sex and love and trustfulness some. I don't know if on purpose, but the future written (writing?) is filled with misinformation, agenda about the environment, energy and various matters pertaining the that, hence the 'g'. | Piers Anthony | Mg | 1.00 |
| I Think You'll Find it's a Bit More Complicated Than That | Ben Goldacre | kamb | 0.75 |
| Dirty Weather | Gregg Hurwitz | m | 1.00 |
| The Plague | Albert Camus | ✔ | 1.00 |
| The Iceman Always Comes on Tuesday | James Masse | w | 0.16 |
Fourth Turning: What the Cycles of History Can Tell Us about America's Next Rendezvous With DestinyOver the past week I had heard references to both Neil Howe and the 'fourth turning', so I looked into it. Written in '97. In the introduction both authors are oblivious or could not have then named the Marxist forces behind the show, which makes for an innocently neutral look on the (then) present. | William Strauss, Neil Howe | ✓ | 1.00 |
| Mine!: How the Hidden Rules of Ownership Control Our Lives | Michael A. Heller, James Salzman | M | 1.00 |
| The Very Hungry Caterpillar | Eric Carle | m | 1.00 |
| Control | Matt Shaw | Mw | 1.00 |
| Porn | Matt Shaw | mw | 1.00 |
| Whore | Matt Shaw | Mw | 1.00 |
| Wheat Belly | William Davis | M✓ | 1.00 |
| Consumed | Matt Shaw | mw | 1.00 |
| Clown | Matt Shaw | Mw | 1.00 |
| Don't Read | Matt Shaw | mpw | 1.00 |
| Seed | Matt Shaw | ✓M | 1.00 |
| The Cabin: 1 - The Cabin | Matt Shaw | MWP | 1.00 |
| The Cabin: 2 - Asylum | Matt Shaw | MWP | 1.00 |
| Beginning of Infinity: Explanations that Transform the World | David Deutsch | kapM | 1.00 |
| The Midwich Cuckoos | John Wyndham | M✓ | 1.00 |
| The Mariana Trench | Matt Shaw | mpw | 1.00 |
| The Sovereign Individual: Mastering the Transition to the Information Age | Jame Dale Davidson, William Rees-Mogg | ✔ | 1.00 |
| And the Hippos Were Boiled in Their Tanks | Jack Kerouac, William S. Burroughs | ✔ | 1.00 |
| Trouble with Lichen | John Wyndham | baM | 0.76 |
| Sick Bastards | Matt Shaw | mpw | 1.00 |
| SickER Bastards | Matt Shaw | mw | 1.00 |
TickI've seen author's name a few times only, I now see why. His work regards child exploitation and pornography, and sexual deviancy, depravity, deformation, and degeneracy in a rapid-fire onslaught of brutality that you can't easily sell to 99.9% of readers. The work is divvied into sections A through G, each pertaining to 1 or more real-world, (un-)solved crimes in America of violent and sexual nature, with questions asked by some combination of an attorney, a psychologist, and a female magazine contributor, then answered by the—and I'm guessing here, since some, if not all, the crimes are unresolved—, criminals, that is, Sotos himself, using appropriate language throughout. On that note, I know nothing of this man: He writes on this topic exclusively, is handled by small publishers with few prints and often in scant quantities and editions, literally only Pornography is to be found readily online, containing 5 'novels' of his from '91–00, this being the first of the lot. I quite enjoyed the style, the brutality, and I think he did a few good job at trying to get into the heads of such individuals, I don't know how or why, but I would like to know. I'm actually considering dropping real money on this guy, but I really do not want to deal with physical medic. | Peter Sotos | ✓ | 1.00 |
FatherlandMore an alternative history novel, wherein NatSoc Germany 'wins' WWII, than a detective one, with the majority of the plot focus on events that took place. Eerily similar to present day China and its Uyghurs, or post-revolution Russian. In real life, national socialism's and fascism's apparent mogging of everything attempted in the East (bolshevism, menshevism, leninism, trotskyism, communism, stalinism, socialism, maoism, juche, aaand so on), I think, is due to both nations' prosperity beforehand (compared to despotic, feudalistic states) rather than the ideology, and certainly not any latent demographic superiority (the amount of decent to good or great citizen expelled, expropriated, or exterminated German citizens, let alone the conquereds' ones could have been used for the good of the many—instead potential was lost, for the worse of all). Does the ideas of national socialism justice in presenting them honestly, and American leftists' flirtations with them. A nice book on totalitarianism and authoritarianism. | Robert Harris | ✔✓ | 1.00 |
| Darkness Visible | William Styron | cm | 1.00 |
A Place So WickedYet another touch upon the ideal-for-a-scapegoat idea explored in Ursula K. Le Guin's | Patrick Reuman | m | 1.00 |
| Child of God | Cormac McCarthy | ✓✔ | 1.00 |
| My Deadly Obsession | Matt Shaw | m | 1.00 |
| Irene's Cunt | Louis Aragon | Mm | 1.00 |
| The Adventures Of Jean-Fuck The Cock | Louis Aragon | M | 1.00 |
| 12 Steps | Iain Rob Wright | mp | 1.00 |
| Bitten | Matt Shaw | mp | 1.00 |
| My Family | Matt Shaw | M | 1.00 |
| Psychopath for Hire | Matt Shaw | bm | 0.60 |
| 8d6 | Robert Bevan | mbp | 0.36 |
| 48 Hours to Kill | Andrew Bourelle | m | 1.00 |
| Trolley No. 1852 | Edward Lee | ✔✓ | 1.00 |
| God's Demon | Wayne Barlowe | Mpw | 0.76 |
| Rotting Dead F*cks | Matt Shaw | wpbm | 0.68 |
| ICU | Edward Lee | M | 1.00 |
| Grub-Girl | Edward Lee | ✓ | 1.00 |
| Goon | Edward Lee, John Pelan | ✓✔ | 1.00 |
| In and out the Garbage Pail | Frederik Perls | w | 0.10 |
| Going Monstering | Edward Lee | ✓✔ | 1.00 |
| The Cavern | Alister Hodge | mwb | 1.00 |
| Infected: 1 - Infected | Scott Sigler | w | 0.36 |
| An Economist Walks Into a Brothel: And Other Unexpected Places to Understand Risk | Allison Schrager | ♀wp | 0.33 |
| Florida Man: 1 - Florida Man | Mike Baron | M | 1.00 |
| The Stick Woman | Edward Lee | ✓✔ | 1.00 |
| Florida Man: 2 - Hogzilla | Mike Baron | m | 0.62 |
| Lazy | Peter Sotos | ✓ | 1.00 |
| Pendragon: 08 - The Pilgrims of Rayne | D.J. MacHale | m | 1.00 |
| Bedtime Stories For Cynics | V.A., ? ? (ed.) | m | 0.92 |
| Pendragon: 09 - Raven Rise | D.J. MacHale | m | 1.00 |
| Pendragon: 10 - The Soldiers of Halla | D.J. MacHale | m | 1.00 |
| Twelve Days of Winter: Crime at Christmas | Stuart MacBride | m | 1.00 |
| Every Tool's a Hammer | Adam Savage | m | 0.95 |
| Crime at Christmas | V.A., Jack Adrian (ed.) | m | 1.00 |
| Couple Found Slain: After a Family Murder | Mikita Brottman | ♀a | 0.06 |
| Harold Shipman | Ryan Green | M | 1.00 |
| Columbian Killers | Ryan Green | M | 1.00 |
| Fred and Rose West | Ryan Green | M | 1.00 |
| The Kurim Case | Ryan Green | M | 1.00 |
| More Bedtime Stories For Cynics | V.A., ? ? (ed.) | ♀ | 0.18 |
| Ghouls | Edward Lee | ✓✔ | 1.00 |
| Brain Cheese Buffet | Edward Lee | ✓✔ | 1.00 |
| Tortured | Matt Shaw | mw | 1.00 |
| TED | Matt Shaw | mwa | 0.05 |
| Art | Matt Shaw, Michael Bray | mw | 0.18 |
| Bunnygirls | Simon Archer | Wcp | 0.06 |
| Dharma Bums | Jack Kerouac | MAp | 1.00 |
| Island of the Sequined Love Nun | Christopher Moore | M | 1.00 |
| Sexual Healing | Matt Shaw | m | 1.00 |
| The Lost Son | Matt Shaw | m | 1.00 |
| Keller: 1 - Hit Man | Lawrence Block | M | 1.00 |
| Keller: 2 - Hit List | Lawrence Block | m | 1.00 |
| Love Life | Matt Shaw | mp | 1.00 |
| Some Kind of Cunt | Matt Shaw | mwp | 1.00 |
| Keller: 3 - Hit Parade | Lawrence Block | bm | 0.15 |
| Keller: 4 - Hit and Run | Lawrence Block | m | 1.00 |
| Sacré Bleu | Christopher Moore | M | 1.00 |
| Butcher Road | Jon Athan | ✓M | 1.00 |
| Mr. Snuff | Jon Athan | ✓M | 1.00 |
| A Phantom Passion | Jon Athan | m | 1.00 |
| Do Not Disturb: 1 - Do Not Disturb | Jon Athan | M✓ | 1.00 |
| 10 Days | Jon Athan | M | 1.00 |
| Camp Blaze | Jon Athan | M | 1.00 |
| The Abuse of Ashley Collins | Jon Athan | M✓ | 1.00 |
| The Social Media Murders | Jon Athan | Mpa | 1.00 |
| Chip Harrison: 1 - No Score | Lawrence Block | M | 1.00 |
| Chip Harrison: 2 - Chip Harrison Scores Again | Lawrence Block | M | 1.00 |
| Chip Harrison: 3 - Make out with Murder | Lawrence Block | m | 1.00 |
| Chip Harrison: 4 - The Topless Tulip Caper | Lawrence Block | mb | 0.60 |
| Time and Free Will: An Essay on the Immediate Data of Consciousness | Henri Bergson | mwb | 0.66 |
| An English Murder | Cyril Hare | m | 1.00 |
| A Personal Matter | Kenzaburo Oe | ✓Ma | 1.00 |
| The Poisoned Chocolates Case | Anthony Berkeley | am | 0.28 |
| A Family of Violence | Jon Athan | mpw | 1.00 |
| The Late Night Horror Show | Bryan Smith | wpbm | 0.23 |
| The Palm Beach Murders | James Patterson | Wbm | 0.42 |
| The Noise | James Patterson, J.D. Barker | W | 0.05 |
John Wayne Gacy: Defending a MonsterThe other book I did on Gacy went into detail criminal and or deviant aspects followed by dull milksop. This one, however, portrays a human being, presents a whole lost that had being covered by attorney-client privilege, but that Gacy wanted eventually told by said attorney, the author. Interesting character study, characters. Good read. | Sam Amirante, Danny Broderick | Mm | 1.00 |
Heliogabalus; or, the Crowned AnarchistSo, second book around, | Artonin Artaud | M | 1.00 |
| Fat Chance | Robert H. Lustig | ✓kM | 1.15 |
Chimera
| Michael McBride | mwp | 0.75 |
The StrangerMy second read, first being the in-the-foreword-somewhat-beshaded one, translated by Stuart Gilbert some years ago. I have both copies, and I compared a few pages. Although I prefer this one's wording and vocabulary, the discrepancies are subtle. The book itself is one I take to heart, about acceptance, about the absurdity of life, of things happening and us going along with them, about shit happening. Could have been of a person doing the exact opposite and likewise caring little. | Albert Camus, Matthew Ward (tr.) | ✔ | 1.00 |
The Power of Body Language: An Ex-FBI Agent's System for Speed-Reading PeopleUseful knowledge if you have to time to study the people, or have recordings of them, or good photographic memory. Some of information is obviously biased and or false/outdated, and I think the author has left omit a not insignificant of failures and embarrassments for himself and his agency. A nice read nonetheless, if one's collating such information from other sources. | Joe Navarro | MKf | 1.00 |
| Handling the Undead | John Ajvide Lindqvist | bm | 0.26 |
| A House in the Country | Matt Shaw | mbpw | 1.00 |
Cannibal JungleA tribute to 80s horror/gore flicks à la | Jon Athan | ✓M | 1.00 |
| The Death Wish Game | Jonathan Chateau | Wmg | 0.59 |
To Kill a DroidUuuh, David Cage's | Jon Athan | ✓ | 1.00 |
| 9 Months Trilogy | Matt Shaw | mpw | 0.54 |
| This Is My Funniest: 1 | V.A., Mike Resnick (ed.) | ✓ | 1.00 |
| Hardwired: 2 - Voice of the Whirlwind | Walter Jon Williams | mb | 0.06 |
| Naked Statues, Fat Gladiators, and War Elephants | Garrett Ryan | m | 1.15 |
| No Place to Go: How Public Toilets Fail Our Private Needs | Lezlie Lowe | ♀gm | 0.22 |
| Tesla Prime and the Regulus Event | Douglas Equils | wpm | 0.54 |
| Effacement | Hieronymus Hawkes | wm | 0.25 |
| Lincoln in the Bardo | George Saunders | W | 0.06 |
People Who Eat DarknessWritten by a journalist, you can tell, it's fairly biased. It came in an ~ 13 hour audiobook, often void of critical or crucial information, requiring >3.5x listening speed. Didn't warrant reading, because it's shit. More than half the words are inconsequential, personal tragedy made into milksop, i.e., filler. Information of about the guy is the most interesting, but it comes too late, you're already tired of this shit and just want to get over with it. | Richard Lloyd Parry | mbpa | 0.91 |
| Aftermath: Life in the Fallout of the Third Reich, 1945-1955 | Harald Jähner | Mg | 0.89 |
| The Unwelcome | Jacob Steven Mohr | a | 0.13 |
| The Doomsday Mother: Lori Vallow, Chad Daybell, and the End of an American Family | John Glatt | mb | 1.00 |
I Must Betray YouHistorical fiction well done. Even though the writer is a woman—seriously, though, what the fuck, Baltic countries? You call those names?—, bad tropes of (present-day) female writing lack, leaving but a small bearing of romance and (over-)dramatization around the climax. The level of accuracy struck me, left me convinced half the book, I was reading a novelized autobiographical work, i.e., sth of a 49-year-old Romanian male. Welp, no, but her research was either very fruitful or he childhood in communistic L. and USSR day has made concrete the austerity of Marxism-based movement. Just like | Ruta Sepetys | ✔ | 1.00 |
| All Heads Turn When the Hunt Goes By | John Farris | bw | 0.21 |
| Shadows | Jill Emerson | ♀wm | 0.28 |
| Come With Me | Ronald Malfi | m | 1.00 |
| Stay Awhile and Listen: 2 - Heaven, Hell, and Secret Cow Levels | David L. Craddock | m | 1.00 |
| Mine | Robert R. McCammon | ♀ba | 0.12 |
| Weapon of A.S.S. Destruction | Alfonso Rachel | mgka | 0.24 |
| Face to Face with Serial Killers | Christopher Berry-Dee | mwb | 0.83 |
| Snow | Ronald Malfi | m | 0.83 |
| Spit and Die | Jon Athan | mb | 0.86 |
| The Sweetman Curve | Graham Masterton | mb | 0.22 |
| Alien: Alien 3 | William Gibson, Pat Cadigan | ♀mg | 1.00 |
| The Maltese Falcon | Dashiell Hammett | am | 0.13 |
| Anything for a Quiet Life | Michael Gilbert | bm | 0.15 |
| Night Parade | Ronald Malphi | ma | 0.23 |
| The Truro Murders | Ryan Green | M | 1.00 |
| Sinclair | Ryan Green | M | 1.00 |
| You Think You Know Me | Ryan Green | mb | 1.00 |
| Heaven Calling | Matt Shaw | mp | 1.00 |
| Watching, Waiting | Matt Shaw | b | 0.44 |
| The End | Matt Shaw | wb | 0.33 |
| Diary of a Dead Man: The Final Thoughts of Ed Boothe | Matt Shaw | b | 0.20 |
| The Last Viking: The True Story of King Harald Hardrada and the End of the Norsemen | Don Hollway | bm | 0.49 |
| Little Heaven | Nick Cutter | ✔ | 1.12 |
| A Big Boy Did It and Ran Away | Chris Brookmyre | wag | 0.16 |
| All Fun and Games Until Somebody Loses an Eye | Chris Brookmyre | aw | 0.01 |
| One Fine Day in the Middle of the Night | Chris Brookmyre | aw | 0.04 |
| The Money Bible: Including the Ten Laws of Abundance | Stuart Wilde | fag | 0.03 |
| Parasites on Parade | Larken Rose | m | 1.00 |
| The Organized Mind: Thinking Straight in the Age of Information Overload | Daniel J. Levitin | km | 0.96 |
| Aliens vs. Predators: Ultimate Prey | V.A., ? ? (ed.) | w♀m | 0.69 |
A Pillar of IronLady's done her job quite well researching Latin sources, constructing an authentic, grandiose tower from which one sees into some 21 centuries backs with quite vivid everything. Quite long though, and goes into historical details I couldn't give a mite's ass about. | Taylor Caldwell | Mb | 0.44 |
| The Tetris Effect | Dan Ackerman | m | 1.00 |
| The End of Alice | A.M. Homes | ✔✔ | 1.00 |
| American Muckraker | James O'Keefe | mk | 1.00 |
| Game-Changer: Game Theory and the Art of Transforming Strategic Situations | David McAdams | wk | 0.53 |
| Season's Creepings: Tales of Holiday Horror | Ronald Kelly | m | 0.69 |
| Lives of Eminent Philosophers | Diogenes Laertius, Pamela Mensch (tr.) | Mm | 0.03 |
| Take Your Breath Away | Linwood Barclay | M | 1.00 |
| Dresden: Tuesday 13 February 1945 | Frederick Taylor | ✓M | 1.00 |
| More From Less | Andrew McAfee | KM | 1.00 |
| Smellosophy: What the Nose Tells the Mind | A.S. Barwich | BMw | 0.72 |
| Bad Appetites | Jon Athan | ✓ | 1.00 |
| Mason's Television | Jon Athan | M | 1.00 |
| Volume Control: Hearing in a Deafening World | David Owen | M | 1.00 |
| Possession | A.S. Byatt | ♀Maw | 0.31 |
| Vampire Hunter D | Hideyuki Kikuchi, Kevin Leahy (tr.) | WCm | 0.21 |
Industrial Society and Its FutureTeddy K.'s magnum fucking opus. This being my 2. or 3. reread, I'd like to make some comments: Reads not at all like ideological merry-go-round drivel unlike some later works, but as an essay: Claims are stated, argumented, exemplified. Barely does it read like a manifesto, especially for '9'. The name I find inapt, because it may well be argued that first-world countries are currently in the 'information age', that, or the later stages of the instustrial one scarcely resemble the fuliginously heavy-metal-laden, child-laboring, befactoried one of the 18. and 19. centuries. Yes, you could say we've exported all that to—and are hence exploiting— 'lesser' countries, but that'd be wrong on a few levels. And, unless we need more time, the predictions about its 'future' are yet to happen, albeit I can't wait 'centuries' alive. Published in 1995, it has turned out as increasing, exceptionally correct in its observations on what it therein describes as 'lefties' and 'leftism' trait-, tendency/behavior-, motivation-wise; on some of the shortcomings of conservatives, and on the problems of the most technologically developed societies. It walks and talks like a harsh criticism with only a vague attempt at a solution. It also suffers from two of the problems that all Marxism-derived movements/ideologies/things share, namely, one, that it doesn't know how (the thing will happen; how we'll get to the utopia), and, two, that not all is clearly defined (what is technology, who gets to define it, why centralize?). He speaks of pre-industrial societies, namely tribal nomadic ones, or or pre-feudal village ones. But who's to say a bow or a wheel or fire aren't technology..? Perhaps I shouldn't be critiquing this as if it were is crowning work, | Theodore J. Kaczynski | ✔✔ | 2.00 |
| Rickshaw Boy | Lao She, Howard Goldblatt (tr.) | M | 1.00 |
| The Day of the Triffids | John Wyndham | M✓ | 1.00 |
| Ghoul | Brian Keene | mw | 0.38 |
| True Crime Stories: 10 Heinous True Crime Stories of Sickly Serial Killers, Murderers and Sociopaths | Travis S. Kennedy | m | 1.00 |
| A Better Future: How We Fix the World | Tyler True | GFm | 0.24 |
| Forlorn River | Zane Grey | mbw | 0.06 |
Smashed in the USSR: Fear, Loathing and Vodka on the SteppesWhy the hag gets top billing is ponderous, given her contribution consists of fore- and afterword. Ivan abridges his comings and going from various cities, villages, institution in a few USSR republics and oblasts, his dealings, misgivings, conversations, pleas, fights, meals, etc. with many people. He is, to a degree, a walking, talking example of a stereotype for Russians, but he hauls in the much needed absent context for the reasoning of the common folk of various groups at the time, bringing to life the Soviet and post-Soviet periods in these places. If you've experienced any of which, you'll get a good tragicomedy, otherwise the austereness may fly over your head, and the jokes you won't get (not that they're meant to be funny—the absurd attempts at poking fun is more human triumph than risible any play on words of these sad fucks can ever be, or very, very depressing, depending on your view on life and meaning). The brevity of the piece is disappointing, since it is quite an interesting read: If gulag and konzlager survivors could at write novel-length, this dude's life should've filled around 4 or 5 books of this one's length with observations and tales, albeit memory's a bitch when you're shitfaced most of the time, I'd wager. Great read. | Caroline Walton, Ivan Petrov | ✓M | 1.00 |
In Praise of Slowness: Challenging the Cult of SpeedAbsolute shit. 35% in, it is void of against that, which it rails against, has brought to industrial and post-industrial societies, or knowledge of the effects of what it pontificates for will about in these. Benefit of the doubt, would be horribly written by a child-minded, not would be intended malice FIXME. | Carl Honoré | Wfp | 0.35 |
| The Night of the Triffids | Simon Clark | M | 1.00 |
| The Saturday Night Ghost Club | Craig Davidson | Mb | 0.53 |
| A Stranger in the Citadel | Tobias S. Buckell | wa | 0.14 |
| The Broken Room | Peter Clines | Mm | 1.00 |
| With Teeth | Brian Keene | m | 1.00 |
The Camp of the SaintsTo the fucking retard, slobbering over this work in /pol/, who would not—or if I were more cynical and or despondant—, could not engage what I put forth as questions and ideas for the shortest of time spans (the origin topic having but barely passingly in common with the book's)—, well, motherfucker, this book better fucking be good, because so far it's so fucking flat, so fucking bad. Fuck me, I hate stupid, naive, predictable, hollow 'people', if you can call these husks of flesh people. Rightoid, or leftoid—both historic terms that have little to no meaning, let alone consistent meaning across people, communities, countries—, if you rely on bad literature, badfaith argumentation, if you care not about higher ideals but would rather goodboi points from a higher authority of your choosing, your ingroup, or the like, then do humanity a favor and neck yourself, if you're so incorrigible as to listen to another viewpoint, to see reason, to act in goodfaith—, I'm tired. I'm too fucking tired. Writer isn't even all that prescient as it may seem to those lacking knowledge of politics and history over the past 200–250 years. Yes, it does make make pertinent criticisms about 'the left', be it the brain-washed or the malicious power-hungry variants, and truths or good arguments don't lose strength when amidst bad, mid-schooler tier prose, but whatever the message or intent, it gets muddled and lost, and will fall on deaf ears. This is not the way to convince a neutral party, let alone the opposing one, this barely is a way. And as literature goes? Well, one'd have to suspend any advanced brain processing, forget facts and logic therewith to make this seem believable. Alternative timeline maybe..? Idunno..., I could've written this fecal smear of a propaganda fanfic within a day or two, that how unnoteworthy this is. | Jean Raspail, Norman R. Shapiro (tr.) | GWmp | 0.56 |
| Terminal | Brian Keene | mpb | 0.63 |
| Shit Falls Up | David Deutsch | m | 1.00 |
| Los Angeles | A.M. Homes | bm | 0.25 |
Anomaly FlatsZaney—the (tryhard) novel, only that cartoons and even some movies have done it better, going off of memory. It didn't go in balls deep, lingering too much at times, killing pacing. As as string of skits around the same loose story would've done better. Neither exactly target child and teenagers, nor adult, I can see it failing at keeping either satisfied. The quirks and idiosyncrasies of the settings and characters are its distinguishing features and the lack of character development (in all but one) make this a rather lackluster one-trick pony. | Clayton Smith | M | 1.00 |
| Cutting the Cord: The Cell Phone Has Transformed Humanity | Martin Cooper | GF | 0.05 |
| Pandemonium | Ryan Harding, Lucas Mangum | bwm | 0.41 |
| In the Name of the Devil | Jon Athan | m | 1.00 |
Music for TorchingA hey-what-if kind of novel of things that nag at us (or me) in live, doing them, and not getting caught, and continuing exploration of what it is to be alive actually. Why do we do this and not that? Why should we try this? Why can't we be like this? What the fuck is up with people? I loved it, very, very human novel. | A.M. Homes | ✔ | 1.00 |
| Alone | Brian Keene | M | 1.00 |
| Witch: The Cursed Manuscripts | Iain Rob Wright | mp | 1.00 |
| Kill Whitey | Brian Keene | mpw | 1.00 |
| The Complex | Brian Keene | M | 1.00 |
| Tell No One | Harlan Coben | wc | 0.05 |
| Atmosphere | Michael Laimo | mb | 0.33 |
| Manners Will Take You Where Brains and Money Won't | Donald G. James, Dennis D. James | gfc | 0.03 |
| Unknown Market Wizards | Jack Schwager | ✓M | 1.00 |
| Ripped from the Headlines! The Shocking True Stories Behind the Movies' Most Memorable Crimes | Harold Schechter | m | 1.00 |
| Thanks for the Feedback: The Science and Art of Receiving Feedback Well | Douglas Stone, Sheila Heen | mk | 0.76 |
| Letters to My Grandchildren: Thoughts On The Future | Tony Benn | mf | 0.84 |
| The King in Yellow, Deluxe ed. | Robert W. Chambers | Mab | 0.76 |
| Castaways | Brian Keene | mp | 0.75 |
| Keto Clarity: Your Definitive Guide to the Benefits of a Low-Carb, High-Fat Diet | Jimmy Moore, Eric Westman | Km | 1.00 |
Insulin: The Crooked Timber: A History from Thick Brown Muck to Wall Street GoldDocuments the many trials and few tribulation around the discovery, manufacture, patenting, sale, etc. of insulin from the very start. Meticulous work, possibly too much so for the lay, but well put together. | Kersten T. Hall | M✓ | 1.00 |
| The Greek Revolution: 1821 and the Making of Modern Europe | Mark Mazower | gf | 0.10 |
| The Paradox Hotel | Rob Hart | acw | 0.07 |
| One Night Stands | Lawrence Block | mpc | 0.62 |
| The Teaching | T.O. Paine | ♀a | 0.04 |
| The Ocean of Churn | Sanjeev Sanyal | mb | 0.48 |
| The Misfortures of Alfonso Ramirez: The True Adventures of a Spanish American with 17th Century Pirates | Fabio Lorez Lazaro | b | 0.16 |
| Vespers | Jeff Rovin | b | 0.13 |
Hulda: 2 - The IslandIcelandic author become prominent in the Nordic countries enough to risk translation into English several times over. I'd seen his name here and there and new of his existence. On a whim for a fun thriller, I went for | Ragnar Jonasson | M | 1.00 |
| Dark Iceland: 1 - Snowblind | Ragnar Jonasson | m | 1.00 |
| Virtue of Selfishness | Ayn Rand | ✔K | 1.00 |
| Dark Iceland: 2 - Nightblind | Ragnar Jonasson | m | 1.00 |
| Castle of Otranto | Horace Walpole | b | 0.43 |
| Mother Ship | Scott Bartlett | b | 0.12 |
| The Chrysalids | John Wyndham | Mm | 1.00 |
| Melmoth the Wanderer | Charles Maturin | bm | 0.08 |
| The Monk | Matthew Gregory Lewis | b | 0.05 |
| The Politically Incorrect Guide to Islam | Robert Spencer | mk | 0.91 |
The Cat Who Saved BooksThe book childishly, in that cookie-cutter Japanese way, tackles what books are worth, what one's time is worth, how books should be interacted with. I recall an article that was objectively wrong in some of its author's assumption or presumptions, and more moralistic and holier-than-thou than informative, argumentative, comparative from what I recall; since the topic is dear to me, it left a bad taste in my mouth, that of missing out on a challenge, on something new, more, better. This short book presents that article's arguments in a way, as well as fictitious examples. I appreciate the book, I do. If you'd cut out the relationship with the girl and the other classmate altogether, and made the main either a normal child (rather than a Japanese one—cookie-cutter self-insert with B&W worldview), or just a hooman bean, it'd've'n a been great. Although I disagree with a child another person literally shouting out you 'no, you dont live books, bc i dont do that!' I like the ideas and challenges as food for thought. Think snacks, brain gum. Ultimately, a combination of the first two labyrinths' masters' and the protag's reading styles, one'd get the best of all, since neither is endless repetition, with or without depth, inherently good, neither is ceaseless novelty chasing, neither is there sufficient time to read all books deliberately, carefully, taking notes, taking one's time. Commenting on the side of the publisher is hard, on authors' too. Some author have worked over one odd jobs for decades before 'making it', that is, making enough sustain theirselves and or families. | Sosuke Natsukawa | Mpc | 1.00 |
The Midnight LibraryAnnoying, unappreciative, stup–-, irrational woman main that gets to have her cake several times over. And she doesn't fucking choke to death on it in the end. What a disappoint. Old idea, so-so execution, acts 1 and 2 are meh. Not all women are boring and stupid and predictable children; write a good woman character for fucking woman, for fuck's sack. | Matt Haig | Mc | 1.00 |
Old SchoolCould've'n a mix of The Catcher in the Rye and Dead Poet Society, but nah, let's be boring. 40% and nothing of note has happened, the main hasn't developed, regressed, progressed, changed.Unsatisfactory and offers nothing. | Tobias Wolff | bwm | 0.39 |
Ms. VengeanceEarlier novel, one of of the 3–4 that are in a shared universe (dr sadist, mr snuff, and sth else), each exploring the a character, setting, background. Is okay, but somewhat bland and predictable compared to other of his work. | Jon Athan | Mp | 1.00 |
PossessedMore anecdotes (and hearsay, as if) dryly reported than documenting events or weaving a narrative, or anything interesting (to me). The reluctance of the characters to be identified, open etc. doesn't help with that. So be it. The movie The Exorcist, based on the eponymous novel, derives from this case. More [here](https://en.wikipedia.org/wiki/Exorcism_of_Roland_Doe#Investigations_and_explanations. | Thomas Allen | b | 0.33 |
| Or Else | Joe Hart | bwm | 0.21 |
| Inspector McLean: 03 - The Hangman's Song | James Oswald | mp | 1.00 |
| The Physics of the Dead | Luke Smitherd | mb | 0.21 |
| Dr. Sadist | Jon Athan | Mp | 1.00 |
| Reasons to Stay Alive | Matt Haig | pwc | 0.08 |
| Erewhon | Samuel Butler | mb | 0.38 |
| Ruined City | Nevil Shute | b | 0.19 |
| The Temps | Andrew DeYoung | wg | 0.21 |
| Lesser Known Monsters of the 21st Century | Kim Fu | mb | 0.83 |
| Alien: Colony War | David M. Barnett | mb | 0.72 |
| The Crying of Lot 49 | Thomas Pynchon | ✔ | 1.00 |
| Lost in Tokyo: A Year of Sex, Sushi, and Suicide in the Real Japan | Garett Wilson | M | 1.00 |
The Jealousy Man and Other StoriesDamn son, this is some boring-ass, trash writing from Norway's supposedly most prominent writer, English-wise. | Jo Nesbo | Bm | 0.34 |
Madness at Madison MallMain story kinda dragged out, suspense not often built up properly, releases also weak, making whole bland and easily forgettable. The few cards it had, were played suboptimally. But, this is one of his early novels, thank fuck. | Jon Athan | mpw | 1.00 |
A Biography of the Pixel20h audiobook, would be ~2e5, does meticulous background checks on literally everything, which starts to get annoying given this is supposed to be a narrative, no encyclopedia. At a point, I just stopped caring what happens, to whom, or for what reasons. Great, if you're into history, maybe, I guess? | Alvy Ray Smith | mb | 0.61 |
The Hellbound HeartMeh, passable. Hard to believe this cunt is famous for this. Neither the gore is gore-y, nor the descriptions extensive, nor the intensity palpable. Take out the cenobites and it's a dump cheating wife story that takes place over a few paragraphs. The only saving grace is its brevity. | Clive Barker | m | 1.00 |
Slouching Towards Gomorrah: Modern Liberalism and American DeclineGreat book. Critique tho: Almost everything attempted to be interpolated from the events having occurred around 60s American (Ivy League) universities, which is not only oversimplifying, but missing key branches and looking at leaves only. The chapters on music/culture and abortion are also heavily moralized and one-sided, the former wrongly so, and would easily make one label Bork as 'an elitist old fart. | Robert H. Bork | ✓✔ | 1.00 |
Can Fish Count?: What Animals Reveal about Our Uniquely Mathematical MindsWhat is says on the tin, no more, no less, no politics, no inanity. Exactly what an M or bold M should be. | Brian Butterworth | M | 1.00 |
ContactFuck me, this is some really bad writing. Specialitous + annoying woman protag. Insufferable. | Carl Sagan | AW | 0.09 |
Age of Cage: Four Decades of Hollywood through One Singular CareerNice, perhaps too-short-to-be-really-enjoyable telling of Nic Cage's life and career, published around his fourth decade in the business. I'm a Cage fan and have been intrigued by this cool weirdo since childhood. The appended to the book catalog terse reviews plus ratings of each and every flick he's participated in is well appreciated. Stays on topic without jumping around, but does bad to stick too much to official. | Keith Phipps | M | 1.00 |
All the Lonely PeopleAt first, I thought it was annoying, or all too perfect, but gradually, mister author washed over his built up sand castle to reveal a withered, sandblasted branch holding the thing together beautifully. The novel's jacket was discouraging, but the second and third acts made up for it. The novel tackles loneliness, addresses its consequences and its sufferers with propositions for undertakings. It reads as believable to a great degree, albeit a too optimistically, too luckily, that is, IRL, it'd be (much) worse. Nevertheless, this is the sort of book to bring people like myself to action, be it for myself, or others. Characters were well-formed, fully formed, that is, with clear motivations for their actions and thoughts, with histories, with un-clear-cut attitudes and relationships. Pondering what I'd want better and how, little stood out before remembering the flashbacks or the episodes taking place in the past. These were prominent in the first two acts, and color in the contours etched by the present's happenings, however, being in the past, they've not the same impact or import, and often felt as if they were diverting attention from the main course more often. Chaining ~85% of these right after the introductory chapter or two would have made for a more straightforwards experience, I would argue. Otherwise great novel. | Mike Gayle | M | 1.00 |
They're a Weird MobDefo find the audiobook! Has grade A voicing and to me aur. The content itself is an entertaining travel-log/diary with funnies based on lingual and cultural misundertstandings, and stereotypes about an Italian magazine writer's 1950s relocation and ultimately establishing in Australia. | John O'Grady, Nino Culotta | M | 1.00 |
From Seas to Stormy SeasI got through two and change stories of the total seventeen. Fuck me. The editor's forward lines you up for disappointment. Maybe his editing style, taste, and appraisal ability are very far from mine, stronger in different areas, I don't know—but this is some mightily boring shit. I cared not about the setting, the characters, the premises, anything. Exerting yourself to be bored. Verily do I doubt anything would be different had I seen the paintings inspiring these stories. | V.A., Lawrence Block (ed.) | b | 0.16 |
Horror in the WoodsSo, it's 201705XX and this shit gets published. ... Pardon me, but how exactly did this pass the cutting room, or is this the heavily edited version we're getting? The cabin-in-the-woods slasher has been done how many hundreds of thousands of times since the 1960s on the cinema screen or page? The cannibalistic family or 'family' story has been reiterated on film, television, and literature, cheap and well-known. In my last 1.5a of reading, I've come across 4–5 of the latter, and over 10 of the former. Not a single character, motive, settings, motivation, description, action herein has not been elsewhere done far better, and given when it was published, one would think the author would be familiar with the the genre, with the competition. Well, no—this reads like babee's first horror novel, and babee's equipped with the vocabulary arsenal, sentence construction complexity, and lack or failure at seriousness/depth of a late teenager, and the predictability and repetitiousness of a senile. Characters are static, no development over the few hours this takes place over, and what is reveals is exaggerated for the purposes of easier contrasting of the otherwise nondescript characters. | Lee Mountford | wmp | 1.00 |
TormentedA play on a psychiatric hospital horror. Characters have some depth and enough distinction from one another to not blend into a nameless, faceless, normal in the statistical sense blob of fictional flesh. This one had some promise and didn't fail too-too badly. Prolongation of the novel again is a major flaw, suspense-release curve is mostly flat. | Lee Mountford | m | 1.00 |
The Netherwell HorrorTakes way too long to progress, leaving me wanting for something, anything of note to happen. No clues are there to be discovered. Nothing funny to be observed. Nothing spooky, nothing perverse, nothing special. Stereotypes, mediocrely to badly portrayed. The loop at the end really just tells me this cunt think's he's clever. Writing is again amateurish. An editor or three is lacking. | Lee Mountford | bm | 1.00 |
| Web | John Wyndham | M | 1.00 |
| Ghostland: 1 - Ghost | Duncan Ralston | w | 0.06 |
| The Whisper Man | Alex North | m | 1.00 |
| 18 Tiny Deaths: The Untold Story of Frances Glessner Lee | Bruce Goldfarb | b | 0.25 |
The Controlled Demolition of the American Empire | Jeff Berwick, Charlie Robinson | Mgmkf | 1.00 |
| Sleepwalk | Dan Chaon | M | 1.00 |
| Nancy Goats | Weston Ochse | m | 1.00 |
| The Goats | Brock Cole | mM | 1.00 |
Of Goats and GodsOld time pulp fiction series member, yet still just boring and meh. Gave it a wide berth, yet failed to make the tiniest of impact. | Richard S. Shaver | b | 0.52 |
Leviathan: Ghost RigMediocre and bland, at the end predictable and just ba. | Lucas Pederson | mwp | 0.78 |
Buried in a Good BookAnnoying, woman writing. Slightly cringe to. | Tamara Berry | a♀c | 0.04 |
All's WellAnnoying, obviously woman, bad writing. Wouldn't recognize depression, if it skullfucked he. | Mona Awad | a♀w | 0.03 |
| The Guillotine | Lucas Pederson, Tim Marquitz | w | 0.16 |
| Doomino's: Apocalyptic Pizza Delivery | Lucas Pederson | m | 1.00 |
The Men Who Stare at GoatsFuck me. Compared to the movie, which, let's be honest, gave a humorous take on the source, which is incidentally this book, it's just a shitton of hearsay alongside what was dug up during the mid-00s on the subject. It's dry, too dry, but it also has zero science or explanation. I don't know if this is how military reports are or war journalism is, but only getting to resolution of the journo's questions kept me reading on. Good material, suboptimally conveyed. It can read like a boring (to me) novel, or a investigative report by some one dude. | Jon Ronson | Mb | 1.00 |
The PhlebotomistHm, for once, a decent-to-good novel featuring three females as the main protagonists. It certainly reads as something written during SARS-CoV2 times, or from somebody aware of China-style Marxist takeovers of society. A 60-yo and a 40–50-yo are the the bigguns, and a 14-yo smallun. To be honest, our main character, through whom most of the story is told, is predictable and annoying. The the naive, daft cunt of a human. Stereotypically bestial mother, kind of a Karen too, although harmless, meek, and weak. She does one thing well, namely being good with blood, possibly a medical nurse before the first boom. Weak point is the false dichotomization at times, and certainly the nigh cartoonish vilification and or characterization of the antagonists. Yes, pile on the hyperbole, the tropes, the stereotypes. Nuance would've not palliated the implied discussion on the subjects of mass subjugation, government propaganda, freedom, the impacts of centralized power and economy. | Chris Panatier | M✓ | 1.00 |
Permanent RecordAutobiographical account of Ed's story. Good, it explains governmental inadequacies, shadow government type conspiracies your uncle may spout at every occasion; but, it doesn't go too deep in, it omits some, it is a whitehat whistleblower in action. I greatly appreciated him going through the steps taken to ensure inculpability, security, anonymization among others, and privacy. | Edward Snowden | M | 1.00 |
| Projections: A Story of Human Emotions | Karl Deisseroth | bw | 0.08 |
| Erotomaniac | Jon Athan | mMp | 1.00 |
| The Walking | Bentley Little | mM | 1.00 |
| Aliens: Infiltrator | Weston Ochse | M✓ | 1.00 |
| The Art of Being | Erich Fromm | gpwk | 0.35 |
| Buyer's Market | Peter Sotos | ✓ | 1.00 |
| The Want-Ad Killer | Ann Rule | m♀ | 1.00 |
| Lust Killer | Andy Stack | m♀b | 1.00 |
| Dinocalypse: 1 - Dinocalypse Now | Chuck Wendig | mac | 0.26 |
| The Hitchhiker's Guide to the Galaxy: 2 - The Restaurant at the End of the Universe | Douglas Adams | ✓a | 0.52 |
| What Fresh Hell Is This?! | Nick James | Mm | 1.00 |
The InfluenceBentley Little is a strange one. Two novels in—and the motherfucker has 32 | Bentley Little | m | 1.00 |
| The Stolen Village: Baltimore and the Barbary Pirates | Des Ekin | m | 1.00 |
| Sell without Selling out: A Guide to Success on Your Own Terms | Andy Paul | pwc | 0.14 |
| Dead Body Disposal | Jon Athan | mp | 1.00 |
| Dead World | Lucas Pederson | wc | 0.05 |
What Is a Woman?: One Man's Journey to Answer the Question of a GenerationWay to show you bias, Matt, fisting them in at every obvious hole. Sheesh. Which is to say, the impact of the book is somewhat lessened, the reader put off, if not of the same persuasion and of lower standards of reasoning, which the author transgresses against every time the issue strikes a nerve, which, I'd say, is all too often. What you're talking about isn't bad because you espouse a mainstream religion (e.g., Catholicism, Protestantism, etc.), or whatever-the-fuck, it's bad because it doesn't work, hasn't worked, can't work, because it is internally inconsistent, doesn't hold any predictive power, is vastly more wrong/bad than right/good in its statements, predictions, actions. That small critique aside, I would say this is book portrays a man's attempt at grappling with a currently difficult to answer question by anybody on the Marxist left, anybody politically correct, or etc., and getting sidetracked into gender studies and its effects on children, adolescents, adults; the economy, public policy, and big pharma among others. While Matt doesn't give it a shake as fair as James A. Lindsay, he does try. The book is comprised of his thought process and various interviews with both victims and perpetrators; some history is covered in 2–3 individuals, but he got bogged down by the obtuseness of the language (mis-)used in their articles, is my presumption. | Matt Walsh | M | 1.00 |
Early Retirement Extreme: A Philosophical and Practical Guide to Financial IndependenceA hodgepodge of collected (life-)hacks, as if, from a multitude of enthused, young, whippersnapper activists, hippies, nothing-writers from online-only magazine. Over 80% of the book is common sense- or knowledge-based arguments about cost reduction (how to deal with rain while running, clothing to buy, dealing with old stuff, shit to preferably buy), things that, in the end, I'd argue, won't save you even a quarter of the money required for 2–3 decades of official joblessness. The chief thing, for me, is to, for every product one buys, every activity one consciously engages in, every decision one takes, weigh the pluses and minuses in the context of your goal (which in the case of the book is either saving/not spending more money than you make, or vice versa). Decent–good one-time read for a frugal, or creative, or willing-to-spend-the-time person. | Jacob Lund Fisker | mMk | 1.00 |
| Abuse of Language, Abuse of Power | Joseph Pieper | m | 1.00 |
| One Thousand Miles to Freedom | Eusun Kim, Sebastien Falletti, David Tian (tr.) | Mm | 1.00 |
| Monsters | Peter Cawdron | wam | 0.12 |
| Blackwater: 1 - The Flood | Michael McDowell | bm | 1.00 |
| Blackwater: 2 - The Levee | Michael McDowell | Bm | 0.33 |
| On Disobedience and Other Essays | Erich Fromm | mG | 0.84 |
| The Hacking of the American Mind | Robert H. Lustig | ✓ | 1.15 |
| Race Marxism | James A. Lindsay | ✓b✔ | 1.00 |
| Sunblind | Michael McBride | mM | 1.00 |
Fleisch ist mein GemüseVery entertaining for me autobiographical recount of a German musician-turned-writer/humorist born 1962. Maybe it just appeals to my sensibilities, likings, maybe it really is funny. Not documentary, nor dry, handles more with episodic stories, i.e., names, places, characters needn't to be kept track of. I had fun, and would reread it too. | Heinz Strunk | ✓ | 1.00 |
Kitchen Confidential: Adventures in the Culinary UnderbellyFavorite of many TV chef and household name, I finally learn why so many like this bastard: The 60s' sex, drugs, and rock n' roll attitude, that of rebelling against decency, normalcy, or established anything, or its own sake, of beating and poisoning your body, and, ultimately, of being superficial (by which I mean, it was reactionary in being defined through what it opposes, out of which an aesthetic was born, which stuck unlike the attitude towards the' other', which didn't—because the latter changed (not gonna say 'evolved', lol)), that is, until he realized he may want to live a little longer and more stably, as he states around the end. He traverses his own history, pressing pause to tell stories, embellish, really, the minutae of the world. Somewhat of a snapshot of 70s, 80s, and 90s (coastal or big-city) America, its culture; and it's your kooky uncle Tony doing the exposé. Entertaining even if you don't like the guy, comme moi, but, to some degree, tolerate/excuse the actions/thoughts. I wish it were more vulgar, and longer, and had more stories, but no uncle is forever. | Anthony Bourdain | M | 1.00 |
The Psychology of TotalitarianismAn interesting take on the origin and perpetual propagation of totalitarianism, or the centralization and misuse of power preordained in all derivatives of Marxism. Author is a psychologist by profession, hence the title, and although theory isn't as expansive and explanative as Mises' in | Mattias Desmet | ✓ | 1.00 |
| Bullshit Jobs | David Graeber | AKwm | 0.72 |
| Offspring | Jack Ketchum | ✓ | 1.00 |
| Funny You Should Ask…: Your Questions Answered by the QI Elves | QI Elves | mk | 1.00 |
Omnipotent Government: The Rise of the Total State and Total WarPainfully prescient. Nothing significant has changed since its publication in 1949. The totalitarian, etatist/statist push of Marxian ideologies and movements was meticulously explained and substantiated back then. It is rather eerie... Common sense, basic economic theory and human psychology, and history are utilized to construct a single, clear train of thought that smashes through NatSoz sympathizers' baby claims and arguments, and likewise for fascists, socialists, communists, etc., etc., etc. Banger of a book. | Ludwig von Mises | ✔✔ | 1.76 |
Gotrek and Felix: 01 - TrollslayerFourth (or still-less-than-tenth) attempt at getting into WH40K literature. The Black Library. The Boring-Cringe Library, more like... For once though, the writing is at least above mediocre and, at times, decent. Trollslayer is a collection of about 4–5 interwoven stories, that have naught to do with trolls, but provide the background paragraphs on the settings and the two main characters. There is a noticeable decrease in quality of novels by the same author over time. Extending a few fights taking place over a few days or months or years to 8e5 words with neither character developing anyhow is probably souldraining. The second of the presently nineteen (19) novels sticks way too much to its title. Josh Reynolds, who's written so seriously boring trash for the universe takes the reins from Nathan Long, whom I'm unfamiliar with. I didn't want to write a 1-sentence remark. | William King | M | 1.00 |
| Gotrek and Felix: 02 - Skavenslayer | William King | mM | 1.00 |
Gotrek and Felix: 03 - DaemonslayerWelp, Daemonslayer was, as if, mostly non-combat and more of the same type of writing, slowly getting on my nerves. Again, overly long; in the Wastes several things made no sense as they were described, but that could be excused becuase muh Chaos. You could very well summarize the entirety of plot in 1–2 paragraphs. Worse still than Skavenslayer (which was mostly memeing on skavens. Which, it would seem, as I'm writing this after having finished Dragonslayer, exist mostly as a joke in the WH40K universe. Ha-ha, good joke, real kneeslapper—let's repeat it at ev-er-y skaven verbal exchange and opining). Every further title, the trend is, reads more unpleasantly than its predecessor, very noticeably so, and this isn't burnout, it's shabby, uninspired, second-rate work. | William King | mb | 1.00 |
Gotrek and Felix: 04 - DragonslayerAnd Dragonslayer, which I am thirdway through with presently, is even worse: 3.3e5 words for what amounts to 2 sentences tops plotwise. The incessant overexaggeration (from the first book onward, mind you) reminds of Dragon Ball's power creep, only here we don't even get visuals, just a reexploitation of already stale words and phrases. I'm on the fence about allowing oppotunities for redemption to the interstitial novels and giving Nathan Long a go, reading this is tiring. | William King | bmp | 1.00 |
Brutal KunninOrks have British football hooligan/chav language and culture..? And the Adeptus Mechanicus are illogical, hypocritical/inconsistent, self-serving ultimately? These are standard normie, shit human qualities, they only talk like nerds, or try to, rather. It's kinda cringe-y. I wish the universe, its races' languages, dialects, cultures, etc. had been better fleshed out by craftsmen, not amateurs. It takes itself seriously, adding to the internal inconsistencies. Were it at least (more) tongue-in-cheek, had the author introduced some fun, puns (or nuns) it'd've'n better for it. An unwilling to exert themself adolescent might like this or get into the franchise with it, but the hardcore WH40K books are even more stuck-up, cringe-inducing, and annoying or inconsistent. The Black Library's great pollution can be traced to a several names, contributing a surfeit of novel. | Mike Brooks | wmca | 0.32 |
| The Infinite and the Divine | Robert Rath | wca | 0.08 |
| Funny You Should Ask… Again: More of Your Questions Answered by the QI Elves | QI Elves | kmf | 0.63 |
| Age of Sigmar: Dominion | Darius Hinks | bcw | 0.12 |
| Zenarchy | Kerry Thornley | cfgm | 1.00 |
| Gotrek and Felix: 05 - Beastslayer | William King | bm | 0.92 |
| The Bachelors | Muriel Spark | B | 0.13 |
| Memento Mori | Muriel Spark | B | 0.05 |
Reality and DreamsNigh readable, but ultimately too slow and boring. Too English, and hence annoying, English in the stereotypical way, focuses (along with the above two books) on interpersonal relationships, but they're remote from what is human, or normal, or interesting... Altogether, I wouldn't say MS is my cuppa. | Muriel Spark | mb | 0.19 |
| The Orville: Sympathy for the Devil | Seth MacFarlane | m | 1.00 |
Vector BorneFuck me is this a tedious read: 3–4x the length its plot's worth, everything is needlessly prolonged, without throwing the reader a bone for their squandered time. A spoopy, ancient virus infects civilizations or peoples, disappears them in angst, panic, confusion, bloodlust. The last surviving members had had to seal away, burn, destroy, etc., those infected or themselves. And now it's happened again, who could've foreseen it, human arrogance spawning from perceived mastery over nature, over others. | Michael McBride | mbwa | 1.00 |
The HandymanWow-y, here's a novel, that bullseyes (or, at least, scores very high on) the discomfort and unease boards, at least, in my case. Conveying them, because of their vagueness perhaps, is neither easy nor straightforward. Characters' experiences pendulate between the wishy-washiness of surreal dreams and blunt, cold, hard reality, often imperceptibly so. I'd say this is more psychological horror/suspense rather than a gorefest, action-thriller, or other, more traditional spins. To forgo spoiling the plot, saying that it revolves around handymen is sufficient should suffice. This is thus far my favorite Bentley Little opus. | Bentley Little | ✔ | 1.00 |
| The Haunted | Bentley Little | M✓ | 1.00 |
| The Vanishing | Bentley Little | Mm | 1.00 |
| The Town | Bentley Little | Mm | 1.00 |
| Scary Stories to Tell in the Dark | Alvin Schwartz | Wc | 0.11 |
| Mr. Penumbra's 24-Hour Bookstore | Robin Sloan | Mm | 1.00 |
| Rage | Stephen King | Mb | 1.00 |
| Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American | Nick Offerman | mGa | 0.16 |
| Sun and Steel | Yukio Mishima | cW | 0.13 |
| Roadkill | Dennis E. Taylor | mg | 1.00 |
| Sourdough | Robin Sloan | mbg | 0.55 |
| Shibumi | Trevanian | b | 0.07 |
| A Million Ways to Die in the West | Seth MacFarlane | Mp | 1.00 |
Ancient EveningsThe setting of (Ancient) Egypt I've read of and or listened to only in Lumley's Kai of Khem. Story was predictable—I wouldn't call it an isekai, but it is both a power fantasy and a time/location-transfer, so yeah... I like the the descriptions of the geography, nature (significantly wetter 4e3 years ago), traditions or rituals of another people. Ancient Evenings is fucking huge at a third of a million words, and it's books/parts may well have been reworking into 3–4 separate novels for how distant to each other they are. Proceeding over a few days in the afterlife of Meni, our protagonist, in the necropolis in the Luxor valley along with his great grandfather (also dead), the Egyptian mythology is laided out, that is, how the gods came to be and what they patroned, their relationships among themselves, with the world, its people. Parts of Meni's childhood we read about, wherein rites and rituals, and the power structure of Ancient Egypt are described or observed, including the latter's various positions' everyday, familial relationships, culture, value systems. | Norman Mailer | ✓b | 1.00 |
| The Backwoods | Edward Lee | ✔✓ | 1.00 |
| The Girl in the Attic | Jon Athan | ✔ | 1.00 |
| The Groomer | Jon Athan | M✓p | 1.00 |
| Gotrek and Felix: 08 - Orcslayer | Nathan Long | m | 1.00 |
Stick a Flag in It: 1000 Years of Bizarre History from Britain and BeyondHumor aside, I'd bin it, since history is tediously boring. Otherwise, tolerable and almost enjoyable. | Arran Lomas | Mb | 0.54 |
Am I Beautiful?This novel was toned down from his usual, and relied much more on the psychology, that is on the emotions rather than gore: Fear, anticipation, tension, panic. And it succeeded with the 'if I can't have X, then nobody can' spin. An all too human story given some extra weight is all this it. | Jon Athan | ✓✔ | 1.00 |
| Gotrek and Felix: 09 - Manslayer | Nathan Long | m | 1.00 |
| Gotrek and Felix: 10 - Elfslayer | Nathan Long | m | 1.00 |
| Communicate with Mastery: Speak with Conviction and Write for Impact | J.D. Schramm, Kara Levy, Joel Peterson | wc | 0.03 |
| Gotrek and Felix: 10.5 - Slayer of the Storm God | Nathan Long | bm | 1.00 |
Party GamesA recent-ish one by jonboy, that, for the second time in my reading history of him, contains a more plausible plot, less edgy, extreme, or maybe you could call it more mundane, if not more realistic, since both occur only to differing rates. His influences are very clear, even if you've never watched the movies, as he states in the afterword, affirming what I'd thought throughout. I think, without having watched the movies, only seen trailers and having thought the concept predictable scare porn, he executed it very well, differing in that he focused not (only) on the victims, but mostly on the doers, presenting the other side. It was also of he shorter works, around 4e5, usually he goes for double that. | Jon Athan | ✓M | 1.00 |
Gotrek and Felix: 06 - VampireslayerCringy, and getting predictable, and does absolutely nothing new (for, what, 3–4 novels now?). I'll tunnel to other two authors in the series. William King is dead to me. | William King | mp | 1.00 |
| Gotrek and Felix: 07 - Giantslayer | William King | m | 1.00 |
| What Is Communist Anarchism? | Alexander Berkham | GFc | 0.03 |
| Gotrek and Felix: 11 - Shamanslayer | Nathan Long | m | 1.00 |
| Into the Wolves' Den | Jon Athan | Mpbc | 1.00 |
| In Praise of Shadows | Junichiro Tanizaki | cfm | 0.29 |
| The Summoning | Bentley Little | Map | 1.00 |
58 MinutesThis schlock-y thriller from 1987 was the source material of the movie Die Hard 2, wherefor it was way toned dow. My nigga W.W. has a mighty hard-on for extrema, making for an overall placid tension curve. Credibility is most hurt thusly, pacing also suffers, since every conflict is presented as grander than it is, the movie handled this better. I am biased and influenced in having seen it some 10 times, and enjoying it. You'll like this, if you did too; gives the villains some more color. Like a three-fifths-to-the-top-shelf airport novel from the 80s. | Walter Wager | mMp | 1.00 |
| Unshattered: Overcoming Tragedy and Choosing a Beautiful Life | Carol J. Decker, Stacey L. Nash | m | 1.00 |
| Who Are China's Walking Dead?: A Personal Journey into the Strange World of Communist Culture and Officialdom | Kay Rubacek | ✔✓ | 1.00 |
| The Smoke | Simon Ings | mM?b | 0.34 |
| The Quiet Man: McGarry Stateside | Caimh McDonnell | mM? | 0.71 |
Estrogeneration: How Estrogenics Are Making You Fat, Sick, and InfertileMore so a layman's compendium of varying in difficulty dos and don'ts than 'hey, this is the science,man'; not that the claims aren't backed up, just that I'd've preferred a more in-depth examination of the hows. Maybe I'm just whining. Anyway, for those not already privvy to the info, is nice, otherwise, kinda meh. Keep yourself and your close ones safe(r), famalamazoid. | Anthony G. Jay | ✓k | 1.00 |
| Clown in a Cornfield: 2 - Friendo Lives | Adam Cesare | M✓ | 1.00 |
| Gotrek and Felix: 12 - Zombieslayer | Nathan Long | m | 1.00 |
| Just the Arguments | Michael Bruce, Steven Barbone | ✓M | 1.00 |
| The Age of Surveillance Capitalism | Shoshana Zuboff | kMBW | 0.79 |
| Dark Imperium: 1 - Dark Imperium | Guy Haley | CW | 0.02 |
| The Court of the Blind King | David Guymer | cb | 0.03 |
| Hammerhal and Other Stories | C.L. Werner | cbw | 0.03 |
| Kingdom of Bones | James Rollins | bwf | 0.05 |
| Tyrannical Minds: Psychological Profiling, Narcissism, and Dictatorship | Dean Allen Haycock | m? | 0.38 |
| Gotrek and Felix: 13 - Road of Skulls | Josh Reynolds | mba | 0.32 |
Digital MinimalismWay to state the obvious, nigge. | Cal Newport | Km | 1.00 |
| Gotrek and Felix: 14 - The Serpent Queen | Josh Reynolds | m | 0.30 |
Blood SugarDid not expect this variety of English from an author of such a name, but hey, maybe he's versatile? It's very nigga and street/urban, current (early 2000s for sure; 2010s maybe?), kid-friendly, in that it's believable, gets at both the overt and still-buried, under-developed emotions of soon-to-be adolescents and adults. It is quite human and well-written, these knowledge of the subject(s), their language and mannerisms. A few things are off—the epistles between the main characters and whoever the fuck they're writing, are abrupt breaks in the story that break the flow and contribute little. They provide backstory, color or enhance already there moments, but they should've been used more delicately, sparingly. Jarring are also the very discongruent moments of clear thought with the druggy, nigger behavior. Still worth a read, tho. Unfortunealy, attempting writing him an email, his contact page has the following: Rereading recently after having seen it pop up again on audiobookbay, I again liked it whole lot. Some of the above is invalid, a bit, having paid more attention this time around, and reading alongside, the characters don't develop throughout the book, seeing as it's something like a weekend or day, but shows how they got to where they are through correspondences and conversations that allude to the past. | Daniel Kraus | ✓✔ | 2.00 |
| Limitless: Upgrade Your Brain | Jim Kwik | Kcam | 0.35 |
| Separating You: A Self-Help Book for the Lost, Lonely, and Psychotically Obsessed | Jason Carson | Mm | 1.00 |
| Gotrek and Felix: Anthology | V.A., Christian Dunn (ed.) | m | 0.71 |
The Truth about CryptoWay to regurgitate very biased, bullish-only level-above-normie info. Did not assuade my uncertainties, did not answer any questions of mine, asked no question. Normie book at best, bad advice at worst; it's another chump riding the hype train. | Ric Edelman | Kcfm | 0.94 |
| Succubi | Edward Lee | ✓✔ | 1.00 |
Beautiful YouVery strange novel for Chuck. It reads like a lonely woman's poor, shitty chicklit. Horribly annoying too in featuring everything insufferable about twentieth century women, especially from the last few decades. I really want this to turn around, but how much do I have to invest? Not in the least enjoyable, absolutely nothing novel. Disappointing. | Chuck Palahniuk | Aw | 0.24 |
Truth about Your FutureSo, you're good start off your 7. or 8. layman finance-focused book by listing praise by a bunch of nobodies, foreword/s of no content, and an unnecessary introduction? And you're gonna follow that up with 5 chapters of nothing financial, or advisory, or new/novel/insightful? How. in. the. fuck. did this stupid cunt get published 8 times? How brain-dead are other people?! I am astounded, yet again. | Ric Edelman | awcfg | 0.17 |
Mindreader: The New Science of Deciphering What People Really Think, What They Really Want, and Who They Really AreAlthough it assumes obvious falsehood due to its wide strokes, it nonetheless would be a great starter for knowing what to look for in other. | David J. Lieberman | K✓Maf | 1.00 |
| Black Thorn, White Rose | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | ♀wba | 0.52 |
| Mysterious Sea Stories | V.A., William Pattrick (ed.) | bm | 0.68 |
| Aliens vs. Predators: Rift War | Yvonne Navarro, Weston Ochse | b | 0.06 |
| Walled Culture | Glyn Moody | M✓ | 1.00 |
| Pandemic, Inc.: Chasing the Capitalists and Thieves Who Got Rich While We Got Sick | J. David McSwane | Fg | 0.02 |
Dawn of a Nazi Moon: 1I picked this up, hoping it'd be over-the-top moustache-twirling as the 2012 movie | Douglas MacKinnon | w | 0.28 |
| Procedural Content Generation in Games | Julian Togelius, Noor Shaker, Mark J. Nelson | wm | 1.00 |
| King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa | Adam Hochschild | ✓M | 1.00 |
| On Animals | Susan Orlean | wa | 0.07 |
| Cursed Objects: Strange but True Stories of the World's Most Infamous Items | J.W. Ocker | m | 0.74 |
A Journey to the Northern OceanObserves and explains explorers, colonists, frontiersmen, tribal native Americans (the so-called Indians), as well as local flora and fauna. Stout and curt, reminiscent of [Dan Simmons' | Samuel Hearne | M | 1.00 |
| The Carpet People | Terry Pratchett | m | 0.20 |
| The Dream Universe: How Fundamental Physics Lost Its Way | David Lindley | km | 0.10 |
We Have Been Harmonized: Inside China's Quest to Launch a New Era of Social Controlκινο, also fuck Greeks and or greeks FIXME. | Kai Strittmatter, Ruth Martin (tr.) | ✔ | 1.00 |
| A Universe from Nothing | Lawrence M. Krauss | M✓ | 1.00 |
| Robert Hunter: 12 - Genesis | Chris Carter | M | 1.00 |
In Search of ExcellencePlatitudes and excuses therefor woven into a hot garbage taffy. | Thomas J. Peters | kc | 0.20 |
| The Day of the Locust | Nathanael West | ?m | 0.61 |
| Davos Man: How the Billionaires Devoured the World | Peter S. Goodman | kmgf | 0.56 |
| The Mammoth Book of Best New Horror: Volume 03 | V.A., Stephen Jones (ed.), Ramsey Campbell (ed.) | m | 0.94 |
Burnt TonguesThis short story collection is the very first that is consistent banger after banger, even the females ones do a great job. Its foreword by good ol' Chuck P. is also (from ..?) toppest of shelves. No one is supernatural or too fiction-y, all dreadfully 'real' in their endings. This warrants a reread in 1–2 yeary. | V.A., Chuck Palahniuk (ed.), Richard Thomas (ed.), Dennis Widmyer (ed.) | ✔ | 1.00 |
| Inside Job: Treating Murderers and Sex Offenders. The Life of a Prison Psychologist | Rebecca Myers | wm | 0.23 |
| Justice Corrupted: How the Left Weaponized Our Legal System | Ted Cruz | m | 1.00 |
| Fugitives and Refugees: A Walk in Portland, Oregon | Chuck Palahniuk | mb | 0.25 |
| Jesus, Prince of Hell | Adam Weishaupt (x) | mwc | 0.51 |
| Illuminati's Six Dimensional Universe | Adam Weishaupt (x) | Wc | 0.01 |
| Owning the Sun: A People's History of Monopoly Medicine from Aspirin to COVID-19 Vaccines | Alexander Zaitchik | mk | 0.17 |
| Tower 57 | Drew Platt, J.T. Cacibauda | mp | 0.41 |
| India's Legal System: Can It Be Saved? | Fali S. Nariman | B | 0.13 |
| Medical Terminology Made Simple and Easy: A Comprehensive Review of the Language of Medicine for Medical Professionals and Nursing Students | Anna Curran | mb | 0.36 |
| We Have Always Lived in the Castle | Shirley Jackson | Am? | 0.14 |
FlickerReading this, my rating when from m to M to ✓ to ✔, it's like Shrek says, | Theodore Roszak | ✓✔ | 1.00 |
| Like, Comment, Subscribe: Inside YouTube's Chaotic Rise to World Domination | Mark Bergen | Gfw | 0.09 |
| From Satori to Silicon Valley | Theodore Roszak | mM? | 0.25 |
| Most Triumphant: The Movies and Meaning of an Irrepressible Icon | Alex Pappademas | mga | 0.62 |
| A Large Measure of Snow | Denzil Meyrick | m | 0.23 |
| Free Culture | Lawrence Lessig | mb | 0.23 |
| Drink: A Cultural History of Alcohol | Ian Gately | b | 0.03 |
| Wired for Love: 1 - Re-Wired | Greg Dragon | m | 1.00 |
| Wired for Love: 2 - Single Wired Female | Greg Dragon | mb | 0.36 |
| Sammy and the Cheese: 2 - Razzmatazz | Christopher Moore | ✓g | 1.00 |
| The Devil's Pleasure Palace: The Cult of Critical Theory and the Subversion of the West | Michael Walsh | mMAg | 0.32 |
| The Unholy Trinity: Blocking the Left's Assault on Life, Marriage, and Gender | Matt Walsh | Afpg | 0.01 |
| Church of Cowards: A Wake-Up Call to Complacent Christians | Matt Walsh | Apg | 0.01 |
| 23 Things They Don't Tell You about Capitalism | Ha-Joon Chang | GFw | 0.11 |
My Dark VanessaHere's an interesting one. As recommended, or at least talked, about by ma boi (P.S., R.I.P.), this 1.5e5 word novel is da thicc (to use the bad joke/phrase from Our curly-haired redhead ( V.'s impetuousness overlaps significantly with Lo's, although the latter was much, much younger, and her mental development, it could be argued, was halted until she'd escaped, and, again could be argued, never was completed. I wouldn't say the former's childhood was sacrificed, nor stolen; something was lost/exchanged, but—and I do think this is a fault of the author, that is, this is bad writting, imo—nothing significant was gained by either party. Is the reader seriously to believe that an intense, 6-month relationship, whose skipping, on-and-off status for the next seven years ruined one-to-two lives? I'm not convinced. Having had a half-year, acute relationship with somebody 12 years younger, who fascinated me/I loved intellectually firstly, and physically afterwards; I again personally related to, commiserated with, felt various facets of this time's Humbert, his circumstance; I had to finish this. Enchanted with (and by—ha!) The novel to me reads as a love story gone wrong inamicably and bilaterally. There were a few great quote, and I also chortled twice. I wouldn't reread it, but I will give out the second, which I'd remembered to save ( Strane says I need to contextualize my reluctance to grow up, that everyone my age is drawn to self-victimization. 'And that mentality is especially difficult for young women to resist,' he says. 'The world has a vested interest in keeping you helpless.' He says as a culture we treat victimhood as an extension of childhood. So when a woman chooses victimhood, she is therefore freed from personal responsibility, which then compels others to take care of her, which is why once a woman chooses victimhood, she will continue to choose it again and again. | Kate Elizabeth Russel | a✓ | 1.00 |
| The Murderbot Diaries: 1 - All Systems Red | Martha Wells | bp♀m | 0.36 |
| Some Fruits of Solitude | William Penn | Gwm | 0.61 |
| How Religion Evolved: And Why It Endures | Robin Dunbar | mk | 1.00 |
| The Doll House | Edward Lee | ✓M | 1.00 |
| The Shuttered Room and Other Tales of Terror | August Derleth | Mmp | 1.00 |
| The Lurker at the Threshold | August Derleth | Mmp | 0.10 |
Irrational Man: A Study in Existential PhilosophyA look of how existentialism came to be, the whole history and key figures. Slightly above decent for a one-time read, at times boring due to focusing on, to me, irrelevant details of said cunts. Minus points for skipping by Kafka. | William Barrett | Mk | 1.00 |
Unmask Alice: LSD, Satanic Panic, and the Imposter Behind the World's Most Notorious DiariesFocuses strongly on the people, but the narrator is boring, although the story is nice. Gave me some outrageous (for the 70s and 80s) fic to read. It'll be shit, I'll do one a later today before retiring to something decent (looking at You, Beatrice Sparks). | Rick Emerson | Mmb | 0.43 |
The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher NolanMuch of the Interstellar and Dunkirk bits I fastforwarded, since I like neither thematically, and the former musically especially. Was nevertheless interesting to hear the man's thoughts and process, albeit there really isn't much to it, he just good in a field dominated by safe choices. | Tom Shone | Mm | 0.87 |
| Jay's Journal | Beatrice Sparks | WPgb♀ | 0.33 |
| It Happened to Nancy | Beatrice Sparks | Wgp♀b | 0.18 |
| Almost Lost: The True Story of an Anonymous Teenager's Life on the Streets | Beatrice Sparks | wgb♀ | 0.07 |
The Social Costs of Pornography: A Collection of PapersPart uno is about alleged harm caused by pornography, most of it is trash. 1. paper was just plain bad, unless I haven't seen enough porn, or 2008 was radically different porn-wise; it's a big heads-up for all the upcoming female 'scholars'. Good to start off with the disappointment. The 2. paper is okay-ish; 3. & 4. feature faulty argumentation and use fallacious studies, which are attempted to be passed off as crime statistics. These all ring like the hysteria stirred up by a few parents, preachers, or otherwise Karens, when rock and metal were gaining footing, becoming normal (or any new, edgier, or more extreme genres). Jack Thompson (campaign against video games) all over again to a significant degree. The professions of female persuasion are oblivious to the gynocentric Western world they and their clients live in, they only bitch and whine, and possibly make matters worse. Okay, I'm generalizing and strawmaning, fine. It tires keeping with everything wrong in what I'm reading. It is astounding how many unfounded claims about pornography are made, which, I guess, are hoped to be forgotten by piling on new ones..? How any of this could have been published in a journal, or even a proceeding is beyond me: Poor scholarship, deficient intellectual humility, arrogance and moralization, arguably lies. The first point to make is that sexual desire belongs to that aspect of the human being which we summarize in the concept of the person. Many of the things that we experience we experience as animals, and what we feel does not normally depend upon thought, intention, or personality. We feel the same pain from a wound that a dog might feel if wounded in the same way. But there are other states of mind that only persons can experience. While a dog can experience aggression, he cannot experience remorse or shame, cannot wonder about the laws of nature, cannot judge another dog morally, and so on.
Roger Scruton confirmed furry-/dog-hater. Part dos features actual people (men) and is decent, about the ethics of the pornography, tres circumnavigates the legal aspect, meh. | James R. Stoner Jr., Donna M. Hughes (ed.) | g♀fm | 1.00 |
| Finding Katie: The Diary of Anonymous, a Teenager in Foster Care | Beatrice Sparks | wb♀ | 0.44 |
| The Friendly Orange Glow | Brian Dear | mb | 0.35 |
| 100 Animals That Can F*cking End You | Mamadou Ndiaye | ✓ | 1.00 |
| Geronimo's Story of His Life | Geronimo | m | 1.00 |
| Harlem Detective: 1 - A Rage in Harlem | Chester Himes | M | 1.33 |
The Street of CrocodilesA small short story collection, all composed astoundingly beautifully. Bruno Schulz was described in the foreword and his wiki article as a national treasure of a Jewish Polish writer, and even past Celina Wieniewska's translation, I would believe that. Had I the time to learn 1930s Polish, I would, just to read this. Critically however, he goes overboard in description—words, wordings, comparisons, literary devices used in every sentence cloy. It is only the virtuosic variety and novelty employed that somewhat mellow it out. As the foreword says, the tales are autobiographical in nature, all about the author's quaint hometown, his childhood memories. Style reigns here, whereas the substance of each could charitably be decocted to a paragraph. He walked with an awkward oblique roll in an undecided direction, along a shaky and uncertain line. His usual mood was one of indefinite basic sadness. He had the dejected helplessness of an orphan—an inability to fill the emptiness of life between the sensational events of meals. This was reflected in the aimlessness of his movements, in his irrational fits of melancholia, his sad whimpering, and his inability to settle down in any one place. Even in the depths of sleep, in which he had to satisfy his need for protection and love by curling himself up into a trembling ball, he could not rid himself of the feeling of loneliness and homelessness. Oh, how a young and meager life, brought forth from familiar darkness, from the homely warmth of a mother's womb into a large, foreign, bright world, shrinks and retreats and recoils from accepting the undertaking—and with what aversion and disappointment! Father's experiments did not, in spite of expectations, produce any revolution in the life of the community. The grafting of mesmerism on the body of modern physics did not prove fertile. It was not because there was no grain of truth in Father's discoveries. But truth is not a decisive factor for the success of an idea. Our metaphysical hunger is limited and can be satisfied quickly. Father was just standing on the threshold of new revelations when we, the ranks of his adherents and followers, began to succumb to discouragement and anarchy. The signs of impatience became more and more frequent: There were even open protestations. Our nature rebelled against the relaxation of fundamental laws; we were fed up with miracles and wished to return to the old, familiar, solid prose of the eternal order. And Father understood this. He understood that he had gone too far, and put a rein on the flight of his fancies. | Bruno Schulz, Celina Wieniewska (tr.) | ✓ | 1.00 |
A Pickle for the Knowing OnesCount Dankula released a video on this bloke recently. Someone so under the auspices of a guardian angel to have elevated (dumb) luck to a new plane, one I had to visit. So, like a good little Asian tourist boy/be-middle-age-crisised man, I took out my camera, put on my best Hawaiian shirt, leather sandals and kneesocks, and I hoped on over to project gutenberg where one can find many an old document, this title include. Now, since nineteenth century English is a tad different from present-day — and whatever carnage of that the self-pronounced Lord spoke would be harder to enunciate, I had to use a flite to get some audio for this. And, oh boy-o, I was surprised that it the blasphemous spelling sieved through the rules for pronunciation results in a surprising amount of corrects. Really. What the poor engine slarterd (slaughtered) was the lack of any punctuation, which made for paragraph-long sentences, separated by newlines, in a veeeery slowly falling intonation. Like, cosmically glacially. Capitalization isn't sporadic, but isn't regular either. You need a buffer maybe 5 times the size of your normal reading's one to keep track of the noisom fray's hardly spotable threads, to piece together, to hopefully make sense of a part of a paragraph. But, it reminds also of speaking to normal people, in a way. Fucking hell I hate people. So, I could present here my translation of the drivel, with possible interpretation; however, even stream-of-consciousness novels aren't this, this disheveled. Dankula, or his producer, was right in assessing Timmy to be a masterful troll. There is no interparagraph continuity, and often enough no intra- either. The tone is at least not smugly highfalutin. You question the man more than yourself. Just like crosswords are more routine common knowledge retrieval, this too is mentally challenging in a very simple way, neither dangle any reward, nor deceive you. A novelty, sure, but also a one-trick pony. | Timothy Dexter | MmW | 1.00 |
| The Psychopath Test: A Journey through the Madness Industry | Jon Ronson | mka | 1.00 |
Tender Is the FleshInterdarsting. I didn't not expect a woman, let alone one from Southafuckingmerica to emit something so sweet. First of all, So, what does one learn from this novel? One, scarcity opens up avenues for innovation and (black-)market openings or expansions, that is, creates new opportunities whilst severely obstructing or shutting down people, businesses. Two, necessity dictate morality for nigh all cases for nigh all, this is partly an addendum to conversations concerning Maslow's need hierarchy. Possibly three, revenge and absolution are motivators, powerful strong enough to conveniently veil reality, truths. Lastly, 'never let a good crisis go to waste' plays out for the umpeenth time, thank fuck, it's fiction, but it is also fiction that informed all the moustache-twirling Marxists in our present. I have more to say, in a way, but I deeply wish to whet my ideas against another person's, or rather just another person... and it's been like a month since finishing it. Senile. The end. Okay, to finish off, as almost always, I few excerpts worth mentioning (I really should begin a separate file for quotes for everywhere, but the prospect of going through some 700 fully read bookos to rediscover tidbits is daunting and ,likely, an unworthwhile one.): He doesn't ask her anything. His sister's words smell of detained humidity, of confinement, of intense cold. She keeps talking. 'Can't you see you're incapable of thinking for yourself? The only thing you do is follow the norms imposed on you. Can't you see that this whole thing is a superficial act? Are you even capable of feeling something, really feeling it? I mean, have you ever cared about Dad?' | Agustina Bazterrica, Sarah Moses (tr.) | ✓ | 1.00 |
| The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art | Don Thompson | mb | 0.65 |
| A Bear Called Paddington | Michael Bond | aw | 0.10 |
| Reap3r | Eliot Peper | gc | 0.13 |
| An Immense World | Ed Yong | aM | 0.96 |
| Portrait of a Psychopath as a Young Woman | Edward Lee, Elizabeth Stefan | ✓ | 1.00 |
| A Psycho and his Disciple | Jon Athan | Mm | 1.00 |
| The Harbinger of Vengeance | Jon Athan | M | 1.00 |
DarknessJust how run-of-the-mill can you get? Le spooky hick swamp monster in all seriousness called 'the Dark Man'? I have it a wide berth of a chance, but this is just disappointing, literally nothing of interest: Flat characters; no development or change within the time spent with them either; horror is absent for me (single dagger insertions—srsly now?). First taste of John Saul, who's churned 37 thriller novels, by the way. Can't wait for the let-down. :))))))))))))))))))))))))))))))))))))) | John Saul | mwb | 0.37 |
| John Dies at the End: 1 - John Dies at the End | Jason Pargin | ✔ | 1.21 |
| Dark Sanctuary | H.B. Gregory | mb | 0.51 |
| How Sex Changed the Internet and the Internet Changed Sex An Unexpected History | Samantha Cole | g♀ | 0.13 |
| Chinese Girl in the Ghetto | Ying Ma | M | 1.00 |
| The Butcher and the Wren | Alaina Urquhart | mw | 0.28 |
Trout Fishing in AmericaNever heard of this bloke, but the two forewords strictly put him in the beat generation, who writing I kinda like, well, the less pretentious, commie, and idiotic of the bunch, at least. But here was a cunt who was already aged when it was coming about, not a lost adolescent or twenty-something, somebody old enough to have a two–three grandkids. So I bit, hard. | Richard Brautigan | ✓ | 1.00 |
| Welcome to Nowhere | Caimh McDonnell | m | 0.16 |
How to Talk about Books You Haven't ReadNow here is a book well worth reading wholly.
I take offense with the recommendations and suggestions that one should vainly praise another's work. Classic or no, you are depersoning yourself, if you do this. In a way, yes, an opus is truly great, if it appeals both to a philistine and a longtime critic, however, you should have actually experienced it, rather inanely regurgitating niceties; it'd like feigning relishing somebody's recount of a wind draft having transited a spritz of boutique (as if these exist anymore in 21. century corporate shareholder hell) eau de Cologne. Just say 'idunno' and be done with it. I agree, having come to much the same same conclusions, that reading is a process, a journey not a a destination, that the first is not equivalent to the second, that time, place, mindset, education, background, all context can/does matter, and can make or break an reading for any one | Pierre Bayard | ✓✔ | 1.00 |
| Books Before Typography | Frederick W. Hamilton | m | 1.00 |
| The Cognitive Behavioral Workbook for Depression: A Step-by-Step Program | William J. Knaus | Kpc | 0.12 |
HopscotchSo! Second reading of Hopity Scotch, this time the second of the two author-suggested (canonical?) chapter sequences, the one supposedly elucidating the prot's madness. The book can be separated into parts by location: Paris, France and Montevideo, Argentina; by time: Past, present; by focal point/perspective: The clochards, the Circle's members, randos, infants, animals, the city. Rather than predictably alternating chapters following protagonists and or antagonists, the frame shifts hecticly, and (almost?) all see some personification, corporification. At after around half, and mind you, this is a 185k word novel, I'm feeling more lost than found; I'm not the dots, I'm not even seeing the dots. The interspersions, I don't find, color in the blanks created by the misordering. I'm too impatient and am feeling like shit every day, and not taking care of myself, so reading something that prerequisites neuron utilization was perhaps a mistake. Third time could be the charm, I guess..? Anyway, I'm still enjoying this entangled medusa head of a novel. There is somewhat of a pretentious element too. As well as a Marxist one. They mingle, of course. I'd realized this on listening through two guys' 'opinions' on the books from yt. And, upon rewinding, yes, yes there are such elements. South America had a rocky twentieth century with violent coups d'état, militarism, civil wars, half the Marxist ideologies from Europe, dictatorships, cults, idolatry, and same ol' poverty; so it is understandable that the majority of its faux intelligensia would the same clowns. Julio lived in 1950s Paris, another great procrustean bed of absurd serious silliness. The 'intellectual' conversations held within the Circle mostly constitute dragon-chasing, (auto-)fellating, and garrulous inanity. Exercise for the hell of it. La Maga is perhaps the one worthwhile character in the entire novel. Note, I seem to have deleted part of the review while editing something else. Not paying attention during work with multiple selections. FIXME | Julio Cortazar | M✓p | 2.26 |
No Longer HumanRight off the bat again, since this is my second attempt at reading this shit, this d00d is alien to my experiences with humans, my expectations and models of them; nobody IRL acts like this, other than, say, spoiled children of the rich and or powerful. That, and or Japanese society is fucked beyond recognition. I get that quite a few Eastern countries, at least the major ones: China, Vietnam, Japan, Thailan (unsure, really)—are Confucian and collectivist, but our prot, and hence Osamu Dazai himself, doesn't square into that. Not at all. He is on the one hand an individualist in pursuing a career as an artist/cartoonist/pornographer; a sort of try-hard rebel..?—I'm struggling to find a suitable noun or adjective—, disobeying and not listening to and disrespecting authorities, elders, family, 'friends', others, but also deeply desiring pleasing them as a eunuch slave. His being decocts to a shallow, unapologetic/irredeemable, unoptimally hedonistic, kinda oleaginous. So, I'm an outsider, say, 2 standard deviations from my highschool and two uni's matrikeln mean. I was closer to the outsiders, rejects, weirdos, fallout than to normies, although I ultimately pushed those away as well, to be le isolationist loner. And I've read a bit about druggies and hobos here and there. This doesn't make me an expert, especially since 99% of these regard NAm, [NSEW] European, some SAm, and some Russian chronological and geographical places. Now, our boi Yozo strikes me as a mentally damaged person more so than as any clochard stereotype, not even as an atypical one. This is a pretentious cunt of a human being, a coward, a hypocrite, a liar, a waste of atoms, a waste of human potential. What I also fail to understand is the fear to disappoint others' ideals or perceptions of him, since he neither derives lasting satisfaction or contentment with successful masquerades, nor stupid, ecstatic highs. He's not LARPing as a spy, he has no goal, no mission, so where from or how did this irrational phobia originate? Two pertinent excerpts: One of my tragic flaws is the compulsion to add some sort of embellishment to every situation—a quality which has made people call me at times a liar—but I have almost never embellished in order to bring myself any advantage; it was rather that I had a strangulating fear of that cataclysmic change in the atmosphere the instant the flow of a conversation flagged, and even when I knew that it would later turn to my disadvantage, I frequently felt obliged to add, almost inadvertently, my word of embellishment, out of a desire to please born of my usual desperate mania for service. This may have been a twisted form of my weakness, an idiocy, but the habit it engendered was taken full advantage of by the so-called honest citizens of the world. My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody. If I had ever attempted to voice anything in the nature of a protest, even a single mumbled word, the whole of society—and not only Flatfish—would undoubtedly have cried out flabbergasted, 'Imagine the audacity of him talking like that!' Am I what they call an egoist? Or am I the opposite, a man of excessively weak spirit? I really don't know myself, but since I seem in either case to be a mass of vices, I drop steadily, inevitably, into unhappiness, and I have no specific plan to stave off my descent. Wrong, motherfucker. It is never too late to do well by yourself or by others. | Osamu Dazai | acM | 1.15 |
| Psychopathy: A Very Short Introduction | Essi Viding | kM | 1.00 |
| Nip the Buds, Shoot the Kids | Kenzaburo Oe, Marion Boyars (tr.) | Mm | 1.00 |
In Praise of Good BookstoresVery jewy at times, sure, but it's not pushed, and the whole is a very passionate text about books and their role in human society. Attempts to present a vertical slice of the history of the book, pre- and post-Gutenberg; and the bookstore through accounts. Idealistic and but somewhat successful, which is commendable. I am somewhat ashamed that I haven't since starting reading almost exactly two calendrical years back, bought a single book, material or digital. On the other hand, my wealth and my circumstances have also not in any significant way improved... Nothing has. But solipsism and absurdism are my saviors. Ha-ha. | Jeff Deutsch | M✓j | 1.00 |
| Jesus' Son | Denis Johnson | Mm | 1.00 |
| Gaunt's Ghosts: 1 - First and Only | Dan Abnett | cwp | 0.01 |
| Konrad Curze: The Night Haunter | Guy Haley | wcp | 0.01 |
| The Lemon Man | Keith Bruton | wc | 0.03 |
| Old Sparky: The Electric Chair and the History of the Death Penalty | Anthony Galvin | Mm | 1.00 |
| Last Drinks | Andrew McGahan | mb | 0.14 |
| Torture Mom | Ryan Green | Mm | 1.00 |
| Man-Eater | Ryan Green | m | 1.00 |
| Pests | Bethany Brookshire | bm | 0.11 |
| Trust Me | Ryan Green | mb | 0.73 |
| Black Widow | Ryan Green | mb | 0.63 |
| Hojoki: A Hermit's Hut as Metaphor | Kamo no Chomei, Matthew Stavros (tr.) | m | 1.00 |
| The Flat Earth Conspiracy | Michael Dubay | Fcgp | 0.04 |
| Control Freak: My Epic Adventure Making Video Games | Cliff Bleszinski | Ma | 0.54 |
| Gangland | Chuck Hogan | b | 0.09 |
| Reading in Bed: Brief Headlong Essays about Books and Writers and Reading and Readers | Brian Doyle | ✓aM | 0.93 |
| Harlem Detective: 2 - The Real Cool Killers | Chester Himes | m | 1.00 |
| Harlem Detective: 3 - The Crazy Kill | Chester Himes | mb | 0.54 |
| This Machine Kills Secrets: How WikiLeakers, Cyberpunks, and Hacktivists Aim to Free the World's Information | Andy Greenberg | mMb | 1.00 |
| Understudy for Death | Charles Willeford | Mm? | 1.00 |
| Aliens: 1 - Earth Hive | Steven Perry | wmb | 0.68 |
| You're Him, Aren't You? | Paul Darrow | m | 0.53 |
| Harlem Detective: 4 - The Big Gold Dream | Chester Himes | mb | 0.38 |
| Blood Music | Greg Bear | b | 0.04 |
The Mask of Sanity: An Attempt to Clarify Some Issue about the So-Called Psychopathic PersonalityReally liked the neutral retelling of various psychopaths' lives in their, their or the (author) psychiatrist's words. Informative with regards to the methodology of psychiatry, and just a good insight into these mishappen human-like creatures. | Hervey M. Checkley | ✓M | 1.00 |
WakeNice detective procedural in third person, neutral too, and from a woman. Very neutral, in a good way though: Without an author's onus of agenda or emotion. Also, 'Straya. | Shelly Burr | M | 1.00 |
| Ghost Eaters | Clay McLeod Chapman | mag | 0.38 |
| A Very Irish Christmas | V.A., ? ? (ed.) | b | 0.38 |
| The Woods Are Dark | Richard Laymon | mM | 1.00 |
| Flesh | Richard Laymon | M | 1.00 |
| The Way It Is Now | Garry Disher | bm | 0.11 |
| Wyatt: 1 - Kickback | Garry Disher | bm | 0.26 |
| Nine Minutes, Twenty Seconds | Gary M. Pomerantz | M | 1.00 |
| Everyone in My Family Has Killed Someone | Benjamin Stevenson | m | 0.21 |
Black Box Thinking: Why Most People Never Learn From Their Mistakes But Some DoFailing good, the nov—, self-help book. No, seriously. I waded through some 60000 words, repeatingly decocting to 'learn from failure'. It has a few examples, but not enough; it fallaciously intrudes into others' psyche, and it introduces dispensable, and worse, worse than the existing one, terminology; it rambles on, and worse, does so for things it itself claims are permanent. | Matthew Syed | KMpa | 0.55 |
| Against the Great Reset: Eighteen Theses Contra the New World Order | V.A., Michael Walsh (ed.) | Kp | 0.94 |
| Snakes in Suits: When Psychopaths Go to Work | Paul Babiak, Robert D. Hare | km | 0.26 |
| Beware | Richard Laymon | m | 1.00 |
Kepler's LawHard science fiction writer. His stories appear mainly in | Jay Werkheiser | b | 0.13 |
| Beware of Dogs | Elizabeth Flann | M | 1.00 |
| Slave Girls of Rome | Don Winslow | m | 1.00 |
| Serial Killer Couples: Bonded by Sexual Depravity, Abduction, and Murder | R. Barri Flowers | kbm | 1.00 |
| Serial Killers: 101 Questions True Crime Fans Ask | Joni Johnston | mk | 1.00 |
| Cold Turkey How to Quit Drinking by Not Drinking | Mishka Shubaly | m? | 0.51 |
| Beyond Cruel: The Chilling True Story of America's Most Sadistic Killer | Stephen G. Michaud | mM | 0.98 |
| Baby's First Book of Seriously Fucked-Up Shit | Robert Devereaux | Mm | 0.74 |
Cultish: The Language of FanaticismFocusing on one aspect of missing the point or oversimplifying, whilst injecting her own views—actual quote: | Amanda Montell | mM | 0.66 |
| Liturgical Music for Nihilists | Brian Hodge | mb | 1.00 |
| Dark Mountain | Richard Laymon | mM | 1.00 |
| John Blake: 1 - Little Girl Lost | Richard Aleas | m | 1.00 |
| John Blake: 2 - Songs of Innocence | Richard Aleas | m | 1.00 |
| How to Be a Man | Chabuddy G | cw | 0.19 |
| The Lake | Richard Laymon | mab | 0.95 |
| The Ascent of Man | Jacob Bronowski | mb | 0.51 |
| The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing | Joost A.M. Meerloo | ✓ | 1.00 |
| The Stranger | Albert Camus, Stuart Gilbert (tr.) | ✔ | 1.00 |
| Strange Weather in Tokyo | Hiromi Kawakami, Allison Markin Powell (tr.) | mp | 0.43 |
| Diary of a Void | Emi Yagi, David Boyd (tr.), Lucy North (tr.) | ♀c | 0.12 |
| The Ascent | Ronald Malfi | mM | 1.00 |
| Inspector McLean: 01 - Natural Causes | James Oswald | mp | 0.52 |
| Wall Street Noir | V.A., ? ? (ed.) | Mm | 0.92 |
TristessaA deranged, romantic, beatnik stream-of-consciousness about a junky in Mexico. Like, really fucking continuous—no pulled punches, no holds barred; achieving a level just below that of Peter Sotos with the following 1926-glyph '''sentence''' (the latter's maximum from the 5-novel I'm having the fairy tale of Saturday night, having a good time actually because of the booze and the good cheer and the careless people—enjoying the little animals—noticing the little Chihuahua pup now meekly waiting for a bite of meat or bread with her tail curled in and woe, if she ever inherits the earth it'll be because of meek—Ears curled back and even whimpering the little Chihuahua smalldog fear-cry—Nevertheless she's been alternately watching us and sleeping all night, and her own reflections on the subject of Nirvana and death and mortals biding time till death, are of a whimpering high frequency terrified tender variety—and the kind that says 'Leave me alone, I am so delicate' and you leave her alone in her little fragile shell like the shell of canoes over the ocean deeps—I wish I could communicate to all these creatures and people, in the flush of my moonshine goodtimes, the cloudy mystery of the magic milk to be seen in Mind's Deep Imagery where we learn that everything is nothing—in which case they wouldn't worry any more, except after the instant they think to worry again—All of us trembling in our mortality boots, born to die, BORN TO DIE I could write it on the wall and on Walls all over America—Dove in wings of peace, with her Noah Menagery Moonshine eyes; dog with clitty claws black and shiny, to die is born, trembles in her purple eyes, her little weak bloodvessels down the ribs; yea the ribs of Chihuahua, and Tristessa's ribs too, beautiful ribs, her with her aunts in Chihuahua also born to die, beautiful to be ugly, quick to be dead, glad to be sad, mad to be had—and the El Indio death, born to die, the man, so he plies the needle of Saturday Night every night is Saturday night and goes wild to wait, what else can he do,—The death of Cruz, the drizzles of religion falling on her burial fields, the grim mouth planted the satin of the earth coffin, ... It is rambley, sure, and nonsensical, yes, indeed-y; but he colors wildly, overzealously with with baroque and nonstandard words, phrases, punctuation, phrasing, wording. I can easily imagine somebody, stoned outta their spine, unable to cogently or at least coherently guide a single thought to the end. I say that having observed my thoughts and thought patterns whilst in prolonged hypoglycemias. Journey not destination, style without substance, that is, I have little fucking clue what really is going on or what he's trying to say, convey, hint at too often; yes, there is a plot; no, I don't really think it'd matter if there wasn't and he was talking about or to Kashan rugs... Since beginningless time and into the never-ending future, men have loved women without telling them, and the Lord has loved them without telling, and the void is not the void because there's nothing to be empty offs. | Jack Kerouac | ✓✔ | 1.00 |
Cats Have No LordI can't get into it at all, more confusing than anything really, but not in the 'pretentious way, just plain, ol' what-the-fuck-is-going-on,-are-you-blathering-about: Too many characters introduced within a few pages. | Will Shetterly | aw | 0.10 |
| The Axeman of New Orleans | Miriam C. Davis | mb | 0.63 |
| Convenience Store Woman | Sayaka Murata, Ginny Tapley Takemori (tr.) | c | 0.16 |
| Procedural Storytelling in Game Design | V.A., Tanya X. Short (ed.), Tarn Adams (ed.) | wk | 0.79 |
| Game Dynamics: Best Practices in Procedural and Dynamic Game Content Generation | V.A., Oliver Korn (ed.), Newton Lee (ed.) | m | 0.59 |
| Procedural Generation in Game Design | V.A., Tanya X. Short (ed.), Tarn Adams (ed.) | w | 0.42 |
| The Garden of Abdul Gasazi | Chris Van Allsburg | m | 1.00 |
| Aesop's Fables | Aesop, V.S. Vernon Jones (tr.) | M | 1.00 |
The Courage to Be DislikedThis book details the ins and outs of Adlerian psychology? The psychology is presented, taught through a series of dialogs between a philosopher and Joe Blow, here in increasing chronologic order, that is, with progression rather than being disparate—a Socratic/Platonic dialog. To cover most ground these will necessarily severely dumb down the common man, so that he may, where convenient, ask questions, express doubt, rage, content, other extreme negative emotions, aaand really anything to further the lesson, since he is supposed to be an amalgamation of conversees the philosopher has addresses through the years, and Ichiro at the end admits to as much, that he's had these convos, that is. This eases the reader with no beforehand knowledge into this foreign framework, sure. But it's also annoying to read conclusions you'd come to in your first and second years in university, and some before that too, being argued from a know-it-all old fart and emotionally unhinged, inconsistent in thought young fart. Very annoying. Paring it all down: 0. no etyology, only teleology; 1, (you) do youself and or don't care about others; 2, deliberate/choose how you react; 3, all problems are interpersonal relationship problems; 4, be a net positive to the whole. Just as Freudian and Jungian psychology shouldn't (and cannot effectively) be used for all cases, likewise so does Adlerian, at least as presented by the authors, fail at certain junctures. 3 is a claim, rather than an an order or recommendation. Neither necessarily wrong, nor strictly helpful: I wouldn't have said the Cold War was an IRP (interpersonal relationship problem), and I would have said it was a problem. The combinatorial nightmare of resolving the IRP of every pairing of American and Russian or communist and non-communist would have last likely lasted more, especially if forced. Teaching or forcing Adlerian psychology tenets upon them, just just leaving them with the book could have durated longer or shorter, but I don't see it as a guarantee that it'd've made evil or non-evil, true-believer Marxists realize their mistakes and fixed their way. Press X to doubt. Yeah. It's not the right framework, scalewise at least, for all inter- or intrapersonal pu-ro-bu-rems, as the Japanese call them. As I've exemplified, its absolutist takes do not help its cause, and may lead to both absurd claims and explanations, and unsuitable fixes for its misdiagnosed problems. Being absolute and widely generalizing never ever seems to work out. Causailty is severely frustrated by having the locus always be the actor. Child skips skips school, mouths off to 'authority figures'? Must be because he has an inferiority complex, want to feel easily superior and want to be treated specially by those subjected to its inanities. Japanese hikkomori—shut-ins, who often mooch off of their parents and or the government, and who refuse to contribute or interact with society—, are a recurring example issue discussed. It prescribes unconscious motives and desires, for comfort, greed, superiority, and so on, to anybody not executing his or her 'tasks', as the books calls/translates them, (point 1 in my listing, assumed duties, rather than self-imposed ones, to one's own or the whole's benefit, like learning to read when a child, studying and learning for the knowledge rather than one's parents or other externals). This can increase responsibly, goodfaith, and incentive by putting the onus for everything on the person, but it will fail at mending ultimately stemming from without the person. It's like treating all your patients as Münchauchen symdromees, to use an analogy from medicine, sure, not all aches are serious, but one out of, say, twenty sniffles or headaches might require actual attention. Save grasping for false and or | Ichiro Kishimi, Fumitake Koga | KMw | 1.00 |
| Trust Me, I'm Dr. Ozzy | Ozzy Osbourne, Chris Ayres | mM | 0.97 |
| Outwitting Squirrels: 101 Cunning Stratagems to Reduce Dramatically the Egregious Misappropriation of Seed from Your Birdfeeder by Squirrels | Bill Adler | Am | 0.24 |
| Bodies in Barrels: The Snowtown Murders | Jack Smith | mb | 0.92 |
After Sound: Toward a Critical MusicPost-modern, try-hard gobbledygook. Like take the architect scene from the third Matrix movie and realizing the meme. Most, if not all, who I've encountered, see that see as intellectual hogwash and or linguistic wankery, thought on my first viewing, probably around 2017, the last in a sequential viewing of the franchise's three major releases, I found everything understandable and coherent, even if unnecessarily worded. Valueless sophistry. | Douglas Barrett | cgW | 0.04 |
| True Crime: Homicide and True Crime Stories of 2016 | Jack Rosewood, Rebecca Lo | abmg | 1.00 |
| Unsolved Murders | Emily G. Thompson, Amber Hunt | Mmk | 1.00 |
The SnakeheadI'd initially went into this book and author not knowing true crime was what it was and they wrote, respectively, genre-wise. The thing, that hoisted the red for me, was the complexity, that, in a run-of-the-mill fiction book, could have more easily be achieved through fewer plot lines, using fewer characters and dry details, which ostensibly come from the in the final ~30% of the plain text file (when wrapped at 96) of the book legal documents among other references. I had the feeling that simultaneously a lot of ground was covered, but none of it satisfyingly deep enough—characters develop, issues new arise while the old resolve, but the delivery is meager and would leave most readers in want for substance and or detail, even if inconsequential, more fluff. I've read of coyotes in | Patrick Radden Keefe | M | 1.00 |
| Unsolved Child Murders | Emily G. Thompson | mMa | 1.00 |
The Last StormNothing sets one up for disappoint like reading authors', who you've read and whose writing you like or aren't appalled by (note: I don't think it's legal to use a relative clause on a genetive, but they cops aren't lookin'), praise a book. It then ends up a familial, magic-y nonsense, low-tech, future, survival b.s., with a non-insignificant agenda for preservation/environment/green, whatever that whole... thing is called, and, anti-capitalism, whatever the fuck that may be. To top it off—you have a fucking druggie, that doesn't behave like an addict, and a Mary Fucking Sue as our key actor. The premise of: Earth weather's gone to shit ('n we're to blame for of, ofc, ofc), that is, of more frequent intense events such as flash floods, mega drought, etc. is okay, but not new territory, of man turning fellow man and being a dick—vastly explored, and with better execution too. What's brought to the table is concept 'rainmakers': dei ex machina, putted straight outta Timmy's cancerous colon. Each construct his or her own portable deus ex machine, an 'apparatus'—of course, could we have ever a non-contrivance? I'm not waiting til the end of the book for timmy to explain away this bullshit. | Tim Lebbon | amg | 0.43 |
A Different Class Of MurderI was aware this going to be a crime committed by posh British cunts by 1, the title; 2, the audiobook cover; and that it was probably not going to be my cup or tea by 1, female author; 2, female reader. I was right. This is the sordid story of lord Lucan, the major points of which I was introduced to in a video by Dankula. The audiobook was 16 hours in length, and the speakers RP, or airs, or I don't really know what, made listening at the usual breakneck speed impossible, because all you'd hear was faux indignation, scoffing and puffed cheeks. Anyway, criticism: Too many parentheses opened for not tangents, but also not crucial information. As if its length needed more puffing u? FIXME | Laura Thompson | ab | 0.03 |
44 Years in Darkness: A True Story of Madness, Tragedy, and Shattered LoveEighteenth century, Uhmurrican frontiers. The book handles a Ms. Rhoda Derry, a eighteen-year-old cursed by who beloved's mother, to then have the breakdown of the state. The book is far too thorough for my liking by going into where Illi-fucking-nois fucking is, what the native tribes were paid for their land and what they were eating, what cash crops were, how fertile the land was, that is, what the general situation was like 250 years back, the who/what/when and where of construction and purpose of the very first mental asylum in the state, the history of the Derry family, and then only one generation of the other family, whose name already escapes me. Details about not on the case. | Sylvia Shults | bBm | 0.49 |
| Mad Madame LaLaurie: New Orlean's Most Famous Murderess Revealed | Victoria Cosner Love, Lorelei Shannon | bm | 0.77 |
City of OrangeWriting this at the 10% mark, I must admit that the writing of our Korean fellow has much improved since He'd wondered: What obvious mysteries have we modern humans not figured out yet? How to fly? | David Yoon | M | 1.00 |
Socialism: The Failed Idea That Never Dies | Kristian Niemietz | kbm | 1.00 |
| Saving Normal: An Insider's Revolt Against Out-of-Control Psychiatric Diagnosis, DSM-5, Big Pharma, and the Medicalization of Ordinary Life | Allen Frances | kmb | 1.00 |
Nothing But Blackened TeethExquisitely worded, Bruno-Schulz-esque, in my opinion, that is, in fact. | Cassandra Khaw | ✓✔ | 1.00 |
| The Candy House | Jennifer Egan | b | 0.05 |
ConsumedMystery, kind of bizarro, love story under guise of horror. Very neat and very human. | David Cronenberg | ✓ | 2.00 |
| Science and Human Values | Jacob Bronowski | mM? | 1.00 |
| The Dead of Winter | Stuart MacBride | Aw | 0.01 |
| Them: Adventures with Extremists | Jon Ronson | fw? | 0.48 |
| We Sold Our Souls | Grady Hendrix | wcm | 0.17 |
| The Common Sense of Science | Jacob Bronowski | mM? | 1.00 |
| The Happy Passion: A Personal View of Jacob Bronowski | Anthony James | kp | 0.69 |
| The Decagon House Murders | Yukito Ayatsuji | ma | 0.43 |
| The Hollows | Daniel Church | am | 0.10 |
| The Oregon Trail | Francis Parkman | M | 1.00 |
| Depraved: A True Story of Murder in the Heartland | John Glatt | mb | 1.00 |
| The Prince of Paradise | John Glatt | bm | 1.00 |
| On Dialogue | David Bohm | mkM | 1.00 |
The Babysitter LivesColor me surprised. The man did it. An actually good (note from future: first half of a) novel. An actually creepy or scary at times novel. With actually believable characters. Well, to me, so pinch and salt the jazz. Little anchors it historically other than the extremity of Halloween costumes, that is post-early-2000s candy scare, possibly the homosexual relationship, which is also done okay. Now, to the meat and potatoes, that is, to the meat, because fuck your potatoes and fuck the Irish. This is a story of a haunting for the most part, two, or rather multiple, worlds coexisting with the house, wherein all occurs, serving as a gate of sort. Stupid arbitrary rules always come into play, so they're excused. The gist is this: Children killed by mother, who then suicides, the consequences of this thing play into the rest of the story, the all three of characters speaking up. What for me was the gavel that re-sentenced this to, well, not mediocrity but decent-ness (non-negative twist) was the second act, which was dreadfully languorous. It was a list of simple sentences, descriptions of actions and thoughts of no consequences, little was learned by the readership, protag, or antag; and the change of pace didn't do it any good either. She was in limbo, and so were we. Anywho, the first 40–50% deserve praise, compared the two I've read by sgj. He's not exactly pretentious, nor is he mainstream, but might just not be my cuppa. | Stephen Graham Jones | ✓M | 1.00 |
How to Be EatenA collection of 5 stories sharing a theme, their narrators are the their protagonists, all of them taking place in the same world; told from the first person. These 5 women aren't compliments of each other in the color wheel sense, novel wouldn't fail without one, nor with an extra, but they are way too distinct, too lifelike, somewhat stereotypical but also fuller or subverting expectations. The audiobook is read by Lauren Ezzo, and she's one of the few good ones. She did a great job imprinting character, credibility into each of the women (males always mottled). I feel like fucking watching an Attenborough documentary, him audibly documenting the browsing antelopes in the savannah. The theme is, crudely, predation/victimhood/trauma. There is an absurdist or surreal quality to both the world and each story, some characters. Perspective and memory play roles is most of them, and I enjoyed the exploration. How the fuck do I write more without spoiling..? Very worthwhile read. | Maria Adelmann | ✓ | 1.00 |
| Addiction: A Very Short Introduction | Keith Humphries | k | 1.00 |
| Lonely Crusade | Chester Himes | ✓ | 1.00 |
Hannibal Lecter: 1 - Red DragonCharacter studies. | Thomas Harris | Mb? | 1.00 |
Hannibal Lecter: 2 - The Silence of the LambsCharacter studies again, only more concentrated, being series' four's first. Well-rounded. Very 'okay. | Thomas Harris | M? | 1.00 |
| Hannibal Lecter: 3 - Hannibal | Thomas Harris | apm | 0.26 |
| Local Girl Missing | J.A. Baker | bw | 0.11 |
| Loving Someone with Suicidal Thoughts: What Family, Friends, and Partners Can Say and Do | Stacey Freedenthal | Wa | 0.03 |
| One Eye Open | K.G. Lewis | mM | 1.00 |
| Better Never to Have Been: The Harm of Coming into Existence | David Benatar | ✔ | 1.00 |
| The Big Book of Christmas Mysteries | V.A., Otto Penzler (ed.) | aAw | 0.07 |
Book of Longing
| Leonard Cohen | Mm | 1.00 |
| Righteous Indignation | Andrew Breitbart | kbm | 0.29 |
| Who by Fire: Leonard Cohen in the Sinai | Leonard Cohen | jm | 0.16 |
Tomorrow and Tomorrow and TomorrowA female Jew's desires stamped. Promiscuity, admiration, adulation, disregard, maltreatment, and arbitrary forgiveness for these. Unrealistic. And rather annoying. Had a few nice lines, as if effort was put in. Showed its grimace quickly. Fucking women are fucking cunts a-fucking-gain. Yes, I am currently angry, how could you fucking tell? If you're a female, give it a try, writing good. If you've a dick, and a man's head, don't bother. | Gabrielle Zevin | maMwj? | 0.14 |
| The Story Paradox: How Our Love of Storytelling Builds Societies and Tears them Down | Jonathan Gottschall | g | 0.05 |
Against Interpretation, and Other EssaysMeaning drivel. Mostly. I'm not sifting through 12h, 105k words for one gem. Writing's shit. Nothing worthwhile, in what was read. | Susan Sontag | ♀wa | 0.05 |
| Several short sentences about writing. | Verlyn Klinkenborg | ✔✔ | 2.71 |
I'm Glad My Mom DiedThe vivid memories of a child actor outgrowing mental and emotional trauma, blackmail, abuse, disorders. Poignant, witty, sharp. I like detailed, brutally honest diaries, memoirs written timely, not when memory's fuzzier than a Persian cat, and Death's impatiently tapping his foot, glaring down his sandglass. Hats off to Net, she overcame adversity, the cruel arbitrariness of life. Wasn't a massive cunt along the way too.
| Jennette McCurdy | M✓ | 1.00 |
The Tatami Galaxy(The) Tatami Galaxy holds a special place for me. One of scant rewatch-worthy anime(s) (few such, lest Your bar is far below ground). Whose art style, humor, plot, and characters are all great. The tits. And all this after translation into a non-character-based language, or just a CJK one, since Ancient Egyptian pictograms probably won't cut the mustard. I relate to each and every named characters in some significant way. Being a novel, the crazy, exaggerated visuals of both anime and manga are lost. The portayed scenes are projected onto my eyeballs, the writing is that similar, that good. The author has successfully converted double- or triple-digit volumes of comics into a novel. So what's good about it, coming from having seen all the anime twice or thrice? It's faithful to the tone, feeling, setting of the anime, which itself is likewise to the manga, while grafting further details for locations, thoughts, emotions. Disengaging the visual aesthetics of the latter two media, is this approachable? Yes, just not as enjoyable. If you're not using an audiobook, each of the principle cast's members' moods and qualities will be either entirely lost, if you're lead. Or will require acquaintance with them, which in turn — some intelligence or emotional insight or thought, effort. The story is an n-fold repetition using the same characters with the same archetypes with details changing for plot-irrelevant purposes, for fun, like a musical theme and variation. If you can dig fables, you can this too. (Don't ask me what fable digging is.) If you don't, maybe not. People being (too) serious in jest, and too un—, bacchic, whimsical. I'd like to say, 'If you've experienced or observed student life for your average student at uni, you'll get this.' I should apply to, what, 3/4s the whole? It's also one of even fewer romances I like. Though you see no wooing, no 'action', no spats, no make-up sex, no marriage, no part of an on-going relationship, you do see a boy and girl realizing their emotions, manifesting their desires, coming together at the very last scene. It's heart-warming. Too, for an untouched organ like mine. Also heart-breaking. Since I'll never be happy and have anything like that happen ever again, or manifest it, or force it, and it makes me think of the the time spent in depression, in wallowing, in despondency, in self-pity, in time-squander, the time spent studying, spent drinking, spent alone, in gaming until I couldn't experinece fun anymore :|, in playing tetris until I crashed against my biological limitations, my age, in isolation, in hermitude, in vice. | Tomihiko Morimi, Emily Balistrieri (tr.) | ✓ | 1.00 |
| American Drug Addict | Brett Douglas | M | 1.00 |
| Classic German Short Stories: Volume 1 | V.A., ? ? (ed.) | b?mw | 0.72 |
| A Wild Animal Ate a Person in the Woods: Fables | Adam Craig | ?w | 0.57 |
| Ancient Fables | Wu Min | Mm | 1.00 |
Travels in SiberiaFinished Travels in Siberia. Apparaently the circuit's been done by at least 15 different Ohioans within some decades of the the its writing. As well as as far back as the 13 or 16 century from various other explorers and travelers. Dude did his research and included a bibliography, so muchos kudos for that. Too often long-winded. The Russophilic aspect grates me so obscenely that I'd attached an 'annoying' mark to my rating of 'above mediocre but not quite decent either'. The history of region, that is, the history of the politics of monarchical Russian from its establishment to dissolution was included. In more detail than needed, I'd say. Not much in the way of fun or whimsy or share-worthy-around-the-camp-fire. Plain observation from a guy in his 50s, rarely interspersed with profound or naïve or American. Eh. At 1.8e5, roughly 2 novels' length, could have been decocted into something more potent. The genre of travelog(ue) is—, or rather has been too commercialized in the past few 5-ish decade. This is from 2001, so 1 post-collapse. The ones done by George Kennan aroun 1870 should be much more interesting, both are to be found at archive.dot in not great scanned condition. The TTS output is gonna be garbage. | Ian Frazier | mMba | 1.00 |
PopishoLeone Ross is Jamacian-English author with five-ish novels under her belt. Only three skittering on mobilism.org and the libgen mirror speaks to her previous success. The quality of writing here pushed me to give the other two a chance as well. The writing is very, very colorful, lively, vivid, alive, vibrant, am I using enough to words to convey the action? She does that, only half-n-halves it with Jamacian cant. Which to me is a new taste of English, so I appreciate it. The book is dense in that much that happens is relevant somehow. The language as mentioned is a pleasure to partake of. But this thickens the soup to a stew! Chonkification furthered by there being six gorillion plot-revelant toons. Tolkien all over again. I can't keep track of more than, say, 5. Maybe it's a female thing? I have sharper visual and ideal or ideational memories, a dull one for concretes, names and dates. At least at ~45%, there's no time travel and branching paths explored. Gave up on Popisho. I'm fucking hating women or anything vaguely feminine, so judging over 4 characters, emotions, and shit being unrealistic, impossible even is inacceptable, and the Jamacian cant is fucking annoying me since the reader of the audiobook varies her speed from 1x to 3x. I'll give the other half a shot in a few weeks, but the flite-version rather that the reader. Fuck me. | Leone Ross | ✓MA | 0.53 |
The Devil's DictionaryA compilation of his casual-remarks-turned-wittisms on imbued meanings of and connotations in everyday words during his years as a columnist for periodicals. It's short and sweet. A mild bitterness, bad-faith, despondency in humanity I notice. Cynicism perhaps? But uncalled for, too much of it. Up to the letter M, for example, there wasn't one 'hey, people can be nice too'. The exaggeration is neither subdued, nor cartoonishly overdone, it's half-way between snide and sarcasm. | Ambrose Bierce | ✓ | 1.00 |
The Third GenerationI'm not sure what Chester Himes was attempting with this novel. He was a black American author born at the start of the 20. century, celebrated for his hard-boileds, and ones with commentary on the racial tensions and dynamics within and without his 'black' race. The Harlem Detective series didn't strike me as engaging, given the choice I have at hand, but his | Chester Himes | mb?w | 0.33 |
The Stainless Steel RatFound it in a scifi dir. Fuck me this is bad writing. Gary Stu in robotic form. Why would anybody read this? In 1963, the concept of robots was still new and not overdone or what? | Harry Harrison | wbm | 0.23 |
The Crystal Child: A Story of the Buried LifeI'm disappointed this supposed big-dick scholar hasn't more of many published works amidst libgen's stores. And the one bot on #bookz on undernet on IRC, who did have something else, namely Dreamwatcher, didn't respond. Despite that, this is my second novel of his, and third work. Again an interesting premise: Progeria kid turns wunderkind turns his own cupid. Explore sexuality, and age, disease, mortality, time and their relationships. Greek mythology and some prominent art throughout the past 2500 years as well. Ones encountered not by my senses, my mind. I'll get around to them. I apprehend callow I still am and will inimically sour these so-called classics for the future or forever. I'd rather shun incertainly surmountable first impressions. Food for thought. Questions I'll tooth myself since I'm unacqainted with the worthy. I bid you, prove me wrong! I'd be delighted. tfw no commasticant :t ikr? Kino word. Also, why the fuck do we need: Co-, con-, com-? | Theodore Roszak | ✓M | 1.00 |
| Dangerous Connections | Pierre Choderlos de Laclos | B? | 0.07 |
| The Iodine Crisis | Lynne Farrow | kmw | 0.28 |
| The Eagle and the Dragon: A Story of Strength and Reinvention | Chris Duffin | cwa | 0.02 |
Girls of a Certain AgeWhat is this about? I have no idea. From the start no discernible to me order I read: A chronologically descending countdown by year about her love life and selfimage around mastectomy or cancer; a her anxious break-up thing which is dubiously mutual; her moving out; her brother being introduced caring for her after her breakdown due to hormones due to, and I quote, 'baby-kill-pills' she willingly, knowingly took; a childhood flashback with pet and friend, who she was envious of, with 1-2-3 exposition dump of poverty, missing father figure, strained relationship family; lesbianism and or feminism..? The chapters comprizing the first almost third of this work share only the main character. Too episodic with sparse continuation. Mental baggage? Okay, but show character, something admirable. Development of something somewhere. There's little to care about; presentation is bad. | Maria Adelmann | wbm? | 0.27 |
| Billionaire Grump | Misha Bell | ♀cw | 0.03 |
| The Pyramid of Lies: Lex Greensill and the Billion-Dollar Scandal | Duncan Mavin | bm | 0.43 |
| Alex Delaware: 38 - Unnatural History | Jonathan Kellerman | mpb | 0.37 |
| Purgatory Mount | Adam Roberts | wa | 0.04 |
| Not Exactly Lying: Fake News and Fake Journalism in American History | Andie Tucher | mb | 0.40 |
The Second ComingJohn Niven, I think, wanted to use all the puns, jokes, stereotypes, any miscellaneous religion knowledge from the past 250 years of America's white-man-settled existence. And he kind of succeeded. A sitcom with development in 4 (OR 5??) arcs. How the 3 standard acts fit over these—the first 20% are the exposition, plot commensement of intoduction, and the second and third are very intensity plot-wise. I'm reminded of this manga/anime. This lends predictability to the characters, you're not brining anything new to table, not subverting expectations, knowledge. Since all characters—yes, even the tertiary ones—are cookie-cutouts, the positive strong initial impression is unimpressed; the story and humor lose steam. After a third, I stopped caring about anything, or being able to. As did the author, realizing he's out of easily insertable memes, Bible excerpts, etc. | John Niven | M✓w | 0.94 |
Killers of the Flower MoonFocus on victims and their lives? Seriously, again? Bad David, bad! It's call true crime, not true grief. These fuckers almost succeed in making 80s VHS dating profile of real people. It's not presented well. It's not done well. It's mostly the prime-time resurfacing of (badly) buried trauma of overly emotional, irrational indirect minor victims with all the folly that time stacks on a brain. And it's boring. Just learned Scorsese directed and co-produced a 2023 release based on this book. | David Grann | bmw | 0.40 |
| Ali in Wonderland: And Other Tall Tales | Ali Wentworth | ab | 0.06 |
Snoop: What Your Stuff Says about YouCool book on how to analyze others' possessions. Very lay however, hence approachable and salable, but with little, to me, new bullshit. I would have liked more either more examples, or ways of testing oneself. | Sam Gosling | mk | 1.00 |
Midshipman BolithoA 16-year-old in navy. Swell gig for a poor English fuck. When you were 16, how vibrant, eye-popping was everything, assuming you're not a chemical sedate? The 15% I'd read of this, is had the tone and cadence of tiring-from-life, 40+-year-old man. The blonde lad from the | Alexander Kent | bm | 0.16 |
Half EmptySupposedly a freelancer's exploration of his own pessimism and others' take on pessimism in general. Or something..? I wasn't attentive, but it wasn't engaging either. Read more like the whinery of a middle-aged, amidst-mid-life-crisised male of poor life choices. Directionless, if at all going somewhere. | David Rakoff | ?m | 0.18 |
| Dresden: A Survivor's Story | Victor Gregg | mM | 1.00 |
Fuck You Very Much
| Danny Wallace | mb | 0.28 |
Bad Motherfucker: The Life and Movies of Samuel L. Jackson, the Coolest Man in HollywoodWhat is says on the tin. Like Keith Phipps' | Gavin Edwards | mM | 1.00 |
| Everything Reminds Me of Something: Advice, Answers... but No Apologies | Adam Carolla | aw | 0.06 |
While Time Remains: A North Korean Defector's Search for Freedom in AmericaDisappointing to me in having little of her escape, everything surrounding it, conditions in the DPRK, or crimes against humanity therein. The books shines in constrasting the people who've suffered under Marxist governments with and 'first-world' or 'Western', humanities-educated, contributing-nothing-of-value-to-society cunts who haven't. | Yeonmi Park | Mmk | 1.00 |
A Perfect MessSaying nothing in so so many words. Not even in platitudes aplenty. No citations. No own research. Who would anyone read this, let alone buy it? Pointingg out minor inconsitencies. | Eric Abrahamson, David H. Freedman | kwbm | 0.12 |
Good Prose: The Art of NonfictionBadly written in that in 3–4*1e4 words you said nothing. Not quite fluffef up platitudes. But nothing new, nothing too old either. I listened only. That there was no download over at libgen speaks for the desire of the public for this non-fiction, almost self-help (in that it's common knowledge) collection of vowels and cononants that left no impression. And what there was, wasn't good. | Tracy Kidder, Richard Todd | w?m | 0.48 |
This Book Is Overdue!: How Librarians and Cybrarians Can Save Us AllA how-to on how to say nothing and dispraise a not too bad profession. Shame on you, Marilyn. | Marilyn Johnson | bw | 0.13 |
Craigslist Confessional: A Collection of Secrets from Anonymous StrangersThe most normie of stories. What I'd hear riding a train in this country, or in Germany. Anonymity would allow for some lies, tall tales—you'd think, and you'd be wrong. It's just boring shit. Imagine 15–25-year-olds? Bore them up. And basic, human stories? Pass that through bad, 50-IQ writing you'd do for a fucking CRAIG-FUCKING-LIST AD, and you get this shit. Fuck me. No, seriously. I need to jerk off. AND EVERYTHING IS SO. FUCKING. OFF-PUTTING. FUCK ME IN MY SLEEP. | Helena Dea Bala | bw | 0.16 |
Blood DreamsToo frequent and unmarked diegetic time-hopping lost me. The story about a boy and his slightly abusing and annoying grandfather, whom he kiss with gas and an electric heater in the 1970s as a 13- or 14-year-old. Lying to relatives and play the good boy, and then schoolmates or neighborhood folk..? Already forgotting. Bland, unstriking in any way though it's been less than 2 days even I remember 3 characters and their qualities, which could have been an episode of a cartoon: Exaggerated and one-dimensional. | Jack MacLane | mb | 0.30 |
AbandonBlake, what were you going for here? Because a quarter of those 9e4 words and I was more confused than invested by too many characters and too many (possible) plotslines. Time-travel, western, haunting/curse, family reunion. 6 in the present, about 8–12 in the past? Like I had trouble keep tabs on who's who in Tolkien's | Blake Crouch | ?mwb | 0.24 |
The Suicide Motor ClubInitially reminiscent of | Christopher Buehlman | w?bm | 0.11 |
The Suicide Clubx. time's the charm, it'd seem. And from a male, female-targeting romance writer no less (reviews' first sentences and books' blurbs didn't preent it as 'chic lit'). While the writing isn't praiseworthy, it does its job. The title fits better than the last two. Characters and plot cohere and develop. Little fluff, decent length. Its one sex scene with pre- and postludes was in comparison to all others prolonged a chapter. 31 in toto, assuming equally lengthy, that'd be almost 4%. Was he flexing on lesser authors or something? Didn't sit well with me. Would've'n so without knowing his writing domain. Nigh fully plot-irrelevant. The next chapter is of a plot-relevant funeral. It was not as detailed, the various emotions of the 2–3 characters and the mass are more off-handedly handled. The second time it was handled appropriately to tone and context, to the plot: 9 sentences, 90 words. Well, spoken too quickly: Post-coital sex is a thing for 40-year-olds in Gayle's mind. A few more paragraphs, though not a chapter. The quality of writing is noticeable when he deviates. He write suspenseful romance novels for women. This is neither police procedural, nor an antangonist-focused character study, nor an ego stroke, nor an orgy, nor a romance, nor a detective novel anyhow boiled. The few (as of 80%) 4-ish times the antagonist's perspective was taken, made it feel cheaper in a way. It'd be like watching a criminal expostulate his uncommited crime and make mistakes in perpetrationg, and watching Holmes firstly gloss over these then going 'aha!'. Because it's a choice by the author to focus briefly in the intent, but he chickens out as if. 'Cheesy' could be said of the ending; inexcusable despite being expected given what he writes to pay rent. Also, only two suicides? 'Club' is also deceptive; last 3 chapters tie together the antagonists, who've most acted outside the page up til the final showdown. One serving as an exposition, or rather debriefing, mule. The result is a 5–5.5/10 slightly 'suspenseful' police detective novel. | Gayle Wilson | m | 1.00 |
The Suicide ClubOkay, this time's the charm. An actual suicide club! The protagonist is a 15-year-old boy in Then, all of a sudden, Craig Bartlett-Taylor started saying something from the back of the class. Lots of kids in my school have double-barrelled surnames because I go to a very good school. | Rhys Thomas | ✓ | 1.00 |
| The Suicide Club | Robert Louis Stevenson | bm | 0.59 |
| This Is Your Brain on Depression: Creating Your Path to Getting Better | Faith G. Harper | kwm | 0.65 |
| Outsmart Your Brain: Why Learning Is Hard and How You Can Make It Easy | Daniel T. Willingham | km | 0.21 |
| The Good Drinker: How I Learned to Love Drinking Less | Adrian Chiles | m | 0.35 |
The Gates of Janus: Serial Killing and Its Analysis (Expanded Edition)Waited quite a bit to get to this. I shouldn't've! A good heap of my thought from the past decade directed toward humans, others can herein be found. Further formed, sharpened cemented into a wicket palisade that a normie would write of a cynicism borne of misfortune or misanthropy. Excused for lack of understanding, insight, exertion. It is seldom that I feel companionship with another, feel understood, not alone, not trapped in a solipsistic, hypocritical, tedious placid nightmare of human affairs. Ians gets it. I am made whole-r. I can return to this in the future when in need. About the book, he analyzes or offers his view, or spiteful comments for society, people of all roles, politicians, journalists, medical doctors, criminals, normies, averages joes. Mostly in an unflattering yet realistic light. He shies away not from being being blunt and forceful as a mid-swing wrecking ball. He knows his shit: His positions, arguments, detractors, distractors, discreditors, the majority of his opponent. The afterword is by Peter Sotos, whose writing I like for its material: Real-world violence, child pornography and exploitation, drug use, and so on, and his disuse of punctuation to greatly intensify, make hectic the the actions. Scenes are non-voyeristic with him. I can't appreciate his throwing shade at Brady, his focusing on vicitims and victims' parents, and fee-fees. Shit that don't matter. In poor-er taste, bland, cheap. And to be expected of sensationalist news—the yellow pages of yore—and the actual 'news' of today courtesy of non-journalistists swiping and adding non-content as 'commentary' over twitter users' posts. Eh, could've'n worse, defo didn't add anything other than: The foreword by Colin Wilson was a smidge about 'meh'. Then again most so-called classics' both take of up signifant space, 05–33%, and add nothing of value to the reader—no information, no context, no opinions, arguments, etc. (Side-note: You can probably churn those mofos out with ChatGPT-likes and nobody'd find out. A worth-reading fore- or after-lude or -word is much, much harder.) The expansion, the concluding third by volume of the book, consists of various contributes. C.W.'s is first, a continuation of what he'd said in the fore-. He's cocksure and slightly annoying. | Ian Brady | ✔ | 1.00 |
| Erotic Exchanges: The World of Elite Prostitution in Eighteenth-Century Paris | Nina Kushner | Bm♀ | 0.08 |
| The Prisoner of Zenda | Anthony Hope | Ba | 0.04 |
| The Shadow at the Door | Tim Weaver | w | 0.03 |
Einstein's Fridge: How the Difference Between Hot and Cold Explains the UniverseOverfocussed on thermodynamics. It's publisher thought | Paul Sen | kmb | 1.00 |
This Is Ear Hustle: Unflinching Stories of Everyday Prison LifeThis could have been so much more. But no, Nigel—A female? What is wrong with parents? Nigeline, Nigeleena, Nigelique, etc. were taken?—is a post-wall, no-family, dog-owner social worker/psychologist with an I-can-fix-him mentality. Her co-host? some black dude with an unimpressive criminal record, abilities and capabilities, charged with a rather minor for San Quentin, California offense. With neither nary a hot take. Nor an interesting one. This is mundanity. Why would anybody want to read this..? They have a prison-themed podcast. But not the cool, edgy variety, but the parole-board-milquetoast, minutely redemptive, salubrious kind? | Nigel Poor, Earlonne Woods | bm | 0.29 |
| Don't Burn This Country: Surviving and Thriving in Our Woke Dystopia | Dave Rubin | Kw | 0.18 |
| Sandworm: A New Era of Cyberwar and the Hunt for the Kremlin's Most Dangerous Hackers | Andy Greenberg | bm | 0.63 |
| Tracers in the Dark: The Global Hunt for the Crime Lords of Cryptocurrency | Andy Greenberg | bBm | 0.19 |
| Gotrek Gurnisson: Realmslayer | Darius Hinks | Aw | 0.02 |
| Gotrek and Felix: Berthold's Beard | Joshua Reynolds | b | 0.13 |
| Gotrek and Felix: Lost Tales | V.A., ? ? (ed.) | b | 0.25 |
| Age of Sigmar: Gitslayer | Darius Hinks | b | 0.03 |
| Gotrek and Felix: Marriage of Moment | Josh Reynolds | m | 0.87 |
| Gotrek and Felix: Myths and Legends | William King | bm | 0.07 |
Happy People Are AnnoyingI was a fat Jewish kid who made it very, very briefly, then unmade it and himself, now I'm doing comedy (?) and my agent doesn't know what to do with me, proposed a book, and I want to to more drugs and or eat food. Meh story told meh-ly. | Josh Peck | m | 0.54 |
| Gotrek and Felix: 15 - City of the Damned | David Guymer | maw | 0.85 |
| Gotrek and Felix: ?? - Kinslayer | David Guymer | b | 0.03 |
| Gotrek and Felix: Into the Valley of Death | Frank Cavallo | mb | 0.13 |
Ultra-Processed People: The Food We Eat That Isn't Food and Why We Can't StopThe way the book is written is infuriating. He's missing the point LCHF is making, he's makes no effort to understand the science, he's focusing on minutae, he starts about study design, and wholesale forgets all of it and takes groups with very conflicting interests' opinions and statements as truthful. What the fuck? | Chris van Tulleken | Kma | 0.40 |
Attack of the Killer TomatoesThe preamble of this was humorous, over-the-top exposition. With the stubby script and dinky movie budget, no deeply analysis is easily possible. Expansion, a fuckton of it, however is. But I can't now be bothered to research what rights the author is granted. Past the high of the introduction, the plot can't be too long, and couldn't deviate from the material much either. So one's left with a shallow and boring experience. | Jeff Strand | mwMa | 0.59 |
| It Came from the Trailer Park: 1 | V.A., Sara Brooke (ed.) | Wp | 0.06 |
| Re-Animator | Jeff Rovin | bm | 0.12 |
Happy-Go-LuckyThe liberated, successful, first generation immigrant child experience? I write this as I found it not in libgen as a standalone. Seems to be a stitching together, since lacking narrative, of the author's best stories from recorded stand-up specials and his other books, which are also anecdotes. David is: Now in his 50s; he is gay but it's not a central or too defining characteristic of him; haha, drugs are funny, or something like that; successful enough writer and to cover all levels of Maslow's; a mildly annoying (to me) lib. I don't like compilations, best-ofs. Not for music, nor for literature. I have a hard enough time context-switching, reinvesting when reading anthologies or short story collections. I got to know his style. I'll give his others a fair shake or 3. Frankly, he's a like a 5.5 or 6, entertainment-wise. He didn't me grin, giggle, chuckle, asperate, let alone laugh. But he wasn't actively *un-*enjoyable (assuming a 5's a median). I expect to get more of the same, only of lesser quality and with some diagetic coherence. | David Sedaris | ma | 0.62 |
How Documentaries Went Mainstream: A History, 1960-2022Who's more guilty: The uninspired, fake, placcid, non-human female reader, or the bland, authoring cunt? This is some boring shit. I like documentaries, I wanted to know why they exist, how they went about existing. They serve to broadly both appeal to, and to rope into science the more interested of the lay. Which would then unlay them. In both senses (unlay v. 1. (tr., intr.) to remove (somebody, oneself) from the group of laymen (for a specific area); 2. (tr., intr.) to not have sexual intercourse (with somebody) or to make (somebody, oneself) intelligible therefor) a of this newly coined by me (Don't quote me on that.) word (Already a nautical term for 'to untwist'... | Nora Stone | Bg | 0.28 |
| Metamorphosis | Franz Kafka, Ian Johnston (tr.) | ✔ | 1.00 |
MetamorphosisDecent enough translation for 12–15-year-old, the newest flavor of degeneracy, the most targeted, easiest to sway, to sell to US demographic—, but lacks the vocabulary breadth and depth of the original. And its handsome Süddeutsch-isms. Awkward millenial edition..? I have an older audiobook of this title, hopefully of a better, older translating | Franz Kafka, Susan Bernofsky (tr.) | ✔ | 1.00 |
MetamorphosisDecent enough translation for teenager, but lacks the vocabulary breadth and depth of the original. And its handsome Süddeutsch-isms. Included some interlude I skimmed; didn't add anything. Which is to say, it subtracted. The rest 2/3s were criticism, the first of which was a yawn, and second started off as the very same, so I wrote off the rest confidently. They said nothing in many-many words also confidently. I read this while listening to Susan Bernofsky's (Or Ian Johnston's? Or are hers and Corngold's based off of his? They really should announce all contributors upfront, rather than at end, or, in the audiobook's case, not at all!) translation. The few notes weren't worth the effort of writing them, I'd think. To a 21. century, middle class, first or second world non-European (say, a snownigger, sandnigger, ricenigger, american, etc.), one without basic knowledge of then life, customs, traditions, that is, sans context, a tenfolding of their number would be necessary to better paint the picture. So, uuuh, Norton Critical Edition was it (already deleted it)? Go fuck yourself. | Franz Kafka, Stan Corngold (tr.), V.A. | ✔M | 0.48 |
Red DogThere's a movie based on this book, which itself is retellings of an Aussie rural worker with a red dog. The movie was at least pretty. Eye-candy. Reader sees nothing of Australia within the first fifth of the book. They get the eating and roaming habits of half-wild animal. Wacky hijinx to comedify and make salable. But it's the the sort of low-brow funnies I expect of primary schoolers, preteens. You'd know the moment in the watchable through the addition of foley. (Just now realized that canned laugh tracks are foley for real-life or present audience, whose reaction would then semaphore the unlive (or dead inside) audience.) | Louis de Bernières | bpm | 0.21 |
| You're Next | Gregg Hurwitz | wbp | 0.05 |
| Before the Coffee Gets Cold: 1 - Before the Coffee Gets Cold | Toshikazu Kawaguchi | wam | 0.13 |
| The Road out of Hell: Sanford Clark and the True Story of the Wineville Murders | Anthony Flacco, Jerry Clark, Michael H. Stone | m | 1.00 |
Santa Steps outJust lovely. Immoral, cheeky, satirically human. Behavior showcased through some Christian and, more so, Greek mythologies. Sprinkle in child innocence and adult trudge. Unseriously desecrating Christians' highly hypocritic ideals and idols (LMFAO! The 'no [false idols/idolatry]' tenet of Judeo-Christian tradition? The one from Moses' slab? The more zealous the person, the more counts of this s/he can be charged with. Always. What a farce religious cunts are. Disgraceful.). (The) Tooth Fairy, Santa/Nikolaus Claus (of Myra), Lucifer, Anya/Mrs Claus, and (the) Easter Bunny are the the main characters. Each represents one character in both pantheons, that is two in toto. Wherefrom the hijinx and discrepancies, that and the move from Greco-Roman to Judeo-Christian in the Western world, that is Europe and Northern America. The writing is surprisingly good from an author I'd not read mentioned in splatterpunk or gore or wicked or edgy anthologies, not that I've read much. His | Robert Devereaux | ✓ | 1.00 |
| Frozen Hell | John W. Campbell Jr. | Mm | 1.00 |
Missing out: In Praise of the Unlived LifeI'd recommend this book to all men, especially those in their 20s and 30s. Those having past, say, 25, when the tumult of hormonal carpet-bombing has concluded, after hitting our (first) energy wall, realizing 'oh, shit, i'm aging'; and those frustrated. We all—yes, that includes you, lizard alien jew illuminati overloads—, experience frustration. Frustrations. The author | Adam Phillips | ✔✔ | 1.47 |
| Hitler's Furies: German Women in the Nazi Killing Fields | Wendy Lower | mkg | 0.84 |
The ReaderA story about possible to rise moral questions from boyish love for/with an illiterate, female, former Siemens employee. Wenn der Siemens Betrieb Scheiß für die Nazionalsozialistpartei der Deutschen Republik hergestellte, ja? Oh, the things we do for booba. Bernhard Schlink's rather autobiographical, and sole worthwhile and notable (although I will give the non-serial others a shot, since I like the German language) work. I'm not being cheeky here, I do think it was the author's own contemplations. Fresh from finishing it. My then half-friend, non-serious friend Georg, who wasn't then, and, I'd bet a kidney on this, now, a law (history) professor, showed remarkably similar maturity in thought, actually more of it and actually more compassion and less 'brainwashing'. I use half-mock quotes; I'll explain later. At 47k words the length make more sense than at first (because German can be terse, perforce cutting the traslation's tail). The first act slightly overstayed its welcome (in hindsight was even long). Second felt both prolonged and shrunk, like a freak washing machine accident with a mixed weave garment. Third was felt cut short, ending half abruptly. I can tell, 2 and 3 have seen most reworking. Jerk, in pushing and pulling, in pacing, is especially noticeable in the middle. From fast-forward to fast-rewind. It's been rewritten many times. Insufficient time has past as if, not for the events, but for the author. Guilt, acceptance, repenting, repenting, punishment, if not more emotions arguing. I've seen these in 18–23-year-olds more settled and resolved (author was writing another generation after this had happened, and I'm writing this another atop (WW2->Nuremberg->paroles->parolees' deaths)), the amount at least reduced, with magnitudes less wildly oscillating. The author attempted to portay. Maybe he tried to — his emotive, opinion journey. In my opinion, post-break-up protag in story fails to convey most of his emotions (well) because of the scant actual events, emotions, thoughts he's had (that the author decides to put in). I didn't like: 1. not resolving the relationship and or the issues between the protag and the woman; 2. the conveniently blank protag esp. in later years; 3. Marxist-supposed crimes against humanity bad, mmmkay?; 4. shit's subjective and or relative. | Bernhard Schlink | ✓Mm | 1.00 |
ManeaterIn tone, plot, prot- and antagonist, this mirrors his | Jon Athan | Mmwp | 1.00 |
| Natural Beauty | Ling Ling Huang | ✓ | 1.00 |
| Richard Oppenheimer: 1 - Germania | Harald Gilbers | m | 0.29 |
| Mobshot: My Life and the Mafia | Vince Ciacci | b | 0.03 |
Maeve FlyA slightly raunchy, slightly gory short novel by a woman. About women, with mostly woman primary and secondary characters. Written by a woman, that is, it passes the writing content test. It is most certainly female. It is also annoying. The 'I hate women.' kind of annoying. It bears mentioning, since this is one of its two flaws. Its other, greater one would be its hiding plot or substance behind snark, or addition in filler due to le emotion. Probably because it is a first-person narrative and divorcing that, the main's tone, character, would push it towards neutral, a third-person thing. It is not the author, who is annoying, the characters. Arguably this can be 'good writing', but I haven't a glyph for that, and that should be par course. What I'd said of its shortness? That too is excusable assuming forgone narration. The first act was strong. The second was less intense in pacing, description (sex and violence), more mundane. It requires tightening. My 'M' is due to this and the increased classic sex scenes. That is, none of Simone of | C.J. Leede | ✓Ma | 1.00 |
| Gotrek and Felix: ?? - Slayer | David Guymer | pbm | 0.11 |
| The Last Action Heroes: The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage | Nick de Semlyen | m | 1.00 |
On the Third Day, They DieI've almost passed 11% of the whole. It's What it says on the tin. And nowhere near the quality of writing of his | Rhys Thomas | awm | 0.11 |
The Rokkaia ChroniclesAnother failure of a novel. Tedium this time doles in 1e4 less words with a universe or rather a new mythology badly exposition-dumped up-fucking-front. While it could be worse (by having multiple characters do it, emotionally, during a spat), being neither extensive, nor fully explanative, it confused me, the reader. 7000 words down the drain. If it was to serve as introduction to terminology and names to be used throughout, then bad again. I don't see why I should be invested or care about literally 3 entities talking about some shit I don't give a flying fuck about. Cut to the past. Jarring? Yes. This is where it should have begun. Not great writing. Plot itself I could get into. Writing matters more than content, wouldn't you know. | Rhys Thomas | Bw | 0.04 |
| Sam Holloway: 1 - The Unlikely Heroics of Sam Holloway | Rhys Thomas | b | 0.07 |
| Hell House | Richard Matheson | Bw | 0.05 |
| Sir Henry Merrivale: 8 - The Judas Window | John Dickson Carr | mb | 0.22 |
Escape from Camp 14: One Man's Remarkable Odyssey from North Korea to Freedom in the WestA defector book again? Only this time, it is from a person born and raise in a multi-generational detention camp. The introduction was nice. The usual spiel of how author came across person, but also shedding light on others' quick to wane interest, let alone involvement or call to action, protest. The escapee's story is more violent than those of regular citizens', has more psychological abuse. The extensive of which can be see in his slow adaptation to South Korean and American life. | Blaine Harden | mM | 1.00 |
The Unseen Body: A Doctor's Journey through the Hidden Wonders of Human AnatomyI can't recall who it was, but another doctor, a pathologist (or coroner, for which you don't need to be a doctor of medicine in the UK (or was it the US of A?)), had written a book about, well, death. Those of his clients. Or maybe, since they're not paying up, that's not the right word. Regardless, he did so likewise, chapters being organs or muscle (group). | Jonathan Reisman | mMk | 1.00 |
Captives and CaptorsJon watched 2013's | Jon Athan | Mwm | 1.00 |
| Sinister Syndromes | Jon Athan | mbw | 1.00 |
| The Creepy Pasta Collection: Modern Urban Legends You Can't Unread | V.A., MrCreepyPasta (ed.) | wa | 0.12 |
| The Balkans: A Captivating Guide to the History of the Balkan Peninsula, Starting from Classical Antiquity through the Middle Ages to the Modern Period | Captivating History | km | 0.76 |
Alien Nation
| Alan Dean Foster | m | 1.00 |
| Let the People Rule: How Direct Democracy Can Meet the Populist Challenge | John G. Matsusaka | bm | 0.64 |
| The Story of the Eye | Georges Bataille, Joachim Neugroschel (tr.) | ✓M | 1.00 |
STFU: The Power of Keeping Your Mouth Shut in an Endlessly Noisy WorldCommon sense, common knowledge, bromides about keeping your mouth shut and noise. Then suddenly 'le people scared of untested experimental treatment more than flu-liek coronabairus' and 'le 2020 election was won fair and square'. aaand all respect for this human lost. You have been demoted to parasite. And you're objectively wrong. You got me listening for nearly an hour though, and you barely said anything novel. Fuck me. Fuck you, and your kind. Where is my slack? Veronicaaaa, where the fuck is my slack! | Dan Lyons | kMmf | 0.19 |
Blind to Betrayal: Why We Fool Ourselves We Aren't Being FooledSome interview or podcast I'd been listened had a reference to this. It turns out to be a nothingburger. Common sense, not doctoral, nor master's, nor bachelor's level of logic or though required. Obviously I was surprise. I squinted, thinking 'Why would I have added this..?' Then I saw it. Two female authors. Sheesh. The whole book, studies and works cited all heavily bias women, then children. Men get a fat fucking middle finger. They propagate bullshit, that is, falsehoods. They coddle and victimize. They used badly designed studies that would favor a battered woman syndrome narrative. And it is a narrative. Fiction. Abstract away the bias, and you get a mid layman collection of stories with some commentary. It was initally going to be between an m and an M. But it's insufferable trash. Pass. | Jennifer Freyd, Pamela Birrell | mak | 0.42 |
The Abortion: An Historical Romance 1966A fleeting and slightly mature whimsy. Divided into six books, parts really, the first is very quaint and charming. It functions both as page-turner, and a page-soaker. (Don't look that up, it's not been coined. It'd be the opposite something you flip through in want of more. You can soak (get it?) in each sentence or segment of the whole.) The first act happens in book two and three, with the rest covering the second and third act evenly. Endearing (Third subjective term and a synonym of the second? Yikes.) in the Richard Brautigan way. Weird? Yeah, what did you, would you expect from this bloke? It's no realism, nor Charles Dickens, whiney fucking French faggot Baudelaire or Oscar Wilde, James Joyce, Dostoyevsky. | Richard Brautigan | ✓ | 1.00 |
Revenge of the LawnA collection of <1000-word (short-short?) stories and bits. Reads almost like stand-up. Like most collections, it's a mixed bag. Some (the longer ones) have me giggling at every sentence, some (shorter one) read like failed observational comedy. Others like actual observations, writing never fit elsewhere, plugged here. to make a buck..? Unlike any of the Beat auteurs: Keruoac, Ginsberg, this can be oignantly humorous, the author rather. | Richard Brautigan | M✓ | 1.00 |
Collected Short StoriesBetter than nothing stories and some good uns by a guy whose freely accessible works I'd downloaded en masse. The very first of his I'd found boring at 06%; the second an M at 1. His stories are or were featured in short story anthologies and collections. Compared with ones variously authored, it is not as jarring going between entries. The other require a reset, a reboot. They're like consistent forced minor context switching. These all are <1000 words, they function more like resolutions or terse descriptions of third acts. | Richard Kadrey | Mm | 1.00 |
So the Wind Won't Blow It All AwayA series of reminiscences and recollection of a 12-year-old lad going about his days up to mid-teens. Each chapter of the novel begins with the words 'so the wind won't blow it all away...Dust...American...Dust'. Brautigan's style, his colorful, brusque, literalness | Richard Brautigan | Mma | 1.00 |
Greek Lessons(Pardon the misdirection, convolution of sentences. I'm tired. I'll rewrite this in the future. Linearity. Some day.) | Han Kang | wmb | 0.49 |
| Butts: A Backstory | Heather Radke | ♀gmk | 0.26 |
Abortion ArcadeA collection of 3 novella-novelettes and a few short stories. I'd search for 'Abortion' in my booklog and came upon this. I'd added the dude's entire freely and illegally available bibliography, so something must've'n prompted me. I gave it a try. One of the bizarro or splatterpunk anthos must've mentioned him. Anyway, I had a few solid laughs. He used mostly short dialog, that is, 1-sentence-long messages. A sour thumb, too noticeable. Also a bitch to scroll through. Made characters a shallow or dumbed down. Another thing instantly noticeable is the high amount of chapterization, sectioning, delimiting. The longest, a 1.4e4-word story, had ~10 partitions. None were needed. The titles weren't funny compared to the writing. There was no recapitulation, no pacing acceleration and deceleration around their termini. That said, for shorties, they function like comedy episodes: They play their bits and leave stage without dragging. Worth it. | Cameron Pierce | M✓ | 1.00 |
The BigheadI start | Edward Lee | ✔✓ | 1.00 |
RipeI wanted an easy read. I gave a woman with a non-agenda novel a chance. The right after the best novel of the year so far. What do I get? TREYSH. But if the melancholy gets too great, if it rises up and overtakes me, the black hole swells, a rotating mass that blocks out the world. It smells sweet and metallic, like what astronauts report when they describe the smell of outer space: Notes of welded silver, raspberries, burned meat. | Sarah Rose Etter | wm | 0.10 |
| The Resort | Sarah Goodwin | am | 0.26 |
CounterweightAnother Korean translate. Male, from the writing style and content, his other works support this. A science fiction, industrial-corporate espionage thriller thing. Occurs in a future Earth, when sky elevators are not only economically feasible but profitable too. Hard scifi this ain't, but what there is neither Asimov, nor Clark. Nanobots, brainworms, high-tec cybernetic surgertics and enhancements, Zuck's lewdest dreams, asteroid mining, space colonisation, and so on are a thing, yet people still use telephones and use flashlight 'apps'? Nigga, you serious? No new technologies or concepts employed herein comparing to the corpus of existing science fiction literature. That of early to mid 20. century for certain. This I can guarantee with the little reading in the genre that I've had. I've not read spy stuff to comment. It does bundle a few together with the thriller, grand plot keeping loose bits together. Neither harmonious, nor discordant. Common knowledge of Korean business, economics, and politics helps. Asianisms, Confucianisms aren't much found. Possibly since it's supposed to be Futurama grandpa voice da fjuchurrrr The plot is decent, but there is something about the writing that bugs me. A day later, and I'm still half-empty-handed. This these world, society, chaebols/companies, technologies function isn't explicated, no. Our nameless protagonist functions more as a narrator. A highly convenient expositionist-infodumper, but never at length. I began writing this at 30%; presently I'm at 69%. This is one of them stories wholly dependent on diegesis: The story could be 10–100-fold concentrated and you'd get the same. Because the tension over time/story curve is maintained by what is revealed. Narrator, that is, the writer doesn't want to spoil to whole, so he arranges a procession of crumbs interspersed with morsels leading to the main loaf. I hate these kinds of stories, the Sherlock Holmses (as written by A.C. Doyle) or Agatha Christie kind. Wherein crucial information is brought to reader's attention only when conventient. Content-wise at least, this is how a police-procedural differs from a detective novel. Also, there is an middle-school, anime either smugness or subdued-ness (superdudeness, lmao) to many of the characters. Some characters possess immense (anime-level) power, but irrelevants and extras are too frequently mentioned and used, showing a disparity, an uncredible gaping maw of imbalance. | Djuna, Anton Hur (tr.) | mMw | 1.00 |
DespairOne of his Russian novels. According to recently deceased Martin Amis, it's he second best. Majority opine it is his best natively tongued one. Haven't read the rest, but he's remembered | Vladimir Nabokov | ✓M | 1.00 |
| Who Poisoned Your Bacon Sandwich?: The Dangerous History of Meat Additives | Guillaume Coudray | Km | 1.00 |
| The Paleblood Hunt | Redgrave | mk | 0.11 |
| The Anarchist Handbook | V.A., Michael Malice (ed.) | Mak | 0.48 |
The Dutch HouseFinalist for 2020's Pulitzer Prize for Fiction. Agenda'd judges and referees, or shit vintage? Occuring in the past and present, an obviously female-wrtten boy and female-written girl, brother and sister in protagonism try to remedy, reconcile, revenge the past..? I'm a quarter in. The focus is pogoing from contrived or trivial familial drama to the house, with former ekeing out. Two thirds in, and the author still hasn't decided which rack to behat. And I doubt she will til the end. Religion and spirituality? And or morality? Or adolescent trauma? Or loss of a parent? Or of both? Or dependence and co-dependence? While not horrible, the book is diminished by its badly written male characters (all female) and strewn, ramshackle focus. Not too cohesive world either. The behavior of no one character, save Andrea, is reasonable. Pitiful and or pathetic, if this is the best women can do in 2020. I can't be invested in this, I'm dropping it for the above reason. | Ann Pratchett | Mm | 0.64 |
The Resort'Show, don't tell.' the novel. The first third led me to think: With 15 under his belt at this point, one'd think he knows or can do better. It's too explicit, prosaic to be accidental, I think. It's a play-by-play screenplay: Where the camera should be pointing, what actors should be thinking and doing (not saying!), how it should sound, foleys and all. The second third has less of this, allowing the mediocreness of the writing to shine. Writing style isn't fancy. Characters are growthless, arcless. 0-dimensional objects in character space. The location, the resort, here is the main actor. Re-acting to the stimuli of the R&R-ers. At 115e3 words, it takes too long to get to 'the good stuff'. A prolonged 'mid'. | Bentley Little | m | 0.83 |
| Dutch Uncle | Peter Pavia | M | 1.00 |
| Stasiland: Stories from Behind the Berlin Wall | Anna Funder | ma | 0.87 |
| The Law of Retaliation | Jon Athan | m | 1.00 |
| Doom Guy: Life in First Person | John Romero | Mmk | 1.00 |
| Masters of Doom | David Kushner | Km | 0.25 |
| The Little Book of Vaginas | Anna Lou Walker | Gc♀f | 0.21 |
| The Book of Tea | Kazuo Okakura | Wc | 0.19 |
| The Heartless Heart-Ripper: 1 - The Good, the Bad, and the Sadistic | Jon Athan | mM | 1.00 |
| The Heartless Heart-Ripper: 2 - A Fistful of Guts | Jon Athan | mp | 0.45 |
| The Black Lake: Tales of Melancholic Horror | Jon Athan | m | 0.87 |
| Rock Breaks Scissors: A Practical Guide to Outguessing and Outwitting Almost Everybody | William Poundstone | kmw | 0.23 |
| We Uyghurs Have No Say: An Imprisoned Writer Speaks | Ilham Tohti | B | 0.16 |
| Scattershot | Jon Athan | Ma | 1.00 |
| The Last Lesson | Jon Athan | mM | 1.00 |
Venus and Her ThugsRather odd. I'm four in, it is both suspense (or horror..?) with proper cant; a poem; a boring-ish (or subjectively so-so) story..? And I'm writing in after the halfway point. Average SS length is <6e3, they're short-ish, they all lack satisfaction, or bite. Snappiness? All lack. Length, content, world and or character development, (more) structure. Author dedicates book to wife, so either the rarely initialized man or a sapphic. Reading the fifth now, a country pub affair, I could see the publisher's insistance on the subtitle of | J.A. Nicholl | m?b | 0.55 |
| Gun, with Occasional Music | Jonathan Lethem | ✓ | 1.00 |
| Shared by Two | Jon Athan | M | 1.00 |
| Venus Is a Man's World | William Tenn | ?m | 1.00 |
Venus in FursNot overly long, neither convoluted or complicated. The first fifth of this translation (and edition?) is a foreword by a professor of psychology. He glides over his field, its history, the title, its history, surrounding and similar literature, their history, providing mostly unnecessary context. The dude, a handsome moustachioed Austrian, contemporane-d (coining this; backformation from adjective) the infamous Oscar Wilde. Didn't have his putative writing talent. Or much of his own. (That or Joachim really liked the word 'dilettante'.) Would work better as a screenplay, a drama. A curio, no literary masterwork. Points at, reminds of the inconsistency, depravity or perversion of the human psyche and at/of sexual selection in human civilization (and its trappings). Poignant concluding paragraph on women, a neater recast of apex's Venus' statement-tirade-paragraph. Also, very not on the nose: “But what about the moral?” I asked—Aesop, an uneducated Phyrgian slave from 2500 years ago, unburdened by any written literaty tradition, nor by education, did morals better than this. | Leopold von Sacher-Masoch, Joachim Neugroschel (tr.) | M? | 1.00 |
Gods of VenusSo you want to write a woman-versus-man, soft scifi novel? Great. Lemme give you some tips: Don't bother with introduction of: Characters, locations, names, devices, technologies, flora and fauna; use comprehnsible, short sentences and dictionary scraps to combobulate 40–65-word sentences whenever possible; jump around without notifying th readers (keeps 'em on edge, paying attention). Execution is very poor due to editorial nonexistence. | Richard S. Shaver | W | 0.07 |
| The Centre | Ayesha Manazir Siddiqi | agm | 0.06 |
| A Good Girl's Guide to Murder | Holly Jackson | b | 0.08 |
| Behold the Monster: Confronting America's Most Prolific Serial Killer | Jillian Lauren | mMBa | 0.73 |
Raise High the Roof Beam, Carpenters and Seymour: An IntroductionTwo novelettes by the CitR guy. No, not the sitar guy (recalling some Indian Tool and djent covers, 1–2-piece bands doing funky metal, at least back in the last 2010s, ah to be old and to have wasted your one fucking youth. tsik. tisk. tisk.), nor the cider one (apple cider, or is it applejack, is/was nice; reminds of how I most really like a strong apple vinegar). I'd trying reading this waiting once, waiting at the doctor's, and once more yesterday, a season later. I'd been at 5–10%, can't recall. But I'd immediately refelt the initial strangeness. I've read nothing else by JDS other than TCitR 20 odd times. It don't read like 'im. If he does have a style, and most if not all author do and althrough they progress, there be no jumps. Different how? I can't recall the full thing, of course, but it was a family or more communal affair. No introduction, I'm supposed to immediately keep track of main and his sibs' wants, states, past and present. Was roughshod sans need. Not a 'Another air raid, brother dearest? Oh, la-dee-fucking-da. Hope the ratoes don't eat me toast while we're in the bunker. Tell Timmy that Tammy built the thingamajig, but she used all the nails. Also we're out of jam again, blimey.'. Subversion could work to shock, would have better worked. I don't know what he was going for, what was going on. Pay-up-front or it-gets-good-toward-the-end things I'd argue aren't worth it or are examples of bad distribution or structure. Maybe years later I'll give it another spin. All I'd gotten now was strange, or just unusual and (me-)unsettling writing. | J.D. Salinger | bm | 0.10 |
The Lonely Century: How to Restore Human Connection in a World That's Pulling ApartHey, let's talk about one of the major 2010s and -20s' Zeitgeist's problems, loneliness in the most bland, corporately safe, leftist, fraudulent way! Fuck me, talk about missing all the points, referenceing and quoting no-thing. I can hear the frantic soy handwaving towards bad studies and corrupt scholarship. Fucking women. Fucking always. In the 10% of the book, the one thing that at this point is has been a truism for nearly a decade, paraphrased is: 'social media and or internet over-use bad'. No shit, Sherlock. | Noreena Hertz | fgw | 0.10 |
NauseaThe foreword here was worthwhile in setting the tone, painting in context. Because I am more familiar with Camus' 'philosophy', ideas, and because they contemporaned, spoke the same language, I'd wondered whether they'd ever communicated. They had, and the it wasn't hostile, but wasn't friendly either, insufficient overlap to communicate. Comparing this to the other Frenchman (and his absurdism) as the forematter doesn, Sartre's take is (more) fatalistic (negatively), morose, disheartened, passive or unhappily abiding, weakly yielding as the forematter does. Whereas Camus' is accepting, fighting, unregarding of the past and less than half-wise of the present, hopeful that or happy in that the process (of toiling towards an impossible goal) leads to salvation, contentmen. Longer than Camus'—certainly feels it!—, and nowhere near as eloquent. It is a journal of a man with a job beset by the present and rejected ( Regarding retitling, protagonist doesn't read like a sad character, isn't one. Neither does Dürer's eponymously titled (whence from the initial'd come) carving tonally fit. The pervasive, heavy burden of society or the whole human world, concentrated in one's immediate surroundings, is (or may be, fuck if I know for certain) the 'nausea' felt, alluded to. First act grasped and held on to it, demonstrated it, and introduced the 3 characters. Second lost the plot. Third knew not of it, just tied together all the frayed, loose ends. The stream-of-consciousness aspect I like, however, it is to the detriment of the text's purpose. Unlike Camus' novels and philosopheical texts—whatever the fuck | Jean-Paul Sartre, Lloyd Alexander (tr.) | M✓ | 1.00 |
| Contagion | Erin Bowman | W | 0.03 |
| How to Talk to Absolutely Anyone: Confident Communication in Every Situation | Mark Rhodes | Km | 1.00 |
A Life in the CinemaFor a SSC, very nice. That it be published by And Rosenberg doens't give a shit about relationships—he's a businessman, right? He jerks my dick and I jerk his, and we cum dollars. | Mick Garris | ✓M | 1.20 |
The Gods of AtheismYou're in for a treat when Catholic, of all denominations of Christi-fucky-anity does anything. Let alone write a book or attempt to conjure a half-way original thought. All stereotypes down to a T? Check. Incapable of thought? Check. Dogmatic? Check. Fucker even uses his 'title' of 'father'. Fucking Ha! Fuck all organized and or centralized religion. Preamble over. Atheists, like saints, are made not born. Skipping the foreword, the introduction starts off with something that one can argue about. Much. Firstly, what the fuck is a saint? Within different denominations or sects and religions difference abides. They are not made, that is, manufactured, but proclaimed. And atheists are made in the same sense that babies are, that is, it is the default, the default state, verb. Just like Christians, Muslim, Jews and so on are not born but are introduced into the culture, faith, movement with time and effort, so too are they not born. One is born into such and such a family or tradition, but that is different from being created one. If a child grows within a X society, the path of least resistance is its acceptance. However, humans as animals, rather than a, any, god's or gods', lowercase, creatures are by default faithless, creedless. So from the very start of the book, he's hammering his objectively wrong worldview onto readers. It's like talking to—, or more correctly being talked to from, since this is strictly one-directional communication, a zealot. They will at every opportunity, however sparingly overlapping with their religion, inject their virus. From wiktionary, the etymology of the word pertaining to the whole book: | Vincent Miceli | Gfw | 0.11 |
| The White Pill: A Tale of Good and Evil | Michael Malice | ✓M | 1.00 |
| Blowing the Bloody Doors Off | Michael Caine | m | 1.00 |
| Forty Days without Shadow | Olivier Tru | mb | 0.15 |
| Das Reich | Max Hastings | b | 0.09 |
| Under the Knife: Life Lessons from the Operating Theatre | Liz O'Riordan | ma | 0.62 |
Bad KidsThis is | Zijin Chen | mwab | 0.11 |
| Dancing Bears: True Stories of People Nostalgic for Life Under Tyranny | Witold Szabłowski, Antonia Lloyd-Jones (tr.) | mM | 1.00 |
| The Taste of Blood | Jon Athan | Mm | 1.15 |
| Department Q: 9 - The Shadow Murders | Jussi Adler-Olsen | m | 0.13 |
The MinotauressThe author tied this in with | Edward Lee | ✔ | 1.00 |
The (Mis)Behavior of Markets: A Fractal View of Financial TurbulenceOn the one hand, this is written by a broad and deep thinker. On the other, it's very lay-oriented, seems overly restrained, repetitive and unnecessarily expounding. More ground could have been cover, deeper could've'n dug. Not as superficial as the | Benoit Mandelbrot | Mm | 1.00 |
| Tales of Mountain Men: Seventeen Stories of Survival, Exploration, and Frontier Spirit | V.A., Lamar Underwood (ed.) | m | 1.00 |
WoomI'd tried the author's One of the more, to me, disgusting medical procedures, abortion, was done by an uneducation young African-American lady in one of the stories. And you thought Leonid Rogozov was hardcore, with all his fucking know-how, surgical tools, medical supplies, anesthetics, and so on? The best back-alley abortion depiction in art that I've experience was in A support to my stiching of 'extreme' short stories: Both protagonists, or p and support, know of a Candy Rains, the first time there was interaction, the second—a mention. Either the hooker (it's not a non-hooker name) is well known to those both sides of fence, or it was sloppily reworked. To fit narrative. As a short story collection, it doesn't work, because they're too short, they're unpolished, unsatisfying. As a novelette of 3e4 words, it's decent. I've read but few short format works. Literature ain't just throwing words and publishing. This is why of the >95% of National Novel Writing Month entries are trash, and are either crazily short or too long. Pacing hard, amarite? | Duncan Ralston | Mm | 1.00 |
| The Nasty Bits: Collected Varietal Cuts, Useable Trim, Scraps and Bones | Anthony Bourdain | mak | 0.81 |
| Ghostland: 1 - Ghost | Duncan Ralston | Wc | 0.12 |
| Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook | Anthony Bourdain | am | 0.15 |
How to SitClassic case, I think, of loss in translation from a Sinitic language. The | Thich Nhat Hanh | wW♀m | 0.91 |
The Crowd: A Study of the Popular MindStrange introduction: Speaking much of 'now' but never defined it, nor saying what year you're writing or publishing this. The raving of youths around Trump and Hilary from 2016 have nothing on those of the brown-, black-, red-, color-shirts of the later 19th. and early 20. centuries. Not in terms of violence, assassinations and public murders, vigilante, mob 'justice', rallys, crowds, property damages. And this guy starts off his book with predictions that populism, crowds, ((pro)active!) sheep herds are on the rise? After National Socialism, and Marxism, and Leninism, and Stalinism, and Maoism, and Juche, and at least 1.2e8 attested | Gustave Le Bon | ✓ | 1.00 |
The Unfettered Mind: Writings from a Zen Master to a Master SwordsmanAnother Zen Buddhist text. This time, aimed at swordsman for hire, that is, samurai in feudal Japan. Written in the middle of the 1500s, it commits the errors as earlier and later texts. The reputation is from Japanophilia, and military and philosophical fetishism. What errors, you ask. That of always being so vague as to be applicable to all situations, and hence inappliable at all. Well, not always, there are a few paragraphs pertaining to combat. The rest is indiscriminate. The | Takuan Soho, William Scott Wilson (tr.)m | wW | 1.00 |
The LibrarianistThe title caught my eye. Then did author's surname's spelling, leading me to case-insensitively querying my booklog for it, to discover I'd had some of his added. Incorrectly, of course. Anyway, this novel is about a librarianist. Wouldn't you know, the title is relevant. Can we not bring that back? The language is colorful, evocative while consise, but not terse, and light, never heavy-handed: Not Chuck Palahniuk, nor Cassandra Khaw, nor Bruno Schulz. I found a bit of myself in most of the characters. They are distinct, perhaps too much so, resembling set pieces more often than people to usher plot beats. That aside, this is fiction, are they are meta-truthful just like (some) stories from the various religious texts are on the whole truth rather than in each individual case with all its minutiae. Protagonist serves as main observer alongside the more neutral narrator. He is not quite deadpan, but rather matter-of-fact, casual observer almost; not dull, but certainly not exciting. The story is mundane, but it is well told. I'd recommend this to those who'd liked the aforementioned three authors (or the titles I've read of 'em...). It's charming, and it'd've'n so were it about Persian rugs. More style over substance. Fuck you, I liked it! I'd agree that diegetically isn't not great. But that is not what I wrote to you that I like within, nor what went into my review/remark. The 4 chapters comprise four segments at or around significant life events. The runaway episode was weakest, being only loosely tied to present—why did you feel those lovey-dovey feelings; what do you miss from the experience and why? The wistfulness is unearned, unexplained. Hard also to reconcile ~(72-24) years of nothing of note happening. Maybe you don't like language, or like it like I do, that is, as much as I did. Maybe you find meaning and or enjoyment in other qualities of writing. | Patrick deWitt | ✓✔ | 1.00 |
The Rape of the LockThis was fondly mentioned in | Alexander Pope | ?m | 1.00 |
| A Key to the Lock | Alexander Pope | ?m | 0.14 |
| Floki's Blade and Other Dream Fictions | Edward Lucas White | ? | 0.05 |
| Bone in the Throat | Anthony Bourdain | m | 0.18 |
| The Door-to-Door Bookstore | Carsten Henn, Melody Shaw (tr.) | a | 0.08 |
Escape into Meaning: Essays on Superman, Public Benches, and Other ObsessionsThe introduction or forword to the four essays, which are more opinion-thought-experience pieces in a Sunday column of better newspaper (R.I.P.), touches upon points I've tried to impress. I was going to recommend it, the preamble, but he quadruples the length, dulling any focus and pointedness. It reads like a hanargue, like a salable, long twitter thread from somebody with a following, that is, a small one. Not so much pretentious as un-self-aware of, clueless to his position in the various hierarchies. | Evan Puschak | wka | 0.18 |
Pornography for the End of the WorldDon't have the half punch and snap of other 'extreme' 'horror' short story collections, let alone novels. They lack polish and lack arcs, development, and hence all endings seem rushed and out of left field. Again, this may be a my indisposition toward short(-er) literary formats, or may have to do with Brendyboi's inexperience. I'd noticed his name elsewhere, remember having only an audiobook of the previous title by him. An SSC it was too, but I've either refined my taste and sharpened my understanding of lit, and or this hasn't seen the edition necessary to make most work. Calling them stories does the format a disservice, they more resemble vignettes, snapshot. Speaking of its head, the mass—which made up a third of its total bulk—was comprised of hundreds of sagging feelers, like thin, boneless necks. And on the end of each was a bright red, vaguely baby-looking face. The many mouths opened in tandem, and the abomination made a sound like the cries in a hospital nursery crossed with the screams of slaughtered swine—as it charged them on its knuckled appendages.
...
| Brendan Vidito | mM | 0.76 |
The Curious Incident of the Dog in the Night-TimeGeorg, if you're reading this—what the fuck were you thinking liking this or recommending it to me back in 2017 or –18?! (Unless I'm misremembering what book he'd then recommended or said he'd been reading, though I'd bet my sack on the words dog' and 'night-time'. I'd've never more than glanced through this turd's title, let alone blurb. He-he, 'turd blurb'.) The protagonist, the defunct autist is both too literal, but inconsistently so. Example 1, It's as if he knows he is conscious but is not self-conscious. Doesn't realize himself capable of introspection. He is highly inconsiderate of others, behaves as if he were a boy punished arbitrarily by foreign automata. The boy doesn't go into philosophy, but I'd say he suffer's solipsism unconsciously.
There are three developments within the novel. Arcs? Yeah, uh, no. The father has a change aaand that's it. Yes, it's real stingy. Plot and narrative are scant. The whole fits within 5–6 sentences easily. Were this not a children's, primary-to-middle school book, I'd've called it an attempted character study of (gifted) autistic children (and their parents). He's 15 yet has the mental capacity and capability of a 9–12-year-old. Neither does he read as autistic as I know them. If you've ever seen a documentary and interacted with such people yourself, you'd know he's off. Obnoxious, diegetically pedantic, Gary Stu. Incongruence. Perhaps the only good things about the text were: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). | Mark Haddon | Aaw | 1.45 |
| Alone: The Classic Polar Adventure | Richard Evelyn Byrd | M | 1.00 |
Keep It in the FamilyOkay concept, six-footed by poor pacing. What do I mean? The story is progressively, rather than simultaneously, told alternatingly through mainly a husband and wife. The former's parents get increasingly involved. First, as narrators, to, you know, reflesh the yet to stale two. Oh, what's that, three? Because the elevator-pitch-turned-blurb couldn't keeps its pants on, becoming another PoV and antagonist. Diegetic carousel. John, ma boy, I'm giving you one more chance, don't blow it. The amount being not too great and not too small however means one thing. They all suck equally oo. of novels churned out indicates one of all share in same trash qualities, or are the some trash. Fuck, help me. | John Marrs | mwab | 0.40 |
| When You Disappeared | John Marrs | wb | 0.02 |
| Video Nasties | Duncan Ralston | bw | 0.08 |
A Cook's Tour: In Search of the Perfect MealBut what of the book? Well, I'm happy to say this is the one it the passion shows. It was written around the series the carries his legacy, what people remember him fondly for. His autobiographical book, | Anthony Bourdain | M✓? | 1.10 |
| No Encore!: Musicians Reveal Their Weirdest, Wildest, Most Embarrassing Gigs | Drew Fortune | m | 0.83 |
| The Hole | Hiroko Oyamada | ?bm | 0.51 |
| Out of the Forest | Gregory P. Smith | mM | 1.00 |
The PorpoiseWanted to get through the rest of Mark Haddon's titles, to deleted them, assured by my correctness. I start reading this. First thing that is different from many other books is the chapter-length prologue. Nice. He could have done a timeskip and later on or progressively tied it to the past. But no, he didn't. The prologue merely introduced the main (I assume, writing from 10%) character. Who over the course of a few pages and some weeks has had, to me, major personality changes. From a somewhat unfeeling, somewhat ruthless business manly man, to an in love yet wholly uncaring for parenthood dude, to a hopeless in love, mourning youth adult, to a bending-over-backwards, concerned parent. Roughly; I don't buy. Each one of these emotions in a real person would be uncredible, as if programmed in. A few things so far have been contrived: Why the accident, the prologue, happened; who and when something will just be accepted or challenge as it. I'm starting to think that Marky Mark really likes his contrivances, arbitrariness for the sake of plot, or book thickness. Also, there is no hook so far. Literally nothing about the sea, let alone porpoises. Despite being a tenth of a book, what's occurred that is, or rather has been, relevant is 1–2 sentences. Talk about saying and doing nothing. The pieces aren't connected, I've no reason to continue reading. | Mark Haddon | ?ma | 0.10 |
| The Nightmare Girl | Jonathan Janz | mbw | 0.05 |
| That Doesn't Mean What You Think It Means: The 150 Most Commonly Misused Words and Their Tangled Histories | Ross Petras, Kathryn Petras | KMm | 1.00 |
A Short Stay in HellWas recommended this, not because it was good, no. That would have been too convenient, too easy. Because they were reminded of me. The 'not because the prose is any good', that I'd gotten, is so fucking apt. The very first fucking paragraph of the fucking prologue is clumsy, with sentences' word amounts being 29 10 33 5 36. Fuck me, I wanna tear apart this shit-for-brains writer. A quick search later, aaand it'd not be impossible to get in touch with him. But it'd be an imprudent use of my time. He a Mormon—so that's a 'g', at least heavily informative of his whole past—and he writes recreationally, while being a 'professor' of 'biology', in quotes because American tertiary educational system is in shambles and ruins. So that's a 'w'. The very first sentennce has a fucking 36-word concluding sentence, that is heavy, overly worded, and middle-school-enthusiasm-like. Fuck me. The rest of of the prologue is no better, it's slightly cringe-y and it's overly long, like not having passed enough drafts, and it's juvenile (at least no (adult-age) chuunibyou, dude's graying!). | Stephen L. Peck | wW | 0.15 |
| John Wayne Cleaver: 2 - Mr. Monster | Dan Wells | bwm | 0.21 |
| Pictures of Apocalypse | Thomas Ligotti | wm | 0.30 |
Frank Burly: 01 - The Time Machine Did ItVery rarely am I intentionally provoked to laugh. This book, what turned out to be or have become a series of 10 with 2 SSCs and 2 stand-alones, repeated made me laugh, or chuckle, or grin. To old 2016–'17 me, who'd come upon this and gave it the old downloadaroo, and didn't delete the incumbent 5 years, thanks. But what's it all about? Comedic detective novel with many subversions, and deadpan, observational humor. Is is mostly that, and glancing at the next one's first pages, it'd seem they're all humor, rather than overarching narrative with character- or world-building. Plot is perfunctory, it serves openings and setups for funnies. | John Swartzwelder | ✓ | 1.40 |
| 2c Worth | David J. Schow | ✓ | 1.50 |
| Frank Burly: 02 - How I Conquered Your Planet | John Swartzwelder | ✓ | 1.00 |
| Frank Burly: 03 - The Exploding Detective | John Swartzwelder | ✓M | 1.00 |
| Abroad in Japan | Chris Broad | m | 0.93 |
Sleep DisorderOfficial audiobook recently appeared on audiobookbay beside many all hallows' eve-themed, spooky, and horror books. So I decided to give it a relisten. A more critical one. This is a collection of 8 short stories, exacting malicious, cosmic reverge on whores, dudebros, young and old; and despicables and repugnants. Still remember 'em all. Fuck women. Fuck (most) people. I don't much like stories. | Jack Ketchum, Edward Lee | ✓M | 2.00 |
| (Un)Civilized | Christopher Warren | mM | 0.71 |
| Frank Burly: 04 - Dead Men Scare Me Stupid | John Swartzwelder | ✓ | 1.00 |
| Frank Burly: 05 - Earth vs. Everybody | John Swartzwelder | Mm | 1.00 |
The Juliette Society: 1 - The Juliette SocietySurprisingly good debut publication. I am reluctant to grope for anything the author has written before retirement from first career. The wiki page at least doesn't. Seeing as it's | Sasha Grey | M✓ | 1.00 |
| Tales from the Gas Station: 4 | Jack Townsend | maw | 0.56 |
| Frank Burly: 06 - The Last Detective Alive | John Swartzwelder | m | 0.24 |
| Frank Burly: 07 - The Fifty Foot Detective | John Swartzwelder | m | 0.10 |
The Juliette Society: 2 - The Janus ChamberAs suspected, quality takes a nose dive. We're at mediocre level. The 3 year gap wasn't used to devise a story, build on the previous. There are good lines, their density is over over twicely lower. Plot much there isn't, maybe 2–3 sentences' worth. Autobiographical, this one contains more thoughts outright. That is, these aren't presented through plot, they're mirrored in the protagonist. Which is lazy and boring. Still okay, though the third will be even worse. It lingers on the sexual, the religious upbringing, morals and ethics. You could say it's more personal, but it's not well novelized, well incorporated in the rather slapdash story, a lukewarm variant of all that'd happened in the first novel. Lazy. Bad, Sasha, bad! | Sasha Grey | mM | 1.00 |
| Then There Were None | Agatha Christie | am | 0.14 |
| I Wouldn't Do That If I Were Me | Jason Gay | awm | 0.15 |
Guantánamo DiaryThe audiofile created with piper was better than flite one. Whoever, over a few thousand abrupt | Mohamedou Ould Slahi | mMb | 1.00 |
| Truck Stop | John Penney | wmb | 0.69 |
| Asleep | Banana Yoshimoto, Michael Emmerich (tr.) | bB | 0.09 |
The ApartmentAn interesting novel. Firstly, the name—the first quarter to third, the introduction, say, is about a person and his life abroad in some place, leading to his looking for a place to rent out. Putting a definite article before any noun makes primes for mediocre, cheap 'horror'. The cover art is of a teenaged boy—not a 41-year-old retired/discharged naval officer—, in what seems to be an English—not German; the present frame of the plot obviously, albeit tacitly occurs in Deutschland—, city during winter. They got the season right at least. A first-person account of relocation and rental residence hunting. Thrilling, I know. The issue is everything going too smoothly. Dude scores a cheap place to live initially, easily, with nice food and conditions. Dude has a pension at 41 for some reason or enough cash. Dude scores a 25-year-old girlfriend to do everything for him. The initial quarter, wherefrom I'm pausing to right this, resembles a child's mental snapshot—perfect, pink, pretty. There are not problem to overcome. The main is somewhere being woefully placid, apathetic to any negative. Where is the hook, Greg? It's a rarity for lack of chapters or any structural components. It's no stream-of-consciousness either, merely reads flowy-er, more continuous. 3-act structure doesn't quite fit here, since Greg forgot the hook. Could call it the protasis of a 4- or 5-act structure, though at 35%, assuming 5 equals in length, the second should be over half through, and it ain't. I don't get what he's going for; it's too neat (in a bad way), too meandering. Fuck you, Greg. I hate those fortunate, successful, content, happy. I hate, hate, hate the arbitrariness, what is commonly is perceived as cruelty, often both maliciously and cosmically exerted. | Greg Baxter | ?mw | 0.35 |
To Kill and Kill Again: The Terrifying True Story of Montana's Baby-Faced Serial Sex MurdererTrue crime novelization. Starts off taking the cookie-cutter, easy, safe and bone-sandingly boring path of focusing on victims. Part of the book, although until our guy is introduced, it serves as extended blurb, a prelude or foreward from within. I give no flying fucks about how stay-at-home Jim's sex life must be hidden from his knitting father, or McDunnagh's favorite beer in the one saloon, or any other shallow, inconsequential minutiae. They don't paint a better picture of the star of the show, nor do they much outline or color in the setting, that common to all residents. He's two more true crime books, I'll give 'em a chance too, mind you, dearest, short reader. So, mundane til the unsuble introduction of the one odd bloke, our guy. Thankfully, that lasts only the one chapter. The focus is never adequately where I want it still though. Trisected between law enforcement and town's going-ons, the victims and their lives, and the 'baby-faced serial sex murderer'. Rolls off the tongue, don't it? Not bad, but not never great, rarely good, and certainly not deep (Not balls deep. I alway tell these god-damned authors—we always gotsa be balls deep. They never listen.) or linguistically, artfully challenging, novel, other. At novel length, it even bores, given it's several decades of small murdie-wurdie. | John Coston | mMb | 1.00 |
Munich AirportA mostly mundane stream-of-consciousness novel. Because of the format, I like it; so, subjectively, it's good. Makes me want to reread and relive all the ones I've read. I love those. Love! I pine for a semblance of happiness, contentment. Thanks, Greg, thank you. Objectively though, the writing ain't stellar, coated in layers of butter and honey, like | Greg Baxter | ✓M | 1.00 |
| Episode Thirteen | Craig DiLouie | W | 0.02 |
| The Icepick Surgeon | Sam Kean | kbm | 0.34 |
| Lord Miles in Afghanistan | Miles Routledge | mMa | 1.00 |
| Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100 | Michio Kaku | kaw | 0.08 |
Full BrutalA light-hearted novel about a half-psychopathic, half-zaney (think le batshit insane, le im so quirky), sadistic, 16-year-old female, who lies, humiliates, dominates, betrays, and deceives. Veronica, as (You), you'd like this, briefly at least. (I had so much to rec you at one point.) The lack of explanation and or history coupled with the audiobook's giddy narrator makes for an inhuman, cartoonish main character. Since these are first-world children, I doubt solemnity and or (over-)dramatization would've a better result helped create. There's good reason why the successfulmost of serial killers and warlords aren't teenagers, but in thei late 20s or 30s. Being in on the joke, most, if not all, opportunities for unprovoked jabs, pokes, puns, and cruelty are seized. It's like a (okay-to-good) Adult Swim cartoon. | Kristopher Triana | M✓ | 1.00 |
Body ArtWaffling between an | Kristopher Triana | M | 1.00 |
| Alchemical Journeys: 1 - Middlegame | Seanan McGuire | aw | 0.01 |
Cursed BunnyCollection of a Korean female's stories. They lack narrative structure—no 3-, 4-, or 5-act one, no obvious one, at least. Each drags on way too much to be a pretty snapshot of a character, a scene, an event. It's also anime, quirky for its own sake, and hence annnoying. I appreciate most stories being female. They not extremely, nor always successful, nevertheless interesting here or there. I wouldn't've given this, nor nominated it for the International Booker Prize, but I don't know how shit the competition it. | Bora Chung, Anton Hur (tr.) | ?M | 0.54 |
| Number Go Up: Insides Krypto's Wild Rise and Staggering Fall | Zeke Faux | mMb | 1.00 |
The Juliette Society: 3 - The Mismade GirlThe conclusion suffers all its predecessor's maladies to a greater extent. I'm writing this a 72%, what's occured plot-wise can be packed in whopping 2 sentences, 3 if you're reckon I use too many adjunct and argument clauses. That is it. The witty writing and the themes are what give this value worth. The second and third books' use of time skips, play with primary and secondary characters' import to the story, and jarring | Sasha Grey | mMbp | 1.00 |
| Comte de Gabalis | Abbé N. de Montfaucon de Villars | wab | 0.13 |
| Tell Me I'm Worthless | Alison Rumfitt | bwg | 0.07 |
| Brainwyrms | Alison Rumfitt | gw | 0.01 |
The Flowers of BuffoonerySeeing a title, this one, with this author—fucktard of a stupid shit, even by Jap standards, praised by weebos and pseudointellectuals—, with such a short length, I decided to gave him a chance to redisappoint. He did so. What I got from the third read: Narrator is part of the plot somehow, symbolically, or exists within the same world. Main character is recovering from some accident in some hospital and has shallow (non-)friends the same way most Japanese media depicts them. I don't understand why their relationship exists, why he's there or what the accident was, why the other patients are focused on, the the point of any one thing is diagetically. Things just happen. But they're also extraordinarily mundane and the language used is bland, curt, and falsely dichotomous. Annoying for using tropes of Japanese culture or artistic media; bad writing for nothing doing anything with anything, being pointless. | Osamu Dazai, Sam Bett (tr.) | aw | 0.33 |
| Some Remarks | Neal Stephenson | bB? | 0.26 |
When Nietzsche WeptI feel at home, comforted, well, swell (almost), in good company when working, be it reading or problemsolving. Presently reading Irvin D. Yalom's I've been in Vienna for a week. Know of, remember some of places mentioned. Maybe romanticizing the past, rose-tinted glasses and all that jazz. Nostalgia-baiting this book isn't, and the author being a 'existential psychotherapist' according to Wikipedia, likely isn't flexing his authorial muscle. And I don't much like that particular city, if you must know. Perhaps I'm being too lenient and uncritical of Irvin, but he captured something that I connected with, was touched by. Whether it be an(other) aid in fellating myself, I can't say for certain, but this new idea about reflection and ego build-up and maintenance is something I'll grow into a larger text over the near to medium future. Realized I have said naught of the book. It's about Nietzsche, 2–3 years after his university of Basel post departure. He's still kind of figuring out what to do and how to do it. The author weds Sigmund Freud, Joseph Breuer (who existed IRL, yes, but in a much different capacity, difo reality), Nietzsche with the beginnings of psychotherapy. There's not that much in the way of history or philosophy or medicine. They're all there, but none dominate. It is much more a character study of 1–2 historical figures: Nietzsche, (and his sister, slightly, and) Freud. The protagonist doctor, almost a bit of a Gary Stu in the first act, is almost out of place at parts. I'd think flawing him further would've bettered the character, but not the story, which is already long at 1.2e5 words. Objectively not great, subjectively, I like it, but it has not much in the way of rereadability. Similarly to how (I find) reading all Platonic dialogues can be tedious. It is through slightly curtailed, but solid dialog that the plot progresses. All characters are consistent, believable. And that nuclear based bombshell of a third act? Guess I'll be adding to that list of cool non-practicing Jews again. And he's a book on Schopenhauer too, which will be next. | Irvin D. Yalom | ✓ | 1.00 |
| The Psychology of Revolution | Gustave Le Bon | M✓mbB | 0.96 |
| What Life Should Mean to You | Alfred Adler | aw | 0.30 |
| What Life Could Mean to You | Alfred Adler | wb | 0.15 |
| The Way of the Hermit: My Incredible 40 Years Living in the Wilderness | Ken Smith | m | 0.09 |
| Resiliently Happy: A Guide to Building Resilience and Finding Happiness | Jonathan Biggane | km | 0.31 |
The Imitation of ChristA book about Christian faith, living, not so much religion. What I'd imagine a devout, 14. century, self-help guru, (too) much imbibed of his own Kool-Aid, would want to publish. Strip the mumbo-jumbo and hypocrisy, and you get mostly basic, how-to-be-a-relatively-decent-human-being advice. You know, things, that the lay, the stupid would nod their empty heads at when explicated; things and principles, they don't ever practice. Commits, of course, the commonmost of religioso fallacies—appeal to authority (with him being the authority, him knowing what there is to know) and appeal to faith. It's also not self-consistent, of course... Most of the appeal-to fallacies are to be expected of demagogues, cultists and the religious. Or just the stupid. On the other hand, it be pretty good lit for the 14. century, better than Boethius, which it resembles in contently FIXME | Thomas à Kempis | kgM | 0.22 |
| How to Read Now Essays | Elaine Castillo | wg | 0.01 |
| The Fisherman | John Paul Langan | aw | 0.03 |
| The Pachinko Parlor | Elisa Shua Dusapin, Aneesa Abbas Higgins (tr.) | b | 0.09 |
| Bartleby the Scrivener | Herman Melville | B | 0.04 |
| The Cult of Information | Theodore Roszak | kbm | 0.41 |
| Around the World in Eighty Games | Marcus du Sautoy | bm | 0.05 |
| I Am a Killer | Danny Tipping, Ned Parker | mb | 0.62 |
| How to Read a Book | Mortimer J. Adler | k | 0.18 |
| Zone One | Colson Whitehead | ma? | 0.13 |
| A Pear-Shaped Funeral | Dan Wells | M | 1.00 |
| The Red House | Mark Haddon | ? | 0.02 |
| Blood on the Coal: The True Story of the Great Springhill Mine Disaster | Ken Cuthbertson | m | 0.23 |
| Sleep, My Child, Forever: The Riveting True Story of a Mother Who Murdered Her Own Children | John Coston | b | 0.10 |
| How to Spend a Trillion Dollars: The 10 Global Problems We Can Actually Fix | Rowan Hooper | G | 0.01 |
| Smuggler | Roger Reaves | mbB | 0.22 |
The Rum DiaryToo many characters, too quickly introduced. The HST feel or charm is too toned down, as compared to his magnum opus. It's good; it's just not great. Like the former, has nice quotes. I'm watching the movie after this. Looking at metacritic, imdb, and rottentomatoes scores, it's going to be a smidge about mediocre, but forgettable and not as epic, or great as the aforementioned, namely | Hunter S. Thompson | M✓ | 1.00 |
The Pier Falls and Other StoriesA rare good SSC. The fucking 'Bunny' story is, like, goading me into unsustainable long with the the previously read book of 'The RUm Diary' which is a long dead habit, man I wish I had the money, and young man's metabolism, to sustain very, very bad life style. I'm recalling Lemmy's lifestyle up to his FUCKING 70s. It really is a willpower thing. Can life, or rather everything in it, that is, society, break you? Or rather, will you let it? I'm recalling—, fuck it, I'm not reliving, but reseeing all that Louie Theroux documentary footage. Of Rust Belt, heroine, homeless, relapse, tettering (that's not how you spell it, but you can't see that, chastise me, I can—I should but won't because I have a, a what? *here I go on a snickers, butter, and sugar eating binge*. Why do we fall master Wayne? ) on ledge. whatever. whatever. I can do better. I should do better. Nobody wants me to do better the way I want to. So, so alone. Forever. Where they fall short: The stories are 15–20e3 words long, too long, and the pacing is always slow. I after the initial third or fourth, one can—or I can—, premonitions of the ending are all too clear, but it drags on. There is also needless complexity—you are telling a story or documenting fictionals' lives? Lastly, tranny story pushed me over the edge into dropping this. | Mark Haddon | M | 0.59 |
| The Quiet American | Graham Greene | b | 0.30 |
| Love's Executioner | Irvin D. Yalom | maw | 0.38 |
| Cook County ICU: 30 Years of Unforgettable Patients and Odd Cases | Cory Franklin | m | 0.96 |
| Empire of the Scalpel: The History of Surgery | Ira Rutkow | bm | 0.49 |
| White Trash Gothic: 1 - White Trash Gothic | Edward Lee | ✔ | 1.00 |
| Under the Knife: A History of Surgery in 28 Remarkable Operations | Arnold van de Laar | mM | 1.00 |
Short Stories about Isolation and LonelinessThese are tales of whiney do-nothings. Gogol's | V.A., ? ? (ed.) | Abw | 0.34 |
| Butcher's Work: True Crime Tales of American Murder and Madness | Harold Schechter | m | 1.00 |
| Human Animals | Frank Hamel | bBm | 0.32 |
| Alien: Bishop | T.R. Napper | b | 0.30 |
| Short Stories about Suicide | V.A., ? ? (ed.) | B | 0.18 |
| Short Stories about Death, Dying and Loss | V.A., ? ? (ed.) | B | 0.24 |
If He Hollers Let Him GoI've read 5 of Himes' novels. Excluding the 2 potboiler, detective schlock, his 'serious' ones comment and try to neutrally document or vignette African-Americans' lives in 1940s and ⸺50s America. This was his debut. The foreword is more reactionary to or compensatory for an unfairly prejudiced past appraisal than deserving. I didn't finish the book, because it is boring. It also very much mirrors both | Chester Himes | bm | 0.26 |
Blender BabiesJohnny-boy siring a shit or two from '19 to '22 noticeably affected his output. Negatively. Each from what I recall features a self-insert of stereptypical, white-knight, and or patriarchal quality; and is less: (credibly) gruesome, plausible, 'fun', and 'extreme' than any of his past oeuvre. I contend he's given up the 'grindset', after having: 1, married; 2, gotten the fuck away from both California and the US; 3, fathered. Now he treads only old ground, is doesn't kill or split families, the main one. The one he identifies with, I'd assume. Compared to before, it's less about less endurance, more about familial inconvenience. The family is less a character or a set of such, more a parasitic, monochrome symbiote. It bores. The the 'action' isn't great either. Motion portrayal is not his best suit, and here it takes up so much space. It's disgusting, disappointing, discontenting. Barely finished—even without paying attention, it is not (as) good. | Jon Athan | MBm | 1.00 |
| The Expanding Circle: Ethics, Evolution and Moral Progress | Peter Singer | kM | 1.00 |
| William Blake and the Age of Revolution | Jacob Bronowski | mb | 0.42 |
Under the Autumn StarWhat a shit day ._. Knut writing about remote, village Scandinavian relationships I don't care, that he doesn't care about. No reason to read this. | Knut Hamsun | bm | 0.25 |
| Shadows Beneath | V.A., ? ? (ed.) | B | 0.11 |
| Letters from Father Christmas | J.R.R. Tolkien | B | 0.06 |
White Trash Gothic: 2 - The HomecomingFor this, the fourth book sharing a universe and locale, E.L. takes a different approach, one questionable. Where the previous had left off, this begins, only the speed of plot development is starkly reduced. He goes on these self-indulgent tangents, vomitting descriptions, details, backstories, alongside quips and jabs at himself, as if, and or less writers, as if. The 'as if's due to the main protagonist of the 2 thus far, and probably all 3 of the Bighead series, is a writer, aptly named 'The Writer'. The .5–3e3 word bombs are, or can be, enjoyable to read in isolation, or as anecdotes, epilogues, but 'gell' they do no with the little story there is. They're abrupt and interruptive. The intentional snark and or smugness aren't to be found elsewhere in the other 3 books. I don't know whether he'd wanted a continuation to the first and hadn't enough material, and had a contract to fullfil, or wanted to lay the groundwork for an actual one, namely the third. It doesn't read like the rest, and isn't as good. A few hundred words at most are what happens that tie the previous and the other books to this one. | Edward Lee | ✓M | 1.00 |
| Bathed in Golden Blud | Annabelle Hawthorne, Ai Love | w | 0.23 |
The FishermanEldritch horror attempt in the late twentieth century or around modern times, involving two considerable narrations as backstory, or reason for the plot development. Told in the past, which I get was to make it more of a fisherman's story, but it doesn't work. For one, it's way too long, detail heavy, and, for two, the narrator changing to word-for-word regurgitate another's story (and this one had been conveyed him by yet another) makes it less believable still. Why 'attempt'? Because at a fifth or quarter that whole, a single sentence could have described all that's happened. A paragraph, all to easily. Too beat-around-the-bush-y so far. It reads as others' recollections and tales retold by the present-day protagonists. And that's no a horror story, it's rather a fictional history via anecdote of a Catskills township and specific city/village. Could have been an M, but bad delivery spoils it all. Protracting explaining the premise through fewer stories, and not being as wordy, or focused on backstory, would have made it stand on its horror legs more so than its historical one. | John Langan | mwb | 0.44 |
| Calico | Lee Goldberg | Bm | 0.06 |
The Trouble with HappinessHas that distant, stilted, stuffy Scandinavian politeness, mannerisms, tone, setting, feeling. Stories aren't too short, but their morales are veiled, require picking at. 'Normal', human stories though, and I'm no a fan of most Scandinavian culture, and especially of Hygge and Jante-ism. They all deal with unhappiness of some sort, so that's great. Perhaps I'm hating insisting upon (old) stereotypes, suboptimal for the development in of a society in any one direction. | Tove Ditlevsen, Michael Favala Goldman (tr.) | maM | 0.74 |
| Turtle Diary | Russell Hoban | Bb | 0.05 |
| Riddley Walker | Russell Hoban | Aw | 0.04 |
| Christmas Presents | Lisa Unger | ? | 0.12 |
| Floater | Gary Brandner | mb | 1.00 |
| The Cultural Revolution: A People's History, 1962-1976 | Frank Dikötter | ✓b | 1.00 |
Pop. 1280Great example, in my opinion, of style over substance. A grand total of nothing happens, as if—characters are not developed, but revealed. The banal travesty of everyday life, how we make our own dramas. Who, what, when?—you ask. On a reread, there is more nuiance. Yes, Nick is the main character, however his authority and power usage are mirrored in most everybody in town. Everybody tries to play to their advantage, to deceived FIXME | Jim Thompson | ✔ | 2.00 |
The Rape of NankingA great event not sensationalized. Instead wrung by second generation Chinese female bone dry, life likewise sucked. Makes for boring reading to me. This is neither historical lay book, on part of both excessive Chinese focus and Japan villifying, nor personal account. | Iris Chang | bm | 0.53 |
Unit 731 Testimony: Japan's Wartime Human Experimentation ProgramMore dry history than novelized horror. The few accounts, reports, records sparsly used and those appending the bulk are okay. | Hal Gold | mb | 1.00 |
| Altered Perceptions | V.A., Brandon Sanderson (ed.), Robison Wells (ed.) | ma | 0.13 |
| Beyond the Wall: East Germany, 1949-1990 | Katja Hoyer | mbM | 0.76 |
Cameron's ClosetAll set up within the first act was clumsily wasted in the next two. Self-indulgently, as if, prolonging all scenes, including superfluous dialog, description, memories, detail. Not succinct, and suffers for it. | Gary Brandner | mpw | 1.00 |
| Decoding Schopenhauer's Metaphysics | Bernardo Kastrup | M✓ | 1.00 |
| Creatures of the Pool | Ramsey Campbell | Bb | 0.05 |
| Subhuman | Michael McBride | bw | 0.15 |
The Adventures of Augie MarchVoted 'Great American Novel' for some reason. It does read very Americanly though. Augie is one of 3 Jewish children, of a Jewish family, doing Jewish things. Subtract the Jew crap, and you get a coming-of-age-like novel, like a much worse Tom Sawer. Unless enticed by the Jew trimmings, I don't see what this offers. Substitute with any cult, I'd be about as annoyed. Fuck religion. | Saul Bellow | mjMb | 0.04 |
| Above Suspicion | Joe Sharkey | bm | 0.30 |
| Firebug | Michael McBride | bp | 0.48 |
| Immune | Michael McBride | b | 0.29 |
| Free to Learn | Peter Gray | mMk | 1.00 |
ZeroesSo.. an Apple commercial in the first 5 minutes? Also from what I know, jailbreaking iphones ain't possible with many model past a certain year, probably less so in the future. Then you have the annoying, stupid (in execution) main character. You mean I have to endure this no-knowing brat? Chuck, you fail me at every opportunity. Who would read this?! Hire a technical or scientific advisor, for fuck's sake. The little of this I'd read was like an even more cartoony version of early 2000s movies—'I'm in.'. | Chuck Wendig | aAw | 0.04 |
The Neon BibleA novel about 10-year-old boy written by a 15-year-old one. Occurs along the latter half the 1940s, in a central-southern-eastern American state, extremely like Louisiana (though never explicitly mentioned, hints are the river floods and clay-containing soil, and mentions of New Orleans, Biloxi, Mobile). Is, like his second novel, a picaresque. Has about as much color as a kid can muster, and some the knowledge of the adult of a teen are seen as (possibly?) profound insights here and there. It is more commentary on small towns of the said place time than a story. A colorful snapshot, though not with the high resolution of his later work. Judged on its own, as an adult novel, it stands well. To me there is however little worth rereading—insensity (of everything) is lacking, too little is built up. Excluding the fourth or fifth chapter—plot-irrelevant, over 90% is preacher's and believers' words, insufferable, skip it or do yourself and others a favor by tearing it out—there is no discernible, over-arching structure; spanning 3 or 4 years, it is more a series of loosely connected vignettes. It begins with the endings, so kudos. Each chapter furthers the plot, the world, the characters. Killer ending though. | John Kennedy Toole | M✓ | 1.00 |
FascinomasAs a 13. book by a practicing medical doctor, I'd say this mofo has too much time on his hands. Most of the stories are by him and a few of his colleagues with some remaining anonymous, for whatever bad reason. Most are from the 60s, 70s, and 80s, with some from the 90s. There're not the best of the best, given the title, nor very many, and it's written as if for the layest of the lay, with frequent repetition, as if this won't be read in 2 hours. I don't think this deserves an 'M', since it barely memorable. The stories themselves, their (missing) details, and the morale of each are, his writing is average. | Clifton K. Meador | m | 1.00 |
| Vital Organs | Suzie Edge | bA♀g | 0.10 |
True Medical Detective StoriesNice, but still too short—both too few stories and too little details. Compared to his | Clifton Meador | mM | 1.00 |
Hurricane Lizards and Plastic Squid: The Fraught and Fascinating Biology of Climate ChangeHey, kids, wanna see some common knowledge, lying by omission, bad and extremely constricted, economically uneducated-or-malevolent framing, and pushing of ESG for globohomo? | Thor Hanson | kfg | 0.37 |
| Symptoms of Unknown Origin | Clifton K. Meador | mM | 1.00 |
Hardtack and Coffee or, The Unwritten Story of Army LifeA boots-on-the-ground, unromanticized, unpartizan account of all aspect of 'war'. Dry in delivery, but not sciencetific, that is made by the lay (or at least a conscientious, lucky-ish soldier) for the lay. | John Davis Billings | MbB | 1.00 |
| Inside the Gas Chambers: Eight Months in the Sonderkommando of Auschwitz | Shlomo Venezia | jJgw | 0.09 |
The Curious History of Dating: From Jane Austen to TinderWhile informative by expounding on the eras' and decades' sterotype around the 'civilized world' countries, she all to frequently focuses on women. I dropped it upon the, what, 3rd or 4th objectively wrong fact(oid), about women inventing contraception. Ffs. Why couldn't you just stick to your fucking title, you brainless cunt. Annoying and boring in addition through excessive and unnessesary demonstrations. Cite, reference, describe, for fuck's sake. Fuck me. Women tick me off. | Nichi Hodgson | bam | 0.15 |
The SleeplessOkay premise, but execution is hampered by agenda of author. Written during the 2020 SARS-CoV2 globally imposed farce, it contains gems like | Victor Manibo | gmw | 0.30 |
| High Concept: Don Simpson and the Hollywood Cultures of Excess | Charles Fleming | M | 1.00 |
| Soldat: Reflections of a German Soldier, 1936-1949 | Siegfried Knappe | M | 1.00 |
Sanatorium Under the Sign of the HourglassThe second and last book by this author. Like the first, it is autobiographical. About half to a third are childhood moments, perhaps aged ~9–12, the other at when an young adult or age is not to be extracted. Angain it is extremely descriptively dense. Unlike it though, adjacent chapters/sections are loosely connected, whereas none of the stories are. There is a general progression of time from cover to cover. It is a collection of stories, were it not by now apparent. Sometimes an interlude, sometimes a skit, sometimes a subject change, sometime a big, fat conjunction, the longer stories are least effect. I don't like it, them, gauging what the author sees as important, as relevant is hard. Of course, frequency of occurances or mentions of thing reveal it postfactum. The subdivisioned stories tenuously prolonged, with one running to 60, maybe 10–15 of the whole, whereas stories may be 5e2–2e3 words. That there is little plot in most children's lives to begin start off, is true, and so it is for 20. century, quiet, shy, introverted, Jewish-Polish ones. The lack doesn't devalue this, nor does that of details, temporal unidirectionality. However, like hard drugs, you can only do so much of the good stuff. It is as heady, sprightly, intense as the first book. Translations of these two would, if done well, be very valuable to any language learner, enjoyer, afficionado. However, traversing this beautiful, literary bracken is tiring. For it is no botanical garden, park, palacial garden. In spite of the non-repetition, courtesy of the translatior, the constant novelty and meaning, idea, aesthetic, ??? densities without a plot's throughline can tucker a reader (like me) out. One story one beyond tedious. | Bruno Schulz, Celina Wieniewska (tr.) | ✓ | 1.00 |
| Bright Lights, Big City | Jay McInerny | ✔ | 1.00 |
The Folly of Fools: The Logic of Deceit and Self-Deception in Human LifeI'd started reading this in 2018–19. Remember it being good enough to continue reading, but then le life happened. I recently deleted old files from my disused Kindle, making sure add to the booklog anything worth (re)checking out. It's a book on anathropological psychology, an interesting topic. Any field appended with that adjective can be, and many have been (say, 'ethnomathetmatics', ffs), infiltrated by pseudointellectual, slippery, tricky charlatans to preach their poison. It being both (sub)field-irrelevant and ideological. I'd read a few pages during a waiting and was pleasantly surprised, but didn't recall anything, so I'm redoing it wholly, and paying attention. After about half the book, my dude goes on Jew taint licking spree to demonstrate preceding chapters' ideas or statements. Fucking disgusting. I'm listen at over 4x speed. This is like 4–5 chapters of just Jewiness. Dude's aware supposedly, maybe somebody told him, of much about himself—, Well, not it the moment. Only 20–30 years later when writing a fucking book. Then he starts talking about religion and make stupid claims, that don't deserve hearing. | Robert Trivers | kMg | 0.68 |
| The Medical Detectives: Volume I | Berton Roueché | M | 1.00 |
Time ShelterA meta, commentary, self-aware—barbaricly I flail for the word, but catch not; I'm close though—novel about a person, the writer, and his special friend. Who may well of taken to be the very same from a different timeline. I write this at a fifth because the first act of 3 or 5 is somewhat through. I'm not feeling it, Mr. Krabs. It is not thick with references, but there are almost 'many', with subtleties, required ccontext. Yes, but what for? 16e3 words, I think, should have fleshed out the world. Yet only its main concept, the hook has been. It's both distantly and casually told, the tone is just off. There seems, or rather feels to be missing information, characters, importances. Something. Like lying by omission only with the obvious try-hard elocution and try-hard erudition. It's compellation (of me to read on) waffles. The main protagonist is obviously a self-insert. The novel is (perhaps) his wrestling with, reconciliation or resolution of his, his country's, and Europe's pasts, and mortality, and senility. The intangibles of tone and atmosphere are much used, whereas concretes like the plot events and actors are few. On second thought, the novel may also be a detached's commentary on his country, its past, and mostly its people and their relationship with the various Marxist ideologies tried there (officially, Fascism and Socialism (incorrectly called Communism, but according to Marx's shoddy definitions, it wasn't (that, or it's unattainable)), unofficially, a loose kind of conservative/traditionalist/ethnic Nationalism around Tsarist times before the other two. | Georgi Gospodinov, Angela Rodel (tr.) | ✓M | 1.00 |
| Brutalities: A Love Story | Margo Steines | g | 0.01 |
| The Book of Form and Emptiness | Ruth Ozeki | b | 0.04 |
Hunting GhislaineAn detailed survey into Ghislaine, accurately pronounced .Guh'lane, and her family, mostly her father, Robert, Maxwell. Dry, almost un-journalistic were it not for his many slips, horrific this and monsterous that, where bias is evident. It's not unfair though. Most every bit of information had been attempted to be corroborated, its sources had been asked for verification, comment, where possible. | John Sweeney | M | 1.00 |
| Thrawn: 1 - Heir to the Empire | Timothy Zahn | aw | 0.01 |
| Sand Talk: How Indigenous Thinking Can Save the World | Tyson Yunkaporta | bawg | 0.01 |
| Blood Beneath My Feet: The Journey of a Southern Death Investigator | Joseph Scott Morgan | m | 1.00 |
| Silenced No More: Surviving My Journey to Hell and Back | Sarah Ransome | M | 1.00 |
Death by WaterAnother (semi-?)autobiographical novel by this author. Another snooze. Everything said by characters, everything described by the author leaves me wondering—why didn't he expand that and why didn't he say the whole thing, why obfuscate? It's neither coy, nor subtle. If this is Japanese mores or Confucianism again, it's still inacceptable, because it doesn't make for any better reading. Just like being retarded doesn't grand you compensatory points for admission to MIT. I gave it 5%, and literally less than a page's worth occured—it's slow and without payoff. | Kenzaburo Oe | bm | 0.05 |
Bullies and Saints: An Honest Look at the Good and Evil of Christian HistoryChristian apologism through hand-wavering while preaching to the choir. Hence insufferable, intolerable. I'm surprised I give it that wide a berth to fail. Fuck me, these cunts should be hung. Just like stupid people. Incalculable burden on the human world. | John Dickson | agf | 0.11 |
| The Deep Sky | Yume Kitasei | w | 0.02 |
| The Cure for Loneliness: How to Feel Connected and Escape Isolation | Bill Howatt | wgf | 0.21 |
| The Sun Walks Down | Fiona McFarlane | agw | 0.03 |
| The Sound of a Wild Snail Eating | Elisabeth Tova Bailey | am | 0.15 |
| Land of the Deviant | Jon Athan | m | 1.00 |
| Killers Amidst Killers: Hunting Serial Killers Operating Under the Cloak of America's Opioid Epidemic | Billy Jensen | baw | 0.28 |
| Unholy Alliance: The Agenda Iran, Russia, and Jihadists Share for Conquering the World | Jay Sekulow | Gk | 0.23 |
| See Something, Say Nothing: A Homeland Security Officer Exposes the Government's Submission to Jihad | Philip Haney, Art Moore | Wb | 0.27 |
| Films from the Future: The Technology and Morality of Sci-Fi Movies | Andrew Maynard | km | 0.51 |
The Infernal Library: On Dictators, the Books They Wrote, and Other Catastrophes of LiteracyA thorough review of—wouldn't you know it—Marxists' textual records. Gotta love a cult, eh? The compensatory, snuck-in hahas about their liability for easily over a third of a billion deaths does not counterbalance the length and aridity of the book. Which is mostly due, I think, to the repetitious prolixity and (failed) attempts at being high-brow, erudite, prescient, knowledgeable, and the (successful) ones of tacit plagiarism of both ideas and texts. An exhaustive ideology need be complex, or rather, heavily convoluted, and or taken as gospel—this is why they are all victims be about as susceptible to reason and or objective truth as flat-Earthers or religionists. Well-researched, but, then again, the guy did devote more than a decade of his life to this. I'd like to hope I'm not following in him or James A. Lindsay in overtreading old ground. Despite it being still very, very relevant. | Daniel Kalder | M | 1.00 |
Alien: The Rage War - 1: Predator: IncursionA short triology involving at least three loci and races, and, for me, too many characters. Tim Lebbon has had one hit and one big-ish miss according the booklog. This is the first of a trilogy that I won't be giving the time of day. It is of the alien-predator crossover universe. I'm actually uncertain whether they coexist canonically. Regardless, the novel, and hence probably series, has problems. Namely insufficient care in dealing with all 3–4 scenarios: Human, human near pedator, human near alien, android/synth. It reads like a generic, that is, mediocre scifi. None of atmosphere of the better Alien franchise novels, that I have read. For sure, not all are good. But this wasn't compelling. I gave it nearly half, and it's just meh. Neither of the franchises deserves to be this lukewarm. | Tim Lebbon | m | 0.42 |
What Is Life?: With Mind and Matter and Autobiographical SketchesRather eloquoently worded, especially so for the more technically or scientifically disposed of humans. Short and enjoyable, does not dwell or bore, snap. | Erwin Schrödinger | Mk | 1.00 |
My View of the WorldA biographical work about Erwin Schrödinger, and hisotircal work as well. Unlike Erwin's own 3-paragraph summary of his own life bookending his | John Gribbin | mw | 0.28 |
| The Pope of Physics: Enrico Fermi and the Birth of the Atomic Age | Gino Segre, Bettina Hoerlina | mM | 1.00 |
| Read Dangerously: The Subversive Power of Literature in Troubled Times | Azar Nafisi | wb♀ | 0.11 |
The Perennial PhilosophyA pre-new-age try-hard cult-y/guru book about Hinduism and Bhuddism by a English fiction writer. It's bad. Has: Absolutism, dogmatism and orthodoxy, and moral authoritarianism/grandstanding. | Aldous Huxley | W | 0.04 |
Whatever Happened to the Metric System? How America Kept Its FeetA giant, feels-first, beta shit-for-brains asinine railing against a better in every regard system of measurement. Thought it was going to be historical or objective. It's rather like a little girl throwing a hissy fit. | John Bemelmans Marciano | Waf | 0.02 |
| The Examined Life: How We Lose and Find Ourselves | Stephen Grosz | m | 0.90 |
| The Tao of Pooh | Benjamin Hoff | aw | 0.19 |
Gross outDuncan, my man, how old are you? This novel resemebles an increasingly senile man. He never gets to a or the point, if there ever was one. It as if he consistently opens parentheses, and never closes one. Characters venues, plotlines. And nothing. I'm at 12% of the whole, 2 chapters complete. No hook, an introduction that doesn't go anywhere in 3 chapter. | Duncan Ralston | w | 0.12 |
| In the Belly of the Beast | Jack Henry Abbott | mGf | 0.12 |
| The Death Shift | Peter Elkind | mb | 0.37 |
| without Conscience: The Disturbing World of the Psychopaths among Us | Robert D. Hare | Mkm | 1.00 |
| The Art of Love | Ovid, Rolfe Humphries (tr.) | BmM | 0.19 |
The Book EatersA Texan-Hong Kong(ian?)-Yorkshire female with poor literary taste debuts with a 'gothic fantasy'. The book is certainly not gothic in the classical sense; is at best tainted by that movement, but isn't dominated by it. No, it's just a 'yes, but what if X?' sort of novel. Immediately two things are very annoying—a focus on class- or caste-based society and the vocabulary used, which is badly silly—like a child trying to ram a joke in a square hole—because the premise allows it (but doesn't require it!). That it's a gynocentric, female-protagonisted story don't help any. Trash author, trash, story, trash world. | Sunyi Dean | a | 0.08 |
| The Suicide Club | Andrew Williams | pam | 0.02 |
| The Suicide Club | Toni Graham | mjM | 0.67 |
| Root Fractures | Diana Khoi Nguyen | Aw | 0.02 |
| Comemadre | Roque Larraquy, Heather Cleary (tr.) | b | 0.09 |
| The Road to Roswell | Connie Willis | a | 0.03 |
On RevolutionWhile this essay is is about revolution on the surface, by title, it goes (much, as if) history and art as its arguments and conquents. But it, that is she, does lead anywhere. Not that I noticed, and I read almost to the median page. I don't think myself that distracted, nor would've I thought her writting that subtle or fine, or ... convoluted? What they teach in secondary educational instutions in literature and or (mother) language classes has eluded Ms Arendt. Namely how to write an opinion piece: (introduction), premise, hypothesis, argumentation, examples, conclusion. | Hannah Arendt | mbM? | 0.48 |
| Long Live Latin: The Pleasures of a Useless Language | Nicola Gardini | mk | 0.88 |
| Nobody Wants to Read Your Shit: Why That Is And What You Can Do about It | Steven Pressfield | km | 0.88 |
| The Adversary: A True Story of Monstrous Deception | Emmanuel Carrère | m | 1.00 |
| 70 Minutes in Hell | Charles Bukowski | M | 1.00 |
| Rothstein: The Life, Times, and Murder of the Criminal Genius | David Pietrusza | bm | 0.16 |
| Bears Discover Fire and Other Stories | Terry Bisson | ? | 0.08 |
Ghosts of My Life: Writings on Depression, Hauntology and Lost FuturesOveranalyzing, overinterpreting, dense. Exhausting. Perhaps I should approach his writing chronologically, or very otherwise. | Mark Fisher | bw? | 0.28 |
| The Art of Libromancy: On Selling Books and Reading Books in the Twenty-first Century | Josh Cook | G | 0.04 |
Portrait of a MurdererToo social, too many characters, too much focus on class. This is not medieval England (and other countries where portrayal of one's class must always be upheld). Not necessarily bad writing, but this is as boring as Tolkien's diatribes and adjective laundry lists. What did I expect from an unknown woman? | Anne Meredith, Anthony Gilbert | a | 0.02 |
| Portrait of an Addict as a Young Man | Bill Clegg | mMa♀ | 0.70 |
| The World for Sale: Money, Power, and the Traders Who Barter the Earth's Resources | Javier Blas, Jack Farchy | M✓ | 1.00 |
| Hey Joe | Ben Neihart | m | 0.16 |
| Garbology: Our Dirty Love Affair with Trash | Edward Humes | kmb | 0.68 |
| Instead | Anthony Withers | wg | 0.13 |
| You Can't Joke about That | Kat Timpf | kp | 0.09 |
The Creature from Cleveland DepthsAbsurdist, satirical, futurist, fast-paced or frantic, dense novella. The author gets whitelisted. Also, like many an author, got the a few key things right about the future. Sadly, nobody listened. Read more, ffs! | Fritz Leiber | M | 1.00 |
| The Creature from Beyond Infinity | Henry Kuttner | wp | 0.03 |
Buried SecretsAt 1.6e5 words, this is thorough. Going into each character's dig-up-able story and information and mixing them with others' without giving up chronologicity. He attempts to balance 'plot' with reams of information. Both are interlaced, one will quickly notice. Their proportions are unbalanced, to me, making it much less compelling, readable as a true crime piece, and more documentarian. There are no liberties ostensibly taken in the 'novelization'. As a sequela, the whole suffers a tedious dryness. | Edward Humes | bmM | 1.00 |
| Burned | Edward Humes | bmM | 1.00 |
| Porn Work: Sex, Labor, and Late Capitalism | Heather Berg | gf | 0.01 |
| The Three Stigmata of Palmer Eldritch | Philip K. Dick | M✓ | 1.00 |
| The House That Cheese Built | Miguel A. Leal | a | 0.06 |
| Nobility in Small Things: A Surgeon's Path | Craig R. Smith, Braden Wright | fga | 0.01 |
Capitalism, Democracy, and Ralph's Pretty Good GroceryA rather room-temperature defence or support or argument for capitalist. | Joehn Mueller | mk | 0.20 |
| The Tao of Alibaba: Inside the Chinese Digital Giant That Is Changing the World | Brian A. Wong | G | 0.01 |
Cutting to the Core: Exploring the Ethics of Contested SurgeriesInteresting-ish collection of mostly benign, common-sense texts about the ethics of various types of surgery. Minus points for not seeing male and female (child) (unanesthesized) genital mutilation/alteration/cutting/surgery as immoral, criminal, and harmful—mostly due to not accounting for evolution (that is, history, how we got to where we are, rather than a measly 2e3–5e3 years of religion-cult history) and merely stating that there exist opinions on boths sides rather than citing metastudies (assuming those existed when this was written). I'd still vote in favor of nature rather than cult, false dogma or orthodoxy. I vividly remember the arguments of Eric Clopper at Harvard, this video, many years back. The tldr; father chosing his woes, maladies, sins be forced upon his son as an act of ultimately ineffectual, yet self-perpetuating reverge against one's parents, religion, society is harmful only. A bias mysides, definitely. The guy is ostensibly emotional, albeit he substantiated his arguments from what I recall. The former doesn't sit well facing attempting-to-be-objective medical studies, good or bad. Chapters 1 and 2 cite studies, and that's all to easy, sadly. Finding a suitable study to defend one's thesis is far too easy in the US. This isn't moral outrage at the authors, the philosphers, but rather confusion, and a slight, impotent anger at continuation of harm toward (very) young men. Apt quote from the second chapter: As one 5-year-old American boy noted in response to his mother’s explanation that some parents circumcised their sons because they worried that if they didn’t, their boys wouldn’t keep clean: “Well, that’s dumb, Mom!! What are they gonna do? Cut their butts off, too?!” Touché, Timmy (or Davie). The opinions herein seem too removed, too cool for their severity. The term 'armchair philosophy' comes to mind. | David Benatar | mM | 0.85 |
| True Crime Case Histories: 1 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 2 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 3 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 4 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 5 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 6 | Jason Neal | Mm | 1.00 |
| Bad Pharma | Ben Goldacre | kbmM | 0.82 |
| A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books | Nicholas A. Basbanes | mBM | 0.65 |
| Eaters of the Dead | Michael Crichton | Mm | 1.00 |
| Congo | Michael Crichton | mp | 0.55 |
| The Less You Know, the Better You Sleep | David Satter | M | 1.00 |
| Nagasaki | Susan Southard | ♀m | 0.11 |
| Dear Leader | Jang Jin-sung | M | 1.00 |
| True Crime Case Histories: 7 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 8 | Jason Neal | Mm | 1.00 |
| True Crime Case Histories: 9 | Jason Neal | Mm | 1.00 |
| True Story | Michael Finkel | mbM | 0.84 |
| The Art Thief | Michael Finkel | Mm | 1.00 |
| Sovietistan | Erika Fatland, Kari Dickson (tr.) | Mm | 0.94 |
| The Book of Fritz Leiber | Fritz Leiber | mb | 0.53 |
| Early Light | Osamu Dazai, Ralph McCarthy (tr.), Donald Keene (tr.) | am | 0.28 |
| The Art of the Heist | Myles Connor Jr. | a | 0.02 |
| Hitler's Art Thief | Susan Ronald | bmB | 0.48 |
| The Perfect Girlfriend | Haley Smith | pam | 0.22 |
| Such a Lovely Couple | Haley Smith | m | 0.41 |
| Quozl | Alan Dean Foster | ma | 0.04 |
| Doll House | John Hunt | am | 0.03 |
| The Myth of Chinese Capitalism | Dexter Tiff Roberts | M | 1.00 |
| The Third Twin | Ken Follett | mb | 0.04 |
| A Plague on Both Your Houses | Robert Littell | am | 0.07 |
| Goodbye, Things | Fumio Sasaki | a | 0.10 |
| The Boy Who Played with Fusion | Tom Clynes | am | 0.21 |
| Eye of the Needle | Ken Follett | ma | 0.05 |
| Paper Money | Ken Follett | mM | 0.43 |
| Bad Science | Ben Goldacre | Mk | 1.00 |
| The Border | Erika Fatland | maAkM | 0.65 |
| The Last Kind Words Saloon | Larry McMurtry | a | 0.03 |
| X-Files: 1 - Trust No One | V.A., Jonathan Maberry (ed.) | m | 0.85 |
| 7 Habits of Highly Defective People: And Other Bestsellers That Won't Go Away | Cathy Crimmins, Thomas Maeder | m | 0.76 |
| X-Files: 2 - The Truth Is out There | V.A., Jonathan Maberry (ed.) | am | 0.52 |
| Just My Type | Simon Garfield | mM | 1.00 |
| White Line Fever | Lemmy, Janiss Garza | M | 0.98 |
| X-Files: 3 - Secret Agendas | V.A., Jonathan Maberry (ed.) | ma | 0.37 |
| Fatal Forecast | Michael Tougias | m | 0.65 |
| How Evil Are Politicians: Essays on Demagoguery | Bryan Caplan | kgm | 0.20 |
| The Man Who Wasn't There | Anil Ananthaswamy | ak | 0.08 |
| A Preparation for Death | Greg Baxter | ✔✓ | 1.00 |
Fatal Friends, Deadly Neighbors and Other True CasesWhy, yes, am I going to be a patronizing, motherly, pearl-clutching, boring cunt. How could you tell? Ffs. | Ann Rule | am | 0.31 |
| Fatal | Harold Schechter | mb | 1.00 |
Irish Fairy TalesClassism and arbitrary 'luck' and mischief. For folk tales, these'd be shit, as they (can) teach nothing. I found nothing significant, nor magical, nor fay in what I read. The few Gaelig words herein is what I can appreciate. | William Butler Yeats | aA | 0.01 |
| When She Was Bad | Patricia Pearson | Mm | 1.00 |
| All the Lonely People: Conversations on Loneliness | Sam Carr | ap♀ | 0.25 |
| A Brief History of Anxiety | Patricia Pearson | fgw | 0.04 |
| Looks Can Kill | Riam Shammaa, Patricia Pearson | Mmk | 1.00 |
For When Everything Is BurningGood-ish to good, I say this as somebody with diagnosed by a psychiatrist depression. It puts forth some questions one may ask oneself, or work with a '''specialist''' or '''professional''' towards, has little take-aways. Chapters are bookended with (his?) patients' as if concluding words about their disorder, disease, or (treated) problem. Has the intellectual integrity to admit his faults and ignorance, and that of the bulk of the psychiatrists, the world love. | Scott Eilers | kMm | 0.92 |
| Feeling "Blah"? | Tanith Carey | Km♀ | 0.74 |
| Renegade at Heart | Lorenzo Lamas, Jeff Lenburg | mpM | 1.00 |
| A Bad Woman | James M. Cain | bm | 0.66 |
| High | Erika Fatland | mabM | 0.34 |
| Irish Fairy and Folk Tales | William Butler Yeats | Aa | 0.06 |
| Severance | Ling Ma | a | 0.02 |
To Cook a BearDigusting religious text. Doesn't include, of course, the atrocities commit by the papistry, the destruction of yet another culture and tradition, and paints them, roughly, as good. | Mikael Niemi, Deborah Bragan-Turner (tr.) | agf | 0.04 |
The Book of Five RingsFor once, a Buddhist/Japanese text that 1. is not shit, and, 2., in addition, is half-decent (especially when compared to its (contemporaneous ±200 years) peers). Contains some mumbo-jumbo, vagaries and wishy-washy bullshit. Can sound like a pseudointellectual comfidently expounding verisimilitudes to somebody, the poor fucker, about something he comprehends not, understands not. So, just imagine a reddit mod with all the negative connotations. On its own, though, as writing on the marial arts, I don't see it as all that valuable. Akin to offering/applying (what I regard as) common sense for/to (all of) life. But I'm not martialist, as they're called, I'm sure. Also, writing 'You should investigate this thoroughly.' or the like so frequently is a crime against language. 'Studied poetry'—my ass. Dude can't tell good writing from his foot, I'd bed my internal organs. If everything is important, then nothing is. If the concluding sentence of each stanza or paragraph were counted, that'd enlist a hundo half again, likely. | Miyamoto Musashi | mM | 1.00 |
| A River in Darkness | Masaji Ishikawa, Risa Kobayashi (tr.), Martin Brown (tr.) | Mm | 1.00 |
| The Girl with Seven Names | Hyeonseo Lee, David John | m♀a | 0.60 |
Alien: PrototypeThe Alien franchise is one of the few pieces of cinematic-turned-literary media, that features a fully formed, human, le strong, likable female protagonist. Somehow this was perverted into every member in the series, irrelevant of medium, having at least one such character, only much more scuffed. Vasquez in Aliens was such a perversion, for example. Likewise with the 'They mostly come out at night. Mostly.'-girl and Ripley's daughter, if going by the main trilogy of movies. This, on the other hand, is a grotesque. The story begins with a hook in the form of cold betrayal—assassination for the purpose of robbery, done convertly over 18 months. Little miss perfect is presented as a spy, martial artist, and pirate. I'm sure she was a 5.0 GPA and during her 4 doctorates. Any negatives? Nope. Tim-o had the balls to make her a graceous cunt by not killing the people she'd fucked while they are sleeping. Woah. Timmy's getting blacklisted. Terrible hook, because this is a main character, not a deplorable (or comedic respite) to be food for xenomorph. | Tim Waggoner | aw | 0.04 |
Alien: Bug HuntToo many too long stories, all featuring bland marines, and always 1–2 le stronk females ones, because reasons. Maberry's introduction states that he'd turned down about 100 authors. Disgusting. The readership, I guess, has to settle for mediocre goyslop, rather than experience new talent and or takes on the universe. T'was his aweful idea to focus on marines rather than, you know, plot or something significant. Maberry's getting a big fat strike. | V.A., Jonathan Maberry (ed.) | ma | 0.54 |
| Hitler, Stalin, Mum and Dad: A Family Memoir of Miraculous Survival | Daniel Finkelstein | Ja | 0.01 |
| Marching Powder | Rusty Young | mM | 1.00 |
Reminiscences of a Stock OperatorNice, but goes deep into the weeds too often, when it is written as an autobiography, not a speculator's treatise or an economical textbook. It also doesn't take every opportunity to do so, which makes for slightly disjoint reading. | Edwin Lefevre | M | 1.00 |
| Ways of Escape | Graham Greene | mb? | 0.10 |
| Often I Am Happy | Jens Christian Grøndahl | bB | 0.08 |
| Playing House | Patricia Pearson | M | 1.00 |
Hello, ShadowlandsEstablished in South-Eastern Asia, comfortably living journo decides to write a book about drugaroos. My abook had 15–20-minute afterword, padding the preceeding material some. It nevertheless doesn't fit the terminating, Vietnamese chapter about revenging dogs' being eaten around February, an rough equivalent of entering the new year with a clean moral slate or (successfully) bribing relevant local gods. The rest of the book ostensibly and casually revolves around drugs—how to acquire, use, purify, and dilute them, without the interesting me technicalities. That would have mightily elevated this about its peers. It've'en what Shulgin's | Patrick Winn | M | 1.00 |
Robert Hunter: 13 - The Death WatcherDwells too much and too often. This 111e3-word novel is slow*-er* than its series breathren. Snappy no one was, yet a monotonically increasing progression in style or writing prowess is not evident. Taken is every opportunity to retard rather than expedite or embellish it. Carter is taking steps backward, surely none forward. The last 4–5 books had overarching plot beats about Hunter's brother. Here remissing, the absense is like person in the room. Instead, thirteen does Carter's default of gradually increase pace until the the third act, when all cyclinders are fire and the and the engine's in sixth gear. The guy needs a lession, or twenty, in tension, or whatever like word you may choose, and resolution. It shouldn't be a fucking, unsolvable, Sherlockian enigma, wherein you have an infinitely expandable or contractable unusable set of clues to be revealed as the author sees fit that post hoc are with great force and inelegance molded to the static outcomes the author has chosen. Either giver your reader the tools and information to solve the mystery, or fix your dynamics, because slow-slow to giga-fast is not going to impress itself favorably upon anybody. You can't have it both ways and get excused because some violence happened. | Chris Carter | mM | 1.00 |
| The Frost Fair | Edward Marston | bm | 0.21 |
| When She Was Bad | Patricia Pearson | Mm♀ | 1.00 |
| Playing with Fire | John Glatt | m | 1.00 |
| What's Eating the Universe? | Paul Davies | kK | 1.00 |
| Project UnLonely | Jeremy Nobel | fg | 0.06 |
| Tiananmen Square | Lai Wen | a | 0.02 |
Putin's PeopleHas a 'libshit' agenda in that it rails against Donald Trump for nearly a third to a fourth of the whole. It otherwise is a CNN-like spun 'Putin bad', wholly missing the point at times, on either side. | Catherine Belton | Mmg | 1.00 |
| Opening Heaven's Door | Patricia Pearson | ab | 0.04 |
| The Witchstone | Henry H. Neff | ba | 0.08 |
GollitokA bleak-ish, alternative history attempt at horror and or suspense. The world-building is, at a glance, aluring. Then one starts inquiring after this and that, and much remains unanswered. The world is insufficiently (or just too slowly, only when plot-abutting) exposed. The plot is tied to exploration. The writing is passable, not once exceptional or even impressive. Andrew has to work on his craft, because the delivery is what most is missing herefrom. | Andrew Najberg | m | 1.00 |
The Culture of NarcissismMissing the point, a problem of nearly all Marxist fanatics. Focused on wholly irrelevant inanities too often, and, worse, is openly Marxist, with an agenda. This facilitates craving the corpse, at least. | Christopher Lasch | gfw | 0.30 |
The Mobius DoorMultiple perspectives, yet all young/infantile or female. The pitch concept, that of a hole, not door, forbidding any sights, sounds, odorants, and so on, though not thrown rocks or traversing human. | Andrew Najberg | wm? | 0.05 |
| A World without Men: An Analysis of an All-Female Economy | Aaron Clarey | kmM | 1.00 |
| It's Not You: Identifying and Healing from Narcissistic People | Ramani Durvasula | mw | 0.29 |
| Sawfish | Rick Chesler | m | 0.47 |
| The Bookshop Woman | Nanako Hanada, Cat Anderson (tr.) | ♀A | 0.09 |
Horror MovieA compelling first act without deficient information. Not a rarity, but one with the 2 remaining acts, assuming a 3-, not 5-act structure, others fall short all too frequently. Being written as a screenplay isn't novel, but it is slightly annoying. Intersplicing past and present—has been done both better and worse, though this is good enough (, I'd think? for normies? for brainlets..? | Paul Tremblay | M | 1.00 |
| Believe Me | Patricia Pearson | M | 1.13 |
| Practical Meditation for Beginners: 10 Days to a Happier, Calmer You | Benjamin W. Decker | mk | 1.00 |
| Some Girls | Jillian Lauren | mp | 0.40 |
| I Am the Law: How Judge Dredd Predicted Our Future | Michael Molcher | gpm | 0.31 |
| How to Steal a Presidential Election | Lawrence Lessig | bm | 0.50 |
Feeling GoodI nice book by somebody dealing with the depressed, who wishes to both inform the general populace and to throw something afloat to those actively yet painfully slowly drowning. Contained tried and tested methods for dealing with biases, depression, and other. | David D. Burns | Mm | 0.82 |
| Just Go | Drew Binsky | pm | 0.08 |
Lost ConnectionsBook initializes with a boy suffering from depression. Which gets 'treated' with with Zoloft. Ineffectually and inconclusively. After talk with some 'experts', reading some books and talking to their authors, and reading some research, he understands all is not well and clear. Not with him, nor any other depressed person. What is to be done? Learn more. My dude is 47 and good took his time compiling this book's contents. Expect to discover why pharmaceutical companies shill these dysfunctional drugs, the nine reasons why depression exists, and what you can do about it. | Johann Hari | Mm | 0.12 |
A Travel Guide to the Middle Ages: The World Through Medieval EyesSlightly annoying due to the author's insistence upon upkeeping his faith and religion. Otherwire a collection of fewer than 10 people's writings from 1300–1450. Very non-spectacular and ordinary. The sources themselves would have been a more interesting ot lively read. | Anthony Bale | ma | 0.27 |
The Real North KoreaA(n intellectually) honest person, who has well studied the subject write what he has learned, frequently stating sources. The book attempts to provide both sides of events from Korea was one until 2013, the publication year. | Andrei Lankov | ✓M | 1.00 |
WarlockAfter my depression allayed, I got back to this book. Somehow I'd read 3–4 chapters of it without taking notice of: The town, the people, the roles, the plot. Upon restarting it (and paying attention), I must say it is quite the nice Western. All characters have a malleable character and change, be it through alcohol, their emotions or other. All feel like definite real people, living in that that time in that dusty, dusty desert. For atmosphere, this gets a golden star. The story is collected by several of the partakers, who supposedly would have so-called journaled, and is hence somewhat colored. Rather slow to unfold with the happenings of most each day retold in too much detail, without them at the time seeming to matter much to the whole. A very nice portrayal of (Western) American nature or temperament. I appreciate the spread out importance of characters, more so making hearty characters of Warlock and Bright City. At nigh 2e5 words, it has | Oakley Hall | ✓M | 1.07 |
All the Worst HumansFor a convert life/how-to/something book, much detail, fuck, much information are deficient. Keeping one's allies, colleagues, and others under wraps is one understandable thing, forgoing information, be it fluff or not, is another detestable one. Reads rather as a magazine article. | Phil Elwood | Mm | 1.00 |
SemicolonUnfortunately the book while having some nice parts becomes bogged down into history which could have been made palatable, but was not. | Cecelia Watson | Mm | 0.33 |
The Real Story of Ah-Q and Other Tales of ChinaReads more like a long dead, folksy collection of bad short stories or rather try-hard fables than anything remotely Sinitic. | Lu Xun | wb | 0.02 |
| Freiheit pur | Horst Stowasser | ? | 0.03 |
| Logically Fallacious | Bo Bennett | ✔ | 0.15 |
| The Illuminatus!: 2 - The Golden Apple | Robert Anton Wilson, Robert Shea | ✔✔✔ | 0.68 |
The Dictionary of Obscure SorrowsJust like any good reference book, hard to read cover-to-cover keeping your interest. I love that its minting words, you grasped for in the past, think | John Koenig | M✓a | 0.65 |
| The Dawn of Everything | David Graeber, David Wengrow | ✓M | 0.58 |
| The Man without Qualities | Robert Musil, (tr. ? Wilkins) | 0.00 | |
| The Anatomy of Melancholy | Robert Burton | 0.00 | |
| Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution | R.F. Kuang | 0.00 | |
| Creekers | Edward Lee | 0.00 | |
| Weird Tales: 100 Years of Weird | V.A., Jonathan Maberry (ed.) | 0.00 | |
| The Marcos Dynasty | Sterling Seagrave | 0.00 | |
| How to Make a Horror Movie and Survive | Craig DiLouie | 0.00 | |
| The Everyday Stoic | William Mulligan | 0.00 | |
| Koko | Peter Straub | 0.00 | |
| The Terrible People | Edgar Wallace | 0.00 | |
| The Lost Steps | Alejo Carpentier, Adrian Nathan West (tr.) | 0.00 | |
| I'm Just Here for the Food | Alton Brown | 0.01 | 0.00 |
| The Sugar-Frosted Nutsack | Mark Leyner | 0.00 | |
| Red Memory: Living, Remembering and Forgetting China's Cultural Revolution | Tania Branigan | 0.00 | |
| Letters from a Stoic | Seneca | 0.00 | |
| On Anger, on Leisure, on Clemency | Seneca | 0.00 | |
| On the Shortness of Life, on the Happy Life, and Other Essays | Seneca | 0.00 | |
| The Moral Epistles: 124 Letters to Lucilius | Seneca the Younger | 0.00 | |
| The Suicide Club | Sion Sono | 0.00 | |
| Venus in Furs | Leopold von Sacher-Masoch, Fernanda Savage (tr.) | 0.00 | |
| Pine Cove: 2 - The Lust Lizard of Melancholy Cove | Christopher Moore | 0.00 | |
| Hannibal Lecter: 4 - Hannibal Rising | Thomas Harris | 0.00 | |
| Free to Choose: A Personal Statement | Milton Friedman, Rose Friedman | 0.00 | |
| The Misbehavior of Markets: A Fractal View of Financial Turbulence | Benoit Mandelbrot | 0.00 | |
| The Panic of 1907 | Robert F. Bruner, Sean D. Carr | 0.00 | |
| America's Bank | Roger Lowenstein | 0.00 | |
| Manias, Panics, and Crashes | Charles P. Kindleberger | 0.00 | |
| The Horn-Cranker | Edward Lee | 0.00 | |
| The Wall | Jean-Paul Sartre | 0.00 | |
| The Southern Book Club's Guide to Slaying Vampires | Grady Hendrix | 0.00 | |
| Dir Gently: 2 - The Long Dark Tea-Time of the Soul | Douglas Adams | 0.00 | |
| Eden | Tim Lebbon | 0.00 | |
| Black | Tim Lebbon | 0.00 | |
| These Deathless Bones | Cassandra Khaw | 0.00 | |
| Berserk | Tim Lebbon | 0.00 | |
| Debt: The First 5000 Years, Updated and Expanded | David Graeber | 0.00 | |
| The Art of Contrarian Trading: How to Profit from Crowd Behavior in the Financial Markets | Carl Futia | 0.00 | |
| The Contrarian: Peter Thiel and Silicon Valley's Pursuit of Power | Max Chafkin | 0.00 | |
| The Game of Life | Timothy Leary, Robert Anton Wilson | 0.00 | |
| Conjectures and Refutations: The Growth of Scientific Knowledge | Karl Popper | 0.00 | |
| The Count of Eleven | Ramsey Campbell | 0.00 | |
| Trips to the Moon | Samosata Lucian, Thomas Francklin (tr.) | 0.00 | |
| Lucian's True History | Samosata Lucian, Francis Hickes (tr.) | 0.00 | |
| The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy | David Graeber | 0.00 | |
| Nobody's Angel | Jack Clark | 0.00 | |
| The Informers | Bret Easton Ellis | 0.00 | |
| Gang Bang | Chuck Palahniuk | 0.00 | |
| Phoenix | Chuck Palahniuk | 0.00 | |
| Collection of Essays, Short Stories, E-mails | Chuck Palahniuk | 0.00 | |
| Clown Girl | Monica Drake, Chuck Palahniuk | 0.00 | |
| Ned: 1 - Damned | Chuck Palahniuk | 0.00 | |
| Damned: 2 - Doomed | Chuck Palahniuk | 0.00 | |
| The Invention of Sound | Chuck Palahniuk | 0.00 | |
| The Hitler Virus The Insidious Legacy of Adolf Hitler | Peter Wyden | 0.00 | |
| The Origins of Totalitarianism | Hannah Arendt | 0.00 | |
| The Woman | Jack Ketchum, Lucy McKee | 0.00 | |
| First Men in the Moon | H.G. Wells | 0.00 | |
| Hello World | Peter Cawdron | 0.00 | |
| This Is My Funniest: 2 | V.A., Mike Resnick (ed.) | 0.00 | |
| Principles: Life and Work | Ray Dalio | 0.00 | |
| The Unnameable | Samuel Beckett | 0.00 | |
| Malone Dies | Samuel Beckett | 0.00 | |
| Apocrypha Discordia | Jon Swabey | 0.00 | |
| Principia Discordia | Malaclypse the Younger, Lord Omar Khayyam Ravenhurst | 0.00 | |
| Anarchy Exposed | Larken Rose | 0.00 | |
| Off Season: The Unexpurgated Edition | Jack Ketchum | 0.00 | |
| The Book of the SubGenius | J.R. Dobbs | 0.00 | |
| The Illuminatus!: 3 - Leviathan | Robert Anton Wilson, Robert Shea | 0.00 | |
| Index | Peter Sotos | 0.00 | |
| Tool | Peter Sotos | 0.00 | |
| Special | Peter Sotos | 0.00 | |
| Naked Lunch | William S. Burroughs | 0.00 | |
| As I Lay Dying | William Faulkner | 0.00 | |
| Blood Meridian, or the Evening | Cormac McCarthy | 0.00 | |
| The Anatomy of Fascism | Robert O. Paxton | 0.00 | |
| Trial of Gilles de Rais | Georges Bataille | 0.00 | |
| Gilles de Rais: The Banned Lecture | Aleister Crowley | 0.00 | |
| Journey Into Darkness | John Douglas, Mark Olshaker | 0.00 | |
| The Hundred-Year Marathon: China's Secret Strategy to Replace America as the Global Superpower | Michael Pillsbury | 0.00 | |
| David Kepesh: 3 - The Dying Animal | Philip Roth | 0.00 | |
| Foundation: 1 | Isaac Asimov | 0.00 | |
| Foundation: 2 | Isaac Asimov | 0.00 | |
| Foundation: 3 | Isaac Asimov | 0.00 | |
| Foundation: 4 | Isaac Asimov | 0.00 | |
| Foundation: 5 | Isaac Asimov | 0.00 | |
| Foundation: 6 | Isaac Asimov | 0.00 | |
| Foundation: 7 | Isaac Asimov | 0.00 | |
| Foundation: 8 | Isaac Asimov | 0.00 | |
| Foundation: 9 | Isaac Asimov | 0.00 | |
| Foundation: 10 | Isaac Asimov | 0.00 | |
| The Denial of Death | Ernest Becker | 0.00 | |
| The Tenant | Roland Topor | 0.00 | |
| Technopoly: The Surrender of Culture to Technology | Neil Postman | 0.00 | |
| Devil Take the Hindmost | Edward Chancellor | 0.00 | |
| Hunt for Silver | Gary Allen | 0.00 | |
| Market Sense and Nonsense | Joshua Cohen | 0.00 | |
| Iniscences of a Stock Operator | Edwin Lefevre | 0.00 | |
| The Little Book that Still Beats the Market | Joel Greenblatt | 0.00 | |
| Common Sense: You Can Be a Stock Market Genius, and the Big Secret for the Small Investor | Joel Greenblatt | 0.00 | |
| Market: Making and e of the People All of the Time | David Einhorn, Joel Greenblatt | 0.00 | |
| Fifty Years on Wall Street | Henry Clews, Victor Niederhoffer | 0.00 | |
| Profit and Loss | Ludwig von Mises | 0.00 | |
| What Has Government Done to Our Money? | Murray Rothbard | 0.00 | |
| The Mystery of Banking | Murray Rothbard | 0.00 | |
| Option Volatility and Pricing: Advanced Trading Strategies and Techniques | Sheldon Natenberg | 0.00 | |
| The Land of Mist | Arthur Conan Doyle | 0.00 | |
| Before Adam | Jack London | 0.00 | |
| American Psycho | Bret Easton Ellis | 0.00 | |
| Winnetou | Karl May | 0.00 | |
| Promise Falls: 1 - Broken Promise | Linwood Barclay | 0.00 | |
| Promise Falls: 2 - Far From True | Linwood Barclay | 0.00 | |
| Promise Falls: 3 - The Twenty-three | Linwood Barclay | 0.00 | |
| Promise Falls: 4 - Parting Shot | Linwood Barclay | 0.00 | |
| A Pretext for War: 9/11, Iraq, and the Abuse of America's Intelligence Agencies | James Bamford | 0.00 | |
| 1979 | Christian Kracht | 0.00 | |
| 4 3 2 1 | Paul Auster | 0.00 | |
| A Letter Concerning Toleration | John Locke | 0.00 | |
| Ada, or Ardor | Vladimir Nabokov | 0.00 | |
| Against the Day | Thomas Pynchon | 0.00 | |
| American Animals | Eric Borsuk | 0.00 | |
| American Awakening: Identity Politics and Other Afflictions of Our Time | Joshua Mitchell | 0.00 | |
| An Essay Concerning Human Understanding | John Locke | 0.00 | |
| Animal Farm | George Orwell | 0.00 | |
| Antifederalist Papers | The Founding Fathers | 0.00 | |
| Metaphysics | Aristotle, ? ? (tr.) | 0.00 | |
| Nicomachean Ethics and Eudemian Ethics | Aristotle, ? ? (tr.) | 0.00 | |
| On The Soul and Parva Naturalia | Aristotle, ? ? (tr.) | 0.00 | |
| Organon | Aristotle, ? ? (tr.) | 0.00 | |
| Politics | Aristotle, ? ? (tr.) | 0.00 | |
| Physics | Aristotle, ? ? (tr.) | 0.00 | |
| Rhetoric and Politics | Aristotle, ? ? (tr.) | 0.00 | |
| Ask More | Frank Sesno | 0.00 | |
| Bleeding Edge | Thomas Pynchon | 0.00 | |
| Blindness | Jose Saramago | 0.00 | |
| The Road | Cormac McCarthy | 0.00 | |
| Outer Dark | Cormac McCarthy | 0.00 | |
| The Orchard Keeper | Cormac McCarthy | 0.00 | |
| No Country for Old Men | Cormac McCarthy | 0.00 | |
| Carrera: 1 - A Desert Called Peace | Tom Kratman | 0.00 | |
| Carrera: 2 - Carnifex | Tom Kratman | 0.00 | |
| Carrera: 3 - The Lotus Eaters | Tom Kratman | 0.00 | |
| Carrera: 4 - The Amazon Legion | Tom Kratman | 0.00 | |
| Carrera: 5 - Come and Take Them | Tom Kratman | 0.00 | |
| Carrera: 6 - The Rods and The Axe | Tom Kratman | 0.00 | |
| Carrera: 7 - A Pillar of Fire by Night | Tom Kratman | 0.00 | |
| Consequences of Capitalism: Manufacturing Discontent and Resistance | Noam Chomsky, Marv Waterstone | 0.00 | |
| Cosmosapiens: Human Evolution from the Origin of the Universe | John Hands | 0.00 | |
| Crusader | Paul Kengor | 0.00 | |
| Dancing with the Octopus: The Telling of a True Crime | Debora Harding | 0.00 | |
| Death Merchant Chronicles: 1 - A Dirty Job | Christopher Moore | 0.00 | |
| Death Merchant Chronicles: 2 - Secondhand Souls | Christopher Moore | 0.00 | |
| Dia y of a Napoleonic Foot Soldier | Jakob Walter | 0.00 | |
| The Salmon of Doubt | Douglas Adams | 0.00 | |
| Dying inside | Thomas Pynchon | 0.00 | |
| Essays | George Orwell | 0.00 | |
| Fahrenheit 451 | Ray Bradbury | 0.00 | |
| Fear and Loathing in Las Vegas | Hunter S. Thompson | 0.00 | |
| Fear The Worst | Linwood Barclay | 0.00 | |
| Feynman's Rainbow | Leonard Mlodinow | 0.00 | |
| Untimely Considerations | Friedrich Nietzsche | 0.00 | |
| On the Genealogy of Morals: A Polemic | Friedrich Nietzsche | 0.00 | |
| Beyond Good and Evil | Friedrich Nietzsche | 0.00 | |
| Twilight of the Idols | Friedrich Nietzsche | 0.00 | |
| The Antichrist | Friedrich Nietzsche | 0.00 | |
| The Gay Science | Friedrich Nietzsche | 0.00 | |
| Thus Spoke Zarathustra | Friedrich Nietzsche | 0.00 | |
| The Will to Power | Friedrich Nietzsche | 0.00 | |
| Human, All Too Human | Friedrich Nietzsche | 0.00 | |
| The Dawn of Day | Friedrich Nietzsche | 0.00 | |
| Ecce Homo | Friedrich Nietzsche | 0.00 | |
| The Birth of Tragedy From the Spirit of Music | Friedrich Nietzsche | 0.00 | |
| Man Alone with Himself | Friedrich Nietzsche | 0.00 | |
| Gravity's Rainbow | Thomas Pynchon | 0.00 | |
| Hal Spacejock: 1 - A Robot Named Clunk | Simon Haynes | 0.00 | |
| Have Gun, Will Travel: The Spectacular Rise and Violent Fall of Death Row | Ronin Ro | 0.00 | |
| Helen And Desire | Alexander Trocchi | 0.00 | |
| Hell's Angels | Hunter S. Thompson | 0.00 | |
| House of Leaves | Mark Z. Danielewski | 0.00 | |
| How to Be A Vigilante | Luke Smitherd | 0.00 | |
| Imperium | Christian Kracht | 0.00 | |
| Inherent Vice | Thomas Pynchon | 0.00 | |
| Intergalactic Space Force: Like the Space Force, but More Bigly! | Chad Morgan | 0.00 | |
| Invitation to a Beheading | Vladimir Nabokov | 0.00 | |
| Keep The Apidistra Flying | George Orwell | 0.00 | |
| Killer, Come Back to Me: The Crime Stories of Ray Bradbury | Ray Bradbury | 0.00 | |
| King, Queen, Knave | Vladimir Nabokov | 0.00 | |
| Les Morts | Christian Kracht | 0.00 | |
| Less Than Human: Why We Demean, Enslave, and Exterminate Others | David Livingstone Smith | 0.00 | |
| Leviathan or the Matter, Forme and Power of a Commonwealth Ecclesiasticall and Civil | Thomas Hobbes | 0.00 | |
| Look at the Harlequins | Vladimir Nabokov | 0.00 | |
| Man in the Dark | Paul Auster | 0.00 | |
| Mason and Dixon | Thomas Pynchon | 0.00 | |
| Never Look Away | Linwood Barclay | 0.00 | |
| Night of the Living Dead | George A. Romero | 0.00 | |
| No Safe House | Linwood Barclay | 0.00 | |
| No Time for Goodbye | Linwood Barclay | 0.00 | |
| On the Ends of Good and Evil | Marcus Tullius Cicero | 0.00 | |
| On the Nature of Things | Lucretius, ??? (tr.) | 0.00 | |
| Panic: The Story of Modern Financial Insanity | Michael Lewis | 0.00 | |
| Parallel Stories | Péter Nádas | 0.00 | |
| Pnin | Vladimir Nabokov | 0.00 | |
| Red Leaves | Thomas H. Cook | 0.00 | |
| Seasons of Horror: 1 - Summer of Night | Dan Simmons | 0.00 | |
| Seasons of Horror: 2 - Children of the Night | Dan Simmons | 0.00 | |
| Seasons of Horror: 3 - Fires of Eden | Dan Simmons | 0.00 | |
| Man in The Dark | Paul Auster | 0.00 | |
| On the Nature of Things | Lucretius, ? ? (tr.) | 0.00 | |
| Seasons of Horror: 4 - A Winder Haunting | Dan Simmons | 0.00 | |
| Simulacra and Simulation | Jean Baudrillard | 0.00 | |
| Skin | Ted Dekker | 0.00 | |
| Something Deeply Hidden: Quantum Worlds and the Emergence of Spacetime | Sean Carroll | 0.00 | |
| Song of Kali | Dan Simmons | 0.00 | |
| SPQR: 01 - The Kings Gambit | John Maddox Roberts | 0.00 | |
| SPQR: 02 - The Cataline Conspiracy | John Maddox Roberts | 0.00 | |
| SPQR: 03 - The Sacrilege | John Maddox Roberts | 0.00 | |
| SPQR: 04 - The Temple of the Muses | John Maddox Roberts | 0.00 | |
| SPQR: 04.5 - Statuette of Rhodes | John Maddox Roberts | 0.00 | |
| SPQR: 05 - Saturnalia | John Maddox Roberts | 0.00 | |
| SPQR: 06 - Nobody Loves a Centurion | John Maddox Roberts | 0.00 | |
| SPQR: 07 - The Tribunes Curse | John Maddox Roberts | 0.00 | |
| SPQR: 07.5 - Mighter Than The Sword | John Maddox Roberts | 0.00 | |
| SPQR: 08 - The River God's Vengeance | John Maddox Roberts | 0.00 | |
| SPQR: 08.5 - An Academic Question | John Maddox Roberts | 0.00 | |
| SPQR: 09 - The Princess and the Pirate | John Maddox Roberts | 0.00 | |
| SPQR: 10 - A Point of Law | John Maddox Roberts | 0.00 | |
| SPQR: 11 - Under Vesuvius | John Maddox Roberts | 0.00 | |
| SPQR: 12 - Oracle of the Dead | John Maddox Roberts | 0.00 | |
| SPQR: 12.5 - Beware of the Snake | John Maddox Roberts | 0.00 | |
| SPQR: 13 - The Year of Confusion | John Maddox Roberts | 0.00 | |
| SPQR: 13.1 - Venus In Pearls | John Maddox Roberts | 0.00 | |
| SPQR: 13.2 - The Will | John Maddox Roberts | 0.00 | |
| SPQR: 13.3 - The King of Sacrifices | John Maddox Roberts | 0.00 | |
| Sprawl: 1 - Neuromancer | William Gibson | 0.00 | |
| Sprawl: 2 - Biochips | William Gibson | 0.00 | |
| Sprawl: 3 - Mona Lisa Overdriver | William Gibson | 0.00 | |
| State of Disobedience | Tom Kratman | 0.00 | |
| Sun in a Bottle: The Strange History of Fusion and the Science of Wishful Thinking | Charles Seife | 0.00 | |
| Sword and Scimitar: Fourteen Centuries of War between Islam and the West | Raymond Ibrahim | 0.00 | |
| That Wild Country: An Epic Journey through the Past, Present, and Future of America's Public Lands | Mark Kenyon | 0.00 | |
| The Accident | Linwood Barclay | 0.00 | |
| The Agricola and the Germania | Tacitus, Harold Mattingly (tr.), S.A. Handford (rev.) | 0.00 | |
| The Annals of Imperial Rome | Tacitus, ? ? (tr.) | 0.00 | |
| The Book of Disquiet | Fernando Pessoa | 0.00 | |
| Good Calories, Bad Calories: Fats, Carbs, and the Controversial Science of Diet and Health | Gary Taubes | 0.00 | |
| Why We Get Fat | Gary Taubes | 0.00 | |
| The Case Against Sugar | Gary Taubes | 0.00 | |
| The Case for Keto | Gary Taubes | 0.00 | |
| The Cement Garden | Ian McEvan | 0.00 | |
| The Complete Essays of Montaigne | Michel Eyquem de Montaigne, Donald M. Frame (tr.) | 0.00 | |
| The Difference Engine | Bruce Sterling, William Gibson | 0.00 | |
| The Enchanter | Vladimir Nabokov | 0.00 | |
| The Enemy of All Mankind | Steven Johnson | 0.00 | |
| The Eye | Vladimir Nabokov | 0.00 | |
| The Family Next Door | Sally Hepworth | 0.00 | |
| The Feather Thief | Kirk Wallace Johnson | 0.00 | |
| The Federalist Papers | Alexander Hamilton, James Madison, John Jay | 0.00 | |
| The Ghostway (Leaphorn and Chee, №6) | Tony Hillerman | 0.00 | |
| The Gift | Vladimir Nabokov | 0.00 | |
| The Giver: 1 - The Giver | Lois Lowry | 0.00 | |
| The Giver: 2 - Son | Lois Lowry | 0.00 | |
| The Giver: 3 - Messenger | Lois Lowry | 0.00 | |
| The Giver: 4 - Gathering Blue | Lois Lowry | 0.00 | |
| The Hitchhiker's Guide to the Galaxy: 1 - The Hitchhiker's Guide to the Galaxy | Douglas Adams | 0.00 | |
| The Hitchhiker's Guide to the Galaxy: 3 - Life, the Universe and Everything | Douglas Adams | 0.00 | |
| The Hitchhiker's Guide to the Galaxy: 4 - So Long, and Thanks for All the Fish | Douglas Adams | 0.00 | |
| The Hitchhiker's Guide to the Galaxy: 5 - Mostly Harmless | Douglas Adams | 0.00 | |
| The Hitchhiker's Guide to the Galaxy: 6 - And Another Thing... | Douglas Adams | 0.00 | |
| The House of the Dead | Fyodor Dostoyevsky | 0.00 | |
| The Infiltrator: My Secret Life Inside the Dirty Banks Behind Pablo Escobar's Medellín Cartel | Robert Mazur | 0.00 | |
| The Luzhin Defense | Vladimir Nabokov | 0.00 | |
| The Mafia Philosopher: Two Tonys | Shaun Attwood | 0.00 | |
| The Man with All the Answers | Luke Smitherd | 0.00 | |
| The Martian Chronicles | Ray Bradbury | 0.00 | |
| The Mastermind: Drugs. Empire. Murder. Betrayal. | Evan Ratliff | 0.00 | |
| The Nature of Mental Things | Arthur W. Collins | 0.00 | |
| Crisis of the Republic | Hannah Arendt | 0.00 | |
| The Onion Book of Known Knowledge: Mankind's Final Encyclopedia From America's Finest News Source | The Onion | 0.00 | |
| The Demon Haunted World | Carl Sagan | 0.00 | |
| Billions and Billions | Carl Sagan | 0.00 | |
| The Razor's Edge | W. Somerset Maugham | 0.00 | |
| The Real Life of Sebastian Knight | Vladimir Nabokov | 0.00 | |
| The Real Lolita: The Kidnapping of Sally Horner and the Novel that Scandalized the World | Sarah Weinman | 0.00 | |
| The Sport of Kings and the Kings of Crime: Horse Racing, Politics, and Organized Crime in New York 1865-1913 | Steven A. Riess | 0.00 | |
| The Stone Man: 1 - The Stone Man | Luke Smitherd | 0.00 | |
| The Stone Man: 2 - The Empty Men | Luke Smitherd | 0.00 | |
| The Stone Man: 3 - The Stone Giant | Luke Smitherd | 0.00 | |
| The Stone Man: 4 - ? | Luke Smitherd | 0.00 | |
| The Stories | Vladimir Nabokov | 0.00 | |
| The Suble Art of Not Giving a Fuck | Mark Manson | 0.00 | |
| The Tin Drum | Günter Grass | 0.00 | |
| The Way We Live Now | Anthony Trollope | 0.00 | |
| The White Sniper: Simo Häyhä | Tapio Saarelainen | 0.00 | |
| Transparent | Vladimir Nabokov | 0.00 | |
| Travels In The Scriptorium | Paul Auster | 0.00 | |
| True Crime Addict: How I Lost Myself in the Mysterious Disappearance of Maura Murray | James Renner | 0.00 | |
| Trust Your Eyes | Linwood Barclay | 0.00 | |
| Two Treatises of Government | John Locke | 0.00 | |
| Vampires in San Francisco: 1 - Bloodsucking Friends | Christopher Moore | 0.00 | |
| Vampires in San Francisco: 2 - You Suck | Christopher Moore | 0.00 | |
| Vampires in San Francisco: 3 - Bite Me | Christopher Moore | 0.00 | |
| When the Dogs Don't Bark: A Forensic Scientist's Search for the Truth | Angela Gallop | 0.00 | |
| Wonderland: An Anthology | Paul Kane, Angela Slatter | 0.00 | |
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| Inhibitor Phase | Alastair Reynolds | 0.00 | |
| The Halloween Tree | Ray Bradbury | 0.00 | |
| The Sins of the Sheikh: Abduction, Intimidation and Intrigue Inside the Royal House of Dubai | Tom Steinfort | 0.00 | |
| The Great Sea | David Abulafia | 0.00 | |
| The Boundless Sea | David Abulafia | 0.00 | |
| The Conspiracy Book: A Chronological Journey through Secret Societies and Hidden Histories | John Michael Greer | 0.00 | |
| Beauty: A Very Short Introduction | Roger Scruton | 0.00 | |
| Firefall: 1 - Blindsight | Peter Watts | 0.00 | |
| Firefall: 2 - Echopraxia | Peter Watts | 0.00 | |
| I Ain't Scared of You | Bernie Mac | 0.00 | |
| The Wealth and Poverty of Nations: Why Some Are So Rich and Some So Poor | David S. Landes | 0.00 | |
| Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics | Alfred Korzybski | 0.00 | |
| No More Secondhand Gods and Other Writings | Buckminster Fuller | 0.00 | |
| Grunch of Giants | Buckminster Fuller | 0.00 | |
| Everything I Know | Buckminster Fuller | 0.00 | |
| Critical Path | Buckminster Fuller | 0.00 | |
| I Seem to Be a Verb | Buckminster Fuller | 0.00 | |
| Leave Society | Tao lin | 0.00 | |
| A Shropshire Lad | A.E. Housman | 0.00 | |
| Jason and the Argonauts | Apollonios of Rhodes | 0.00 | |
| A Selection of Stories | Arthur Machen | 0.00 | |
| Children of the Pool | Arthur Machen | 0.00 | |
| Change | Arthur Machen | 0.00 | |
| Dog and Duck | Arthur Machen | 0.00 | |
| Dreads and Drolls | Arthur Machen | 0.00 | |
| Holy Terrors | Arthur Machen | 0.00 | |
| Ritual and Other Stories | Arthur Machen | 0.00 | |
| The Hill of Dreams | Arthur Machen | 0.00 | |
| The Bowmen | Arthur Machen | 0.00 | |
| The Terror | Arthur Machen | 0.00 | |
| The White People and Other Stories | Arthur Machen | 0.00 | |
| The Shadow on the Dial, and Other Essays | Ambrose Bierce | 0.00 | |
| Time Must Have a Stop | Aldous Huxley | 0.00 | |
| The Complete Works of Ambrose Bierce | Ambrose Bierce | 0.00 | |
| Westport | Ambrose Bierce | 0.00 | |
| A Traitor in Skyhold | Ambrose Bierce | 0.00 | |
| A Cynic Looks at Life | Ambrose Bierce | 0.00 | |
| A Fruitless Assignment | Ambrose Bierce | 0.00 | |
| A Horseman in the Sky | Ambrose Bierce | 0.00 | |
| A Jug of Syrup | Ambrose Bierce | 0.00 | |
| A Son of the Gods and A Horseman in the Sky | Ambrose Bierce | 0.00 | |
| A Wireless Message | Ambrose Bierce | 0.00 | |
| An Inhabitant of Carcosa | Ambrose Bierce | 0.00 | |
| An Occurrence at Owl Creek Bridge | Ambrose Bierce | 0.00 | |
| Can Such Things Be | Ambrose Bierce | 0.00 | |
| Chickamauga | Ambrose Bierce | 0.00 | |
| Cobwebs from an Empty Skull | Ambrose Bierce | 0.00 | |
| Fantastic Fables | Ambrose Bierce | 0.00 | |
| Present at a Hanging | Ambrose Bierce | 0.00 | |
| Shapes of Clay | Ambrose Bierce | 0.00 | |
| The Damned Thing | Ambrose Bierce | 0.00 | |
| The Fiend's Delight | Ambrose Bierce | 0.00 | |
| The Letters of Ambrose Bierce | Ambrose Bierce | 0.00 | |
| The Lock and Key Library | Ambrose Bierce | 0.00 | |
| The Parenticide Club | Ambrose Bierce | 0.00 | |
| Write It Right | Ambrose Bierce | 0.00 | |
| Diamond in The Rough | Ambrose Bierce | 0.00 | |
| What Occurred at Franklin | Ambrose Bierce | 0.00 | |
| Beyond the Wall | Ambrose Bierce | 0.00 | |
| Dracula | Bram Stoker | 0.00 | |
| Madrenga | Alan D an oster | 0.00 | |
| The Damned 1 - A C ll to Arms | Alan Dean Foster | 0.00 | |
| The Damned: 2 - The False Mirror | Alan Dean Foster | 0.00 | |
| The Damned: 3 - The Spoils of War | Alan Dean Foster | 0.00 | |
| The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change | Stephen R. Covey | 0.00 | |
| Work on Purpose | Lara Galinsky | 0.00 | |
| An Urchin in the Storm: Essays about Books and Ideas | Stephen Jay Gould | 0.00 | |
| The Panda's Thumb: More Plato to Darwin | Stephen Jay Gould | 0.00 | |
| Bully for Brontosaurus: Ate ation of the Public Sphere: An Inquiry Into a Category of Bourgeois Society | Jürgen Habermas | 0.00 | |
| Diamond In The Rough | Ambrose Bierce | 0.00 | |
| Madrenga | Alan Dean Foster | 0.00 | |
| Relic | Alan Dean Foster | 0.00 | |
| The Vanishing Point | Alan Dean Foster | 0.00 | |
| Interlopers | Alan Dean Foster | 0.00 | |
| The Man Who Used the Universe | Alan Dean Foster | 0.00 | |
| The Dig | Alan Dean Foster | 0.00 | |
| The Damned: 1 - A Call to Arms | Alan Dean Foster | 0.00 | |
| The Panda's Thumb: More Reflections in Natural History | Stephen Jay Gould | 0.00 | |
| Rocks of Ages: Science and Religion in the Fullness of Life | Stephen Jay Gould | 0.00 | |
| Full House: The Spread of Excellence from Plato to Darwin | Stephen Jay Gould | 0.00 | |
| Bully for Brontosaurus: Reflections in Natural History | Stephen Jay Gould | 0.00 | |
| Eight Little Piggies: Reflections in Natural History | Stephen Jay Gould | 0.00 | |
| The Lying Stones of Marrakesh: Penultimate Reflections in Natural History | Stephen Jay Gould | 0.00 | |
| The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society | Jürgen Habermas | 0.00 | |
| Inclusion of the Other: Studies in Political Theory | Jürgen Habermas | 0.00 | |
| Economy and Society | Max Weber | 0.00 | |
| Philosophy in a Time of Terror: Dialogues with Jurgen Habermas and Jacques Derrida | Jurgen Habermas, Jacques Derrida, Giovanna Borradori | 0.00 | |
| We the Corporations: How American Businesses Won Their Civil Rights | Adam Winkler | 0.00 | |
| Inside the Third y Youth: A German Soldier on the Eastern Front 1941-45 | Armin Scheiderbauer | 0.00 | |
| The Prince | Niccolo Machiavelli | 0.00 | |
| Fantasy: The Best of 2001 | V.A., Robert Silverberg (ed.), Karen Haber (ed.) | 0.00 | |
| Satan Burger | Carlton Mellick III | 0.00 | |
| The Haunted Vagina | Carlton Mellick III | 0.00 | |
| Barbarian Beast Bitches of the Badlands | Carlton Mellick III | 0.00 | |
| The Cannibals of Candyland | Carlton Mellick III | 0.00 | |
| Falling from the Sky (Anthology) | V.A., Carlton Mellick III (ed.) | 0.00 | |
| Warrior Wolf Women of the Wasteland | Carlton Mellick III | 0.00 | |
| The Morbidly Obese Ninja | Carlton Mellick III | 0.00 | |
| Sausagey Santa | Carlton Mellick III | 0.00 | |
| Every Time We Meet at The Dairy Queen, Your Whole Fucking Face Exploded | Carlton Mellick III | 0.00 | |
| The Kobold Wizard's Dildo of Enlightenment +2 (and adventure for 3-6 players, levels 2-5) | Carlton Mellick III | 0.00 | |
| Christmas on Crack | Carlton Mellick III | 0.00 | |
| Candy-Coated | Carlton Mellick III | 0.00 | |
| Apeshit | Carlton Mellick III | 0.00 | |
| Armadillo Fists | Carlton Mellick III | 0.00 | |
| Bucket of Gross | Carlton Mellick III | 0.00 | |
| Crab Town | Carlton Mellick III | 0.00 | |
| ClownFellas: Tales of the Bozo Family | Carlton Mellick III | 0.00 | |
| Fantastic | Carlton Mellick III | 0.00 | |
| Fist World | Carlton Mellick III | 0.00 | |
| Zombies and Shit | Carlton Mellick III | 0.00 | |
| Earwig Flesh Factory | Carlton Mellick III | 0.00 | |
| City of New York | Carlton Mellick III | 0.00 | |
| Razor Wire Pubic Hair | Carlton Mellick III | 0.00 | |
| War Slut | Carlton Mellick III | 0.00 | |
| The Menstruating Wall | Carlton Mellick III | 0.00 | |
| The Third Planet from My Shoulder | Carlton Mellick III | 0.00 | |
| The Terrible Thing That Happens | Carlton Mellick III | 0.00 | |
| Cuddly Holocaust | Carlton Mellick III | 0.00 | |
| Hamburger Clock | Carlton Mellick III | 0.00 | |
| Kill Ball | Carlton Mellick III | 0.00 | |
| bies: Encounters with the Hungry Dead | Carlton Mellick III | 0.00 | |
| Ten-Dollar Saviour | Carlton Mellick III | 0.00 | |
| Tempting Disaster | Carlton Mellick III | 0.00 | |
| Sea of the Patchwork Cats | Carlton Mellick III | 0.00 | |
| Stray | Carlton Mellick III | 0.00 | |
| The Infant Vending Machine | Carlton Mellick III | 0.00 | |
| Sex Magicians: The Lives and Spiritual Practices of Paschal Beverly Randolph, Aleister Crowley, Jack Parsons, Marjorie Cameron, Anton LaVey, and Others | Michael William West | 0.00 | |
| Nebula Awards: 25 | V.A., Michael | Bishop (ed.) | 0.00 |
| Nebula Awards: 26 | V.A., James Morrow (ed.) | 0.00 | |
| Nebula Awards: 27 | V.A., James Marrow (ed.) | 0.00 | |
| Nebula Awards: 28 | V.A., James Marrow (ed.) | 0.00 | |
| Nebula Awards: 30 | V.A., Pamela Sargent (ed.) | 0.00 | |
| Nebula Awards: 31 | V.A., Pamela Sargent (ed.) | 0.00 | |
| Nebula Awards: 32 | V.A., Jack Dann (ed.) | 0.00 | |
| Nebula Awards: 33 | V.A., Connie Willis (ed.) | 0.00 | |
| Nebula Awards: Showcase 2000 | V.A., Gregory Benford (ed.) | 0.00 | |
| Nebula Awards: Showcase 2001 | V.A., Robert Silverberg (ed.) | 0.00 | |
| Nebula Awards: Showcase 2008 | V.A., Ben Bova (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 11 | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 12 | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 14 | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 15 | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 16 | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 17 | V.A., Ellen Datlow (ed.), Gavin J. Grant (ed.), Kelly Link (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 18 | V.A., Ellen Datlow (ed.), Gavin J. Grant (ed.), Kelly Link (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 19 | V.A., Ellen Datlow (ed.), Gavin J. Grant (ed.), Kelly Link (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 20 | V.A., Ellen Datlow (ed.), Gavin J. Grant (ed.), Kelly Link (ed.) | 0.00 | |
| The Year's Best Fantasy and Horror: 21 | V.A., Ellen Datlow (ed.), Gavin J. Grant (ed.), Kelly Link (ed.) | 0.00 | |
| Musashi | Eiji Yoshikawa, Charles Terry (tr.) | 0.00 | |
| 1421: The Year China Discovered America | Gavin Menzies | 0.00 | |
| The Invasion of Europe by the Barbarians | John Bagnell bury | 0.00 | |
| A Manual for Creating Atheists | Peter Boghossian, James A. Lindsay | 0.00 | |
| Reflections of a Nonpolitical Man | Thomas Mann, Walter D. Morris (tr.) | 0.00 | |
| When Money dies: The Nightmare of Deficit Spending, Devaluation, and Hyperinflation in Weimar Germany | Adam Fergusson | 0.00 | |
| Ugly America | Ben Mezrich | 0.00 | |
| Busting Vegas | Ben Mezrich | 0.00 | |
| Sex on the Moon | Ben Mezrich | 0.00 | |
| The 37. Parallel | Ben Mezrich | 0.00 | |
| X-Files Skin | Ben Mezrich | 0.00 | |
| Straight Flush | Ben Mezrich | 0.00 | |
| Accidental Billionaires | Ben Mezrich | 0.00 | |
| Seven Wonders | Ben Mezrich | 0.00 | |
| Endless October: Short Stories from a Traveling Bird Hunter | Randy Schultz, Michael F.S.W. Morrison | 0.00 | |
| The Gulag Archipelago | Aleksandr Solzhenitsin | 0.00 | |
| An Introduction to Information Theory: Symbols, Signals and Noise | John Robinson Pierce | 0.00 | |
| Riddles of Existence: A Guided Tour of Metaphysics | Earl Conee, Theodore Sider | 0.00 | |
| On Grand Strategy | John Lewis Gaddis | 0.00 | |
| Four-dimensionalism: An Ontology of Persistence and Time | Theodore Sider | 0.00 | |
| Writing The Book of The World | Theodore Sider | 0.00 | |
| Possibility | Michael Jubien | 0.00 | |
| Contemporary Debates in Metaphysics | Theodore Sider | 0.00 | |
| On the Trail of Genghis Khan: An Epic Journey through the Land of the Nomads | Tim Cope | 0.00 | |
| Contemporary Debates In Metaphysics | Theodore Sider | 0.00 | |
| Tribesmen | Adam Cesare | 0.00 | |
| Bone Meal Broth | Adam Cesare | 0.00 | |
| Bottom Feeders | Adam Cesare, Cameron Pierce | 0.00 | |
| A Parliament of Crows | Alan M. Clark | 0.00 | |
| The Beard | Andersen Prunty | 0.00 | |
| The Warm Glow of Happy Homes | Andersen Prunty | 0.00 | |
| Slag Attack | Andersen Prunty | 0.00 | |
| Morning Is Dead | Andersen Prunty | 0.00 | |
| My Fake War | Andersen Prunty | 0.00 | |
| The Overwhelming Urge | Andersen Prunty | 0.00 | |
| Satantic Summer | Andersen Prunty | 0.00 | |
| Sunruined | Andersen Prunty | 0.00 | |
| The Gathering of the Crows | Brian Keene | 0.00 | |
| Our Love Will Go The Way of The Salmon | Cameron Pierce | 0.00 | |
| Room to Dream | David Lynch, Kristine McKenna | 0.00 | |
| Midnight Picnic | Nick Antosca | 0.00 | |
| The Sadist's Bible | Nicole Cushing | 0.00 | |
| Chthon | Piers Anthony | 0.00 | |
| Bio of a Space Tyrand: 1 | Piers Anthony | 0.00 | |
| Bio of a Space Tyrand: 2 | Piers Anthony | 0.00 | |
| Bio of a Space Tyrand: 3 | Piers Anthony | 0.00 | |
| Bio of a Space Tyrand: 4 | Piers Anthony | 0.00 | |
| Bio of a Space Tyrand: 5 | Piers Anthony | 0.00 | |
| Bio of a Space Tyrand: 6 | Piers Anthony | 0.00 | |
| The Book of Cthulu: 1 | Ross E. Lockhart | 0.00 | |
| The Book of Cthulu: 2 | Ross E. Lockhart | 0.00 | |
| Mongrels | Stephen Graham Jones | 0.00 | |
| Moby Dick | Herman Melville | 0.00 | |
| Bobverse: 1 - We Are Legion (We Are Bob) | Dennis E. Taylor | 0.00 | |
| Bobverse: 2 - For We Are Many | Dennis E. Taylor | 0.00 | |
| Bobverse: 3 - All These Worlds | Dennis E. Taylor | 0.00 | |
| Bobverse: 4 - Heaven's River | Dennis E. Taylor | 0.00 | |
| Enchiridion | Epictetus, ? (tr.) | 0.00 | |
| The Book of Numbers: Analyzing the ROI on the Pursuit of Women | Aaron Clarey | 0.00 | |
| The Book of Numbers: Analyzing the ROI on the Pursuit of Women | Carey Gillam | 0.00 | |
| The Last Pirate of New York: A Ghost Ship, a Killer, and the Birth of a Gangster Nation | Rich Cohen | 0.00 | |
| The Hunt for the Silver Killer: The Shocking True Story of a Murderer Who Remains at Large | David Collins | 0.00 | |
| The Secret Female Hormone: How Testosterone Replacement Therapy Can Change Your Life | Kathy C. Maupin | 0.00 | |
| Missing Microbes: How the Overuse of Antibiotics Is Fueling Our Modern Plagues | Martin J. Blaser | 0.00 | |
| The Salt Fix | James DiNicolantonio | 0.00 | |
| Salt Your Way to Health | David Brownstein | 0.00 | |
| The New Primal Blueprint: Reprogram Your Genes for Effortless Weight Loss, Vibrant Health, and Boundless Energy | Mark Sisson | 0.00 | |
| Eat Rich, Live Long: Mastering the Low-Carb and Keto Spectrum for Weight Loss and Longevity | Ivor Cummins, Jeffry Gerber | 0.00 | |
| The Bad Box | Carlton Mellick III | 0.00 | |
| The Case Against the New Censorship | Alan M. Dershowitz | 0.00 | |
| That Which Is Seen, and That Which Is Not Seen | Frederic Bastiat | 0.00 | |
| Sophisms of the Protectionists | Frederic Bastiat | 0.00 | |
| The Law | Frederic Bastiat | 0.00 | |
| A Man Alone | Frederic Bastiat | 0.00 | |
| Government | Frederic Bastiat | 0.00 | |
| What Is Money? | Frederic Bastiat | 0.00 | |
| Capital and Interest | Frederic Bastiat | 0.00 | |
| Economic Sophisms: 1 | Frederic Bastiat | 0.00 | |
| Economic Sophisms: 2 | Frederic Bastiat | 0.00 | |
| Harmonies of Political Economy: 1 - ? | Frederic Bastiat | 0.00 | |
| Harmonies of Political Economy: 2 - ? | Frederic Bastiat | 0.00 | |
| Oligarchy | Jeffrey A. Winters | 0.00 | |
| High Output Management | Andrew S. Grove | 0.00 | |
| Necroscope: Invaders: Necroscope: E-Branch Trilogy | Brian Lumley | 0.00 | |
| Trust | David Moody | 0.00 | |
| Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger, Expanded 3. Ed. | Charles T. Munger, Peter D. Kaufman, Ed Wexler, Warren E. Buffet | 0.00 | |
| 30+ Years of Lessons Learned from Warren Buffet and Charlie Munger at the Annual Shareholders Meeting | Warren Buffett, Charles T. Munger, Daniel Pecaut, Corey Wrenn | 0.00 | |
| Cynical Theories | James A. Lindsay, Helen Pluckrose | 0.00 | |
| AI 2041 | Kai-Fu Lee, Chen Qiufan | 0.00 | |
| The Antisocial Network | Ben Mezrich | 0.00 | |
| The Coddling of the American Mind | Jonathan Haidt | 0.00 | |
| The Happines Hypothesis | Jonathan Haidt | 0.00 | |
| Why Do They Vote That Way? | Jonathan Haidt | 0.00 | |
| Meaning In Life and Why It Matters | Susan Wolf, Stephen Macedo, John Koethe, Robert M. Adams, Nomy Arpaly, Jonathan Haidt | 0.00 | |
| The Righteous Mind: Why Good People Are Divided by Politics and Religion | Jonathan Haidt | 0.00 | |
| The Collected Stories of Richard Yates | Richard Yates | 0.00 | |
| The Chip: How Two Americans Invented the Microchip and Launched a Revolution | T.R. Reid | 0.00 | |
| Can't We All Disagree More Constructively? | Jonathan Haidt | 0.00 | |
| A Century of Great Suspense Stories | V.A., Jeffery Deaver (ed.) | 0.00 | |
| Outlaws of the Wild West | Terry C. Treadwell | 0.00 | |
| Masters of War: History's Greatest Strategic Thinkers | Andrew R. Wilson | 0.00 | |
| The Great Cholesterol Myth | Jonny Bowden, Stephen Sinatra | 0.00 | |
| The Status Game: On Social Position and How We Use It | Will Storr | 0.00 | |
| The Faithful Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century | Joel F. Harringon | 0.00 | |
| Postcapitalist Desire: The Final Lectures | Mark Fisher | 0.00 | |
| Die Dog or Eat the Hatchet | Adam Howe | 0.00 | |
| Damn Dirty Apes | Adam Howe | 0.00 | |
| Gator Bait | Adam Howe | 0.00 | |
| Womanhood: Bare Reality | Laura Dodsworth | 0.00 | |
| Manhood: Bare Reality | Laura Dodsworth | 0.00 | |
| The Armada | Garrett Mattingly | 0.00 | |
| Robots and Empire | Isaac Asimov | 0.00 | |
| Mein Kampf | Adolf Hilter | 0.00 | |
| Fear and Trembling | Soren Kierkegaard | 0.00 | |
| King Solomon's Mines | H. Rider Haggard | 0.00 | |
| Allan Quartermain | H. Rider Haggard | 0.00 | |
| The Gods Themselves | Isaac Asimov | 0.00 | |
| The End of Eternity | Isaac Asimov | 0.00 | |
| Nemesis | Isaac Asimov | 0.00 | |
| Murder at the ABA | Isaac Asimov | 0.00 | |
| Fantastic Voyage: 1 - Fantastic Voyage | Isaac Asimov | 0.00 | |
| Fantastic Voyage: 2 - Destination Brain | Isaac Asimov | 0.00 | |
| Azazel | Isaac Asimov | 0.00 | |
| The Most Dangerous Game | Richard Connell | 0.00 | |
| The Dead Sea Scrolls | Gary A. Rendsburg | 0.00 | |
| Rabbits | Terry Miles | 0.00 | |
| Do No Harm | Gregg Hurwitz | 0.00 | |
| Paradise Lost | John Milton | 0.00 | |
| Hive of Dreams: Contemporary Science Fiction from the Pacific Northwest | V.A., Grace L. Dillon (ed.) | 0.00 | |
| Gathering the Bones | V.A., Ramsey Campbell (ed.), Jack Dann (ed.), Dennis Etchison (ed.) | 0.00 | |
| Robert Silverberg's Worlds of Wonder | V.A, Robert Silverberg | 0.00 | |
| Homecoming: 1 - The Memory of Earth | Orson Scott Card | 0.00 | |
| Homecoming: 2 - The Call of Earth | Orson Scott Card | 0.00 | |
| Homecoming: 3 - The Ships of Earth | Orson Scott Card | 0.00 | |
| Homecoming: 4 - Earthfall | Orson Scott Card | 0.00 | |
| Homecoming: 5 - Earthborn | Orson Scott Card | 0.00 | |
| Eye for Eye | Orson Scott Card | 0.00 | |
| Mayflower: 1 - Lovelock | Orson Scott Card | 0.00 | |
| Past Watch: 1 - The Redemption of Christopher Columbus | Orson Scott Card | 0.00 | |
| The Worthing Saga | Orson Scott Card | 0.00 | |
| Empire: 1 - Empire | Orson Scott Card | 0.00 | |
| Empire: 2 - Hidden Empire | Orson Scott Card | 0.00 | |
| Enderverse: 01 - Ender's Game | Orson Scott Card | 0.00 | |
| Enderverse: 02 - Speaker for the Dead | Orson Scott Card | 0.00 | |
| Enderverse: 03 - Xenocide | Orson Scott Card | 0.00 | |
| Enderverse: 04 - Children of the Mind | Orson Scott Card | 0.00 | |
| Enderverse: 05 - Ender in Exile | Orson Scott Card | 0.00 | |
| Enderverse: 06 - Ender's Shadow | Orson Scott Card | 0.00 | |
| Enderverse: 07 - Shadow of the Hegemon | Orson Scott Card | 0.00 | |
| Enderverse: 08 - Shadow Puppets | Orson Scott Card | 0.00 | |
| Enderverse: 09 - Shadow of the Giant | Orson Scott Card | 0.00 | |
| Enderverse: 10 - Shadow in Flight | Orson Scott Card | 0.00 | |
| Enderverse: 11 - Earth Unaware | Orson Scott Card | 0.00 | |
| Enderverse: 12 - Earth Afire | Orson Scott Card | 0.00 | |
| Enderverse: Earth Awakens | Orson Scott Card | 0.00 | |
| Enderverse: The Swarm | Orson Scott Card | 0.00 | |
| Enderverse: The Hive | Orson Scott Card | 0.00 | |
| The Return of the Black Widower | Isaac Asimov | 0.00 | |
| The Winds of Change and Other Storie | Isaac Asimov | 0.00 | |
| Science Fiction Favorite | Isaac Asimov | 0.00 | |
| Sci Fi Private Eye | Isaac Asimov | 0.00 | |
| Gold | Isaac Asimov | 0.00 | |
| Nightfall and Other Storie | Isaac Asimov | 0.00 | |
| Nine Tomorrow | Isaac Asimov | 0.00 | |
| The Winds of Change and Other Stories | Isaac Asimov | 0.00 | |
| Science Fiction Favorites | Isaac Asimov | 0.00 | |
| Nightfall and Other Stories | Isaac Asimov | 0.00 | |
| Nine Tomorrows | Isaac Asimov | 0.00 | |
| Galactic Empire: 1 - Stars Likes Dust | Isaac Asimov | 0.00 | |
| Galactic Empire: 2 - The Currents of Space | Isaac Asimov | 0.00 | |
| Galactic Empire: 3 - Pebble in the Sky | Isaac Asimov | 0.00 | |
| Galactic Empire: 4 - Blind Alley | Isaac Asimov | 0.00 | |
| Dracula's Guest and Other Weird Stories | Bram Stoker | 0.00 | |
| Haunted Nights | V.A., ? ? (ed.) | 0.00 | |
| The Winter Plague | Frank Herbert | 0.00 | |
| Eye | Frank Herbert | 0.00 | |
| ConSentiency Universe: 1 - Whipping Star | Frank Herbert | 0.00 | |
| ConSentiency Universe: 2 - The Dosadi Experiment | Frank Herbert | 0.00 | |
| Direct Descent | Frank Herbert | 0.00 | |
| The Dragon in the Sea | Frank Herbert | 0.00 | |
| The Eyes of Heisenberg | Frank Herbert | 0.00 | |
| The Heaver Makers | Frank Herbert | 0.00 | |
| The Green Brain | Frank Herbert | 0.00 | |
| Soulcatcher | Frank Herbert | 0.00 | |
| Hellstorm Hive | Frank Herbert | 0.00 | |
| Man of Two Worlds | Frank Herbert | 0.00 | |
| The Pandora Sequence: 1 - Destination Void | Frank Herbert | 0.00 | |
| The Pandora Sequence: 2 - The Jesus Incident | Frank Herbert | 0.00 | |
| The Pandora Sequence: 3 - The Ascension Factor | Frank Herbert | 0.00 | |
| The Pandora Sequence: 4 - The Lazarus Effect | Frank Herbert | 0.00 | |
| The Santaroga Barrier | Frank Herbert | 0.00 | |
| The Godmakers | Frank Herbert | 0.00 | |
| The Nine Billion Names of God and Other Stories | Arthur C. Clarke | 0.00 | |
| The Songs of Distant Earth and Other Stories | Arthur C. Clarke | 0.00 | |
| A Fall of Moondust | Arthur C. Clarke | 0.00 | |
| The Shining Ones and Other Stories | Arthur C. Clarke | 0.00 | |
| Earthlight and Other Stories | Arthur C. Clarke | 0.00 | |
| The Lion of Comarre and Other Stories | Arthur C. Clarke | 0.00 | |
| Space Odyssey: 1 - A Space Odyssey | Arthur C. Clarke | 0.00 | |
| Space Odyssey: 2 - Odyssey Two | Arthur C. Clarke | 0.00 | |
| Space Odyssey: 3 - Odyssey Three | Arthur C. Clarke | 0.00 | |
| Space Odyssey: 4 - The Final Odyssey | Arthur C. Clarke | 0.00 | |
| The Great Gatsby | F. Scott Fitzgerald | 0.00 | |
| Master and Margarita | Mikhail Bulgakov | 0.00 | |
| To Kill a Mockingbird | Harper Lee | 0.00 | |
| Pavane | Keith Roberts | 0.00 | |
| Sometimes a Great Notion | Ken Kesey | 0.00 | |
| The Diogenes Robot | Mark Rich | 0.00 | |
| The Diogenes | Douglas Preston, Lincoln Child | 0.00 | |
| Beyond the Horizon | Robert A. Heinlein | 0.00 | |
| All You Zombies | Robert A. Heinlein | 0.00 | |
| Assignment in Eternity | Robert A. Heinlein | 0.00 | |
| The Menace from Earth | Robert A. Heinlein | 0.00 | |
| Waldo and Magic, Inc. | Robert A. Heinlein | 0.00 | |
| Double Star | Robert A. Heinlein | 0.00 | |
| Farnam's Freehold | Robert A. Heinlein | 0.00 | |
| For Us, The Livig | Robert A. Heinlein | 0.00 | |
| Friday | Robert A. Heinlein | 0.00 | |
| Gentlemen, Be Seated! | Robert A. Heinlein | 0.00 | |
| I Will Fear No Evil | Robert A. Heinlein | 0.00 | |
| Job, A Comdey of Justice | Robert A. Heinlein | 0.00 | |
| Juveniles: 01 - Rocket Shit Galileo | Robert A. Heinlein | 0.00 | |
| Juveniles: 02 - Space Cadet | Robert A. Heinlein | 0.00 | |
| Juveniles: 03 - er in the Sky | Robert A. Heinlein | 0.00 | |
| Juveniles: 05 - Between Planets | Robert A. Heinlein | 0.00 | |
| Juveniles: 06 - The Rolling Stones | Robert A. Heinlein | 0.00 | |
| Juveniles: 07 - Starman Jones | Robert A. Heinlein | 0.00 | |
| Juveniles: 08 - The Star Beast | Robert A. Heinlein | 0.00 | |
| Juveniles: 09 - Tunnel the Sky | Robert A. Heinlein | 0.00 | |
| Juveniles: 10 - Time for the Stars | Robert A. Heinlein | 0.00 | |
| Juveniles: 11 - Citizen of the Galaxy | Robert A. Heinlein | 0.00 | |
| Juveniles: 12 - Have Space Suit, Will Travell | Robert A. Heinlein | 0.00 | |
| Lazarus Long: 1 - Methuselah's Children | Robert A. Heinlein | 0.00 | |
| Lazarus Long: 2 - Time Enough for Love; The Lives of Lazarus Long | Robert A. Heinlein | 0.00 | |
| Lazarus Long: 3 - The Number of the Beast | Robert A. Heinlein | 0.00 | |
| Lazarus Long: 4 - The Cat Who Walk through Walls | Robert A. Heinlein | 0.00 | |
| Lazarus Long: 5 - To Sail Beyond the Sunset | Robert A. Heinlein | 0.00 | |
| Ordeal in Space | Robert A. Heinlein | 0.00 | |
| Orphans of the Sky | Robert A. Heinlein | 0.00 | |
| Podkayne of Mars | Robert A. Heinlein | 0.00 | |
| Starship Troopers | Robert A. Heinlein | 0.00 | |
| The Door Into Summer | Robert A. Heinlein | 0.00 | |
| The Long Watch | Robert A. Heinlein | 0.00 | |
| The Moon Is a Harsh Mistress | Robert A. Heinlein | 0.00 | |
| The Puppet Masters | Robert A. Heinlein | 0.00 | |
| The Pursuit of the Pankera | Robert A. Heinlein | 0.00 | |
| The Unpleasant Profession of Jonathan Hoag | Robert A. Heinlein | 0.00 | |
| Variable Star | Robert A. Heinlein | 0.00 | |
| Harlem Shuffle | Colson Whitehead | 0.00 | |
| Money and Magic: A Critique of the Modern Economy in the Light of Goethe's Faust | Hans Chistoph Binswanger | 0.00 | |
| Science Fictions: How Fraud, Bias, Negligence, and Hype Undermine the Search for Truth | Stuart Richie | 0.00 | |
| Vanished Kingdoms: The History of Half-Forgotten Europe | Norman Davies | 0.00 | |
| Dinosaur Summer | Greg Bear | 0.00 | |
| City at the End of Time | Greg Bear | 0.00 | |
| Collection-Tangents | Greg Bear | 0.00 | |
| Collection-The Wind from A Burning Woman | Greg Bear | 0.00 | |
| Darwin's Radio: 1 - Darwin's Radio | Greg Bear | 0.00 | |
| Darwin's Radio: 2 - Darwin's Children | Greg Bear | 0.00 | |
| Dead Lines | Greg Bear | 0.00 | |
| Forge of God: 1 - Forge of God | Greg Bear | 0.00 | |
| Forge of God: 2 - Anvil of Stars | Greg Bear | 0.00 | |
| Hull Zero Three | Greg Bear | 0.00 | |
| Quantum Logic: 1 - Quantico | Greg Bear | 0.00 | |
| Quantum Logic: 2 - Mariposa | Greg Bear | 0.00 | |
| Queen of Angels: 1 - Queens of Angels | Greg Bear | 0.00 | |
| Queen of Angels: 2 - Moving Mars | Greg Bear | 0.00 | |
| Queen of Angels: 3 - Slant | Greg Bear | 0.00 | |
| The Way: 1 - Eon | Greg Bear | 0.00 | |
| The Way: 2 - Eternity | Greg Bear | 0.00 | |
| The Way: 3 - Legacy | Greg Bear | 0.00 | |
| Vitals | Greg Bear | 0.00 | |
| War Dogs: 1 - War Dogs | Greg Bear | 0.00 | |
| War Dogs: 2 - Killing Titan | Greg Bear | 0.00 | |
| War Dogs: 3 - Take Back the Sky | Greg Bear | 0.00 | |
| Centralia: Epicenter | V.A., ? ? (ed.) | 0.00 | |
| Jackpot | David R. Bernstein, Adam Cesare, Shane McKenzie, Kristopher Rufty | 0.00 | |
| Mercy House | Adam Cesare | 0.00 | |
| The First One You Expect | Adam Cesare | 0.00 | |
| The Summer Job | Adam Cesare | 0.00 | |
| Video Night | Adam Cesare | 0.00 | |
| Letters from the Earth | Mark Twain | 0.00 | |
| Far North | Marcel Theroux | 0.00 | |
| The Lincoln Highway | Amor Towles | 0.00 | |
| Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34 | Bryan Burrough | 0.00 | |
| The Book of Accidents | Chuck Wendig | 0.00 | |
| Chaos under Heaven Trump, Xi, and the Battle for the Twenty-First Century | Josh Rogin | 0.00 | |
| Jerusalem | Alan Moore | 0.00 | |
| V for Vendetta | Alan Moore | 0.00 | |
| Voice of the Fire | Alan Moore | 0.00 | |
| The Ballad of Halo Jones | Alan Moore | 0.00 | |
| Ride the Devil's Herd: Wyatt Earp's Epic Battle Against the West's Biggest Outlaw Gang | John Boessenecker | 0.00 | |
| The Big Goodbye: Chinatown and the Last Years of Hollywood | Sam Wasson | 0.00 | |
| The Blessing and the Curse: The Jewish People and their Books in the 20th Century | Adam Kirsch | 0.00 | |
| Seven Rules of Time Travel | Roy Huff | 0.00 | |
| Silo: 1 - Wool | Hugh Howey | 0.00 | |
| Silo: 2 - Shift | Hugh Howey | 0.00 | |
| Silo: 3 - Dust | Hugh Howey | 0.00 | |
| The Believer: Alien Encounters, Hard Science, and the Passion of John Mack | Ralph Blumenthal | 0.00 | |
| The Prince of Nothing: 1 - The Darkness That Comes Before | R. Scott Bakker | 0.00 | |
| The Prince of Nothing: 2 - The Warrior-Prophet | R. Scott Bakker | 0.00 | |
| The Prince of Nothing: 3 - Thousandfold Thought | R. Scott Bakker | 0.00 | |
| Island of Vice: Theodore Roosevelt's Doomed Quest to Clean Up Sin-loving New York | Richard Zacks | 0.00 | |
| Life in Culture: Selected Letters of Lionel Trilling | Lionel Trilling, Adam Kirsch | 0.00 | |
| The Apollo Murders | Chris Hadfield | 0.00 | |
| The Face of Another | Kobo Abe | 0.00 | |
| The Woman in the Dunes | Kobo Abe | 0.00 | |
| The Grand Dark | Richard Kadrey | 0.00 | |
| The Ark Sakura | Kobo Abe | 0.00 | |
| The Ruined Map | Kobo Abe | 0.00 | |
| The Box Man | Kobo Abe | 0.00 | |
| Beasts Head for Home | Kobo Abe | 0.00 | |
| Blood Royal: A True Tale of Crime and Detection in Medieval Paris | Eric Jager | 0.00 | |
| Deadly Sky: The American Combat Airman in World War II | John C. McManus | 0.00 | |
| Meditations on First Philosophy and Discourse on the Method | René Descartes | 0.00 | |
| Exiting Technocracy | Derrick Broze | 0.00 | |
| The Cold Vanish: Seeking the Missing in North America's Wildlands | Jon Billman | 0.00 | |
| The White Tiger | Aravind Adiga | 0.00 | |
| April in Spain | John Banville | 0.00 | |
| Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory | Ben Macintyre | 0.00 | |
| Collected Stories of William Faulkner | William Faulkner | 0.00 | |
| A Fable | William Faulkner | 0.00 | |
| Intruder in the Dust | William Faulkner | 0.00 | |
| Sanctuary | William Faulkner | 0.00 | |
| The Unvanquished | William Faulkner | 0.00 | |
| The Wild Palms | William Faulkner | 0.00 | |
| The Sound and the Fury | William Faulkner | 0.00 | |
| Musicophilia: Tales of Music and the Brain | Oliver Sacks | 0.00 | |
| A Fine Balance | Rohinton Mistry | 0.00 | |
| The Sea | John Banville | 0.00 | |
| Eichmann in Jerusalem: A Report on the Banality of Evil | Hannah Arendt | 0.00 | |
| The Life of the Mind | Hannah Arendt | 0.00 | |
| The Human Conidition | Hannah Arendt | 0.00 | |
| Men in Dark Times | Hannah Arendt | 0.00 | |
| On Violence | Hannah Arendt | 0.00 | |
| Crises of the Republic | Hannah Arendt | 0.00 | |
| The Flight Attendant | Chris Bohjalian | 0.00 | |
| Too Famous: The Rich, the Powerful, the Wishful, the Notorious, the Damned | Michael Wolff | 0.00 | |
| Light Perpetual | Francis Spufford | 0.00 | |
| Apocalypse Never: Why Environmental Alarmism Hurts Us All | Michael Shellenberger | 0.00 | |
| Unruhe in Europa: der Vorsorgeplan für Staatsbankrott, Zwangsenteignung und Bürgerkrieg | Udo Ulfkotte | 0.00 | |
| Was Oma und Opa noch wussten | Udo Ulfkotte | 0.00 | |
| Gekaufte Journalisten: Wie Politiker, Geheimdienste und Hochfinanz Deutschlands Massmedien lenken | Udo Ulfkotte | 0.00 | |
| Grenzlos kriminell | Udo Ulfkotte | 0.00 | |
| Volkspädagogen: Wie uns die Massmedien politisch korrekt erziehen wollen | Udo Ulfkotte | 0.00 | |
| Kein Schwarz. Kein Rot. Kein Gold. Armut für alle im Lustigen Migrantenstadl | Udo Ulfkotte | 0.00 | |
| Der Krieg in unseren Stadten | Udo Ulfkotte | 0.00 | |
| Filthy Animals | Brandon Taylor | 0.00 | |
| Unruhe in Europa: Der Vorsorgeplan für Staatsbankrott, Zwangsenteignung und Bürgerkrieg | Udo Ulfkotte | 0.00 | |
| Religion and the Rise of Capitalism | Benjamin M. Friedman | 0.00 | |
| Turning The Grain | Barry B. Longyear | 0.00 | |
| March of the Titans: The Complete History of the White Race | Arthur Kemp | 0.00 | |
| The Science: History of the Universe: Vol. 1: Astronomy | Francis Rolt-Wheeler | 0.00 | |
| Difficult Conversations: How to Discuss What Matters Most | Douglas Stone | 0.00 | |
| Territory of Light | Yuko Tsushima | 0.00 | |
| A Cautionary Tale | Richard Kadrey | 0.00 | |
| Iron Wit | Richard Kadrey | 0.00 | |
| Jump Start | Richard Kadrey | 0.00 | |
| Butcher Bird | Richard Kadrey | 0.00 | |
| Blind Strike | Richard Kadrey | 0.00 | |
| Metrophage: An Introduction to the Online | Richard Kadrey | 0.00 | |
| Larks' Tongue in Aspic | Richard Kadrey | 0.00 | |
| Kabbalah Cowboys | Richard Kadrey | 0.00 | |
| The Tears of the Moon | Richard Kadrey | 0.00 | |
| Still Life with Apocalypse | Richard Kadrey | 0.00 | |
| Confession of a Mnemonist | Richard Kadrey | 0.00 | |
| Dark Jubilee | Richard Kadrey | 0.00 | |
| DMV | Richard Kadrey | 0.00 | |
| Dog Boys | Richard Kadrey | 0.00 | |
| Food Chain Blues | Richard Kadrey | 0.00 | |
| Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling | John Taylor Gatto | 0.00 | |
| Eurotrash: Why America Must Reject the Failed Ideas of a Dying Continent | David Harsanyi | 0.00 | |
| Pedro Páramo | Juan Rulfo | 0.00 | |
| The Labyrinth of Solitude | Octavio Pas | 0.00 | |
| Alone in Mexico, The Astonishing Travels of Karl Heller, 1845-1848 | Karl Bartolomeus Heller | 0.00 | |
| All The Pretty Horses | Cormac McCarthy | 0.00 | |
| The Treasure of the Sierra Madre | B. Traven | 0.00 | |
| Mornings in Mexico | D.H. Lawrence | 0.00 | |
| The Kidnapped Saint and Other Stories | B. Traven | 0.00 | |
| Something Like a Dream | Robert Richter | 0.00 | |
| The Future of Money: How the Digital Revolution Is Transforming Currencies and Finance | Eswar S. Prasad | 0.00 | |
| Science and Human Behavior | B.F. Skinner | 0.00 | |
| Shackleton | Ranulph Fiennes | 0.00 | |
| A Question of Power: Electricity and the Wealth of Nations | Robert Bryce | 0.00 | |
| Scott's Last Expedition: The Journals | Robert Falcon Scott | 0.00 | |
| Born Digital: The Story of a Distracted Generation | Robert Wigley | 0.00 | |
| Pox: An American History | Michael Willrich | 0.00 | |
| A Hunter-Gatherer's Guide to the 21st Century: Evolution and the Challenges of Modern Life | Heather Heying, Bret Weinstein | 0.00 | |
| Gothic!: Ten Original Dark Tales | V.A., Deborah Noyes (ed.) | 0.00 | |
| Classic Tales of Ghosts and Vampires: 1 | The Story Circle | 0.00 | |
| Classic Tales of Ghosts and Vampires: 2 | The Story Circle | 0.00 | |
| The Disordered Mind: What Unusual Brains Tell Us about Ourselves | Eric R. Kandel | 0.00 | |
| You Don't Want to Know: The Grisly, Jaw-Dropping and Most Macabre Moments from History, Nature and Beyond | James Felton | 0.00 | |
| Masters of Fantasy | Bill Fawcett (ed.), Brian Thomsen (ed.) | 0.00 | |
| Adaptations: from Short Story to Big Screen | V.A., Stephanie | Harrison (ed.) | 0.00 |
| Galaxias | Stephen Baxter | 0.00 | |
| The Hoax of the Twentieth Century: The Case Against the Presumed Extermination of European Jewry | Athur R. Butz | 0.00 | |
| It Happened in Boston? | Russell H. Greenan, Jonathan Lethem | 0.00 | |
| Night without End | Alistair Maclean | 0.00 | |
| Dear Shareholder: The best executive letters from Warren Buffett, Prem Watsa and other great CEOs | Lawrence A. Cunningham | 0.00 | |
| The Midwife Murders | James Patterson, Richard DiLallo | 0.00 | |
| The Immortal Irishman: The Irish Revolutionary Who Became an American Hero | Timothy Egan | 0.00 | |
| Unsettled | Steven E. Koonin | 0.00 | |
| Bridge: 1 - Virtual Light | William Gibson | 0.00 | |
| Bridge: 2 - Idoru | William Gibson | 0.00 | |
| Burning Chrome | William Gibson | 0.00 | |
| Jackpot: 1 - The Peripheral | William Gibson | 0.00 | |
| Jackpot: 2 - Agency | William Gibson | 0.00 | |
| The Horrors: Terrifying | Tales | V.A.,Peter Carver (ed.) | 0.00 |
| Samsung Rising | Geoffrey Cain | 0.00 | |
| The Extinction Files: 1 - Pandemic | A.G. Riddle | 0.00 | |
| The Extinction Files: 2 - Genome | A.G. Riddle | 0.00 | |
| The Extinction Files: 3 - The Extinction Trials | A.G. Riddle | 0.00 | |
| Departure | A.G. Riddle | 0.00 | |
| The Origin Mystery: 1 - The Atlantis Gene | A.G. Riddle | 0.00 | |
| The Origin Mystery: 2 - The Atlantis Plague | A.G. Riddle | 0.00 | |
| The Origin Mystery: 3 - The Atlantis World | A.G. Riddle | 0.00 | |
| Winter World: 1 - Winter World | A.G. Riddle | 0.00 | |
| Winter World: 3 - The Lost Colony | A.G. Riddle | 0.00 | |
| Winter World: 2 - The Solar | War A.G. Riddle | 0.00 | |
| Going Global: Everything You Need to Know to Internationalize Your Assets and Yourself | Simon Black | 0.00 | |
| Public Opinion | Walter Lippmann | 0.00 | |
| The mune: A Journey Into the Mysterious System That Keeps You Alive | Philipp Dettmer | 0.00 | |
| The New Nationalism and the Fourth American Revolution | Michael Lind | 0.00 | |
| The New Class War Saving Democracy from the Managerial Elite | Michael Lind | 0.00 | |
| Land of Promise: And Economic History of the United States | Michael Lind | 0.00 | |
| Eddie Flynn: 1 - The Defence | Steve Cavanagh | 0.00 | |
| Eddie Flynn: 2 - The Plea | Steve Cavanagh | 0.00 | |
| Eddie Flynn: 3 - The Liar | Steve Cavanagh | 0.00 | |
| Eddie Flynn: 4 - Thirteen | Steve Cavanagh | 0.00 | |
| Amulet | Roberto Bolano | 0.00 | |
| A Little Lumpen Novelita | Roberto Bolano | 0.00 | |
| Antwerp | Roberto Bolano | 0.00 | |
| Distant Star | Roberto Bolano | 0.00 | |
| Last Evenings on Earth | Roberto Bolano | 0.00 | |
| Monsieur Pain | Roberto Bolano | 0.00 | |
| The Secret of Evil | Roberto Bolano | 0.00 | |
| The Skating Rink | Roberto Bolano | 0.00 | |
| The Third Reich | Roberto Bolano | 0.00 | |
| The Unknown University | Roberto Bolano | 0.00 | |
| The Insufferable Gaucho | Roberto Bolano | 0.00 | |
| The Return | Roberto Bolano | 0.00 | |
| Between Parentheses: Essays, Articles, and Speeches, 1998-2003 | Roberto Bolano | 0.00 | |
| Nazi Literature in the Americas | Roberto Bolano | 0.00 | |
| Get Anyone to Do Anything | David J. Lieberman | 0.00 | |
| Buying Time | Joe Haldeman | 0.00 | |
| Camouflage | Joe Haldeman | 0.00 | |
| Marsbound: 1 - Marsbound | Joe Haldeman | 0.00 | |
| Marsbound: 2 - Starbound | Joe Haldeman | 0.00 | |
| Marsbound: 3 - Earthbound | Joe Haldeman | 0.00 | |
| Old Twentieth | Joe Haldeman | 0.00 | |
| Accidental Time Machine | Joe Haldeman | 0.00 | |
| The Coming | Joe Haldeman | 0.00 | |
| The Hemingway Hoax | Joe Haldeman | 0.00 | |
| Tool of the Trade | Joe Haldeman | 0.00 | |
| Forever Peace | Joe Haldeman | 0.00 | |
| Work Done for Hire | Joe Haldeman | 0.00 | |
| Dealing in Futures | Joe Haldeman | 0.00 | |
| Short Stories | Joe Haldeman | 0.00 | |
| None So Blind | Joe Haldeman | 0.00 | |
| A Seperate War and Other Short Stories | Joe Haldeman | 0.00 | |
| Miracle Cure | Harlan Coben | 0.00 | |
| Of Plymouth Plantation, 1620-1647 | William Bradford | 0.00 | |
| Project Hail Mary | Andy Weir | 0.00 | |
| Termination Shock | Neal Stephenson | 0.00 | |
| The Hunted | Gabriel Bergmoser | 0.00 | |
| Transgressions | V.A., Ed McBain (ed.) | 0.00 | |
| Black Gold: The History of How Coal Made Britain | Jeremy Paxman | 0.00 | |
| The Outlaw Ocean: Journeys Across the Last Untamed Frontier | Ian Urbina | 0.00 | |
| The Disappearance of Childhood | Neil Postman | 0.00 | |
| Blood in the Streets: Investment Profits in a World Gone Mad | James Dale Davidson, William Rees-Mogg | 0.00 | |
| Eat That Frog! 21 Great Ways to Stop Procrastinating and Get More Done in Less | Brian Tracy | 0.00 | |
| The Last Shadow | Orson Scott Card | 0.00 | |
| Profits from Power: Readings in Protection Rents and Violence-Controlling Enterprises | Frederic C. Lane | 0.00 | |
| Requiem for a Dream | Hubert Selby Jr. | 0.00 | |
| The Rebel | Albert Camus | 0.00 | |
| Rabid | David Cronenberg | 0.00 | |
| The Brood | David Cronenberg | 0.00 | |
| The Real Anthony Fauci: Bill Gate, Big Pharma, and the Global War on Democracy | Robert F. Kennedy Jr. | k | 0.00 |
| Virus Mania | Torsten Engelbrecht, Claus Köhnlein | 0.00 | |
| The New Oxford Book of Canadian Short Stories | V.A., Margaret Atwood (ed.), Robert Weaver (ed.) | 0.00 | |
| Dark Holidays | V.A., ? ? (ed.) | 0.00 | |
| Feeling Very Strange: The Slipstream Anthology | James Patrick Kelly (ed.), John Kessel (ed.) | 0.00 | |
| Cowboy Bebop: A Syndicate Story Red Planet Requiem | Sean Cummings | 0.00 | |
| The Midnight Lock | Jeffery Deaver | 0.00 | |
| Giordano Bruno and Infinity | Roswell Parks, L. Williams | 0.00 | |
| Science Fiction: The Best of the Year 2006 | V.A., Rich Horton (ed.) | 0.00 | |
| The Horrors: Terrifying Tales, Book 2 | V.A., Peter Carver (ed.) | 0.00 | |
| The Mammoth Book of Extreme Science Fiction | V.A., Mike Ashley (ed.) | 0.00 | |
| The Space Opera Renaissance | V.A., Kathryn Cramer (ed.), David G. Hartwell (ed.) | 0.00 | |
| H.P. Lovecraft's Book of the Supernatural | V.A., Stephen Jones (ed.) | 0.00 | |
| Corruptible: Who Gets Power and How It Changes Us | Brian Klaas | 0.00 | |
| The Kraken Wakes | John Wyndham | 0.00 | |
| The Outward Urge | John Wyndham | 0.00 | |
| Chocky | John Wyndham | 0.00 | |
| Splatterpunk Fighting Back | V.A., ? ? (ed.) | 0.00 | |
| Saved | Eduard Bond | 0.00 | |
| Live Like Pigs | John Arden | 0.00 | |
| Waters of Babylon | John Arden | 0.00 | |
| A Glint of Yellow | Max Harding | 0.00 | |
| The Toltec Civilization: An Enthralling Overview of the History of the Toltecs, Starting from the Classic Maya Period in Mesoamerica to the Rise of the Aztec Empire | Enthralling History | 0.00 | |
| One Day All This Will Be Yours | Adrian Tchaikovsky | 0.00 | |
| Seed | Matthew G. Dick | 0.00 | |
| Brides of the Imapler | Edward Lee | 0.00 | |
| Bullet through Your Face | Edward Lee | 0.00 | |
| Buttermilk Graffiti | Edward Lee | 0.00 | |
| Carnal Surgery | Edward Lee | 0.00 | |
| Coven | Edward Lee | 0.00 | |
| Dahmer's Not Dead | Edward Lee | 0.00 | |
| Dread in the Beast | Edward Lee | 0.00 | |
| Edward Lee: Selected Stories | Edward Lee | 0.00 | |
| Family Tradition | Edward Lee, John Pelan | 0.00 | |
| Flesh Gothic | Edward Lee | 0.00 | |
| Grimoire Diabolique | Edward Lee | 0.00 | |
| Haunted House and Other Presidential Horrors | Edward Lee | 0.00 | |
| Header: 1 | Edward Lee | 0.00 | |
| Header: 2 | Edward Lee | 0.00 | |
| Header: 3 | Edward Lee, Ryan Harding | 0.00 | |
| The House and the Pig | Edward Lee | 0.00 | |
| City Infernal: 1 - City Infernal | Edward Lee | 0.00 | |
| City Infernal: 2 - Infernal Angel | Edward Lee | 0.00 | |
| City Infernal: 3 - House Infernal | Edward Lee | 0.00 | |
| City Infernal: 4 - Lucifer's Lottery | Edward Lee | 0.00 | |
| Incubi | Edward Lee | 0.00 | |
| Into Painfreak: A Journey of Decadence and Debauchery | V.A., Gerard Houarner (ed.) | 0.00 | |
| The Messenger | Edward Lee | 0.00 | |
| Monster Lake | Edward Lee | 0.00 | |
| Monstrosity | Edward Lee | 0.00 | |
| Night Bait | Edward Lee | 0.00 | |
| Operator B | Edward Lee | 0.00 | |
| Pages Torn from a Travel Journal | Edward Lee | 0.00 | |
| Quest for Sex, Truth, and Reality | Edward Lee | 0.00 | |
| Room 415 | Edward Lee | 0.00 | |
| Sacrifice | Edward Lee | 0.00 | |
| Shifters | Edward Lee | 0.00 | |
| Slither | Edward Lee | 0.00 | |
| The Black Train | Edward Lee | 0.00 | |
| The Chosen | Edward Lee | 0.00 | |
| The Dunwich Romance | Edward Lee | 0.00 | |
| The Golem | Edward Lee | 0.00 | |
| The Haunter of the Threshold | Edward Lee | 0.00 | |
| The House | Edward Lee | 0.00 | |
| The Innswich Horror | Edward Lee | 0.00 | |
| The Stickmen | Edward Lee | 0.00 | |
| The Ushers | Edward Lee | 0.00 | |
| Vampire Lodge | Edward Lee | 0.00 | |
| Witch Water | Edward Lee | 0.00 | |
| You Are My Everything | Edward Lee | 0.00 | |
| Mindhunter | John Douglas, Mark Olshaker | 0.00 | |
| The Cases That Haunt Us | John Douglas, Mark Olshaker | 0.00 | |
| Unnatural Causes | John Douglas, Mark Olshaker | 0.00 | |
| Obsession | John Douglas, Mark Olshaker | 0.00 | |
| Across the Table | John Douglas, Mark Olshaker | 0.00 | |
| The Anatomy of Motive | John Douglas, Mark Olshaker | 0.00 | |
| Law and Disorder | John Douglas, Mark Olshaker | 0.00 | |
| The Book of Magic | V.A., Gardner Dozois (ed.) | 0.00 | |
| Afghanistan: Graveyard of Empires Why the Most Powerful Armies of Their Time Found Only Defeat or Shame in This Land of Endless Wars | John A. Tyler | 0.00 | |
| The Fabric of Reality: The Science of Parallel Universes and its Implications | David Deutsch | 0.00 | |
| Betty Zane | Zane Grey | 0.00 | |
| Captives of the Desert | Zane Grey | 0.00 | |
| The a, and the Global War on Democracy | Robert F. Kennedy Jr. | k | 0.00 |
| Virus Mania Torsten | Engelbrecht, Claus Köhnlein | 0.00 | |
| Cowboy Bebop: A Syndicate Story | Sean Cummings | 0.00 | |
| The Horrors: Terrifying Tales, Book 2 | V.A.,Peter Carver (ed.) | 0.00 | |
| The Space | Opera | er (ed.), David G. Hartwell (ed.) | 0.00 |
| Header: 1 - ? | Edward Lee | 0.00 | |
| Header: 2 - ? | Edward Lee | 0.00 | |
| Header: 3 - ? | Edward Lee, Ryan Harding | 0.00 | |
| The Fabric oThe Fabric of Reality: The Science of Parallel Universes and its Implications | David Deutsch | 0.00 | |
| Desert Gold | Zane Grey | 0.00 | |
| Tappan's Burro | Zane Grey | 0.00 | |
| The Border Legion | Zane Grey | 0.00 | |
| The Call of the Canyon | Zane Grey | 0.00 | |
| The Desert Crucible | Zane Grey | 0.00 | |
| The Desert of Wheat | Zane Grey | 0.00 | |
| The Last Trail | Zane Grey | 0.00 | |
| The Man of the Forest | Zane Grey | 0.00 | |
| From Missouri | Zane Grey | 0.00 | |
| Great Classic Westerns | Zane Grey | 0.00 | |
| The Lone Star Ranger | Zane Grey | 0.00 | |
| The Rainbow Trail | Zane Grey | 0.00 | |
| The Spirit of the Border | Zane Grey | 0.00 | |
| The Thundering Herd | Zane Grey | 0.00 | |
| To the Last Man | Zane Grey | 0.00 | |
| Wildfire | Zane Grey | 0.00 | |
| How to Talk to a Science Denier: Conversations with Flat Earthers, Climate Deniers, and Others Who Defy Reason | Lee McIntyre | 0.00 | |
| Guantánamo Diary | Mohamedou Ould Slahi | 0.00 | |
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| Short Stories | Jorge Luis Borges | 0.00 | |
| The Aleph and Other Stories | Jorge Luis Borges | 0.00 | |
| Collected Fictions | Jorge Luis Borges | 0.00 | |
| The Wandering Unicorn | Jorge Luis Borges | 0.00 | |
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| U.S.A.: 1 - 42nd Parallel | John Dos Passos | 0.00 | |
| U.S.A.: 2 - 1919 | John Dos Passos | 0.00 | |
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| The Jacket | Jack London | 0.00 | |
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| The Clanlands Almanac: Seasonal Stories from Scotland | Sam Heughan, Graham McTavish | 0.00 | |
| Expanse: 1 - Leviathan Wakes | James. S.A. Core | 0.00 | |
| Expanse: 2 - Caliban's War | James. S.A. Core | 0.00 | |
| Expanse: 3 - Abaddon's Gate | James. S.A. Core | 0.00 | |
| Expanse: 4 - Cibola Burn | James. S.A. Core | 0.00 | |
| Expanse: 5 - Nemesis Games | James. S.A. Core | 0.00 | |
| Expanse: 6 - Babylon's Ashes | James. S.A. Core | 0.00 | |
| Expanse: 7 - Persepolis Rising | James. S.A. Core | 0.00 | |
| Expanse: 8 - Tiamat's Wrath | James. S.A. Core | 0.00 | |
| Expanse: 9 - Leviathan Falls | James. S.A. Core | 0.00 | |
| The Murder of Professor Schlick: The Rise and Fall of the Vienna Circle | David Edmonds | 0.00 | |
| Rare Earth | Kurt Allan | 0.00 | |
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| Capitalism and Freedom | Milton Friedman | 0.00 | |
| The Great Contraction, 1929-1933 | Milton Friedman | 0.00 | |
| Money Mischief | Milton Friedman | 0.00 | |
| Why Government Is the Problem | Milton Friedman | 0.00 | |
| A Monetary History of the United States 1867-1960 | Milton Friedman, Anna Jacobson Schwartz | 0.00 | |
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| Dollars, Euros, and Debt | Vito Tanzi | 0.00 | |
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| Inflation and the Personal Income | Vito Tanzi | 0.00 | |
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| Fiscal Policy and Economic : Essays in Honor of Vito Tanzi | Mario Blejer | 0.00 | |
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| Books of Blood: 2 - ? | Clive Barker | 0.00 | |
| Books of Blood: 3 - ? | Clive Barker | 0.00 | |
| Books of Blood: 4 - ? | Clive Barker | 0.00 | |
| Books of Blood: 5 - ? | Clive Barker | 0.00 | |
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| Lansdale Unchained: 3 | Joe R. Lansdale | 0.00 | |
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| Trash Theater: 2 | Joe R. Lansdale | 0.00 | |
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| Solar Pon Omnibus: Volume 2 | V.A., Basil Cooper (ed.) | 0.00 | |
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| A Diet of Treacle | Lawrence Block | 0.00 | |
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| Evan Tanner: Tanner's Virgin | Lawrence Block | 0.00 | |
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| Dance at the Slaughterhouse | Lawrence Block | 0.00 | |
| Enough Rope | Lawrence Block | 0.00 | |
| Out on the Cutting Edge | Lawrence Block | 0.00 | |
| House of Fear Anthology | V.A., Jonathan Oliver (ed.) | 0.00 | |
| Ned the Seal: 1 - Zeppelins West | Joe R. Lansdale | 0.00 | |
| Ned the Seal: 2 - Flaming London | Joe R. Lansdale | 0.00 | |
| Ned the Seal: 3 - Sky Done Ripped | Joe R. Lansdale | 0.00 | |
| Bernie Rhodenbarr: 01 - Burglars Can't Be Choosers | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 02 - The Burglar in the Closet | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 03 - The Burglar Who Liked to Quote Kipling | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 04 - The Burglar Who Studied Spinoza | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 05 - The Burglar Who Painted Like Mondrian | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 06 - The Burglar Who Traded Ted Williams | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 07 - The Burglar Who Thought He Was Bogart | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 08 - The Burglar in the Library | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 09 - The Burglar in the Rye | Lawrence Block | 0.00 | |
| Bernie Rhodenbarr: 10 - The Burglar on the Prowl | Lawrence Block | 0.00 | |
| Matthew Scudder: 01 - The Sins of the Fathers | Lawrence Block | 0.00 | |
| Matthew Scudder: 02 - Time to Murder and Create | Lawrence Block | 0.00 | |
| Matthew Scudder: 03 - in the Midst of Death | Lawrence Block | 0.00 | |
| Matthew Scudder: 04 - A Stab in the Dark | Lawrence Block | 0.00 | |
| Matthew Scudder: 05 - Eight Million Ways to Die | Lawrence Block | 0.00 | |
| Matthew Scudder: 06 - When the Sacred Ginmill Closes | Lawrence Block | 0.00 | |
| Matthew Scudder: 08 - A Ticket to the Boneyard | Lawrence Block | 0.00 | |
| Matthew Scudder: 10 - A Walk Among the Tombstones | Lawrence Block | 0.00 | |
| Matthew Scudder: 11 - The Devil Knows You're Dead | Lawrence Block | 0.00 | |
| Matthew Scudder: 12 - A Long Line of Dead Men | Lawrence Block | 0.00 | |
| Matthew Scudder: 13 - Even the Wicked | Lawrence Block | 0.00 | |
| Matthew Scudder: 14 - ? | Lawrence Block | 0.00 | |
| Matthew Scudder: 15 - Hope to Die | Lawrence Block | 0.00 | |
| Matthew Scudder: 16 - All the Flowers Are Dying | Lawrence Block | 0.00 | |
| Hap Collins and Leonard Pine: Savage Season | Joe R. Lansdale | 0.00 | |
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| Hap Collins and Leonard Pine: Hap and Leonard | Joe R. Lansdale | 0.00 | |
| Hap Collins and Leonard Pine: Hap and Leonard Ride Again | Joe R. Lansdale | 0.00 | |
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| Stories 2015 | Joe R. Lansdale | 0.00 | |
| Stories 2018 | Joe R. Lansdale | 0.00 | |
| 5 Short Stories | Joe R. Lansdale | 0.00 | |
| Five Short Stories | Joe R. Lansdale | 0.00 | |
| Stories (67 Stories) | Joe R. Lansdale | 0.00 | |
| Stories (110 Stories) | Joe R. Lansdale | 0.00 | |
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| Weird Detectives: Sequels | Joe R. Lansdale | 0.00 | |
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| Harbor | John Ajvide Lindqvist | 0.00 | |
| The Hard Thing about Hard Things | Ben Horowitz | 0.00 | |
| Phishing for Phools: The Economics of Manipulation and Deception | George A. Akerlof, Robert J. Shiller | 0.00 | |
| Hate Inc. | Matt Taibbi | 0.00 | |
| Claudius: 1 - I, Claudius | Robert Graves | 0.00 | |
| Claudius: 2 - Claudius the God | Robert Graves | 0.00 | |
| The Bridge of San Luis ension: Selected Essays | Joseph Campbell | 0.00 | |
| A Theory of Human Motivation | Abraham H. Maslow | 0.00 | |
| Hitler's American Gamble: Pearl Harbor and Germany's March to Global War | Brendan Simms, Charlie Laderman | 0.00 | |
| Culture: 1 - Consider Phlebas | Iain Banks | 0.00 | |
| Culture: 2 - The Player of Games | Iain Banks | 0.00 | |
| Culture: 3 - Use of Weapons | Iain Banks | 0.00 | |
| Culture: 4 - The State of the Art | Iain Banks | 0.00 | |
| Culture: 5 - Excession | Iain Banks | 0.00 | |
| Culture: 6 - Inversions | Iain Banks | 0.00 | |
| Culture: 7 - Look to Windward | Iain Banks | 0.00 | |
| Culture: 8 - Matter | Iain Banks | 0.00 | |
| Culture: 9 - Surface Detail | Iain Banks | 0.00 | |
| The Last Green Valley | Mark Sullivan | 0.00 | |
| Classic Science Fiction: Volume 1 | V.A., ? ? (ed.) | 0.00 | |
| Classic Science Fiction: Volume 2 | V.A., ? ? (ed.) | 0.00 | |
| Classic Science Fiction: Volume 3 | V.A., ? ? (ed.) | 0.00 | |
| Rush of Blood | Mark Billingham | 0.00 | |
| The Tourist | Olen Steinhauer | 0.00 | |
| Humboldt's Gift | Saul Bellow | 0.00 | |
| The Pastures of Heaven | John Steinbeck | 0.00 | |
| The Acts of King Arthur and His Noble Knights | John Steinbeck | 0.00 | |
| Arrowsmith | Sinclair Lewis | 0.00 | |
| If You Could Only See Me Now | Peter Straub | 0.00 | |
| The Day of the Jackal | Frederick Forsyth | 0.00 | |
| Rockonomics | Alan B. Krueger | 0.00 | |
| Steampunk | V.A., Ann VanderMeer (ed.) | 0.00 | |
| The Living Dead | V.A., John Joseph Adams (ed.) | 0.00 | |
| The Starry Rift | V.A., Jonathan Strahan (ed.) | 0.00 | |
| The Diary of Samuel Pepys | Hattie Naylor | 0.00 | |
| The Oxford Book of American Detective Stories | V.A., Tony Hillerman (ed.), Rosemary Herbert (ed.) | 0.00 | |
| Wastelands: Stories of the Apocalypse | V.A., John Joseph Adams (ed.) | 0.00 | |
| Twisted | Steve Cavanagh | 0.00 | |
| The Lords of Easy Money | Christopher Leonard | 0.00 | |
| Deutsche Bank, Donald Trump, and an Epic Trail of Destruction | David Enrich | 0.00 | |
| The Smart Money Method | Stephen Clapham | 0.00 | |
| Money Magic | Laurence Kotlikoff | 0.00 | |
| Hedge Fund Market Wizards | Jack Schwager | 0.00 | |
| Capital Allocators | Ted Seides | 0.00 | |
| The Boy in the Dress | David Walliams | 0.00 | |
| Billionaire Boy | David Walliams | 0.00 | |
| Mr. Stink | David Walliams | 0.00 | |
| Demon Dentist | David Walliams | 0.00 | |
| Awful Auntie | David Walliams | 0.00 | |
| Grandpa's Great Escape | David Walliams | 0.00 | |
| The Midnight Gang | David Walliams | 0.00 | |
| The World's Worst Children: 1 | David Walliams | 0.00 | |
| The World's Worst Children: 2 | David Walliams | 0.00 | |
| The World's Worst Children: 3 | David Walliams | 0.00 | |
| The Ice Monster | David Walliams | 0.00 | |
| Bad Dad | David Walliams | 0.00 | |
| Fing | David Walliams | 0.00 | |
| The Beast of Buckingham Palace | David Walliams | 0.00 | |
| The World's Worst Teachers | David Walliams | 0.00 | |
| Slime | David Walliams | 0.00 | |
| The World's Worst Parents | David Walliams | 0.00 | |
| Gangsta Granny | David Walliams | 0.00 | |
| One Flew over the Cuckoo's Nest 50th Anniversary Edition | Ken Kesey | 0.00 | |
| Flowers for Algernon | Daniel Keyes | 0.00 | |
| The Stuff of Thought Language as a Window Into Human Nature | Steven Pinker | 0.00 | |
| Atlas Shrugged | Ayn Rand | 0.00 | |
| Hijacked Histories | Dominic Sandbrook | 0.00 | |
| A Feast of Vultures: The Hidden Business of Democracy in India | Josy Joseph | 0.00 | |
| Train Dreams | Denis Johnson | 0.00 | |
| God's Equation | Amir Aczel | 0.00 | |
| erican Elites Get Rich Helping China Win | Peter Schweizer | 0.00 | |
| Memoirs of Extraordinary Popular Delusions and the Madness of Crowds | Charles Mackay | 0.00 | |
| Catch-22 | Joseph Heller | 0.00 | |
| Closing Time | Joseph Heller | 0.00 | |
| Asimov's Science Fiction: 2009 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2009 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2010 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2011 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2012 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2013 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2014 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2015 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2016 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 January | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 March | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 April-May | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 September | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 October-November | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2017 December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2018 January-February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2018 March-April | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2018 May-June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2018 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2018 September-October | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2018 November-December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2019 January-February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2019 March-April | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2019 May-June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2019 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2019 September-October | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2019 November-December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2020 January-February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2020 March-April | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2020 May-June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2020 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2020 September-October | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2020 November-December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2021 January-February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2021 March-April | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2021 May-June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2021 July-August | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2021 September-October | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2021 November-December | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2022 September-October | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2023 January-February | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2023 March-April | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2023 May-June | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2023 September-October | V.A., Sheila Williams (ed.) | 0.00 | |
| Asimov's Science Fiction: 2023 November-December | V.A., Sheila Williams (ed.) | 0.00 | |
| Stuff You Should Know: An Incomplete Compendium of Mostly Interesting Things | Josh Clark, Chuck Bryant | 0.00 | |
| Scotland: A History from Earliest Times | Alistair Moffat | 0.00 | |
| Metabolical: The Lure and Lies of Processed Food, Nutrition, and Modern Medicine | Robert H. Lustig | 0.00 | |
| One Day in the Life of Ivan Denisovich | Aleksandr Solzhenitsyn | 0.00 | |
| Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis | John Nichols | 0.00 | |
| American Fantastic Tales: Terror and the Uncanny from the 1940s to Now | V.A., Peter Straub (ed.) | 0.00 | |
| By Blood We Live | V.A., John Joseph Adams (ed.) | 0.00 | |
| Fearful Symmetry | Michael McBride | 0.00 | |
| Burial Ground | Michael McBride | 0.00 | |
| The Undiscovered Self | Carl Jung | 0.00 | |
| The Progress of a Crime | Julian Symons | 0.00 | |
| Mr. Bowling Buys a Newspaper: Detective Club Crime Classics | Donald Henderson | 0.00 | |
| The Saltwater Marathon | Jonathan Chateau | 0.00 | |
| The Sprawling | Jonathan Chateau | 0.00 | |
| A Scanner Darkly | Philip K. Dick | 0.00 | |
| Keeping the Wolf out | Philip Palmer | 0.00 | |
| Bend Sinister | Vladimir Nabokov | 0.00 | |
| Laughter in the Dark | Vladimir Nabokov | 0.00 | |
| Mary | Vladimir Nabokov | 0.00 | |
| Cold Snap | Francis King | 0.00 | |
| Act of Darkness | Francis King | 0.00 | |
| Prodigies | Francis King | 0.00 | |
| Punishments | Francis King | 0.00 | |
| Sexuality, Magic and Perversion | Francis King | 0.00 | |
| The Firewalkers | Francis King | 0.00 | |
| The Nick of Time | Francis King | 0.00 | |
| The One and Only | Francis King | 0.00 | |
| The Sunlight on the Garden | Francis King | 0.00 | |
| The Waves behind the Boat | Francis King | 0.00 | |
| To the Dark Tower | Francis King | 0.00 | |
| Voices in an Empty Room | Francis King | 0.00 | |
| With My Little Eye | Francis King | 0.00 | |
| Searching for Stars on an Island in Maine | Alan Lightman | 0.00 | |
| The Great Reckoning: How the World Will Change in the Depression of the 1990s | James Dale Davidson, William Rees-Mogg | 0.00 | |
| Psychogeography: Disentangling the Modern Conundrum of Psyche and Place | Will Self, Ralph Steadman | 0.00 | |
| The Poor Mouth: A Bad Story about the Hard Life | Flann O'Brien | 0.00 | |
| Nextinction | Cery Levi, Ralph Steadman | 0.00 | |
| Ralph Steadman's Critical Creatures | Cery Levi, Ralph Steadman | 0.00 | |
| Psycho Too | Will Self, Ralhph Steadman | 0.00 | |
| Doodaaa | Ralhph Steadman | 0.00 | |
| Opal Country | Chris Hammer | 0.00 | |
| 100 Mistakes That Changed History | Bill Fawcett | 0.00 | |
| 1950s Tales from Outer Space | V.A., Eric Shamblen (ed.) | 0.00 | |
| A Lamp for Medusa | William Tenn | 0.00 | |
| A Man of Family | William Tenn | 0.00 | |
| A Matter of Frequency | William Tenn | 0.00 | |
| Any More at Home Like You | Chad Oliver | 0.00 | |
| Artifact | Chad Oliver | 0.00 | |
| Backwards in Time | Chad Oliver | 0.00 | |
| Bernie the Faust | William Tenn | 0.00 | |
| Betelgeuse Bridge | William Tenn | 0.00 | |
| Blood's a Rover | Chad Oliver | 0.00 | |
| Child's Play (Destroyer 23) | William Tenn | 0.00 | |
| Complete Science Fiction of William Tenn: 1 - Modest Proposals | William Tenn | 0.00 | |
| Complete Science Fiction of William Tenn: 2 - Here Comes Civilization | William Tenn | 0.00 | |
| Confusion Cargo | William Tenn | 0.00 | |
| Doomed to Repeat | Bill Fawcett | 0.00 | |
| Down Among the Dead Men | William Tenn | 0.00 | |
| Eastward Ho! | William Tenn | 0.00 | |
| Field Experiment | Chad Oliver | 0.00 | |
| Firewater | William Tenn | 0.00 | |
| Generation of Noah | William Tenn | 0.00 | |
| Hallock's Madness | William Tenn | 0.00 | |
| Hands Across Space | Chad Oliver | 0.00 | |
| Here Be Dragons: Tails of Dragoncon | V.A., Fawcett Bill (ed.) | 0.00 | |
| How to Lose a Battle | Bill Fawcett | 0.00 | |
| How to Lose the Civil War | Bill Fawcett | 0.00 | |
| How to a War at Sea | Bill Fawcett | 0.00 | |
| How to a War | Bill Fawcett | 0.00 | |
| It Looked Good on Paper | Bill Fawcett | 0.00 | |
| King of the Hill | Chad Oliver | 0.00 | |
| Lisbon Cubed | William Tenn | 0.00 | |
| Me, Myself and I | William Tenn | 0.00 | |
| Mistress Sary | William Tenn | 0.00 | |
| Monitor Chad (Caravans Unlimited) | Chad Oliver | 0.00 | |
| Of Men and Monsters | William Tenn | 0.00 | |
| Oval Office Oddities | Bill Fawcett | 0.00 | |
| Party of the Two Parts | William Tenn | 0.00 | |
| Project Hush | William Tenn | 0.00 | |
| Ricardo's Virus | William Tenn | 0.00 | |
| Rite of Passage | Chad Oliver | 0.00 | |
| Sanctuary | William Tenn | 0.00 | |
| Shadows of the New Sun: Stories in Honor of Gene Wolfe | V.A., J.E. Mooney (ed.), Bill Fawcett (ed.) | 0.00 | |
| Shaka! | Chad Oliver | 0.00 | |
| She Only Goes out at Night | William Tenn | 0.00 | |
| Stability Chad (Caravans Unlimited) | Chad Oliver | 0.00 | |
| Stardust | Chad Oliver | 0.00 | |
| Tansfusion | Chad Oliver | 0.00 | |
| The Ant and the Eye | Chad Oliver | 0.00 | |
| The Discovery of Morniel Mathaway | William Tenn | 0.00 | |
| The Edge of Forever | Chad Oliver | 0.00 | |
| The Girl and Some Kind of Past and George | William Tenn | 0.00 | |
| The Human Angle | William Tenn | 0.00 | |
| The Liberation of Earth | William Tenn | 0.00 | |
| The Masculinist Revolt | William Tenn | 0.00 | |
| The Middle Men | Chad Oliver | 0.00 | |
| The Nearly Complete Short Fiction | William Tenn | 0.00 | |
| The Servant Problem | William Tenn | 0.00 | |
| The Sickness | William Tenn | 0.00 | |
| The Tenants | William Tenn | 0.00 | |
| The Winds of Time | Chad Oliver | 0.00 | |
| There Were People on Bikini, There Were People on Attu | William Tenn | 0.00 | |
| Three in time | Wilson Tucker | 0.00 | |
| Time Waits for Winthrop | William Tenn | 0.00 | |
| The Flat-Eyed Monster | William Tenn | 0.00 | |
| Time in Advance | William Tenn | 0.00 | |
| Unearthly Neighbors | Chad Oliver | 0.00 | |
| Wall, Stone, Craft | Walter Jon Williams | 0.00 | |
| Wednesday's Child | William Tenn | 0.00 | |
| Will You Walk a Little Faster | William Tenn | 0.00 | |
| Winthrop Was Stubborn | William Tenn | 0.00 | |
| Witness | Walter Jon Williams | 0.00 | |
| Wolf Time | Walter Jon Williams | 0.00 | |
| Worlds That Weren't | V.A., ? ? (ed.) | 0.00 | |
| Woundhealer | Walter Jon Williams | 0.00 | |
| You Did What? | Bill Fawcett, Bian Thomsen | 0.00 | |
| You Said What? | Bill Fawcett | 0.00 | |
| The aking of Sigmund Freund | Barry Malzberg | 0.00 | |
| Tactics of Conquest | Barry Malzberg | 0.00 | |
| Galaxies | Barry Malzberg | 0.00 | |
| Beyond Apollo | Barry Malzberg | 0.00 | |
| Superluminary: 1 | John C. Wright | 0.00 | |
| Superluminary: 2 | John C. Wright | 0.00 | |
| Superluminary: 3 | John C. Wright | 0.00 | |
| By Any Other Name | Spider Robinson | 0.00 | |
| Callahan: Callahan's Crosstime Saloon | Spider Robinson | 0.00 | |
| Callahan: Time Travelers Strictly Cash | Spider Robinson | 0.00 | |
| Callahan: Callahan's Secret | Spider Robinson | 0.00 | |
| Callahan: Callahan's Lady | Spider Robinson | 0.00 | |
| Callahan: Lady Slings the Booze | Spider Robinson | 0.00 | |
| Callahan: The Callahan Touch | Spider Robinson | 0.00 | |
| Callahan: Callahan's Legacy | Spider Robinson | 0.00 | |
| Callahan: Callahan's Key | Spider Robinson | 0.00 | |
| Callahan: Callahan's Con | Spider Robinson | 0.00 | |
| And Subsequent Construction | Spider Robinson | 0.00 | |
| Antinomy | Spider Robinson | 0.00 | |
| Admiral Bob | Spider Robinson | 0.00 | |
| Distraction | Spider Robinson | 0.00 | |
| God Is an Iron | Spider Robinson | 0.00 | |
| His Own Petard | Spider Robinson | 0.00 | |
| It's a Sunny Day | Spider Robinson | 0.00 | |
| Melancholy Elephants | Spider Robinson | 0.00 | |
| Deathkiller: 1 - Mindkiller | Spider Robinson | 0.00 | |
| Deathkiller: 2 - Time Pressure | Spider Robinson | 0.00 | |
| Deathkiller: 3 - Lifehouse | Spider Robinson | 0.00 | |
| Night of Power | Spider Robinson | 0.00 | |
| Orphans of Eden | Spider Robinson | 0.00 | |
| Pandor's Last Gift | Spider Robinson | 0.00 | |
| Squirrel Seeks Chipmunk: A Wicked Bestiary | David Sedaris | 0.00 | |
| Legends II: Unabridged Selections: Unabridged Selections | V.A., Robert Silverberg (ed.) | 0.00 | |
| Legends II: New Short Novels by the Masters of Modern Fantasy | V.A., Robert Silverberg (ed.) | 0.00 | |
| The Diggers of Colditz | Jack Champ, Colin Burgess | 0.00 | |
| Salt to the Sea | Ruta Sepetys | 0.00 | |
| Out of the Easy | Ruta Sepetys | 0.00 | |
| Between Shades of Gray | Ruta Sepetys | 0.00 | |
| Why Is Sex Fun?: The Evolution of Human Sexuality | Jared Diamond | 0.00 | |
| Grand Transitions: How the Modern World Was Made | Vaclav Smil | 0.00 | |
| Evolution and Conversion | René Girard | 0.00 | |
| Christianity, Truth, and Weakening Faith | René Girard | 0.00 | |
| Evolution of Desire | René Girard | 0.00 | |
| The Palgrave Handbook of Mimetic Theory | René Girard | 0.00 | |
| After the Fade | Ronald Malfi | 0.00 | |
| Borealis | Ronald Malfi | 0.00 | |
| Cradle Lake | Ronald Malfi | 0.00 | |
| December Park | Ronald Malfi | 0.00 | |
| Floating Staircase | Ronald Malfi | 0.00 | |
| Little Girls | Ronald Malfi | 0.00 | |
| Mr. Cables | Ronald Malfi | 0.00 | |
| Passenger | Ronald Malfi | 0.00 | |
| Shamrock Alley | Ronald Malfi | 0.00 | |
| Skullbelly | Ronald Malfi | 0.00 | |
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| What Fears Become: An Anthology from the Horror Zine | V.A., ? ? (ed.) | 0.00 | |
| Dungeon Hacks | David L. Craddock | 0.00 | |
| Beneath a Starless Sky | David L. Craddock | 0.00 | |
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| It | Stephen King | 0.00 | |
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| Lost in Space | Pat Cadigan | 0.00 | |
| Inferno | V.A., Ellen Datlow (ed.) | 0.00 | |
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| Subterrestrial | Michael McBride | 0.00 | |
| Watt | Samuel Beckett | 0.00 | |
| How It Is | Samuel Beckett | 0.00 | |
| The Complete Short Prose | Samuel Beckett | 0.00 | |
| The Complete Dramatic Works | Samuel Beckett | 0.00 | |
| The Collected Shorter Plays | Samuel Beckett | 0.00 | |
| Collected Poems in English and French | Samuel Beckett | 0.00 | |
| More Pricks Than Kicks | Samuel Beckett | 0.00 | |
| Company | Samuel Beckett | 0.00 | |
| Worstward Ho | Samuel Beckett | 0.00 | |
| Disjecta | Samuel Beckett | 0.00 | |
| Murcier and Camier | Samuel Beckett | 0.00 | |
| Knapp's Last Tape | Samuel Beckett | 0.00 | |
| Engame | Samuel Beckett | 0.00 | |
| Act without Words | Samuel Beckett | 0.00 | |
| Dream of Fair to Middling Women | Samuel Beckett | 0.00 | |
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| Tobacco Road | Erskine Caldwell | 0.00 | |
| High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies | Erik Davis, Philip K. Dick, Terence K. McKenna, Robert Anton Wilson | 0.00 | |
| Masks of the Illuminati | Robert Anton Wilson | 0.00 | |
| Neuropolitics | Timothy Leary, Robert Anton Wilson | 0.00 | |
| High Priest | Timothy Leary | 0.00 | |
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| The Perfect King: The Life of Edward III, Father of the English Nation | Ian Mortimer | 0.00 | |
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| King John: Treachery and Tyranny in Medieval England: The Road to Magna Carta | Marc Morris | 0.00 | |
| Nathaniel McCormick: 1 - Isolation Ward | Joshua Spanogle | 0.00 | |
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| The Transmigration of Bodies | Yuri Herrera | 0.00 | |
| Kingdom Cons | Yuri Herrera | 0.00 | |
| Signs Preceding the End of the World | Yuri Herrera | 0.00 | |
| Tell Tale | Jeffrey Archer | 0.00 | |
| Rust and Bone | Nick Cutter | 0.00 | |
| Cataract City | Nick Cutter | 0.00 | |
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| Surreal Numbers | Donald E. Knuth | 0.00 | |
| The Art of Computer Programming: 1 | Donald E. Knuth | 0.00 | |
| The Art of Computer Programming: 2 | Donald E. Knuth | 0.00 | |
| The Art of Computer Programming: 3 | Donald E. Knuth | 0.00 | |
| Spillover: Animal Infections and the Next Human Pandemic | David Quammen | 0.00 | |
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| Strange Pilgrims | Gabriel García Márquez | 0.00 | |
| The Teddies Saga: 1 | Daniel Kraus | 0.00 | |
| The Teddies Saga: 2 | Daniel Kraus | 0.00 | |
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| The Adventures of the Mountain Men: True Tales of Hunting, Trapping, Fighting, Adventure, and Survival | Stephen Brennan | 0.00 | |
| The Dragon Book | V.A., Jack Dann (ed.), Gardner Dozois (ed.) | 0.00 | |
| The Improbable Adventures of Sherlock Holmes | V.A., John Joseph Adams (ed.) | 0.00 | |
| The Best Science Fiction and Fantasy of the Year: Volume 03 | V.A. Jonathan Strahan (ed.) | 0.00 | |
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| Selected Shorts: A Touch of Magic | V.A., Symphony Space | 0.00 | |
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| Dagmar Shaw: 2 - Deep State | Walter Jon Williams | 0.00 | |
| Dagmar Shaw: 3 - The Fourth Wall | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: 1 - The Praxis | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: 2 - The Sundering | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: 3 - Conventions of War | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: 4 - Impersonations | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: 5 - The Accidental War | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: 6 - Fleet Elements | Walter Jon Williams | 0.00 | |
| Dread Empire's Fall: Investments | Walter Jon Williams | 0.00 | |
| Quillifer: 1 - Quillifer | Walter Jon Williams | 0.00 | |
| Stand Alone | Walter Jon Williams | 0.00 | |
| Classic Tales of Horror | V.A., Martin H. Greenberg (ed.) | 0.00 | |
| Malevil | Robert Merle | 0.00 | |
| The Night Shift | Alex Finlay | 0.00 | |
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| Body Snatchers | Jack Finney | 0.00 | |
| From Time to Time | Jack Finney | 0.00 | |
| Things You Should Know | A.M. Homes | 0.00 | |
| The Mistress's Daughter | A.M. Homes | 0.00 | |
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| Days of Awe | A.M. Homes | 0.00 | |
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| May We Be Forgotten | A.M. Homes | 0.00 | |
| Off the Edge | Kelly Weill | 0.00 | |
| The Man from the Future | Ananyo Bhattacharya | 0.00 | |
| Fake Physics: Spoofs, Hoaxes and Fictitious Science | Andrew May | 0.00 | |
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| Brass Check | Upton Sinclair | 0.00 | |
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| Tokyo: 1 - Tokyo Year Zero | David Peace | 0.00 | |
| Tokyo: 2 - Occupied City | David Peace | 0.00 | |
| Tokyo: 3 - Tokyo Redux | David Peace | 0.00 | |
| The Downfall of Money: Germany's Hyperinflation and the Destruction of the Middle Class | Frederick Taylor | 0.00 | |
| The Berlin Wall | Frederick Taylor | 0.00 | |
| The Image: A Guide to Pseudo-Events in America | Daniel Boorstin | 0.00 | |
| The Seekers: The Story of Man's Continuing Quest to Understand His World | Daniel Boorstin | 0.00 | |
| The Americans: The Democratic Experience | Daniel Boorstin | 0.00 | |
| The New Market Wizards | Jack Schwager | 0.00 | |
| Market Wizards | Jack Schwager | 0.00 | |
| Dark Iceland: 3 - Blackout | Ragnar Jonasson | 0.00 | |
| Dark Iceland: 4 - Rapture | Ragnar Jonasson | 0.00 | |
| The Searching Dead | Ramsey Campbell | 0.00 | |
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| Astounding | Alec Nevala-Lee | 0.00 | |
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| Bullet Train | Kotaro Isaka, Sam Malissa (tr.) | 0.00 | |
| Micromegas and Other Short Fictions | Francois Voltaire, Theo Cuffe (tr.) | 0.00 | |
| The Church History | Eusebius, Paul L. Maier (tr.) | 0.00 | |
| The Cartographers | Peng Shepherd | 0.00 | |
| The Vampire Archives | V.A., Otto Penzler (ed.) | 0.00 | |
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| The New Space Opera: 2 | V.A., Gardner Dozois (ed.), Jonathan Strahan (ed.) | 0.00 | |
| A Short History of Nearly Everything | Bill Bryson | 0.00 | |
| A Walk in the Woods | Bill Bryson | 0.00 | |
| At Home | Bill Bryson | 0.00 | |
| Bill Bryson's African Diary | Bill Bryson | 0.00 | |
| I'm a Stranger Here Myself | Bill Bryson | 0.00 | |
| Icons of England | V.A., Bill Bryson (ed.) | 0.00 | |
| in a Sunburned Country | Bill Bryson | 0.00 | |
| Lost Continent | Bill Bryson | 0.00 | |
| Made in America | Bill Bryson | 0.00 | |
| Mother Tongue | Bill Bryson | 0.00 | |
| Neither Here Nor There: Travels in Europe | Bill Bryson | 0.00 | |
| Notes from a Big Country | Bill Bryson | 0.00 | |
| Notes from a Small Island | Bill Bryson | 0.00 | |
| One Summer: America 1927 | Bill Bryson | 0.00 | |
| Seeing Further | Bill Bryson | 0.00 | |
| The Lost Continent: Travels in Small-Town America | Bill Bryson | 0.00 | |
| The Mother Tongue: English and How It Got That Way | Bill Bryson | 0.00 | |
| The Road to Little Dribbling: More Notes from a Small Island | Bill Bryson | 0.00 | |
| Paradise Sky | Joe R. Lansdale | 0.00 | |
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| DS Max Cragie: 2 - Blood Tide | Neil Lancaster | 0.00 | |
| The Pickwick Papers | Charles Dickens | 0.00 | |
| Great Expectations | Charles Dickens | 0.00 | |
| Nicholas Nickleby | Charles Dickens | 0.00 | |
| Cat Country | Lao She | 0.00 | |
| Mr. Ma and Son | Lao She | 0.00 | |
| What It Is Like to Go to War | Karl Marlantes | 0.00 | |
| Matterhorn | Karl Marlantes | 0.00 | |
| Deep River | Karl Marlantes | 0.00 | |
| Tonight I Said Goodbye | Michael Koryta | 0.00 | |
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| A Common Sense Strategy for Survivalists | Karl Hess | 0.00 | |
| Blind Site | Andrew Van Wey | 0.00 | |
| Forsaken | Andrew Van Wey | 0.00 | |
| Confession to Conspiracy | V.A., ? ? (ed.) | 0.00 | |
| Bully of Asia | Arthur R. Kroeber | 0.00 | |
| China's Economy | Steven W. Mosher | 0.00 | |
| Capitalism, the Unknown Ideal | Ayn Rand | 0.00 | |
| Currency Wars | Jack Richards | 0.00 | |
| Lession from a History of Financial Disasters | Connel Fullenkamp | 0.00 | |
| Understanding Investments | Connel Fullenkamp | 0.00 | |
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| The Year's Top Ten Tales of Science Fiction | V.A., Alan Kaster (ed.) | 0.00 | |
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| The Lighthouse at the End of the World | Jules Verne | 0.00 | |
| Journey to the Center of the Earth | Jules Verne | 0.00 | |
| Captain Grant's Children | Jules Verne | 0.00 | |
| 20000 Leagues Under the Sea | Jules Verne | 0.00 | |
| Captain Nemo | Jules Verne | 0.00 | |
| The Mysterious Island | Jules Verne | 0.00 | |
| An Antarctic Mystery | Jules Verne | 0.00 | |
| Michael Strogoff | Jules Verne | 0.00 | |
| From the Earth to the Moon | Jules Verne | 0.00 | |
| Paris in the Twentieth Century | Jules Verne | 0.00 | |
| The Underground City | Jules Verne | 0.00 | |
| Robur the Conqueror | Jules Verne | 0.00 | |
| A Trip to the Moon and Around It | Jules Verne | 0.00 | |
| 800 League on the Amazon | Jules Verne | 0.00 | |
| The Assassination of Julius Caesar: A People's History of Ancient Rome | Michael Parenti | 0.00 | |
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| Lost Horizon | James Hilton, George Wells (adp.) | 0.00 | |
| The Dumbest Generation | Mark Bauerlein | 0.00 | |
| Ccru: Writings 1997-2003 | Ccru, Nick Land | 0.00 | |
| Nine Lives | Peter Swanson | 0.00 | |
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| Hitler's Hangman | Robert Gerwarth | 0.00 | |
| Best American Short Stories of the Century | V.A., John Updike (ed.) | 0.00 | |
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| The Earthworm Gods: 1 - The Earthword Gods | Brian Keene | 0.00 | |
| The Earthworm Gods: 2 - Deluge | Brian Keene | 0.00 | |
| The Earthworm Gods: 3 - Selected Scenes from the End of the World | Brian Keene | 0.00 | |
| Levi Stoltzfus: 1 - Dark Hollow | Brian Keene | 0.00 | |
| Levi Stoltzfus: 2 - Ghost Walk | Brian Keene | 0.00 | |
| Levi Stoltzfus: 3 - A Gathering of Crows | Brian Keene | 0.00 | |
| Levi Stoltzfus: 4 - Last of the Albatwitches | Brian Keene | 0.00 | |
| Nemesai | Del James, Brian Keene | 0.00 | |
| Clickers: 1 - Clickers | J.F. Gonzalez, Brian Keene | 0.00 | |
| Clickers: 2 - Clickers II | J.F. Gonzalez, Brian Keene | 0.00 | |
| Clickers: 3 - Clickers III: Dagon Rising | J.F. Gonzalez, Brian Keene | 0.00 | |
| Clickers: Clickers vs. Zombies | J.F. Gonzalez, Brian Keene | 0.00 | |
| Clickers: Clickers Forever | J.F. Gonzalez, Brian Keene | 0.00 | |
| Clickers: Clickers Never Die | J.F. Gonzalez, Brian Keene | 0.00 | |
| The Complete Short Story Fiction of Brian Keene: 1 - Blood on the Page | Brian Keene | 0.00 | |
| The Complete Short Story Fiction of Brian Keene: 2 - All Dark, All the Time | Brian Keene | 0.00 | |
| The Complete Short Story Fiction of Brian Keene: 3 - Love Letters from a Nihilist | Brian Keene | 0.00 | |
| The Complete Short Story Fiction of Brian Keene: Where We Live and Die | Brian Keene | 0.00 | |
| The Rising: 1 - The Rising | Brian Keene | 0.00 | |
| The Rising: 2 - City of the Dead | Brian Keene | 0.00 | |
| The Rising: 3 - Selected Scenes from the End of the World | Brian Keene | 0.00 | |
| The Rising: 4 - Deliverance | Brian Keene | 0.00 | |
| Gothic: 1 - Urban Gothic | Brian Keene | 0.00 | |
| Gothic: 2 - Suburban Gothic | Brian Keene | 0.00 | |
| Bastards: 1 - King of the Bastards | Brian Keene | 0.00 | |
| Bastards: 2 - Throne of the Bastards | Brian Keene | 0.00 | |
| Shades | Brian Keene | 0.00 | |
| The Cage | Brian Keene | 0.00 | |
| Jack's Magic Beans | Brian Keene | 0.00 | |
| Pressure | Brian Keene | 0.00 | |
| Dead Sea | Brian Keene | 0.00 | |
| The Painted Darkness | Geoff Cooper, Brian Keene | 0.00 | |
| Seize the Night | John Urbancik, Brian Keene | 0.00 | |
| Tequila's Sunrise | Brian Keene | 0.00 | |
| The Girl on the Glider | Brian Keene | 0.00 | |
| Sixty-Five Stirrup Iron Road | V.A., ? ? (ed.) | 0.00 | |
| The Lost Level: 1 - The Lost Level | Brian Keene | 0.00 | |
| The Lost Level: 2 - ned Highway: Fear and Loathing in Arkham | Brian Keene, Nick Mamatas | 0.00 | |
| Scratch | Brian Keene | 0.00 | |
| Welcome to the Show: 17 Horror Stories One Legendary Venue | V.A., ? ? (ed.) | 0.00 | |
| Dark Faith | V.A., ? ? (ed.) | 0.00 | |
| Max Slade: 1 - Murder.com | David Deutsch | 0.00 | |
| Max Slade: 2 - The Killing Green | David Deutsch | 0.00 | |
| Gone to See the River Man | Kristopher Triana | 0.00 | |
| When Things Get Dark: Stories Inspired by Shirley Jackson | V.A., Ellen Datlow (ed.) | 0.00 | |
| The Great Delusion | John J. Mearsheimer | g | 0.00 |
| Andrew Yancy: 1 - Bad Monkey | Carl Hiaasen | 0.00 | |
| Andrew Yancy: 2 - Razor Girl | Carl Hiaasen | 0.00 | |
| Bad Monkey | Carl Hiaasen | 0.00 | |
| Basket Case | Carl Hiaasen | 0.00 | |
| Black Lizard: 1 - Powder Burn | Carl Hiaasen | 0.00 | |
| Black Lizard: 2 - Trap Line | Carl Hiaasen | 0.00 | |
| Black Lizard: 3 - A Death in China | Carl Hiaasen | 0.00 | |
| Lucky You | Carl Hiaasen | 0.00 | |
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| Nature Girl | Carl Hiaasen | 0.00 | |
| Skink: 1 - Double Whammy | Carl Hiaasen | 0.00 | |
| Skink: 2 - Native Tongue | Carl Hiaasen | 0.00 | |
| Skink: 3 - Stormy Weather | Carl Hiaasen | 0.00 | |
| Skink: 4 - Sick Puppy | Carl Hiaasen | 0.00 | |
| Skink: 5 - Skinny Dip | Carl Hiaasen | 0.00 | |
| Skink: 6 - Star Island | Carl Hiaasen | 0.00 | |
| Skink: 7 - No Surrender | Carl Hiaasen | 0.00 | |
| Skink: 8 - Squeeze Me | Carl Hiaasen | 0.00 | |
| Strip Tease | Carl Hiaasen | 0.00 | |
| Tourist Season | Carl Hiaasen | 0.00 | |
| The Third an Codebreaking 1939-45 | Christian Jennings | 0.00 | |
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| Hobbomock | Ryan C. Thomas | 0.00 | |
| The Making of Modern Economics: The Lives and Ideas of the Great Thinkers | Mark Skousen | 0.00 | |
| McAuslan in the Rough | George MacDonald Fraser | 0.00 | |
| Grain Brain | David Perlmutter, Kristin Loberg | 0.00 | |
| Tall Oaks | Chris Whitaker | 0.00 | |
| Beyond Psychology | Wilhelm Reich | c | 0.00 |
| Sherlock Holmes and the Christmas Demon | James Lovegrove | 0.00 | |
| Dead Mans Rock | Arthur Quiller-Couch | 0.00 | |
| Behave: The Biology of Humans at Our Best and Worst | Robert M. Sapolsky | 0.00 | |
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| The Deep Self | John C. Lilly | 0.00 | |
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| Complete Weird Tales of Robert W. Chambers | Robert W. ChamChambers | 0.00 | |
| Deep in the Woods: The 1935 Kidnapping of Nine-Year-Old George Weyerhaeuser, Heir to America's Mightiest Timber Dynasty | Bryan Johnston | 0.00 | |
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| The Way of All Flesh | Samuel Butler | 0.00 | |
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| The Radleys | Matt Haig | 0.00 | |
| The Humans | Matt Haig | 0.00 | |
| How to Stop Time | Matt Haig | 0.00 | |
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| The Burning | Bentley Little | 0.00 | |
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| The Ignored | Bentley Little | 0.00 | |
| The House | Bentley Little | 0.00 | |
| The Return | Bentley Little | 0.00 | |
| The Store | Bentley Little | 0.00 | |
| Revelation | Bentley Little | 0.00 | |
| Gloria | Bentley Little | 0.00 | |
| Miles to Go Before I Sleep | Bentley Little | 0.00 | |
| Ignore | Bentley Little | 0.00 | |
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| Money and Government: A Challenge to Mainstream Economics | Robert Skidelsky | 0.00 | |
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| Russian and the Jews: 200 Years Together | Aleksandr Solzhenitsyn | 0.00 | |
| The Secrets of the Federal | Glenn Beck | 0.00 | |
| Liars: How Progressives Exploit Our Fears for Power and Control | Glenn Beck | 0.00 | |
| Arguing with Idiots: How to Stop Small Minds and Big Government | Glenn Beck | 0.00 | |
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| The Woods | Harlen Coben | 0.00 | |
| Wiseguy | Nicholas Pileggi, Corey Brill, Hillary Huber | 0.00 | |
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| Runaway | Peter May | 0.00 | |
| Lockdown | Peter May | 0.00 | |
| Virtually Dead | Peter May | 0.00 | |
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| The Chessmen | Peter May | 0.00 | |
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| The White South | Hammond Innes | 0.00 | |
| The Wreck of the Mary Deare | Hammond Innes | 0.00 | |
| Wreckers Must Breathe | Hammond Innes | 0.00 | |
| Skidding Into Oblivion | Brian Hodge | 0.00 | |
| Deep Waters | V.A., Martin Edwards (ed.) | 0.00 | |
| Ass Goblins of Auschwitz | Cameron Pierce | 0.00 | |
| Cthulhu Comes to the Vampire Kingdom | Cameron Pierce | 0.00 | |
| in Heaven, Everything Is Fine: Fiction Inspired by David Lynch | V.A., Cameron Pierce (ed.) | 0.00 | |
| Lost in Cat Brain Land | Cameron Pierce | 0.00 | |
| Our Love Will Go the Way of the Salmon | Cameron Pierce | 0.00 | |
| The Pickled Apocalypse of Pancake Island | Cameron Pierce | 0.00 | |
| Gargoyle Girls of Spider Island | Cameron Pierce | 0.00 | |
| Leprechaun in the Hood: The Musical | Cameron Pierce, Adam Cesare, Shane McKenzie | 0.00 | |
| Generations: The History of America's Future, 1584 to 2069 | William Strauss, Neil Howe | 0.00 | |
| Find Me | Carla Kovach | 0.00 | |
| Moving Black Objects | Cameron Pierce | 0.00 | |
| The Ravenmaster: My Life with the Ravens at the Tower of London | Christopher Skaife | 0.00 | |
| Essays of E.B. White | E.B. White | 0.00 | |
| The Bazaar of Bad Dreams | Stephen King | 0.00 | |
| Someone Like You | Roald Dahl | 0.00 | |
| Edit | Rick Chesler | 0.00 | |
| Helicoprion | Michael Cole | 0.00 | |
| Zen without Zen Masters | Camden Benares, David Cherubim | 0.00 | |
| The Acquirer's Multiple How the Billionaire Contrarians of Deep Value Beat the Market | Tobias E. Carlisle | 0.00 | |
| Bread and Circuses | Arran Lomas | 0.00 | |
| Darkness on the Edge of Town | Jonathan Maberry | 0.00 | |
| The World According to China | Elizabeth C. Economy | 0.00 | |
| The Patron Saint of Second Chances | Christine Simon | 0.00 | |
| Entitled: A Critical History of the British Aristocracy | Chris Bryant | 0.00 | |
| Torment | Jeremy Robinson | 0.00 | |
| Buzz: The Nature and Necessity of Bees | Thor Hanson | 0.00 | |
| An Immigrant's Love Letter to the West | Konstantin Kisin | 0.00 | |
| The Infidel and the Professor: David Hume, Adam Smith, and the Friendship That Shaped Modern Thought | Dennis C. Rasmussen | 0.00 | |
| The Vision of the Anointed: Self-Congradulation as a Basis for Social Policy | Thomas Sowell | 0.00 | |
| Chase | Linwood Barclay | 0.00 | |
| An Honest Living | Dwyer Murphy | 0.00 | |
| Just After Sunset | Stephen King | 0.00 | |
| Billy Summers | Stephen King | 0.00 | |
| If It Bleeds | Stephen King | 0.00 | |
| The Outsider | Stephen King | 0.00 | |
| Joyland | Stephen King | 0.00 | |
| Stories from Night Shift | Stephen King | 0.00 | |
| Camp Slaughter | Sergio Gomez | 0.00 | |
| Killer Flies | Mark Kendall | 0.00 | |
| Strange Wine | Harlan Ellison | 0.00 | |
| Prodigals | Alan Dean Foster | 0.00 | |
| Sleeping Beauties | Stephen King, Owen King | 0.00 | |
| The Fervor | Alma Katsu | 0.00 | |
| Nightmares and Geezenstacks | Fredric Brown | 0.00 | |
| Generation of Vipers: First Contact | Peter Cawdron | 0.00 | |
| Eversion | Alastair Slemen | 0.00 | |
| Cold Hand in Mine | Robert Aickman | 0.00 | |
| Spin: 1 - Spin | Robert Charles Wilson | 0.00 | |
| Spin: 2 - Axis | Robert Charles Wilson | 0.00 | |
| Spin: 3 - Vortex | Robert Charles Wilson | 0.00 | |
| The Smallest Minority: Independent Thinking in the Age of Mob Politics | Kevin D. Williamson | 0.00 | |
| Predator: Eyes of the Demon | V.A., ? ? (ed.) | 0.00 | |
| Inside Qatar: Hidden Stories from One of the Richest Nations on Earth | John McManus | 0.00 | |
| Our Lady of Darkness | Fritz Leiber | 0.00 | |
| What Ever Happened to Baby Jane? | Henry Farrell | 0.00 | |
| Fake Invisible Catastrophes and Threats of Doom | Patrick Moore | 0.00 | |
| Deathbird Stories | Harlan Ellison | 0.00 | |
| Watership Down | Richard Adams | 0.00 | |
| The Bad Seed | William March | 0.00 | |
| Rumpole at Christmas | John Mortimer | 0.00 | |
| Full Fathom 5000: The Expedition of HMS Challenger and the Strange Animals It Found in the Deep Sea | Graham Bell | 0.00 | |
| People of the Dark: The Weird Works of Robert E. Howard, Volume 1 | Robert E. Howard | 0.00 | |
| People of the Dark: The Weird Works of Robert E. Howard, Volume 2 | Robert E. Howard | 0.00 | |
| Nightmares and Dreamscapes: 1 | Stephen King | 0.00 | |
| Nightmares and Dreamscapes: 2 | Stephen King | 0.00 | |
| Nightmares and Dreamscapes: 3 | Stephen King | 0.00 | |
| Gerald's Game | Stephen King | 0.00 | |
| Misery | Stephen King | 0.00 | |
| Dolores Claiborne | Stephen King | 0.00 | |
| Mr. Finchley Discovers His England | Victor Canning | 0.00 | |
| 100 Malicious Little Mysteries | V.A., Kim Isaac (ed.), Martin H. Greenberg (ed.), Joseph D. Olander (ed.) | 0.00 | |
| The Technological Society | Jacques Ellul | 0.00 | |
| The Long Walk | Stephen King | 0.00 | |
| Rogues: True Stories of Grifters, Killers, Rebels and Crooks | Patrick Radden Keefe | 0.00 | |
| The Yes | ? | 0.00 | |
| Below | Ryan Lockwood | 0.00 | |
| A Literary Christmas | V.A., Lilly Golden (ed.) | 0.00 | |
| Doctoring the Devil: Notebooks of an Appalachian Conjure Man | Jake Richards | 0.00 | |
| ption | Mike Lawson | 0.00 | |
| Harvest Home | Thomas Tryon | 0.00 | |
| The Fury | John Farris | 0.00 | |
| A Sand Country Almanac | Aldo Leopold | 0.00 | |
| No Surrender | Hiroo Onoda, Charles S. Terry (tr.) | 0.00 | |
| Travels in Alaska | John Muir | 0.00 | |
| Elevation | Stephen King | 0.00 | |
| Blaze | Stephen King | 0.00 | |
| UR | Stephen King | 0.00 | |
| Blockade Billy | Stephen King | 0.00 | |
| The Wolves of Savernake | Edward Marston | 0.00 | |
| What Fear Becomes | V.A., Jeani Rector (ed.) | 0.00 | |
| Pushcart Prize: X | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XVI | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XVII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XVIII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXIV | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XX | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXIII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXVII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXVIII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXIX | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXX | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXXI | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXXII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXXIII | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXXIV | V.A., Bill Henderson (ed.) | 0.00 | |
| Pushcart Prize: XXXV | V.A., Bill Henderson (ed.) | 0.00 | |
| Duma Key | Stephen King | 0.00 | |
| Fairy Tale | Stephen King | 0.00 | |
| Classic Monsters Unleashed | V.A., James Aquilone (ed.) | 0.00 | |
| in with the Devil: A Fallen Hero, a Serial Killer, and a Dangerous Bargain | James Keene | 0.00 | |
| The Eastern Front 1914-1917 | Norman Stone | 0.00 | |
| Candy in the Sack | K.W. Jeter | 0.00 | |
| Infernal Devices | K.W. Jeter | 0.00 | |
| Madlands | K.W. Jeter | 0.00 | |
| Slave Ship | K.W. Jeter | 0.00 | |
| The Dreamfields | K.W. Jeter | 0.00 | |
| The Kingdom of Shadows | K.W. Jeter | 0.00 | |
| Wolf Flow | K.W. Jeter | 0.00 | |
| Hard Merchandise | K.W. Jeter, Timothy Zahn | 0.00 | |
| Morlock Night | K.W. Jeter | 0.00 | |
| A Street Was Chosen | Ramsey Campbell | 0.00 | |
| Boiled Alive | Ramsey Campbell | 0.00 | |
| Dark Companions | Ramsey Campbell | 0.00 | |
| Darkest Part of the Woods | Ramsey Campbell | 0.00 | |
| Holes for Faces | Ramsey Campbell | 0.00 | |
| Hungry Moon | Ramsey Campbell | 0.00 | |
| Incarnate | Ramsey Campbell | 0.00 | |
| It Helps If You Sing | Ramsey Campbell | 0.00 | |
| Jack in the Box | Ramsey Campbell | 0.00 | |
| Just Behind You | Ramsey Campbell | 0.00 | |
| Meeting the Author | Ramsey Campbell | 0.00 | |
| No End of Fun | Ramsey Campbell | 0.00 | |
| No Story in It | Ramsey Campbell | 0.00 | |
| Pact of the Fathers | Ramsey Campbell | 0.00 | |
| Scared Stiff-Tales of Sex and Death | Ramsey Campbell | 0.00 | |
| Secret Story | Ramsey Campbell | 0.00 | |
| Silent Children | Ramsey Campbell | 0.00 | |
| The Change | Ramsey Campbell | 0.00 | |
| The Church in High Street | Ramsey Campbell | 0.00 | |
| The Claw | Ramsey Campbell | 0.00 | |
| The Collected Short Fiction | Ramsey Campbell | 0.00 | |
| The Darkest Part of the Woods | Ramsey Campbell | 0.00 | |
| The Face That Must Die | Ramsey Campbell | 0.00 | |
| The Faces at Pine Dunes | Ramsey Campbell | 0.00 | |
| The Grin of the Dark | Ramsey Campbell | 0.00 | |
| The Guide | Ramsey Campbell | 0.00 | |
| The Height of the Scream | Ramsey Campbell | 0.00 | |
| The Inhabitant of the Lake | Ramsey Campbell | 0.00 | |
| The Kind Folk | Ramsey Campbell | 0.00 | |
| The Last Voice They Hear | Ramsey Campbell | 0.00 | |
| The Long Way | Ramsey Campbell | 0.00 | |
| The Nameless | Ramsey Campbell | 0.00 | |
| The One Safe Place | Ramsey Campbell | 0.00 | |
| The Overnight | Ramsey Campbell | 0.00 | |
| The Parasite | Ramsey Campbell | 0.00 | |
| The Pattern | Ramsey Campbell | 0.00 | |
| The Pretence | Ramsey Campbell | 0.00 | |
| The Same in Any Language | Ramsey Campbell | 0.00 | |
| The Seven Days of Cain | Ramsey Campbell | 0.00 | |
| Thieving Fear | Ramsey Campbell | 0.00 | |
| Welcomeland | Ramsey Campbell | 0.00 | |
| A Dark Matter | Peter Straub | 0.00 | |
| Ashputtle | Peter Straub | 0.00 | |
| Boy Lost Girl Lost | Peter Straub | 0.00 | |
| House Black | Peter Straub | 0.00 | |
| Houses without Doors | Peter Straub | 0.00 | |
| If You See Me Now | Peter Straub | 0.00 | |
| in the Night Room | Peter Straub | 0.00 | |
| Julia | Peter Straub | 0.00 | |
| Lost Boy Lost Girl | Peter Straub | 0.00 | |
| Magic Terror | Peter Straub | 0.00 | |
| Mr. X | Peter Straub | 0.00 | |
| Mrs. God | Peter Straub | 0.00 | |
| Poe's Children | Peter Straub | 0.00 | |
| Shadowland | Peter Straub | 0.00 | |
| The Ballad of Ballard and Sandrine | Peter Straub | 0.00 | |
| The Hellfire Club | Peter Straub | 0.00 | |
| The Throat | Peter Straub | 0.00 | |
| The Monstrous | V.A., Ellen Datlow (ed.) | 0.00 | |
| After the People Lights Have Gone Off | Stephen Graham Jones | 0.00 | |
| Chapter Six | Stephen Graham Jones | 0.00 | |
| Demon Theory | Stephen Graham Jones | 0.00 | |
| Growing Up Dead in Texas | Stephen Graham Jones | 0.00 | |
| Ledfeather | Stephen Graham Jones | 0.00 | |
| Mapping the Interior | Stephen Graham Jones | 0.00 | |
| Not for Nothing | Stephen Graham Jones | 0.00 | |
| Seven Spanish Angels | Stephen Graham Jones | 0.00 | |
| The Elvis Room | Stephen Graham Jones | 0.00 | |
| The Last Final Girl | Stephen Graham Jones | 0.00 | |
| The Least of My Scars | Stephen Graham Jones | 0.00 | |
| The Night Cyclist | Stephen Graham Jones | 0.00 | |
| The Ones That Got away | Stephen Graham Jones | 0.00 | |
| Three Miles Past | Stephen Graham Jones | 0.00 | |
| Zombie Sharks with Metal Teeth | Stephen Graham Jones | 0.00 | |
| The 100 Best Books Horror | Stephen Graham Jones, Kim Newman | 0.00 | |
| A Book of Horrors | V.A., Stephen Jones (ed.) | 0.00 | |
| Haunts (ania! | V.A., Stephen Jones (ed.) | 0.00 | |
| Shadows over Innsmouth | V.A., Stephen Jones (ed.) | 0.00 | |
| The Anthology of Horror Stories | V.A., Stephen Jones (ed.) | 0.00 | |
| The Dead That Walk | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Monsters | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Vampire Stories by Women | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Vampires | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Zombies | V.A., Stephen Jones (ed.) | 0.00 | |
| Haunts: Reliquaries of the Dead | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of New Terror | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Wolf Men | V.A., Stephen Jones (ed.) | 0.00 | |
| Visitants: Stories of Fallen Angels and Heavenly Hosts | V.A., Stephen Jones (ed.) | 0.00 | |
| Dark Detectives | V.A., Stephen Jones (ed.) | 0.00 | |
| Fearie Tales: Stories of the Grimm and Gruesome | V.A., Stephen Jones (ed.) | 0.00 | |
| in the Shadow of Frankenstein: Tales of the Modern Prometheus | V.A., Stephen Jones (ed.) | 0.00 | |
| Mammoth Books Presents Unexpected Encounters | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Dracula | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Frankenstein | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Nightmare Stories | V.A., Stephen Jones (ed.) | 0.00 | |
| Weird Shadows over Innsmouth | V.A., Stephen Jones (ed.) | 0.00 | |
| Weirder Shadows over Innsmouth | V.A., Stephen Jones (ed.) | 0.00 | |
| Horrorology | V.A., Stephen Jones (ed.) | 0.00 | |
| in the Footsteps of Dracula | V.A., Stephen Jones (ed.) | 0.00 | |
| Halloween: Magic, Mystery, and the Macabre | V.A., Paula Guran (ed.) | 0.00 | |
| Dark Terrors: 3 | V.A., Stephen Jones (ed.), David Sutton (ed.) | 0.00 | |
| Dark Terrors: 5 | V.A., Stephen Jones (ed.), David Sutton (ed.) | 0.00 | |
| My Heart Is a Chainsaw | Stephen Graham Jones | 0.00 | |
| Floating Dragon | Straub Peter | 0.00 | |
| The Mammoth Book of Dracula | V.A., Stephen Jones(ed.) | 0.00 | |
| The Mammoth Book of Folk Horror | V.A., Stephen Jones(ed.) | 0.00 | |
| Phantoms | V.A., ? ? (ed.) | 0.00 | |
| Blood Type | V.A., ? ? (ed.) | 0.00 | |
| Fossil Lake | V.A., ? ? (ed.) | 0.00 | |
| Night of the Claw | Ramsey Campbell | 0.00 | |
| Solomon Kane | Ramsey Campbell | 0.00 | |
| Nightmares Unhinged | V.A., ? ? (ed.) | 0.00 | |
| Book of the Dead | V.A., John Skipp (ed.), Craig Spector (ed.) | 0.00 | |
| Black House | Stephen King, Peter Straub | 0.00 | |
| The Talisman | Stephen King, Peter Straub | 0.00 | |
| Mammoth Books Presents: Messing with Your Head | V.A., Stephen Jones (ed.) | 0.00 | |
| Bizarre Hands: Stories | V.A., ? ? (ed.) | 0.00 | |
| Ramsey Campbell and Modern Horror Fiction | S.T. Joshi | 0.00 | |
| Suspended in Dusk | V.A., Dewar, Simon (ed.) | 0.00 | |
| Tales from the Lake: 1 | V.A., ? ? (ed.) | 0.00 | |
| Tales from the Lake: 2 | V.A., ? ? (ed.) | 0.00 | |
| Tales from the Lake: 3 | V.A., ? ? (ed.) | 0.00 | |
| Tales from the Lake: 4 | V.A., ? ? (ed.) | 0.00 | |
| Tales from the Lake: 5 | V.A., ? ? (ed.) | 0.00 | |
| Tales from the Lake: 6 | V.A., ? ? (ed.) | 0.00 | |
| Scream Quietly | Charles L. Grant, Stephen Jones (ed.) | 0.00 | |
| The Year's Best Dark Fantasy and Horror: 2010 | V.A., Paula Guran (ed.) | 0.00 | |
| Penumbra No. 1 a Journal of Weird Fiction and Criticism | V.A., S.T. Joshi (ed.) | 0.00 | |
| Penumbra No. 2 a Journal of Weird Fiction and Criticism | V.A., S.T. Joshi (ed.) | 0.00 | |
| Dead Bait: 2 | V.A., J. Gilliam Martin (ed.) | 0.00 | |
| Gutted | V.A., Richard Chizmar (ed.) | 0.00 | |
| New Fears | V.A., Mark Morris (ed.) | 0.00 | |
| The New Uncanny | V.A., Ra Page (ed.) | 0.00 | |
| Death's Realm | V.A., ? ? (ed.) | 0.00 | |
| The Children of Gla'aki: A Tribute to Ramsey Campbell's Great Old One | V.A., Brian M. Sammons (ed.), Glynn Owen Barrass (ed.) | 0.00 | |
| Behold! Oddities, Curiosities and Undefinable Wonders | V.A., Doug Murano (ed.) | 0.00 | |
| The Demons of King Solomon | V.A., Aaron J. French (ed.) | 0.00 | |
| Bladerunner: 2 - The Edge of Human | K.W. Jeter | 0.00 | |
| Bladerunner: 3 - Hollywood to High Finance: Inside North Korea's Global Cyber War | Geoff White | 0.00 | |
| Very Bad People the Inside Story of the Fight against the World's Network of Corruption | Patrick Alley | g | 0.00 |
| Black Snow: Curtis LeMay, the Firebombing of Tokyo, and the Road to the Atomic Bomb | James M. Scott | 0.00 | |
| How to Destroy Western Civilization and Other Ideas from the Cultural Abyss | Peter Kreeft | 0.00 | |
| Praise for Darkness | V.A., Ellen Datlow (ed.) | 0.00 | |
| Bacacay | Witold Gombrowicz | 0.00 | |
| Cosmos | Witold Gombrowicz | 0.00 | |
| Ferdydurke | Witold Gombrowicz | 0.00 | |
| Pornografia | Witold Gombrowicz | 0.00 | |
| Trans Atlantyk | Witold Gombrowicz | 0.00 | |
| A Guide to Philosophy in Six Hours and Fifteen Minutes | Witold Gombrowicz, Ivry Benjamin | 0.00 | |
| The Great Fiction: Property, Economy, Society, and the Politics of Decline | Hans-Hermann Hoppe, Jeffrey, A. Tucker, Stephan Kinsella | 0.00 | |
| A Beautiful Anarchy: How to Create Your Own Civilization in the Digital Age | Jeffrey A. Tucker | 0.00 | |
| Liberty or Lockdown-American Instittute for Economic ories | Witold Gombrowicz, Bill Johnston | 0.00 | |
| Polish Memories | Witold Gombrowicz, Bill Johnston | 0.00 | |
| Bourbon for Breakfast: Living Outside the Statist Quo | Jeffrey A. Tucker | 0.00 | |
| The Traveling Vampire Show | Richard Laymon | 0.00 | |
| To Wake the Dead | Richard Laymon | 0.00 | |
| Basil | Wilkie Collins | 0.00 | |
| The Trap: What It Is. How It Works and How We Escape Its Illusions | David Icke | 0.00 | |
| The Double Shadow | Clark Ashton Smith | 0.00 | |
| A Kestrel for a Knave | Barry Hines | 0.00 | |
| Dark Harvest | Norman Partridge | 0.00 | |
| The Stories of Paul Bowles | Paul Bowles | 0.00 | |
| Lemons Never Lie | Donald E. Westlake, Richard Stark | 0.00 | |
| Tracy Flick Can't Win | Tom Perrotta | 0.00 | |
| Election | Tom Perrotta | 0.00 | |
| Blood and Ink: The Scandalous Jazz Age Double Murder That Hooked America on True Crime | Joe Pompeo | 0.00 | |
| The Pallbearers Club | Paul Tremblay | 0.00 | |
| Erasing America: Losing Our Future by Destroying Our Past | James S. Robbins | 0.00 | |
| Silver Birch, Blood Moon | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| Prize Stories of the Seventies | V.A., William Abrahams (ed.) | 0.00 | |
| Prize Stories: 1982 | V.A., William Abrahams (ed.) | 0.00 | |
| Prize Stories: 1988 | V.A., William Abrahams (ed.) | 0.00 | |
| Prize Stories: 1991 | V.A., William Abrahams (ed.) | 0.00 | |
| Prize Stories: 1992 | V.A., William Abrahams (ed.) | 0.00 | |
| Prize Stories: 1998 | V.A., Larry Dark (ed.) | 0.00 | |
| Prize Stories: 1999 | V.A., Larry Dark (ed.) | 0.00 | |
| Prize Stories: 2000 | V.A., Larry Dark (ed.) | 0.00 | |
| Prize Stories: 2001 | V.A., Larry Dark (ed.) | 0.00 | |
| Prize Stories: 2003 | V.A., Laura Furman (ed.) | 0.00 | |
| Prize Stories: 2005 | V.A., Laura Furman (ed.) | 0.00 | |
| Prize Stories: 2006 | V.A., Laura Furman (ed.) | 0.00 | |
| Prize Stories: 2007 | V.A., Laura Furman (ed.) | 0.00 | |
| Prize Stories: 2008 | V.A., Laura Furman (ed.) | 0.00 | |
| Prize Stories: 2009 | V.A., Laura Furman (ed.) | 0.00 | |
| The Best American Mystery Stories: 1998 | V.A., Sue Grafton (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 1999 | V.A., Ed McBain (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2000 | V.A., Ed McBain (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2001 | V.A., Otto Penzler (ed.), Lawrence Block (ed.) | 0.00 | |
| The Best American Mystery Stories: 2002 | V.A., Otto Penzler (ed.), James Ellroy (ed.) | 0.00 | |
| The Best American Mystery Stories: 2004 | V.A., Nelson DeMille (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2005 | V.A., Joyce Carol Oates (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2006 | V.A., Turow (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2007 | V.A., Hiaasen (ed.), Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2008 | V.A., Pelecanos (ed.), Otto Penzler (ed.) | 0.00 | |
| The Best American Mystery Stories: 2009 | V.A., Otto Penzler (ed.), Jeffery Deaver (ed.) | 0.00 | |
| The Best American Mystery Stories of the Century | V.A., Ed McBain (ed.), Otto Penzler (ed.) | 0.00 | |
| A Wolf at the Door and Other ong the Savages | Shirley Jackson | 0.00 | |
| Planet Pluto | B.C. Chase | 0.00 | |
| The Visitor | Tony Harmsworth | 0.00 | |
| The Galaxy Marshals: 1 | Jay Gaskell | 0.00 | |
| The Galaxy Marshals: 2 | Jay Gaskell | 0.00 | |
| Grenzenlos kriminell | Stefan Schubert, Udo Ulfkotte | 0.00 | |
| Albtraum Zuwanderung: Lügen, Wortbruch, Volksverdummung | Udo Ulfkotte | 0.00 | |
| Der Krieg im Dunkeln: Die wahre Macht der Geheimdienste | Udo Ulfkotte | 0.00 | |
| Containment: The Death of Earth | Charlee Jacob | 0.00 | |
| Season of the Witch | Charlee Jacob | 0.00 | |
| Soma | Charlee Jacob | 0.00 | |
| Still | Charlee Jacob | 0.00 | |
| The Myth of Falling | Charlee Jacob | 0.00 | |
| This Symbiotic Fascination | Charlee Jacob | 0.00 | |
| Up, out of Cities That Blow Hot and Cold | Charlee Jacob | 0.00 | |
| Dread in the Beast | Charlee Jacob, Edward Lee Edward | 0.00 | |
| Guises | Charlee Jacob, Mars Chris | 0.00 | |
| Death Comes for All | Brian Keene, Steven L. Shrewsbury | 0.00 | |
| King of the Bastards | Brian Keene, Steven L. Shrewsbury | 0.00 | |
| Eden Underground: Poetry of Darkness | Alessandro Manzetti | 0.00 | |
| The Shaman: And Other Shadows | Alessandro Manzetti | 0.00 | |
| Overkill | Steven L. Shrewsbury | 0.00 | |
| Hawg | Steven L. Shrewsbury | 0.00 | |
| The Phantom Cabinet | Jeremy Thompson | 0.00 | |
| Toby Chalmers Commits Career Suicide | Jeremy Thompson | 0.00 | |
| Helgoland: Making Sense of Quantum Gravity | Carlo Rovelli | 0.00 | |
| Reality Is Not What It Seems: The Journey to Quantum Gravity | Carlo Rovelli | 0.00 | |
| Seven Brief Lessons from Physics | Carlo Rovelli | 0.00 | |
| Existential Physics: A Scientist's Guide to Life's Biggest Questions | Sabine Hossenfelder | 0.00 | |
| Sons of Cain | Peter Vronsky | 0.00 | |
| Dark City: The Lost World of Film Noir | Eddie Muller | 0.00 | |
| The Mammoth Book of Jack the Ripper | V.A., Maxim Jakubowski (ed.) | 0.00 | |
| Fade to Blonde | Max Phillips | 0.00 | |
| Invisible Monsters IX | Chuck Palahniuk | 0.00 | |
| How to Hunt Deer Up Close: With Bows, Rifles, Muzzleloaders and Crossbows | John E. Phillips | 0.00 | |
| The Man Behind the Curtain: Inside the Secret Network of George Soros | Matt Palumbo | 0.00 | |
| Dark Matter: A Century of Speculative Fiction from the African Diaspora | V.A., Sheree ? (ed.) | g | 0.00 |
| Vanishing Acts | V.A., Ellen Datlow (ed.) | 0.00 | |
| Black Heart, Ivory Bones | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| When Worlds Collide | Edwin Palmer, Philip Wylie | 0.00 | |
| After Worlds Collide | Edwin Balmer, Philip Wylie | 0.00 | |
| Short Carries Essays from Adirondack Life | Elizabeth Folwell | w | 0.00 |
| Mr. Midshipman Easy | Frederick Marryat | 0.00 | |
| The Children of the New Forest | Frederick Marryat | 0.00 | |
| The Phantom Ship | Frederick Marryat | 0.00 | |
| Peter Simple | Frederick Marryat | 0.00 | |
| The Settlers in Canada | Frederick Marryat | 0.00 | |
| Percival Keene | Frederick Marryat | 0.00 | |
| Jack Rustig | Frederick Marryat | 0.00 | |
| Poor Jack | Frederick Marryat | 0.00 | |
| Valerie | Frederick Marryat | 0.00 | |
| The Pacha of Many Tales | Frederick Marryat | 0.00 | |
| Olla Podrida | Frederick Marryat | 0.00 | |
| Newton Forster | Frederick Marryat | 0.00 | |
| The Poacher: Joseph Rushbrook | Frederick Marryat | 0.00 | |
| The Travels and Adventures of Monsieur Violet | Frederick Marryat | 0.00 | |
| A Seaman's Book of Sea Stories | V.A., Desmond Fforde (ed.) | 0.00 | |
| Snarley-yow, or the Dog Fiend | Frederick Marryat | 0.00 | |
| The Privateer's-Man: One hundred Years Ago | Frederick Marryat | 0.00 | |
| Rattling the Reefer | Frederick Marryat, Edward Howard | 0.00 | |
| How to Think about the Economy: A Primer | Per Bylund | 0.00 | |
| Introduction to the Theory of Programming Languages | Bernard Meyer | 0.00 | |
| The Cutie | Donald E. Westlake | 0.00 | |
| Killing Castro | Lawrence Block | 0.00 | |
| Getting off | Lawrence Block | 0.00 | |
| Borderline | Lawrence Block | 0.00 | |
| Catch and Release | Lawrence Block | 0.00 | |
| Memory | Donald E. Westlake | 0.00 | |
| Somebody Owes Me Money | Donald E. Westlake | 0.00 | |
| A Christmas Carol Horror Classics with Thorne and Cross | Charles Dickens, Tamara Thorne, Alistair Cross | 0.00 | |
| The Captured Economy: How the Powerful Enrich Themselves, Slow Down Growth, and Increase Inequality | Brink Lindsey | 0.00 | |
| Brave New World | V.A., John Joseph Adams (ed.) | 0.00 | |
| Wastelands: Stories of the Apocalypse | V.A., ? ? (ed.) | 0.00 | |
| Attack Surface | Cory Doctorow | 0.00 | |
| Walkaway | Cory Doctorow | 0.00 | |
| All Complex Ecosystems Have Parasites | Cory Doctorow | 0.00 | |
| Content | Cory Doctorow | 0.00 | |
| Craphound | Cory Doctorow | 0.00 | |
| Eastern Standard Tribe | Cory Doctorow | 0.00 | |
| Homeland | Cory Doctorow | 0.00 | |
| Makers | Cory Doctorow | 0.00 | |
| Pirate Cinema | Cory Doctorow | 0.00 | |
| Radicalized | Cory Doctorow | 0.00 | |
| Rapture of the Nerds | Cory Doctorow | 0.00 | |
| Someone Comes to Town, Someone Leaves Town | Cory Doctorow | 0.00 | |
| The Great Big Beautiful Tomorrow | Cory Doctorow | 0.00 | |
| The Things That Make Me Weak and Strange Get Engineered away | Cory Doctorow | 0.00 | |
| True Names | Cory Doctorow | 0.00 | |
| Unwirer | Cory Doctorow | 0.00 | |
| Visit the Sins | Cory Doctorow | 0.00 | |
| When Sysadmins Ruled the Earth | Cory Doctorow | 0.00 | |
| With a Little Help | Cory Doctorow | 0.00 | |
| Weird Fiction: A Collection of Early Speculative Horror | V.A., ? ? (ed.) | 0.00 | |
| Appeals Court | Charles Stross, Cory Doctorow | 0.00 | |
| Purple Hibiscus | Chimamanda Ngozi Adichie | 0.00 | |
| Why Homer Matters | Adam Nicolson | 0.00 | |
| A Year in the Life of Ancient Egypt | Donald P. Ryan | 0.00 | |
| 24 Hours in Ancient Egypt | Donald P. Ryan | 0.00 | |
| Informant | Kurt Eichenwald | 0.00 | |
| Conspiracy of Fool | Kurt Eichenwald | 0.00 | |
| The Dawning | Hugh B. Cave | 0.00 | |
| Resurrection Dreams | Richard Laymon | 0.00 | |
| Heidi | Johanna Spyri | 0.00 | |
| Grave Descend | Michael Crichton, John Lange | 0.00 | |
| Lingua Tertii Imperii | Victor Klemperer | 0.00 | |
| Safe, Wanted, and Loved: A Family Memoir of Mental Illness, Heartbreak, and Hope | Patrick Dylan | 0.00 | |
| Tombstone: The Great Chinese Famine, 1958-1962 | Yang Jisheng | 0.00 | |
| Mao's Great Famine: The History of China's Most Devastating Catastrophe, 1958-1962 | Frank Dikötter | 0.00 | |
| The Construction of Racial Identities in China and Japan | Frank Dikötter | 0.00 | |
| China After Mao: The Rise of a Superpower | Frank Dikötter | 0.00 | |
| Scarlet Memorial | Zheng Yi | 0.00 | |
| Madness and Civilization | Michel Foucault | 0.00 | |
| Discipline and Punish | Michel Foucault | 0.00 | |
| The Trial of Julian Assange: A Story of Persecution | Nils Melzer | 0.00 | |
| The Comedy Is Finished | Donald E. Westlake | 0.00 | |
| The Black Lizard Big Book of Pulps | V.A., Otto Penzler (ed.) | 0.00 | |
| The Big Book of Ghost Stories | V.A., Otto Penzler (ed.) | 0.00 | |
| The Ending of Time | Jiddu Krishnamurti, David Bohm | 0.00 | |
| Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea | Bronisław Malinowski | 0.00 | |
| Life Ascending: The Ten Great Inventions of Evolution | Nick Lane | 0.00 | |
| Power, Sex, Suicide: Mitochondria and the Meaning of Life | Nick Lane | 0.00 | |
| Oxygen: The Molecule That Made the World | Nick Lane | 0.00 | |
| Transformer: The Deep Chemistry of Life and Death | Nick Lane | 0.00 | |
| The Vital Question: Why Is Life the Way It Is? | Nick Lane | 0.00 | |
| The Politically Incorrect Guide to the Vietnam War | Phillip Jennings | 0.00 | |
| Bear Attacks: Their Causes and Avoidance | Stephen Herrero | 0.00 | |
| The Earth Will Shake: The Historical Illuminatus Chronicles Vol. I | Robert Anton Wilson | 0.00 | |
| Beware! | V.A., R.L. Stine (ed.) | 0.00 | |
| The Phantom of the Opera | Gaston Leroux, ? Ribière (tr.) | 0.00 | |
| Not Even Wrong: The Failure of String Theory and the Search for Unity in Physical Law | Peter Woit | 0.00 | |
| Ripples in the Dirac Sea | Geoffrey A. Landis | 0.00 | |
| Paul Dirac, Antimatter and You | Robert A. Heinlein | 0.00 | |
| The Strangest Man: The Hidden Life of Paul Dirac, Quantum Genius | Graham Farmelo | 0.00 | |
| On Kings | David Graeber, Marshall Sahlins | 0.00 | |
| An Analysis of David Graeber's Debt | Sulaiman Hakemy | 0.00 | |
| Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams | David Graeber | 0.00 | |
| Revolutions in Reverse: Essays on Politics, Violence, Art, and Imagination | David Graeber | 0.00 | |
| The Greatest Story Ever Told | Lawrence M. Krauss | 0.00 | |
| The Physic of Climate Change | Lawrence M. Krauss | 0.00 | |
| The Kafir Project | Lee Burvine | 0.00 | |
| The Mad Sculptor | Harold Schechter | 0.00 | |
| American Gangster | Max Allan Collins | 0.00 | |
| The Physics of Star Trek | Lawrence M. Krauss | 0.00 | |
| The Great Reset: Global Elites and the Permanent Lockdown | Marc Morano | 0.00 | |
| The Richest Man Who Ever Lived: The Life and Times of Jacob Fugger | Greg Steinmetz | 0.00 | |
| American Rascal: How Jay Gould Built Wall Street's Biggest Fortune | Greg Steinmetz | 0.00 | |
| Mammoth Book of Chess | V.A., Graham Burgess (ed.) | 0.00 | |
| One Rainy Night | Richard Laymon | 0.00 | |
| Darkness, Tell Us | Richard Laymon | 0.00 | |
| Moneyland | Oliver Bullough | 0.00 | |
| Black Mouth | Ronald Malfi | 0.00 | |
| Meds | Ray Garton | 0.00 | |
| 'Nids | Ray Garton | 0.00 | |
| Vortex | Ray Garton | 0.00 | |
| Shackled | Ray Garton | 0.00 | |
| The Folks | Ray Garton | 0.00 | |
| Live Girls | Ray Garton | 0.00 | |
| The New Neighbor | Ray Garton | 0.00 | |
| Trailer Park Noir | Ray Garton | 0.00 | |
| Invaders from Mars | Ray Garton | 0.00 | |
| Methods of Madness | Ray Garton | 0.00 | |
| The Loveliest Dead | Ray Garton | 0.00 | |
| Girl in the Basement | Ray Garton | 0.00 | |
| Sex and Violence in Hollywood | Ray Garton | 0.00 | |
| The Man in the Palace Theater | Ray Garton | 0.00 | |
| A Writer's Tale | Richard Laymon | 0.00 | |
| After Midnight | Richard Laymon | 0.00 | |
| Alarums | Richard Laymon | 0.00 | |
| Allhallow's Eve | Richard Laymon | 0.00 | |
| Amara to Wake the Dead | Richard Laymon | 0.00 | |
| Among the Missing | Richard Laymon | 0.00 | |
| Beast House Chronicles: 1 - The Cellar | Richard Laymon | 0.00 | |
| Beast House Chronicles: 2 - The Beast House | Richard Laymon | 0.00 | |
| Beast House Chronicles: 3 - The Midnight Tour | Richard Laymon | 0.00 | |
| Beast House Chronicles: 4 - Friday Night in the Beast House | Richard Laymon | 0.00 | |
| Beginner's Luck | Richard Laymon | 0.00 | |
| Bite | Richard Laymon | 0.00 | |
| Blood Games | Richard Laymon | 0.00 | |
| Body Rides | Richard Laymon | 0.00 | |
| Cardiac Arrest | Richard Laymon | 0.00 | |
| Cuts | Richard Laymon | 0.00 | |
| Darkness Tell Us | Richard Laymon | 0.00 | |
| Dawson's City | Richard Laymon | 0.00 | |
| Dreambox Junkies | Richard Laymon | 0.00 | |
| Endless Night | Richard Laymon | 0.00 | |
| Fiends | Richard Laymon | 0.00 | |
| Funland | Richard Laymon | 0.00 | |
| Glory Bus | Richard Laymon | 0.00 | |
| in Laymon's Terms | V.A., Richard Chizmar (ed.) | 0.00 | |
| in the Dark | Richard Laymon | 0.00 | |
| Island | Richard Laymon | 0.00 | |
| Marathon | Richard Laymon | 0.00 | |
| Mess Hall | Richard Laymon | 0.00 | |
| Midnight's Lair | Richard Laymon | 0.00 | |
| Night Games | Richard Laymon | 0.00 | |
| Night Show | Richard Laymon | 0.00 | |
| Night in the Lonesome October | Richard Laymon | 0.00 | |
| No Sanctuary | Richard Laymon | 0.00 | |
| Once Upon a Halloween | Richard Laymon | 0.00 | |
| Out Are the Lights | Richard Laymon | 0.00 | |
| Quake | Richard Laymon | 0.00 | |
| Shootout at Joe's | Richard Laymon | 0.00 | |
| The Cobra | Richard Laymon | 0.00 | |
| The Halloween Mouse | Richard Laymon | 0.00 | |
| The Hearse | Richard Laymon | 0.00 | |
| The Lonely One | Richard Laymon | 0.00 | |
| The Maiden | Richard Laymon | 0.00 | |
| The Stake | Richard Laymon | 0.00 | |
| Thin Air | Richard Laymon | 0.00 | |
| Tread Softly | Richard Laymon | 0.00 | |
| The Godsend | Bernard Taylor | 0.00 | |
| The Comeback | Bernard Taylor | 0.00 | |
| Mother's Boys | Bernard Taylor | 0.00 | |
| Sweetheart, Sweetheart | Bernard Taylor | 0.00 | |
| The Moorstone Sickness | Bernard Taylor | 0.00 | |
| There Must Be Evil: The Life and Murderous Career of Elizabeth Berry | Bernard Taylor | 0.00 | |
| The Black Lodge | Robert E. Weinberg | 0.00 | |
| The Devil's Auction | Robert E. Weinberg | 0.00 | |
| Baal | Robert R. McCammon | 0.00 | |
| Bethany's Sin | Robert R. McCammon | 0.00 | |
| Boy's Life | Robert R. McCammon | 0.00 | |
| Mystery Walk | Robert R. McCammon | 0.00 | |
| Matthew Corbett: 1 - Speaks the Nightbird | Robert R. McCammon | 0.00 | |
| Matthew Corbett: 2 - The Queen of Bedlam | Robert R. McCammon | 0.00 | |
| Matthew Corbett: 3 - Mister Slaughter | Robert R. McCammon | 0.00 | |
| Matthew Corbett: 4 - The Providence Rider | Robert R. McCammon | 0.00 | |
| Matthew Corbett: 5 - The River of Souls | Robert R. McCammon | 0.00 | |
| Matthew Corbett: 6 - Freedom of the Mask | Robert R. McCammon | 0.00 | |
| Swan Song | Robert R. McCammon | 0.00 | |
| Stinger | Robert R. McCammon | 0.00 | |
| The Collected Stories | Robert R. McCammon | 0.00 | |
| The Five | Robert R. McCammon | 0.00 | |
| The Listener | Robert R. McCammon | 0.00 | |
| The Night Boat | Robert R. McCammon | 0.00 | |
| The Wolf's Hour | Robert R. McCammon | 0.00 | |
| They Thirst | Robert R. McCammon | 0.00 | |
| Usher's Passing | Robert R. McCammon | 0.00 | |
| Gone South | Robert R. McCammon | 0.00 | |
| Blue World | Robert R. McCammon | 0.00 | |
| Every Missing Thing | Martyn Ford | 0.00 | |
| All Our Darkest Secrets | Martyn Ford | 0.00 | |
| Any One of Us | Martyn Ford | 0.00 | |
| Sneaky Little Sleuth Stories | V.A., Bert Weinberg (ed.), Stefan Dziemianowicz (ed.), Martin H. Greenberg (ed.) | 0.00 | |
| Pulp Classics: 6 - Doctor Satan | V.A., Robert Weinberg (ed.) | 0.00 | |
| Lucifer's Eye | Hugh B. Cave | 0.00 | |
| Neverland | Douglas Clegg | 0.00 | |
| The Boat House | Stephen Gallagher | 0.00 | |
| Gallery of Horror | V.A., ? ? (ed.) | 0.00 | |
| Termination Node | V.A., ? ? (ed.) | 0.00 | |
| The Fetch | Robert Holdstock | 0.00 | |
| Dreamside | Graham Joyce | 0.00 | |
| House of Evil: The Indiana Torture Slaying | John Dean | 0.00 | |
| Wealth and Poverty | George F. Gilder | 0.00 | |
| The Growth Delusion: Wealth, Poverty, and the Well-Being of Nations | David Pilling | 0.00 | |
| Markets Not Capitalism | Gary Chartier | g? | 0.00 |
| The Last Three Minutes: Conjectures about the Ultimate Fate of the Universe | Paul C.W. Davies | 0.00 | |
| The Revolution That Wasn't: Gamestop, Reddit, and the Fleecing of Small Investors | Spencer Jakab | 0.00 | |
| Suffer the Children | John Saul | 0.00 | |
| Punish the Sinners | John Saul | 0.00 | |
| The House on the Borderland and Other Mysterious Places | William Hope Hodgson, Jason van Hollander | 0.00 | |
| The Dream of X and Other Fantastic Visions | William Hope Hodgson, Ross E. Lockhart | 0.00 | |
| The Night Land, a Story Retold | James Stoddard, William Hope Hodgson | 0.00 | |
| The Boats of the 'Glen Carrig' | William Hope Hodgeson | 0.00 | |
| The House on the Borderland | William Hope Hodgeson | 0.00 | |
| The Ghost Pirates | William Hope Hodgeson | 0.00 | |
| The Night Land | William Hope Hodgeson | 0.00 | |
| The Dream of X | William Hope Hodgeson | 0.00 | |
| The House on the Borderland and Other Novels | William Hope Hodgeson | 0.00 | |
| HALLOWEEN: Magic, Mystery, and the Macabre | V.A., Paula Guran (ed.) | 0.00 | |
| Time Travel: Pany | Steve Rasnic Tem | 0.00 | |
| Blood Kin | Steve Rasnic Tem | 0.00 | |
| Celestial Inventories | Steve Rasnic Tem | 0.00 | |
| City Fishing | Steve Rasnic Tem | 0.00 | |
| The Monster in the Field | Steve Rasnic Tem | 0.00 | |
| Tricks and Treats | Steve Rasnic Tem | 0.00 | |
| Ubo | Steve Rasnic Tem | 0.00 | |
| Ugly Behavior | Steve Rasnic Tem | 0.00 | |
| Afterlife | Douglas Clegg | 0.00 | |
| Bad Karma | Douglas Clegg, Andrew Harper | 0.00 | |
| Breeder | Douglas Clegg | 0.00 | |
| Goat Dance | Douglas Clegg | 0.00 | |
| Halloween Chillers | Douglas Clegg | 0.00 | |
| Isis | Douglas Clegg | 0.00 | |
| Lights out | Douglas Clegg | 0.00 | |
| Naomi | Douglas Clegg | 0.00 | |
| Purity | Douglas Clegg | 0.00 | |
| The Children's Hour | Douglas Clegg | 0.00 | |
| The Halloween Man | Douglas Clegg | 0.00 | |
| The Hour Before Dark | Douglas Clegg | 0.00 | |
| The Nightmare Chronicles | Douglas Clegg | 0.00 | |
| The Vampyricon: 1 - The Priest of Blood | Douglas Clegg | 0.00 | |
| The Vampyricon: 2 - The Lady of Serpents | Douglas Clegg | 0.00 | |
| The Vampyricon: 3 - The Queen of Wolves | Douglas Clegg | 0.00 | |
| Wild Things Four Tales | Douglas Clegg | 0.00 | |
| You Come When I Call You | Douglas Clegg | 0.00 | |
| The Abandoned | Douglas Clegg | 0.00 | |
| Air Raid | John Varley | 0.00 | |
| Bagatelle | John Varley | 0.00 | |
| Dark Lightning | John Varley | 0.00 | |
| Demon | John Varley | 0.00 | |
| in Fading Suns and Dying Moons | John Varley | 0.00 | |
| in the Bowl | John Varley | 0.00 | |
| Just Another Perfect Day | John Varley | 0.00 | |
| Mammoth | John Varley | 0.00 | |
| Millennium | John Varley | 0.00 | |
| Options | John Varley | 0.00 | |
| Press Enter [] | John Varley | 0.00 | |
| Red Lightning | John Varley | 0.00 | |
| Red Thunder | John Varley | 0.00 | |
| Rolling Thunder | John Varley | 0.00 | |
| Steel Beach | John Varley | 0.00 | |
| The Bellman | John Varley | 0.00 | |
| The John Varley Reader | John Varley | 0.00 | |
| The Ophiuchi Hotline | John Varley | 0.00 | |
| The Persistence of Vision | John Varley | 0.00 | |
| Titan | John Varley | 0.00 | |
| Wizard | John Varley | 0.00 | |
| Cry for the Strangers | John Saul | 0.00 | |
| Comes the Blind Fury | John Saul | 0.00 | |
| Slaves of New York | Tama Janowitz | 0.00 | |
| Foul Play Suspected | John Wyndham | 0.00 | |
| Plan for Chaos | John Wyndham | 0.00 | |
| Stowaway to Mars | John Wyndham | 0.00 | |
| The Curse of the Burdens | John Wyndham | 0.00 | |
| The Beast of Boggy Creek: The True Story of the Fouke Monster | Lyle Blackburn | 0.00 | |
| Nathaniel | John Saul | 0.00 | |
| The God Project | John Saul | 0.00 | |
| When the Wind Blows | John Saul | 0.00 | |
| Cadillac Desert: The American West and Its Disappearing Water | Marc Reisner | 0.00 | |
| The Delusions of Crowds: Why People Go Mad in Groups | William J. Bernstein | 0.00 | |
| The John Varley es the Blind Fury | John Saul | 0.00 | |
| I Never Thought of It That Way | Mónica Guzmán | 0.00 | |
| Father Panic's Opera Macabre | Thomas Tessier | 0.00 | |
| Finishing Touches | Thomas Tessier | 0.00 | |
| Fog Heart | Thomas Tessier | 0.00 | |
| Phantom | Thomas Tessier | 0.00 | |
| Rapture | Thomas Tessier | 0.00 | |
| The Fates | Thomas Tessier | 0.00 | |
| The Nightwalker | Thomas Tessier | 0.00 | |
| Wicked Things | Thomas Tessier | 0.00 | |
| World of Hurt | Thomas Tessier | 0.00 | |
| The Elephant in the Brain: Hidden Motives in Everyday Life | Robin Hanson | 0.00 | |
| The Age of Em: Work, Love and Life when Robots Rule the Earth | Robin Hanson | 0.00 | |
| I Remember You | Brian Freeman | 0.00 | |
| Lady | Thomas Tryon | 0.00 | |
| The Blue Lagoon | Henry de Vere Stacpoole | 0.00 | |
| Blowback | James Patterson, Brendan DuBois | 0.00 | |
| Language, Truth and Logic | A.J. Ayer | 0.00 | |
| Philosophy: 100 Essential Thinkers | Philip Stokes | 0.00 | |
| Ignorance: How It Drives Science | Stuart Firestein | 0.00 | |
| Stalin as Warlord | Alfred J. Rieber | 0.00 | |
| Relationships 5.0: How AI, VR, and Robots Will Reshape Our Emotional Lives | Elyakim Kislev | 0.00 | |
| Meantime | Frankie Boyle | 0.00 | |
| The Lunar Housewife | Caroline Woods | 0.00 | |
| The Passenger: 1 - The Passenger | Cormac McCarthy | 0.00 | |
| The Passenger: 2 - Stella Maris | Cormac McCarthy | 0.00 | |
| Stick and Rudder: An Explanation of the Art of Flying | Wolfgang Langewiesche | 0.00 | |
| The Ecclesiastical History of the English People | The Venerable Bede | 0.00 | |
| Everyman | Philip Roth | 0.00 | |
| Hell's Half-Acre: The Untold Story of the Benders, America's First Serial Killer Family | Susan Jonusas | 0.00 | |
| American Indian Stories and Old Indian Legends | Zitkala Su | 0.00 | |
| Cadmus and Europa | Herbert C. Oliver | 0.00 | |
| Portals | Douglas E. Richards | 0.00 | |
| The Thousand Earths | Stephen Baxter | 0.00 | |
| How Fast Did T. Rex Run?: Unsolved Questions from the Frontiers of Dinosaur Science | David Hone | 0.00 | |
| Enquiry Concerning Political Justice | William Godwin | 0.00 | |
| Babbitt | Sinclair Lewis | 0.00 | |
| Möbius: The Timeless Artifact: 1 | Brandon Q. Morris | 0.00 | |
| Möbius: The Timeless Artifact: 2 | Brandon Q. Morris | 0.00 | |
| Möbius: The Timeless Artifact: 3 | Brandon Q. Morris | 0.00 | |
| Crack: Rock Cocaine, Street Capitalism, and the Decade of Greed | David Farber | 0.00 | |
| Proxima: 1 - Rising | Brandon Q. Morris | 0.00 | |
| Proxima: 2 - Dying | Brandon Q. Morris | 0.00 | |
| Proxima: 3 - Dreaming | Brandon Q. Morris | 0.00 | |
| Solar System: 1 -? | Brandon Q. Morris | 0.00 | |
| Solar System: 2 -? | Brandon Q. Morris | 0.00 | |
| Solar System: 3 -? | Brandon Q. Morris | 0.00 | |
| Solar System: 4 -? | Brandon Q. Morris | 0.00 | |
| Solar System: 5 -? | Brandon Q. Morris | 0.00 | |
| Solar System: 6 -? | Brandon Q. Morris | 0.00 | |
| Solar System: 7 -? | Brandon Q. Morris | 0.00 | |
| Mars Nation: 1 -? | Brandon Q. Morris | 0.00 | |
| Mars Nation: 2 -? | Brandon Q. Morris | 0.00 | |
| Mars Nation: 3 -? | Brandon Q. Morris | 0.00 | |
| The Hole | Brandon Q. Morris | 0.00 | |
| The Rift | Brandon Q. Morris | 0.00 | |
| The Fortress of Solitude | Jonathan Lethem | 0.00 | |
| Mockingbird | Walter Tevis, Jonathan Lethem | 0.00 | |
| The Exegesis of Philip K. Dick | Philip K. Dick, Jonathan Lethem, Pamela Jackson | 0.00 | |
| Lost Joy | Camden Joy, Jonathan Lethem, Dennis Cooper | 0.00 | |
| Ice | Anna Kavan, Jonathan Lethem, Kate Zambreno | 0.00 | |
| A Gambler's Anatomy | Jonathan Lethem | 0.00 | |
| Amnesia Moon | Jonathan Lethem | 0.00 | |
| As She Climbed Across the Table | Jonathan Lethem | 0.00 | |
| Chronic City | Jonathan Lethem | 0.00 | |
| The Arrest | Jonathan Lethem | 0.00 | |
| Dissident Gardens | Jonathan Lethem | 0.00 | |
| Girl in Landscape | Jonathan Lethem | 0.00 | |
| How We Got in Town and out Again | Jonathan Lethem | 0.00 | |
| Lit Riffs | Jonathan Lethem | 0.00 | |
| Lucky Alan: And Other Stories | Jonathan Lethem | 0.00 | |
| Men and Cartoons | Jonathan Lethem | 0.00 | |
| More Alive and Less Lonely: on Books and Writers | Jonathan Lethem | 0.00 | |
| Motherless Brooklyn | Jonathan Lethem | 0.00 | |
| The Blot | Jonathan Lethem | 0.00 | |
| The Disappointment Artist | Jonathan Lethem | 0.00 | |
| The Ecstasy of Influence | Jonathan Lethem | 0.00 | |
| The Feral Detective | Jonathan Lethem | 0.00 | |
| The Wall of the Sky, the Wall of the Eye: Stories | Jonathan Lethem | 0.00 | |
| Vanilla Dunk | Jonathan Lethem | 0.00 | |
| You Don't Love Me Yet | Jonathan Lethem | 0.00 | |
| Growing Things and Other Stories | Paul Tremblay | 0.00 | |
| Final Cuts | V.A., Ellen Datlow (ed.) | 0.00 | |
| So the Wind Won't Blow It All away | Richard Brautigan | 0.00 | |
| Jimbo: A Fantasy | Algernon Blackwood | 0.00 | |
| The Education of Uncle Paul | Algernon Blackwood | 0.00 | |
| The Human Chord | Algernon Blackwood | 0.00 | |
| The Centaur | Algernon Blackwood | 0.00 | |
| A Prisoner in Fairyland: Sequel to the Education of Uncle Paul | Algernon Blackwood | 0.00 | |
| The Extra Day | Algernon Blackwood | 0.00 | |
| Julius LeVallon | Algernon Blackwood | 0.00 | |
| The Wave | Algernon Blackwood | 0.00 | |
| The Promise of Air | Algernon Blackwood | 0.00 | |
| The Garden of Survival | Algernon Blackwood | 0.00 | |
| The Bright Messenger; Sequel to Julius LeVallon | Algernon Blackwood | 0.00 | |
| The Empty House and Other Ghost Stories | Algernon Blackwood | 0.00 | |
| The Listener and Other Stories | Algernon Blackwood | 0.00 | |
| John Silence | Algernon Blackwood | 0.00 | |
| The Lost Valley and Other Stories | Algernon Blackwood | 0.00 | |
| Pan's Garden: A Volume of Nature Stories | Algernon Blackwood | 0.00 | |
| Incredible Adventures | Algernon Blackwood | 0.00 | |
| Day and Night Stories | Algernon Blackwood | 0.00 | |
| Wolves of God, and Other Fey Stories | Algernon Blackwood | 0.00 | |
| $100M Offers: How to Make Offers So Good People Feel Stupid Saying No | Alex Hormozi | 0.00 | |
| The Colour out of Space | H.P. Lovecraft | 0.00 | |
| The Two Sams | Glen Hirshberg | 0.00 | |
| Gone for Good | Harlen Coben | 0.00 | |
| Snobs | Julian Fellowes | 0.00 | |
| A Prisoner of Birth | Jeffrey Archer | 0.00 | |
| The Housekeeper | Joy Fielding | ♀? | 0.00 |
| Motherthing | Ainslie Hogarth | ♀? | 0.00 |
| Prosperity without Growth | Tim Jackson | 0.00 | |
| Brainchild | John Saul | 0.00 | |
| Hellfire | John Saul | 0.00 | |
| The Unwanted | John Saul | 0.00 | |
| Black Creek Crossing | John Saul | 0.00 | |
| Black Lightning | John Saul | 0.00 | |
| Blackstone Chronicles | John Saul | 0.00 | |
| Brain Child | John Saul | 0.00 | |
| Creature | John Saul | 0.00 | |
| Faces of Fear | John Saul | 0.00 | |
| Guardian | John Saul | 0.00 | |
| Homing | John Saul | 0.00 | |
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| Deus Irae | Philip K. Dick, Roger Zelazny | 0.00 | |
| Doorways in the Sand | Roger Zelazny | 0.00 | |
| He Who Shapes | Roger Zelazny | 0.00 | |
| Home Is the Hangman | Roger Zelazny | 0.00 | |
| If at Faust You Don't Succeed | Roger Zelazny, Robert Sheckley | 0.00 | |
| Isle of the Dead | Roger Zelazny | 0.00 | |
| Jack of Shadows | Roger Zelazny | 0.00 | |
| Kjwalll'kje'koothai'lll'kje'k | Roger Zelazny | 0.00 | |
| Lord of Light | Roger Zelazny | 0.00 | |
| My Name Is Legion | Roger Zelazny | 0.00 | |
| Permafrost | Roger Zelazny | 0.00 | |
| Psychoshop | Alfred Bester, Roger Zelazny | 0.00 | |
| Roadmarks | Roger Zelazny | 0.00 | |
| The Black Throne | Roger Zelazny | 0.00 | |
| The Changing Land | Roger Zelazny | 0.00 | |
| The Dead Man's Brother | Roger Zelazny | 0.00 | |
| The Doors of His Face, the Lamps of His Mouth | Roger Zelazny | 0.00 | |
| The Eve of Rumoko | Roger Zelazny | 0.00 | |
| Warriors of Blood and Dream | Roger Zelazny | 0.00 | |
| Ride the Tiger: A Survival Manual for the Aristocrats of the Soul | Julius Evola | 0.00 | |
| The Folly and the Glory: America, Russia, and Political Warfare: 1945-2020 | Tim Weiner | 0.00 | |
| The Silent Woman | Ted Hughes, Sylvia Plath, Janet Malcolm | 0.00 | |
| The Purloined Clinic | Janet Malcolm | 0.00 | |
| A ent April 2012 | James E. Gunn | 0.00 | |
| Breakfast with Jim | James E. Gunn | 0.00 | |
| Canons to the Left, Canons to the Right | James E. Gunn | 0.00 | |
| Celebrating Isaac | James E. Gunn | 0.00 | |
| Elixir | James E. Gunn | 0.00 | |
| James Gunn, Grand Master | James E. Gunn | 0.00 | |
| Kindergarten | James E. Gunn | 0.00 | |
| New Earth | James E. Gunn | 0.00 | |
| Patterns | James E. Gunn | 0.00 | |
| Quantum Theory | James E. Gunn | 0.00 | |
| Religion and Science Fiction | James E. Gunn | 0.00 | |
| Saving the World | James E. Gunn | 0.00 | |
| Sci-Fi and Science Fiction | James E. Gunn | 0.00 | |
| Science Fiction Considers the Post-Human | James E. Gunn | 0.00 | |
| Science Fiction Imagines the Digital Future | James E. Gunn | 0.00 | |
| Singular Days | James E. Gunn | 0.00 | |
| Space Opera and the Quest for Transcendence | James E. Gunn | 0.00 | |
| Tales from the Spaceship Geoffrey | James E. Gunn | 0.00 | |
| Tales from the Transcendental | James E. Gunn | 0.00 | |
| The Academic Viewpoint | James E. Gunn | 0.00 | |
| The Dreamers | James E. Gunn | 0.00 | |
| The Listeners | James E. Gunn | 0.00 | |
| The Little Sailboat | James E. Gunn | 0.00 | |
| The Rabbit Hole | James E. Gunn | 0.00 | |
| The Stars | James E. Gunn | 0.00 | |
| The Year in Science Fiction | James E. Gunn | 0.00 | |
| This Fortress World | James E. Gunn | 0.00 | |
| Time and Time Again | James E. Gunn | 0.00 | |
| Transcendental | James E. Gunn | 0.00 | |
| A Very Russian Christmas | V.A., ? ? (ed.) | 0.00 | |
| A Very Italian Christmas | V.A., ? ? (ed.) | 0.00 | |
| A Very Scandinavian Christmas | V.A., ? ? (ed.) | 0.00 | |
| Suspect | Scott Turow | 0.00 | |
| One of Us Is Dead | Jeneva Rose | 0.00 | |
| We Spread | Iain an | 0.00 | |
| Jumanji | Chris Van Allsburg | 0.00 | |
| Zathura | Chris Van Allsburg | 0.00 | |
| Queen of the Falls | Chris Van Allsburg | 0.00 | |
| JonBenet: Inside the Ramsey Murder Investigation | Steve Thomas | 0.00 | |
| Sulamith | Alexandra Kuprin | 0.00 | |
| The Duel | Alexandra Kuprin | 0.00 | |
| Mercury: 1 - Falls | Alexandra Kuprin | 0.00 | |
| Mercury: 2 - Rests | Alexandra Kuprin | 0.00 | |
| Mercury: 3 - Revolts | Alexandra Kuprin | 0.00 | |
| Mercury: 4 - Rises | Alexandra Kuprin | 0.00 | |
| Mercury: 5 - Shrugs | Alexandra Kuprin | 0.00 | |
| Safe Patients, Smart Hospitals | Peter Pronovost, Eric Vohr | 0.00 | |
| Cloudmoney: Cash, Cards, Crypto, and the War for Our Wallets | Brett Scott | 0.00 | |
| Transition in Power: Technological Warfare and the Shift from British to American Hegemony since 1919 | Peter J. Hugill | 0.00 | |
| The American Way of Strategy: U.S. Foreign Policy and the American Way of Life | Michael Lind | 0.00 | |
| The Scientist: A Metaphysical Autobiography | John C. Lilly | 0.00 | |
| When Prophecy Fails | Leon Festinger, Henry W. Riecken, Stanley Schachter | 0.00 | |
| Mistakes Were Made | Carol Tavris | 0.00 | |
| Adapt | Tim Harford | 0.00 | |
| Achtung, Panzer! | Heinz Guderian | 0.00 | |
| How Do You Kill 11 Million People?: Why the Truth Matters More Than You Think | Andy Andrews | 0.00 | |
| How Magicians Think: Misdirection, Deception, and Why Magic Matters | Joshua Jay | 0.00 | |
| Five Decembers | James Kestrel | 0.00 | |
| A Literate Passion | Henry Miller, Gunther Stuhlmann (ed.) | 0.00 | |
| Air-Conditioned Nightmare | Henry Miller | 0.00 | |
| Aller Retour New York | Henry Miller | 0.00 | |
| Big Sur and the Oranges of Hieronymus Bosch | Henry Miller | 0.00 | |
| Black Spring | Henry Miller | 0.00 | |
| Books in My Life | Henry Miller | 0.00 | |
| Colossus of Maroussi | Henry Miller | 0.00 | |
| The Cosmological Eye | Henry Miller | 0.00 | |
| Crazy Cock | Henry Miller | 0.00 | |
| Dear, Dear Brenda | Henry Miller, Gerald Sindell (ed.) | 0.00 | |
| A Devil in Paradise | Henry Miller | 0.00 | |
| Henry Miller's Hamlet Letters | Henry Miller, Michael Hargraves (ed.) | 0.00 | |
| Insomnia, or the Devil at Large | Henry Miller | 0.00 | |
| Just Wild about Harry | Henry Miller | 0.00 | |
| Lawrence Durrell and Henry Miller | Henry Miller, George Wickes (ed.) | 0.00 | |
| Letters from Henry Miller to Hoki | Tokuda Miller Henry Miller, Joyce Howard (ed.) | 0.00 | |
| Letters to Emil | Henry Miller | 0.00 | |
| Moloch or, This Gentile World | Henry Miller | 0.00 | |
| Nexus | Henry Miller | 0.00 | |
| Nothing But the Marvelous | Henry Miller, Blair Fielding (ed.) | 0.00 | |
| Plexus | Henry Miller | 0.00 | |
| Quiet Days in Clichy | Henry Miller | 0.00 | |
| Selected Letters of Henry Miller and James Laughlin | Henry Miller, James Laughlin, George Wickes (ed.) | 0.00 | |
| Sexus | Henry Miller | 0.00 | |
| Smile at the Foot of the Ladder | Henry Miller | 0.00 | |
| Stand Still Like the Hummingbird | Henry Miller | 0.00 | |
| Sunday After the War | Henry Miller | 0.00 | |
| Time of the Assassins | Henry Miller | 0.00 | |
| Tropic of Cancer | Henry Miller | 0.00 | |
| Tropic of Capricorn | Henry Miller | 0.00 | |
| Under the Roofs of Paris | Henry Miller | 0.00 | |
| Wisdom of the Heart | Henry Miller | 0.00 | |
| World of Sex | Henry Miller | 0.00 | |
| Writer and Critic: Correspondence with Henry Miller | Henry Miller, William Gordon | 0.00 | |
| Savage Beasts | V.A., Anthony Rivera (ed.), Sharon Lawson (ed.) | 0.00 | |
| Die with Zero: Getting All You Can from Your Money and Your Life | Bill Perkins | 0.00 | |
| The Bogeyman | R.S. Stewart | 0.00 | |
| Billy Lives | Gary Brandner | 0.00 | |
| Cat People | Gary Brandner | 0.00 | |
| Death Walkers | Gary Brandner | 0.00 | |
| Doomstalker | Gary Brandner | 0.00 | |
| Floater | Gary Brandner | 0.00 | |
| Hellborn | Gary Brandner | 0.00 | |
| Rot | Gary Brandner | 0.00 | |
| The Brain Eaters | Gary Brandner | 0.00 | |
| The Players | Gary Brandner | 0.00 | |
| Walkers | Gary Brandner | 0.00 | |
| The Howling: 1 | Gary Brandner | 0.00 | |
| The Howling: 2 | Gary Brandner | 0.00 | |
| The Howling: 3 | Gary Brandner | 0.00 | |
| Quintana Roo | Gary Brandner | 0.00 | |
| Evil Jester Digest: 1 | V.A., Peter Giglio | 0.00 | |
| Evil Jester Digest: 2 | V.A., Peter Giglio | 0.00 | |
| Screenplay: The Foundation of Screnwriting | Syd Field | 0.00 | |
| What the Ear Hears (and Doesn't) | Richard Mainwaring | 0.00 | |
| A Walk Around the Block | Spike Carlsen | 0.00 | |
| The Trapped Girls Collection | James Hunt | 0.00 | |
| Putin's People How the KGB Took Back Control of Russia Then Took on the West | Catherine Belton | 0.00 | |
| Darkness at Dawn: The Rise of the Russian Criminal State | David Satter | 0.00 | |
| It Was a Long Time Ago, and It Never Happened Anyway, Russia and the Communist Past | David Satter | 0.00 | |
| Never Speak to Strangers and Other Writing from Russia and the Soviet Union | David Satter | 0.00 | |
| Russia's Looming Crisis | David Satter | 0.00 | |
| Foul Play | Sally Coulthard | 0.00 | |
| Taxi Driver | Paul Schrader | 0.00 | |
| A Flight of Storks and Angels | Robert Devereaux | 0.00 | |
| Deadweight | Robert Devereaux, Robert Devereaux | 0.00 | |
| Santa Claus Conquers the Homophobes | Robert Devereaux | 0.00 | |
| Slaughterhouse High | Robert Devereaux | 0.00 | |
| The Blackhouse | Carole Johnstone | 0.00 | |
| Walking Wounded | Robert Devereaux | 0.00 | |
| Zombie Mashup | Robert Devereaux | 0.00 | |
| Agents in Harm's Way: A White Slaver Story | Don Winslow | 0.00 | |
| California Fire and Life | Don Winslow | 0.00 | |
| City on Fire | Don Winslow | 0.00 | |
| Satori | Don Winslow | 0.00 | |
| Savages | Don Winslow | 0.00 | |
| The Death and Life of Bobby Z | Don Winslow | 0.00 | |
| The Force | Don Winslow | 0.00 | |
| Boone Daniels: 1 - Dawn Patrol | Don Winslow | 0.00 | |
| Boone Daniels: 2 - The Gentlemen's Hour | Don Winslow | 0.00 | |
| The Kings of Cool | Don Winslow | 0.00 | |
| Broken | Don Winslow | 0.00 | |
| Neal Carey: 1 - A Cool Breeze on the Underground | Don Winslow | 0.00 | |
| Neal Carey: 4 - A Long Walk Up the Waterslide | Don Winslow | 0.00 | |
| The Cartel: 1 - Power of the Dog | Don Winslow | 0.00 | |
| The Cartel: 2 - The Cartel | Don Winslow | 0.00 | |
| The Cartel: 3 - The Border | Don Winslow | 0.00 | |
| The Killings | J.F. Gonzalez, Wrath James White | 0.00 | |
| Carsick: John Waters Hitchhikes Across America | John Waters | 0.00 | |
| Feckers: 50 People Who Fecked Up Ireland | John Waters | 0.00 | |
| Liarmouth: A Feel-Bad Romance | John Waters | 0.00 | |
| Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder | John Waters | 0.00 | |
| Role Models | John Waters | 0.00 | |
| Poisoning Eros: 1 | Wrath James White, Monica J. O'Rourke | 0.00 | |
| Poisoning Eros: 2 | Wrath James White, Monica J. O'Rourke | 0.00 | |
| Closing Costs | Wesley Southard | 0.00 | |
| The Teratologist | Edward Lee, Wrath James White | 0.00 | |
| They Mostly Come at Night | Wesley Southard | 0.00 | |
| Like Porno for Psychos | Wrath James White | 0.00 | |
| Population Zero | Wrath James White | 0.00 | |
| Scabs | Wrath James White | 0.00 | |
| Sloppy Seconds | Wrath James White | 0.00 | |
| Prey: 1 - Succulent Prey | Wrath James White | 0.00 | |
| Prey: 2 - Prey Drive | Wrath James White | 0.00 | |
| The Resurrectionist | Wrath James White | 0.00 | |
| Yaccub's Curse | Wrath James White | 0.00 | |
| Orgy of Souls | Wrath James White, Maurice Broaddus | 0.00 | |
| Skinzz Wrath | James White | 0.00 | |
| His Pain | Wrath James White | 0.00 | |
| The Book of a Thousand Sins | Wrath James White, Wrath James White | 0.00 | |
| 400 Days of Oppression | Wrath James White | 0.00 | |
| Pure Hate | Wrath James White | 0.00 | |
| Sacrifice | Wrath James White | 0.00 | |
| Voracious | Wrath James White | 0.00 | |
| Hero | J.F. Gonzalez, Wrath James White | 0.00 | |
| Bradley Sands Is a Dick | V.A., Andersen Prunty (ed.), Bradley Sands (ed.) | 0.00 | |
| Hollow-Eyed Mary | Andre Duza | 0.00 | |
| Ride the Serpentine | Andre Duza | 0.00 | |
| Ring of Fire | David Agranoff | 0.00 | |
| Archelon Ranch | Garrett Cook | 0.00 | |
| Time Pimp | Garrett Cook | 0.00 | |
| Jimmy Plush, Teddy Bear Detective | Garrett Cook | 0.00 | |
| Murderland | Garrett Cook | 0.00 | |
| Mother's es | White, Andre Duza | 0.00 | |
| Bloodtree River | Sarah Barrie | 0.00 | |
| Devil's Lair | Sarah Barrie | 0.00 | |
| Babysitter | Joyce Carol Oates | 0.00 | |
| Age of Vice | Deepti Kapoor | 0.00 | |
| Alone with You in the Ether | Olivie Blake | 0.00 | |
| Strange Rites: New Religions for a Godless World | Tara Isabella Burton | 0.00 | |
| At the End of the Matinee | Keiichiro Hirano | 0.00 | |
| A Man | Keiichiro Hirano, Eli K.P. William, ? ? (tr.) | 0.00 | |
| Parade | Hiromi Kawakami | 0.00 | |
| People from My Neighborhood | Hiromi Kawakami | 0.00 | |
| Record of a Night Too Brief | Hiromi Kawakami | 0.00 | |
| The Briefcase | Hiromi Kawakami | 0.00 | |
| The Nakano Thrift Shop | Hiromi Kawakami | 0.00 | |
| The Ten Loves of Nishino | Hiromi Kawakami | 0.00 | |
| Thought and the Psychology of Totalism | Robert Jay Lifton | 0.00 | |
| Talking to Strangers | Malcolm Gladwell | 0.00 | |
| The Listeners | Brian Hochman | 0.00 | |
| Afterage | Yvonne Navarro, Rick Sardina, Brian Hodge | 0.00 | |
| Alternative Truths | Bob Brown, Adam-Troy Castro, Jim Wright, Diana Hauer | 0.00 | |
| Androgyny | Brian Hodge | 0.00 | |
| Are You Loathsome Tonight | Poppy Z. Brite | 0.00 | |
| Cancer Causes Rats | Brian Hodge | 0.00 | |
| Childhood at the Lost and Found | Brian Hodge | 0.00 | |
| D.U.C.K | Poppy Z. Brite | 0.00 | |
| Dark Advent | Brian Hodge | 0.00 | |
| Dark City | Brian Hodge, Gerard Houarner | 0.00 | |
| Deathgrip | Brian Hodge | 0.00 | |
| Drawing Blood | Poppy Z. Brite | 0.00 | |
| Exquisite Corpse | Poppy Z. Brite | 0.00 | |
| Extinctions in Paradise | Brian Hodge | 0.00 | |
| Extract | Brian Hodge | 0.00 | |
| Fake Alibis: An Almost True Novel | Frank Sibila, Caren Kennedy, Adam-Troy Castro | 0.00 | |
| Falling Idols | Brian Hodge | 0.00 | |
| Funeral March | Adam-Troy Castro | 0.00 | |
| Godflesh | Brian Hodge | 0.00 | |
| Phoenix without Ashes | Harlan Ellison, Edward Bryant | 0.00 | |
| Heartsick | Brian Hodge | 0.00 | |
| Her Husband's Hands and Other Stories | Adam-Troy Castro | 0.00 | |
| Our Human | Adam-Troy Castro | 0.00 | |
| Locusts | Adam-Troy Castro | 0.00 | |
| in a Roadhouse Far, Past the Edge of Town | Brian Hodge | 0.00 | |
| Journals of Horror: Found Fiction | Todd Keisling, P.D. Cacek, Glenn Rolfe, D.S. Ullery | 0.00 | |
| Lies and Ugliness | Brian Hodge | 0.00 | |
| Lightspeed: 03 | V.A., ? ? (ed.) | 0.00 | |
| Lightspeed: 17 | V.A., ? ? (ed.) | 0.00 | |
| Lightspeed: 38 | V.A., ? ? (ed.) | 0.00 | |
| Lizzie Borden | Elizabeth Engstrom | 0.00 | |
| Lost Souls | Poppy Z. Brite | 0.00 | |
| Love in Vein | Poppy Z. Brite | 0.00 | |
| Mad Dogs | Brian Hodge | 0.00 | |
| Mostly Cloudy, Chance of Kurt | Brian Hodge | 0.00 | |
| Naked Lunchmeat | Brian Hodge | 0.00 | |
| Night Prayers | P.D. Cacek | 0.00 | |
| Nightlife | Brian Hodge | 0.00 | |
| Oasis | Brian Hodge | 0.00 | |
| Picking the Bones | Brian Hodge | 0.00 | |
| Prime | Poppy Z. Brite | 0.00 | |
| Prototype | Brian Hodge | 0.00 | |
| Soul Kitchen | Poppy Z. Brite | 0.00 | |
| Swamp Foetus | Poppy Z. Brite | 0.00 | |
| The Convulsion Factory | Brian Hodge | 0.00 | |
| The Coward's Option | Adam-Troy Castro | 0.00 | |
| The Darker Saints | Brian Hodge | 0.00 | |
| The Guernsey Literary and Potato Peel Pie Society | Poppy Z. Brite, Ann Mary Shaffer, Annie Barrows | 0.00 | |
| The Lazarus Heart | Poppy Z. Brite | 0.00 | |
| The Meat in the Machine | Brian Hodge | 0.00 | |
| The Northwoods Chronicles | Elizabeth Engstrom | 0.00 | |
| The Wind Caller | P.D. Cacek | 0.00 | |
| Unseen Demons | Adam-Troy Castro | 0.00 | |
| Vossoff and Nimmitz | Adam-Troy Castro | 0.00 | |
| What Happens in the Darkness | Monica J. O'Rourke | 0.00 | |
| Whom the Gods Would Destroy | Brian Hodge | 0.00 | |
| Wild Horses | Brian Hodge | 0.00 | |
| Worlds of Hurt | Brian Hodge | 0.00 | |
| John Rickey and Gary 'G-man' Stubbs: 1 - ? | Poppy Z. Brite | 0.00 | |
| John Rickey and Gary 'G-man' Stubbs: 2 - Liquor | Poppy Z. Brite | 0.00 | |
| John Rickey and Gary 'G-man' Stubbs: 3 - ? | Poppy Z. Brite | 0.00 | |
| John Rickey and Gary 'G-man' Stubbs: 4 - ? | Poppy Z. Brite | 0.00 | |
| John Rickey and Gary 'G-man' Stubbs: 5 - Chapter 1 | Poppy Z. Brite | 0.00 | |
| On Earth as It Is in Hell | Brian Hodge | 0.00 | |
| Nightmare Flower She Wrote | Elizabeth Engstrom | 0.00 | |
| Liquor | Poppy Z. Brite | 0.00 | |
| Black Ambrosia | Elizabeth Engstrom | 0.00 | |
| Andrea Court: 1 - Emissaries from the Dead | Adam-Troy Castro | 0.00 | |
| Andrea Court: 2 - The Third Claw of God | Adam-Troy Castro | 0.00 | |
| Gustav Gloom: 1 - Gustav Gloom and the People Taker | Adam-Troy Castro, Kristen Margiotta | 0.00 | |
| Gustav Gloom: 2 - Gustav Gloom and the Nightmare Vault | Adam-Troy Castro | 0.00 | |
| Gustav Gloom: 3 - Gustav Gloom and the Four Terrors | Adam-Troy Castro | 0.00 | |
| Gustav Gloom: 4 - Gustav Gloom and the Cryptic Carousel | Adam-Troy Castro | 0.00 | |
| Gustav Gloom: 5 - Gustav Gloom and the Inn of Shadows | Adam-Troy Castro | 0.00 | |
| Gustav Gloom: 6 - Gustav Gloom and the Castle of Fear | Adam-Troy Castro | 0.00 | |
| The Funeral March of the Marionettes | Adam-Troy Castro | 0.00 | |
| Nightmare: 02 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare: 89 | V.A., ? ? (ed.) | 0.00 | |
| Suspicions | Elizabeth Engstrom | 0.00 | |
| Max Havelaar: or, the Coffee Auctions of the Dutch Trading Company | Edward Douwes Dekker | 0.00 | |
| Walter Pieterse, a Story of Holland | Edward Douwes Dekker | 0.00 | |
| His Mouth Will Taste of Wormwood | Poppy Z. Brite | 0.00 | |
| Calcutta, Lord of Nerves | Poppy Z. Brite | 0.00 | |
| Monday's Special | Poppy Z. Brite | 0.00 | |
| O' Death, Where Is Thy Spatula? | Poppy Z. Brite | 0.00 | |
| Pansu | Poppy Z. Brite | 0.00 | |
| The Devil of Delery Street | Poppy Z. Brite | 0.00 | |
| Love and Lust: On the Psychoanalysis of Romantic and Sexual Emotions | Paul Roazen Theodor Reik | 0.00 | |
| Surprise and the Psycho-Analyst: On the Conjecture and Comprehension of Unconscious Processes | Theodor Reik | 0.00 | |
| The Posthumous Works of Thomas de Quincey, Vol. 1 | Thomas de Quincey | 0.00 | |
| The Posthumous Works of Thomas de Quincey, Vol. 2 | Thomas de Quincey | 0.00 | |
| Confessions of an English Opium-Eater and Other Writings | Thomas de Quincey | 0.00 | |
| On Murder | Thomas de Quincey | 0.00 | |
| Uncollected Writings of Thomas de Quincey, Vol. 1 | Thomas de Quincey | 0.00 | |
| Uncollected Writings of Thomas de Quincey, Vol. 2 | Thomas de Quincey | 0.00 | |
| The Darkest Web | Eileen Ormsby | 0.00 | |
| Imposter | Bradeigh Godfrey | 0.00 | |
| Ignorance Is Strength | V.A., Hugh Howey (ed.), John Joseph Adams (ed.), Christie Yant (ed.) | 0.00 | |
| More Money Than God | Sebastian Mallaby | 0.00 | |
| Rites of Extinction | Matt Serafini | 0.00 | |
| The Devils of Loudun | Aldous Huxley | 0.00 | |
| Days of Utter Dread | Graham Masterton | 0.00 | |
| The Myth of the Good War: America in the Second World | Louis Pauwels | 0.00 | |
| Eternal Man | Louis Pauwels, Jacques Bergier | 0.00 | |
| Darwin and the Mysterious Mr. X | Loren Eiseley | 0.00 | |
| The Immense Journey | Loren Eiseley | 0.00 | |
| The Night Country | Loren Eiseley | 0.00 | |
| The Unexpected Universe | Loren Eiseley | 0.00 | |
| The Firmament of Time | William Cronon, Loren C. Eiseley | 0.00 | |
| The Invisible Pyramid | William Cronon, Loren C. Eiseley | 0.00 | |
| After Many a Summer Dies the Swan | Aldous Huxley | 0.00 | |
| Antic Hay | Aldous Huxley | 0.00 | |
| Ape and Essence | Aldous Huxley | 0.00 | |
| Mysteries of the Earth | Jacques Bergier | 0.00 | |
| Impossible Possibilities | Louis Pauwels, Jacques Bergier | 0.00 | |
| Orange Sunshine | Nicholas Schou | 0.00 | |
| Scores | Michael D. Blutrich | 0.00 | |
| How to Sell a Haunted House | Grady Hendrix | 0.00 | |
| Paperbacks from Hell | Grady Hendrix | 0.00 | |
| A Fatal Thing Happened on the Way to the Forum: Murder in Ancient Rome | Emma Southon | 0.00 | |
| Agrippina: The Most Extraordinary Woman of the Roman World | Emma Southon | 0.00 | |
| Cowboys, Mountain Men, and Grizzly Bears | Matthew P. Mayo | 0.00 | |
| Mangled Meat | Edward Lee | 0.00 | |
| Transcendence | Edward Lee, John Pelant | 0.00 | |
| 310 to Yuma and Other Stories | Elmore Leonard | 0.00 | |
| 52 Pickup | Elmore Leonard | 0.00 | |
| A Coyote's in the House | Elmore Leonard | 0.00 | |
| Bandits | Elmore Leonard | 0.00 | |
| Blood Money and Other Stories | Elmore Leonard | 0.00 | |
| Carl Webster: 1 - The Hot Kid | Elmore Leonard | 0.00 | |
| Carl Webster: 2 - Up in Honey's Room | Elmore Leonard | 0.00 | |
| Carl Webster: 3 - Comfort to the Enemy | Elmore Leonard | 0.00 | |
| Cat Chaser | Elmore Leonard | 0.00 | |
| Charlie Martz and Other Stories | Elmore Leonard | 0.00 | |
| Chili Palmer: 1 - Get Shorty | Elmore Leonard | 0.00 | |
| Chili Palmer: 2 - Be Cool | Elmore Leonard | 0.00 | |
| City Primeval | Elmore Leonard | 0.00 | |
| Coyote's in the House | Elmore Leonard | 0.00 | |
| Cuba Libre | Elmore Leonard | 0.00 | |
| Djibouti | Elmore Leonard | 0.00 | |
| Escape from Five Shadows | Elmore Leonard | 0.00 | |
| Forty Lashes Less One | Elmore Leonard | 0.00 | |
| Frank Ryan: 1 - Swag | Elmore Leonard | 0.00 | |
| Frank Ryan: 2 - Stick | Elmore Leonard | 0.00 | |
| Freaky Deaky | Elmore Leonard | 0.00 | |
| Glitz | Elmore Leonard | 0.00 | |
| Gold Coast | Elmore Leonard | 0.00 | |
| Gunsights | Elmore Leonard | 0.00 | |
| Hombre | Elmore Leonard | 0.00 | |
| Hunted | Elmore Leonard | 0.00 | |
| Jack Foley: 1 - Out of Sight | Elmore Leonard | 0.00 | |
| Jack Foley: 2 - Road Dogs | Elmore Leonard | 0.00 | |
| Jack Ryan: 1 - The Big Bounce | Elmore Leonard | 0.00 | |
| Jack Ryan: 2 - Unknown Man #89 | Elmore Leonard | 0.00 | |
| Killshot | Elmore Leonard | 0.00 | |
| La Brava | Elmore Leonard | 0.00 | |
| Last Stand at Saber River | Elmore Leonard | 0.00 | |
| Louly and Pretty Boy | Elmore Leonard | 0.00 | |
| Maximum Bob | Elmore Leonard | 0.00 | |
| Moment of Vengeance and Other Stories | Elmore Leonard | 0.00 | |
| Mr. Paradise | Elmore Leonard | 0.00 | |
| Mr. Majestyk | Elmore Leonard | 0.00 | |
| Naked Came the Manatee | V.A., ? ? (ed.) | 0.00 | |
| Pagan Babies | Elmore Leonard | 0.00 | |
| Raylan Givens: 1 - Pronto | Elmore Leonard | 0.00 | |
| Raylan Givens: 2 - Riding the Rap | Elmore Leonard | 0.00 | |
| Raylan Givens: 3 - Fire in the Hole and Other Stories | Elmore Leonard | 0.00 | |
| Raylan Givens: 4 - Raylan | Elmore Leonard | 0.00 | |
| Split Images | Elmore Leonard | 0.00 | |
| The Big Bounce | Elmore Leonard | 0.00 | |
| The Bounty Hunters | Elmore Leonard | 0.00 | |
| The Hunted | Elmore Leonard | 0.00 | |
| The Complete Western Stories of Elmore Leonard | Elmore Leonard | 0.00 | |
| The Law at Randado | Elmore Leonard | 0.00 | |
| Ordell Robbie and Louis Gara: 1 - Rum Punch | Elmore Leonard | 0.00 | |
| Ordell Robbie and Louis Gara: 2 - The Switch | Elmore Leonard | 0.00 | |
| Tishomingo Blues | Elmore Leonard | 0.00 | |
| Touch | Elmore Leonard | 0.00 | |
| Trail of the Apache and Other Stories | Elmore Leonard | 0.00 | |
| When the Women Come out to Dance | Elmore Leonard | 0.00 | |
| Dead Babies | Martin Amis | 0.00 | |
| Einstein's Monsters | Martin Amis | 0.00 | |
| Heavy Water | Martin Amis | 0.00 | |
| House of Meetings | Martin Amis | 0.00 | |
| Lionel Asbo: State of England | Martin Amis | 0.00 | |
| London Fields | Martin Amis | 0.00 | |
| Money | Martin Amis | 0.00 | |
| Night Train | Martin Amis | 0.00 | |
| Other People | Martin Amis | 0.00 | |
| Success | Martin Amis | 0.00 | |
| The Information | Martin Amis | 0.00 | |
| The Moronic Inferno and Other Visits to America | Martin Amis | 0.00 | |
| The Pregnant Widow | Martin Amis | 0.00 | |
| The Rachel Papers | Martin Amis | 0.00 | |
| The Zone of Interest | Martin Amis | 0.00 | |
| Time's Arrow | Martin Amis | 0.00 | |
| Inside Story | Martin Amis | 0.00 | |
| Favorite Science Fiction Stories: Volume 2 Jimcin pire Stories | V.A., Michael Sims (ed.) | 0.00 | |
| Engineering Infinity | V.A., Jonathan Strahan (ed.) | 0.00 | |
| Crimes by Moonlight: Mysteries from the Dark Side | V.A., Charlaine Harris (ed.) | 0.00 | |
| The Gestapo: A History of Horror | Jacques Delarue, Mervyn Savill (tr.) | 0.00 | |
| Austerity: The History of a Dangerous Idea | Mark Blyth | 0.00 | |
| Disgraceland | Jake Brennan | 0.00 | |
| Apocalypse Machine | Jeremy Robinson | 0.00 | |
| Madhouse at the End of the Earth: The Belgicas Journey Into the Dark Antarctic Night | Julian Sancton | 0.00 | |
| Serge Storms: 01 - Florida Roadkill | Tim Dorssy | 0.00 | |
| Serge Storms: 02 - Hammerhead Ranch Motel | Tim Dorssy | 0.00 | |
| Serge Storms: 03 - Orange Crush | Tim Dorssy | 0.00 | |
| Serge Storms: 04 - Triggerfish Twist | Tim Dorssy | 0.00 | |
| Serge Storms: 05 - The Stingray Shuffle | Tim Dorssy | 0.00 | |
| Serge Storms: 06 - Cadillac Beach | Tim Dorssy | 0.00 | |
| Serge Storms: 07 - Torpedo Juice | Tim Dorssy | 0.00 | |
| Serge Storms: 08 - The Big Bamboo | Tim Dorssy | 0.00 | |
| Serge Storms: 09 - Hurricane Punch | Tim Dorssy | 0.00 | |
| Serge Storms: 10 - Atomic Lobster | Tim Dorssy | 0.00 | |
| Serge Storms: 11 - Nuclear Jellyfish | Tim Dorssy | 0.00 | |
| Serge Storms: 12 - Gator A-Go-Go | Tim Dorssy | 0.00 | |
| Serge Storms: 13 - Electric Barracuda | Tim Dorssy | 0.00 | |
| Serge Storms: 14 - When Elves Attack | Tim Dorssy | 0.00 | |
| Serge Storms: 15 - Pineapple Grenade | Tim Dorssy | 0.00 | |
| Serge Storms: 16.5 - The Riptide Ultra-Glide | Tim Dorssy | 0.00 | |
| Serge Storms: 16 - Tropical Warning and Other Debris | Tim Dorssy | 0.00 | |
| Serge Storms: 17 - Tiger Shrimp Tango | Tim Dorssy | 0.00 | |
| Serge Storms: 18 - Shark Skin Suite | Tim Dorssy | 0.00 | |
| Serge Storms: 19 - Coconut Cowboy | Tim Dorssy | 0.00 | |
| Serge Storms: 20 - Clownfish Blues | Tim Dorssy | 0.00 | |
| Serge Storms: 21 - The Pope of Palm Beach | Tim Dorssy | 0.00 | |
| Serge Storms: 22 - No Sunscreen for the Dead | Tim Dorssy | 0.00 | |
| Serge Storms: 23 - Naked Came the Florida Man | Tim Dorssy | 0.00 | |
| Serge Storms: 25 - Mermaid Confidential | Tim DorsVy | 0.00 | |
| Varg Veum: 1 - Yours Until Death | Gunnar Staalesen | 0.00 | |
| Varg Veum: 2 - The Writing on the Wall | Gunnar Staalesen | 0.00 | |
| Varg Veum: 3 - The Consorts of Death | Gunnar Staalesen | 0.00 | |
| Varg Veum: 4 - Cold Hearts | Gunnar Staalesen | 0.00 | |
| Varg Veum: 5 - We Shall Inherit the Wind | Gunnar Staalesen | 0.00 | |
| Varg Veum: 6 - Where Roses Never Die | Gunnar Staalesen | 0.00 | |
| Varg Veum: 7 - Wolves in the Dark | Gunnar Staalesen | 0.00 | |
| Varg Veum: 8 - Big Sister | Gunnar Staalesen | 0.00 | |
| Varg Veum: 9 - Wolves at the Door | Gunnar Staalesen | 0.00 | |
| Temple of the Golden Pavilion | Yukio Mishima | 0.00 | |
| Blue Dawn: 1 - Blue Dawn | Blaine Lee Pardoe | 0.00 | |
| Blue Dawn: 2 - A Most Uncivil War | Blaine Lee Pardoe | 0.00 | |
| The Man from St. Petersburg | Ken Follett | 0.00 | |
| The Shards | Bret Easton Ellis | 0.00 | |
| Baby Moll | John Farris | 0.00 | |
| Blood on the Mink | Robert Silverberg | 0.00 | |
| Colorado Kid | Stephen King | 0.00 | |
| Deadly Beloved | Max Alla Collins | 0.00 | |
| Fake I.D. | Jason Starr | 0.00 | |
| Fifty to One | Charles Ardai | 0.00 | |
| Grifter's Game | Lawrence Block | 0.00 | |
| Honey in His Mouth | Lester Dent | 0.00 | |
| House | Dick E. Howard Hunt | 0.00 | |
| Kill Now, Pay Later | Robert Terrall | 0.00 | |
| Losers Live Longer | Russell Atwood | 0.00 | |
| Lucky at Cards | Lawrence Block | 0.00 | |
| Money Shot | Christa Faust | 0.00 | |
| Passport to Peril | Robert B. Parker | 0.00 | |
| Pimp | Ken Bruen, Jason Starr | 0.00 | |
| Robbie's Wife | Russell Hill | 0.00 | |
| Shooting Star and Spiderweb | Robert Bloch | 0.00 | |
| Slide | Ken Bruen, Jason Starr | 0.00 | |
| Stop This Man! | Peter Rabe | 0.00 | |
| The Confession | Domenic Stansberry | 0.00 | |
| The Consummata | Mickey Spillane, Max Allan Collins | 0.00 | |
| The First Quarry | Max Alla Collins | 0.00 | |
| The Max | Ken Bruen, Jason Starr | 0.00 | |
| The Peddler | Richard S. Prather | 0.00 | |
| The Vengeful Virgin | Gil Brewer | 0.00 | |
| The Wrong Quarry | Max Alla Collins | 0.00 | |
| Top of the Heap | Erle Stanley Gardner | 0.00 | |
| Witness to Myself | Seymour Shubin | 0.00 | |
| The Return of Martin Guerre | Natalie Zemon Davis | 0.00 | |
| Memoirs of an Anti-Semite | Gregor von Rezzori | 0.00 | |
| A Writer at War Red Army, 1941 | Vasily Grossman | 0.00 | |
| Stalingrad | Vasily Grossman | 0.00 | |
| The People Immortal | Vasily Grossman | 0.00 | |
| The Road | Vasily Grossman | 0.00 | |
| Everything Flows | Vasily Grossman | 0.00 | |
| An Armenian Sketchbookt | Vasily Grossman | 0.00 | |
| Pirate Enlightenment, or the Real Libertalia | David Graeber | 0.00 | |
| Stories of Intellect | V.A., Rossiter Johnson (ed.) | 0.00 | |
| Revolution | Russell Brand | 0.00 | |
| Meet Me Under the Mistletoe | V.A., ? ? (ed.) | 0.00 | |
| Bad House | Sam West | 0.00 | |
| Dead Dot Com | Sam West | 0.00 | |
| Djinn | Sam West | 0.00 | |
| Flesh Factory | Sam West | 0.00 | |
| Her Father's Mistake | Sam West | 0.00 | |
| Home Intruder | Sam West | 0.00 | |
| Mary Blake | Sam West | 0.00 | |
| Meet the Meat | Sam West | 0.00 | |
| School Reunion | Sam West | 0.00 | |
| Shadow Games | Sam West | 0.00 | |
| Snuff Club | Sam West | 0.00 | |
| Splatterpunks | Sam West | 0.00 | |
| Suffer Hard | Sam West | 0.00 | |
| Tales of A. Dead | Sam West | 0.00 | |
| The Collection | Sam West | 0.00 | |
| The Dark Side Of Red | Sam West | 0.00 | |
| The Green Fog | Sam West | 0.00 | |
| Victim | Sam West | 0.00 | |
| Born This Way | Sam West | 0.00 | |
| Between the Sheets | V.A., Penthouse editors | 0.00 | |
| Pakistan's Pathway to the Bomb: Ambitions, Politics, and Rivalries | Mansoor Ahmed | 0.00 | |
| Eating People Is Wrong | Malcolm Bradbury | 0.00 | |
| Ten Days in a Mad-House | Nellie Bly | 0.00 | |
| This Is the End: 1 - | V.A., ? ? (ed.) | 0.00 | |
| This Is the End: 2 - | V.A., ? ? (ed.) | 0.00 | |
| This Is the End: 3 - The Post | V.A., ? ? (ed.) | 0.00 | |
| From Darkness Comes | V.A., ? ? (ed.) | 0.00 | |
| Ultimate Undead Collection | V.A., ? ? (ed.) | 0.00 | |
| Gilded Glass | V.A., ? ? (ed.) | 0.00 | |
| Apparition | Michaelbrent Collings | 0.00 | |
| CrimeSeen | Michaelbrent Collings | 0.00 | |
| Darkbound | Michaelbrent Collings | 0.00 | |
| Light | Michaelbrent Collings | 0.00 | |
| Lost Girl | Michaelbrent Collings | 0.00 | |
| Malignant | Michaelbrent Collings | 0.00 | |
| Rising Fears | Michaelbrent Collings | 0.00 | |
| Run | Michaelbrent Collings | 0.00 | |
| Terminal | Michaelbrent Collings | 0.00 | |
| The House That Death Built | Michaelbrent Collings | 0.00 | |
| The Meridians | Michaelbrent Collings | 0.00 | |
| Sword Chronicles: 1 - The Sword Chronicles: Child of the Empire | Michaelbrent Collings | 0.00 | |
| Sword Chronicles: 2 - Child of Sorrows | Michaelbrent Collings | 0.00 | |
| The Colony: 1 - Genesis | Michaelbrent Collings | 0.00 | |
| The Colony: 2 - | L.G. Nevill | 0.00 | |
| Hasty for the Dar | Adam L.G. Nevill | 0.00 | |
| Cries from the Crypt | Adam L.G. Nevill | 0.00 | |
| Apartment 16 | Adam Nevill | 0.00 | |
| Banquet for the Damned | Adam Nevill | 0.00 | |
| Cunning Folk | Adam Nevill | 0.00 | |
| House of Small Shadows | Adam Nevill | 0.00 | |
| Last Days | Adam Nevill | 0.00 | |
| Lost Girl | Adam Nevill | 0.00 | |
| No One Gets out Alive | Adam Nevill | 0.00 | |
| Some Will Not Sleep | Adam Nevill | 0.00 | |
| Under a Watchful Eye | Adam Nevill | 0.00 | |
| The Reddening | Adam Nevill | 0.00 | |
| Stiff Things: The Splatterporn Anthology | V.A., Cheryl Mullenax (ed.), Randy Chandler (ed.), Kristopher Triana (ed.), Brandon Ford (ed.) | 0.00 | |
| Exotic Gothic: 4 | V.A., Daniel Olson (ed.) | 0.00 | |
| The Next Time I Die | Jason Starr | 0.00 | |
| Marked to Die: A Tribute to Mark Samuels | V.A., ? ? (ed.) | 0.00 | |
| And Then I Woke up | Malcolm Devlin | 0.00 | |
| You Will Grow Into Them | Malcolm Devlin | 0.00 | |
| A Black and Endless Sky | Matthew Lyons | 0.00 | |
| Anybody Home? | Michael J. Seidlinger | 0.00 | |
| Womb | Matt Shaw | 0.00 | |
| Roe v. Wade | Matt Shaw | 0.00 | |
| The Nightrunners | Joe R. Lansdale | 0.00 | |
| The Man Who Would Be King and Other Stories | Rudyard Kipling | 0.00 | |
| Selected Just So Stories | Rudyard Kipling | 0.00 | |
| Kim | Rudyard Kipling | 0.00 | |
| Living My Life | Emma Goldman | 0.00 | |
| My Disillusionment in Russia | Emma Goldman | 0.00 | |
| The Modern Drama | Emma Goldman | 0.00 | |
| The Sorrows of Young Werther | Johann Wolfgang von Goethe | 0.00 | |
| Fortress of Solitude | Kenneth Robeson | 0.00 | |
| The Dust of Death | Kenneth Robeson | 0.00 | |
| The Golden Man | Kenneth Robeson | 0.00 | |
| The Land of Always Night | Kenneth Robeson | 0.00 | |
| The Polar Treasure Doc Savage | Kenneth Robeson | 0.00 | |
| Sonic Boom | Peter Ames Carlin | 0.00 | |
| Tails of Wonder and Imagination | V.A., Ellen Datlow (ed.) | 0.00 | |
| The American Stage: Writing on Theater from Washington Irving to Tony Kushner | V.A., Laurence Senelick (ed.) | 0.00 | |
| Stories: All-New Tales | V.A., Neil Gaiman, Al Sarrantonio (ed.) | 0.00 | |
| Starship Vectors | V.A., Allan Kaster (ed.) | 0.00 | |
| Songs of Love and Death: All-Original Tales of Star-Crossed Love | V.A., George R.R. Martin (ed.), Gardner Dozois (ed.) | 0.00 | |
| Machine of Death | V.A., Matthew Bennardo, David Malki, Ryan North (ed.) | 0.00 | |
| Haunted Legends | V.A., Ellen Datlow, ed.Nick Mamatas (ed.) | 0.00 | |
| Dangerous Women | V.A., Otto Penzler (ed.) | 0.00 | |
| When Darkness Loves Us | Elizabeth Engstrom, Grady Hendrix | 0.00 | |
| Doorbells at Dusk | Evans Light, Josh Malerman | 0.00 | |
| BadAsstronauts | Grady Hendrix | 0.00 | |
| Dead Leprechauns and Devil Cats | Grady Hendrix | 0.00 | |
| Horrorstories | Grady Hendrix | 0.00 | |
| Howls from Hell | Grady Hendrix | 0.00 | |
| My Best Friend's Exorcism | Grady Hendrix | 0.00 | |
| Satan Loves You | Grady Hendrix | 0.00 | |
| The Final Girl Support Group | Grady Hendrix | 0.00 | |
| I Can Taste the Blood | John Skipp, Josh Malerman | 0.00 | |
| Don't Turn out the Lights | Josh Malerman | 0.00 | |
| A House at the Bottom of a Lake | Josh Malerman | 0.00 | |
| Bird Box | Josh Malerman | 0.00 | |
| Black Mad Wheel | Josh Malerman | 0.00 | |
| Carpenter's Farm | Josh Malerman | 0.00 | |
| Daphne | Josh Malerman | 0.00 | |
| Pearl | Josh Malerman | 0.00 | |
| Unbury Carol | Josh Malerman | 0.00 | |
| Bird Box: 2 - Malorie | Josh Malerman | 0.00 | |
| Goblin | Josh Malerman | 0.00 | |
| Inspection | Josh Malerman, Damien Angelica Walters, Matthew M. Bartlett | 0.00 | |
| Orphans of Bliss: Tales of Addiction Horror | V.A., ? ? (ed.) | 0.00 | |
| The White Glove War | Michael Bailey John Skipp, Richard Chizmar, Josh Malerman | 0.00 | |
| You, Human | T. Chris Martindale, Grady Hendrix | 0.00 | |
| Tower of the Sun | Tomihiko Morimi | 0.00 | |
| Penguin Highway | Tomihiko Morimi | 0.00 | |
| The Night Is Short, Walk on Girl | Tomihiko Morimi | 0.00 | |
| Uncommon Carriers | John McPhee | 0.00 | |
| The Signalman | Charles Dickens | 0.00 | |
| The Biggest Prison on Earth | Ilan Pappe | 0.00 | |
| The Art of Horrible People | V.A., Jonathan Maberry, R.L. Stine, Amy Lukavics, Barry Lyga, Brendan ? | 0.00 | |
| Lost Signals | V.A., ? ? (ed.) | 0.00 | |
| Desert Creatures | Kay Chronister | 0.00 | |
| This One Sky Day | Leone Ross | 0.00 | |
| The Fine Print: How Big Companies Use 'Plain English' to Rob You Blind | David Cay Johnston | 0.00 | |
| The Substitution Order | Martin Clark | 0.00 | |
| The Forgotten Slave Trade: The European Slaves of Islam | Simon Webb | 0.00 | |
| Letters of Note: Correspondence Deserving of a Wider Audience | Shaun Usher | 0.00 | |
| The Deluge | Stephen Markley | 0.00 | |
| Some of the Dharma | Jack Kerouac | 0.00 | |
| At the End of the Road: Jack Kerouac in Mexico | Jorge García-Robles, Jack Kerouac, Daniel C. Schechter | 0.00 | |
| Atop an Underwood: Early Stories and Other Writings | Jack Kerouac | 0.00 | |
| Big Sur | Jack Kerouac | 0.00 | |
| Book of Blues | Jack Kerouac | 0.00 | |
| Desolation Angels | Jack Kerouac | 0.00 | |
| Jack Kerouac and Allen Ginsberg: The Letters | Jack Kerouac | 0.00 | |
| Lonesome Traveler | Jack Kerouac | 0.00 | |
| Off the Road: My Years with Cassady, Kerouac, and Ginsberg Carolyn Cassady, Neal Cassady, Allen Ginsberg, Jack Kerouac | Carolyn Cassady | 0.00 | |
| Old Angel Midnight | Jack Kerouac | 0.00 | |
| Orpheus Emerged | Jack Kerouac | 0.00 | |
| Satori in Paris | Jack Kerouac | 0.00 | |
| Pic | Jack Kerouac | 0.00 | |
| The Sea Is My Brother | Jack Kerouac | 0.00 | |
| The Subterraneans | Jack Kerouac | 0.00 | |
| The Town and the City | Jack Kerouac | 0.00 | |
| The Unknown Kerouac: Rare, Unpublished and Newly Translated Writings | Jack Kerouac | 0.00 | |
| The Voice Is All: The Lonely Victory of Jack Kerouac | Joyce Johnson, Jack Kerouac | 0.00 | |
| Visions of Gerard | Jack Kerouac | 0.00 | |
| Wake Up: A Life of the Buddha | Jack Kerouac | 0.00 | |
| Letters from Jack Kerouac to Ed White, 1947 | Jack Kerouac | 0.00 | |
| The Scripture of the Golden Eternity | Jack Kerouac | 0.00 | |
| Scattered Poems: The Scripture of the Golden Eternity: Old Angel Midnight | Jack Kerouac | 0.00 | |
| Bad Dolls | Rachel Harrison | 0.00 | |
| The Little Book of Philosophy: An Introduction to the Key Thinkers and Theories You Need to Know | Rachel Poulton | 0.00 | |
| Babrii Fabulae Aesopeae | Babrius, ? ? (tr.) | 0.00 | |
| Ade's Fables | George Ade | 0.00 | |
| Aesop's Fables | Aesop, George Fyler Townsend (tr.) | 0.00 | |
| Aesop's Fables | Aesop, ? (tr.) | 0.00 | |
| The Monkey and the Crocodile: And Other Fables from the Jataka Tales of India | Ellsworth Young Ellen C. Babbitt | 0.00 | |
| Book of Fables in Slang | George Ade | 0.00 | |
| Aesop's Fables | George Fyler, George Fyler Townsend | 0.00 | |
| Infidelity and Facts of Faith | Robert Patterson | 0.00 | |
| A Hundred Fables of La Fontaine | La Fontaine | 0.00 | |
| Nemeton: A Fables Anthology | V.A., Megan Powell (ed.) | 0.00 | |
| The Ship of Fools, Volume 1 | Sebastian Brant | 0.00 | |
| Hotel at the End of the Road | Stephen King | 0.00 | |
| The Beauty of Being: A Collection of Fables, Short Stories and Essays | Abiodun Oyewole | 0.00 | |
| Tales of Fantasy, Fables, and Fiction | Brian J. Baker, Thomas H. Tribble | 0.00 | |
| Famous Animal Fables | Carol Gatewood | 0.00 | |
| The Teachings of Don B: Satires, Parodies, Fables, Illustrated Stories and Plays | Donald Barthelme | 0.00 | |
| Fables You Shouldn't Pay Any Attention to Florence | Parry Heide, Sylvia Worth van Clief | 0.00 | |
| Flower Fables | Louisa May Alcott | 0.00 | |
| Truthtelling: Stories, Fables, Glimpses | Lynne Sharon Schwartz | 0.00 | |
| Fisher's Fables | Robert Crouch | 0.00 | |
| The Yellow Fables | Spencer Henderson | 0.00 | |
| The Terraformers | Annalee Newitz | 0.00 | |
| Nana | Brandon Massey | 0.00 | |
| American Midnight: The Great War, a Violent Peace, and Democracy's Forgotten Crisis | Adam Hochschild | 0.00 | |
| The Maid | Nita Prose | 0.00 | |
| Little Words: Their History, Phonology, Syntax, Semantics, Pragmatics, and Acquisition | V.A., Ronald P. Leow (ed.), Hector Campos (ed.), Donna Lardier (ed.) | 0.00 | |
| Utopia | Lincoln Child | 0.00 | |
| The Great Partition: The Making of India and Pakistan | Yasmin Khan | 0.00 | |
| Supernatural Horror:Fantasy Series Starter Box Set | V.A., Grea Alexander (ed.) | 0.00 | |
| The Dupin Mysteries | Edgar Allen Poe | 0.00 | |
| The Eight-Circuit Brain: Navigational Strategies for the Energetic Body | Antero Alli | 0.00 | |
| The Einstein Intersection | Samuel R. Delany | 0.00 | |
| For Profit: A History of Corporations | William Magnuson | 0.00 | |
| Gods at War: Shotgun Takeovers, Government by Deal, and the Private Equity Implosion | Steven M. Davidoff | 0.00 | |
| Come Let Us Sing Anyway | Leone Ross | 0.00 | |
| One-Week Dungeons: Diaries of a Seven-Day Roguelike Challenge | David L. Craddock | 0.00 | |
| A Winter Grave | Peter May | 0.00 | |
| The Nightmare Man | J.H. Markert | 0.00 | |
| The Lost Books of the Bible: The Great Rejected Texts | Joseph B. Lumpkin | 0.00 | |
| The Fatal Conceit: The Errors of Socialism | Friedrich A. Hayek | 0.00 | |
| A Philosophical Enquiry Into the Origin of our Ideas of the Sublime and Beautiful | Edmund Burke | 0.00 | |
| The Forgotten Highlander | Alistair Urquhart | 0.00 | |
| Dark Victory: | Ronald Hamdy | 0.00 | |
| LSD: A Journey Into the Asked, the Answered, and the Unknown | Richard Alpert, Sidney Cohen, Lawrence Schiller | 0.00 | |
| The Spite House | Johnny Compton | 0.00 | |
| Metaphors We Live by | George Lakoff, Mark Johnson | 0.00 | |
| Spitting in the Soup: Inside the Dirty Game of Doping in Sports | Mark Johnson | 0.00 | |
| A Pale View of Hills | Kazuo Ishiguro | 0.00 | |
| The Hotel New Hampshire | John Irving | 0.00 | |
| The River | Peter Heller | 0.00 | |
| Black Flags | Joby Warrick | 0.00 | |
| Triple Agent: The al-Qaeda Mole Who Infiltrated the CIA | Joby Warrick | 0.00 | |
| erica's Race to Destroy the Most Dangerous Arsenal in the World | Joby Warrick | 0.00 | |
| The Descent | Jeff Long | 0.00 | |
| A Walk through the Wilderness One Man's Journey from Faith to Fundamentalism to Atheism | Dan Conger | 0.00 | |
| Grimscribe | Thomas Ligotti | 0.00 | |
| Bubblegum | Adam Levin | 0.00 | |
| The Log of a Cowboy: A Narrative of the Old Trail Days | Andy Adams | 0.00 | |
| Areopagitica: A speech of Mr. John Milton for the Liberty of Unlicenc'd Printing, to the Parlament of England | John Milton | 0.00 | |
| Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam | John A. Nagl, Peter J. Schoomaker | 0.00 | |
| Palo Alto: A History of California, Capitalism, and the World | Malcolm Harris | 0.00 | |
| The Magic of Mushrooms: Fungi in Folklore, Superstition and Traditional Medicine | Sandra Lawrence | 0.00 | |
| Martin Scorsese: A Journey (Revised and Expanded) | Mary Pat Kelly, Leonardo DiCaprio, Steven Spielberg | 0.00 | |
| The Vessel | Adam Nevill | 0.00 | |
| The Unsettling of America: Culture and Agriculture | Wendell Berry | 0.00 | |
| Against Democracy | Jason Brennan | 0.00 | |
| Learn like a Pro Science-Based Tools to Become Better at Anything | Barbara Oakley, Olav Schewe | 0.00 | |
| The Soulmate | Sally Hepworth | 0.00 | |
| Culture: A New World History | Martin Puchner | a? | 0.00 |
| Habit Forming: Drug Addiction in America, 1776-1914 | Elizabeth Kelly Gray | 0.00 | |
| Cobalt: Cradle of the Demon Metals, Birth of a Mining Superpower | Charlie Angus | 0.00 | |
| Authors of the Impossible: The Paranormal and the Sacred | V.A., ? ? (ed.) | 0.00 | |
| The Book of the Damned | Charles Hoy Fort | 0.00 | |
| New Lands | Charles Hoy Fort | 0.00 | |
| Lo! | Charles Hoy Fort | 0.00 | |
| Wild Talents | Charles Hoy Fort | 0.00 | |
| The Outcast Manufacturerst | Charles Hoy Fort | 0.00 | |
| The Exploration of Time | Robert Bowen | 0.00 | |
| Gurdjieff Beelzebub' Tales to His Grandson: An Objectively Impartial Criticism of the Life of Man | Georges Ivanovitch | 0.00 | |
| in the Man Who Was Thursday | G.K. Chesterton | 0.00 | |
| Joe Kurtz: 1 - Hardcase | Dan Simmons | 0.00 | |
| Joe Kurtz: 2 - Hard Freeze | Dan Simmons | 0.00 | |
| Joe Kurtz: 3 - Hard as Nails | Dan Simmons | 0.00 | |
| The Great God Pan and Other Stories | Arthur Machen | 0.00 | |
| Rienzi | Edward Bulwer-Lytton | 0.00 | |
| The Disowned | Edward Bulwer-Lytton | 0.00 | |
| The Incantation | Edward Bulwer-Lytton | 0.00 | |
| Vril: The Power of the Coming Race | Edward Bulwer-Lytton | 0.00 | |
| Paul Clifford | Edward Bulwer-Lytton | 0.00 | |
| The Last Days of Pompeii | Edward George Bulwer-Lytton | 0.00 | |
| The House and the Brain | Edward Bulwer-Lytton | 0.00 | |
| The Drug Propaganda Vol. 1: Prohibition | Dan Russell | 0.00 | |
| The Gangs of New York: An Informal History of the Underworld | Herbert Asbury | 0.00 | |
| The Prince | Niccolò Machiavelli | 0.00 | |
| The Managerial Revolution: What Is Happening in the World | James Burnham | 0.00 | |
| The Last Homosexual | Paul Park | 0.00 | |
| Get a Grip | Paul Park | 0.00 | |
| A Princess of Roumania | Paul Park | 0.00 | |
| The Tourmaline | Paul Park | 0.00 | |
| Fragrant Goddess | Paul Park | 0.00 | |
| The White | Tyger Paul Park | 0.00 | |
| The Hidden World | Paul Park | 0.00 | |
| Mysteries of the Old Quarter | Paul Park | 0.00 | |
| All Those Vanished Engines | Paul Park | 0.00 | |
| Creative Nonfiction | Paul Park | 0.00 | |
| Say Nothing: A True Story of Murder and Memory in Northern Ireland | Patrick Radden Keefe | 0.00 | |
| Twist of Fate | David Mark | 0.00 | |
| The Institution | Helen Fields | 0.00 | |
| Find Us | Benjamin Stevenson | 0.00 | |
| Winter Is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped | Garry Kasparov | 0.00 | |
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| To Your Scattered Bodies Go | Philip Jose Farmer | 0.00 | |
| The Handmaid's Tale | Margaret Atwood | 0.00 | |
| The City and the Stars | Arthur C. Clark | 0.00 | |
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| Out of the Silent Planet | C.S. Lewis | 0.00 | |
| A Princess of Mars | Edgar Rice Burroughs | 0.00 | |
| The Lathe of Heaven | Ursula K. Le Guin | 0.00 | |
| Way Station | Clifford Simak | 0.00 | |
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| Altered Carbon | Richard Morgan | 0.00 | |
| Old Man's War | John Scalzi | 0.00 | |
| The Postman | David Brin | 0.00 | |
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| The Uplift War | David Brin | 0.00 | |
| Wake in Fright | Kenneth Cook | 0.00 | |
| Salt: Selected Stories and Essays | Bruce Pascoe | 0.00 | |
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| Glory Lane | Alan Dean Foster | 0.00 | |
| Dreamwatcher | Theodore R szak | 0.00 | |
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| Speaking in Tongues: hree Stories and Two Poems | Neil Gaiman | 0.00 | |
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| Beyond the Occult: Twenty Years' Research Into the Paranormal | Colin Wilson | 0.00 | |
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| Necessary Doubt | Colin Wilson | 0.00 | |
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| The Space Vampires | Colin Wilson | 0.00 | |
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| Innumeracy | John Allen Paulos | 0.00 | |
| A Report for an Academy | Franz Kafka | 0.00 | |
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| The Complete Stories | Franz Kafka | 0.00 | |
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| Amerika | Franz Kafka, Michael Hofmann (tr.) | 0.00 | |
| Amerika | Franz Kafka, Mark Harman (tr.) | 0.00 | |
| A Dual | Franz Kafka, Stanley Appelbaum (tr.) | 0.00 | |
| Brief an den Vater | Franz Kafka | 0.00 | |
| Collected Stories | Franz Kafka | 0.00 | |
| Dearest Father: Stories and Other Writings | Franz Kafka | 0.00 | |
| Diaries, 1910 | Franz Kafka, Martin Greenberg (tr.) | 0.00 | |
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| Investigations of a Dog | Franz Kafka, Michael Hofmann (tr.) | 0.00 | |
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| Letter to My Father | Franz Kafka, Ernst Kaiser (tr.), Eithne Wilkins (tr.) | 0.00 | |
| Metamorphosis | Franz Kafka, Susan Bernofsky (tr.) | 0.00 | |
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| The Castle | Franz Kafka, J.A. Underwood (tr.) | 0.00 | |
| The Castle | Franz Kafka, Willa Muir (tr.), Edwin Muir (tr.) | 0.00 | |
| The Castle | Franz Kafka, Mark Harman (tr.) | 0.00 | |
| The Metamorphosis | Franz Kafka, ? ? (tr.) | 0.00 | |
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| Try The New Candy | Aron Beauregard | 0.00 | |
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| Long Lost | David Morrell | 0.00 | |
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| The Magician | W. Somerset Maugham | 0.00 | |
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| My Mother, Madame Edwarda, the Dead Man | Georges Bataille | 0.00 | |
| Fanny Hill: Memoirs of a Woman of Pleasure | John Cleland | 0.00 | |
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| Lightness at Midnight | Martin Amis | 0.00 | |
| To Hell and Back: The Last Train from Hiroshima | Charles Pellegrino | 0.00 | |
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| Black Man, White House: An Oral History of the Obama Years | Darryl L. Hughley, Michael Malice, Barack Obama | 0.00 | |
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| Concierge Confidential | Michael Malice Michael Fazio | 0.00 | |
| Overheard in New York Updated: Conversations from the Streets, Stores, and Subway | S. Morgan Friedman, Michael Malice | 0.00 | |
| Doomsday Match | Jeff Wheeler | 0.00 | |
| Wild Place | Christian White | 0.00 | |
| Between Saying and Doing | Robert B. Brandom | 0.00 | |
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| All | John W. Campbell | 0.00 | |
| Astounding Science Fiction Anthology | John W. Campbell | 0.00 | |
| Astounding Tales of Space and Time | John W. Campbell | 0.00 | |
| Blindness | John W. Campbell | 0.00 | |
| Conquest of the Planets | John W. Campbell | 0.00 | |
| Dead Knowledge | John W. Campbell | 0.00 | |
| Elimination | John W. Campbell | 0.00 | |
| Frictional Losses | John W. Campbell | 0.00 | |
| Moon Is Hell | John W. Campbell | 0.00 | |
| Night | John W. Campbell | 0.00 | |
| Space Rays | John W. Campbell | 0.00 | |
| The Astounding Science Fiction Anthology | John W. Campbell | 0.00 | |
| The Battery of Hate | John W. Campbell | 0.00 | |
| The Best of John W. Campbell | John W. Campbell | 0.00 | |
| The Black Star Passes | John W. Campbell | 0.00 | |
| The Elder Gods | John W. Campbell | 0.00 | |
| The Incredible Planet | John W. Campbell | 0.00 | |
| The Last Evolution | John W. Campbell | 0.00 | |
| The Metal Horde | John W. Campbell | 0.00 | |
| The Mightiest Machine | John W. Campbell | 0.00 | |
| The Planeteers | John W. Campbell | 0.00 | |
| The Space Beyond | John W. Campbell | 0.00 | |
| The Ultimate Weapon | John W. Campbell | 0.00 | |
| When the Atoms Failed | John W. Campbell | 0.00 | |
| Who Goes There | John W. Campbell | 0.00 | |
| Arcot Morey and Wade: 1.1 - Piracy Preferred | John W. Campbell | 0.00 | |
| Arcot Morey and Wade: 1.2 - Solarite | John W. Campbell | 0.00 | |
| Arcot Morey and Wade: 1.3 - The Black Star Passes | John W. Campbell | 0.00 | |
| Atkill: 2 - Beyond the End of Space | John W. Campbell | 0.00 | |
| Infinite: 1 - ? | John W. Campbell | 0.00 | |
| Infinite: 2 - ? | John W. Campbell | 0.00 | |
| Infinite: 3 - ? | John W. Campbell | 0.00 | |
| Invaders from the Infinite | John W. Campbell | 0.00 | |
| Sarn: 1 - Out of Night | John W. Campbell | 0.00 | |
| Sarn: 2 - Cloak of Aesir | John W. Campbell | 0.00 | |
| The Machine: 1 - The Machine | John W. Campbell | 0.00 | |
| The Machine: 2 - The Invaders | John W. Campbell | 0.00 | |
| The Machine: 3 - Invaders from the Infinite | John W. Campbell | 0.00 | |
| Battle of the Infinite Trilogy | John W. Campbell | 0.00 | |
| Battle of the Infinite: 1 - The Black Star Passes | John W. Campbell | 0.00 | |
| Battle of the Infinite: 2 - Islands of Space | John W. Campbell | 0.00 | |
| Battle of the Infinite: 3 - | John W. Campbell | 0.00 | |
| Islands of Space | John W. Campbell | 0.00 | |
| A Short History of Decay | Emil Cioran | 0.00 | |
| All Gall Is Divided | Emil Cioran | 0.00 | |
| Anathemas and Admirations | Emil Cioran | 0.00 | |
| Drawn and Quartered | Emil Cioran | 0.00 | |
| History and Utopia | Emil Cioran | 0.00 | |
| New Gods | Emil Cioran | 0.00 | |
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| Trouble with Being Born | Emil Cioran | 0.00 | |
| The Fall Into Time | Emil Cioran | 0.00 | |
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| A Temptation to Exist | Emil Cioran | 0.00 | |
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| Sailing Alone Around the World | Joshua Slocum | 0.00 | |
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| Black Coffee Blues: 2 - Do I Come Here Often | Henry Rollins | 0.00 | |
| Black Coffee Blues: 3 - Smile, You're Traveling | Henry Rollins | 0.00 | |
| Atomic Days: The Untold Story of the Most Toxic Place in America | Joshua Fran | 0.00 | |
| Moscow 1812: Napoleon's Fatal March | Adam Zamoyski | 0.00 | |
| The Language Warrior's Manifesto How to Keep Our Languages Alive No Matter the Odds | Anton Treuer | 0.00 | |
| Tales of the Mountain Men: Seventeen Stories of Survival, Exploration, and Frontier Spirit | Lamar Underwood | 0.00 | |
| The Great Halifax Explosion | John U. Bacon | 0.00 | |
| Blizzard of Glass | Sally M. Walker | 0.00 | |
| Disunited Nations: The Scramble for Power in an Ungoverned World | Peter Zeihan | 0.00 | |
| The Absent Superpower: The Shale erica | Peter Zeihan | 0.00 | |
| The Accidental Superpower: The Next Generation of American Preeminence and the Coming Global Disorder | Peter Zeihan | 0.00 | |
| The End of the World Is Just the Beginning | Peter Zeihan | 0.00 | |
| Things Hidden Since the Foundation of the World plex Systems | Giorgio Parisi | 0.00 | |
| Tim Burton's The Nightmare Before Christmas | Megan Shepherd | 0.00 | |
| Creating Character Arcs | K.M. Weiland | 0.00 | |
| Jonathan Strange and Mr. Norrell | Susanna Clarke | 0.00 | |
| Piranesi | Susanna Clarke | 0.00 | |
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| Eat Meat. Not too Little. Mostly Fat. | Amber O'Hearn | 0.00 | |
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| Hungarian Uprising 1956: The Forgotten es at Fairmont High | Vernor Vinge | 0.00 | |
| The Collected Stories of Vernor Vinge | Vernor Vinge | 0.00 | |
| The Cookie Monster | Vernor Vinge | 0.00 | |
| Synthetic Serendipity | Vernor Vinge | 0.00 | |
| Rainbows End | Vernor Vinge | 0.00 | |
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| The Children of the Sky | Vernor Vinge | 0.00 | |
| The Disaster Stack | Vernor Vinge | 0.00 | |
| The Day the Sun Rose in the West | Oishi Matashichi | 0.00 | |
| Outlive: The Science and Art of Longevity | Peter Attia | 0.00 | |
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| ?: 1 - Less | Andrew Sean Greer | 0.00 | |
| ?: 2 - Less Is Lost | Andrew Sean Greer | 0.00 | |
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| Tinkers | Paul Harding | 0.00 | |
| ?: 1 - The Sympathizer | Viet Thanh Nguyen | 0.00 | |
| ?: 2 - The Committed | Viet Thanh Nguyen | 0.00 | |
| Cod | Mark Kurlansky | 0.00 | |
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| Nonviolence | Mark Kurlansky | 0.00 | |
| Salt | Mark Kurlansky | 0.00 | |
| The Big Oyster History on the Half Shell | Mark Kurlansky | 0.00 | |
| The Food of a Younger Land | Mark Kurlansky | 0.00 | |
| Dead Eleven | Jimmy Juliano | 0.00 | |
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| Social Acceleration: A New Theory of Modernity | Hartmut Rosa, Jonathan Trejo-Mathys | 0.00 | |
| The Polymath: A Cultural History from Leonardo da Vinci to Susan Sontag | Peter Burke | 0.00 | |
| Cutting Teeth | Chandler Baker | 0.00 | |
| Cobalt s from Bunker Hill | John Fante | 0.00 | |
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| First Born | Will Dean | 0.00 | |
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| Pretty | Jillian Lauren | 0.00 | |
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| Everything You Ever Wanted | Jillian Lauren | 0.00 | |
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| Delayed the Ancient to the Instant World | Jason Farman | 0.00 | |
| Stiff: The Curious Lives of Human Cadavers | Mary Roach | 0.00 | |
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| Pig Earth | John Berger | 0.00 | |
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| Selected Essays of John Berger | John Berger | 0.00 | |
| Understanding a Photograph | John Berger, Geoff Dyer | 0.00 | |
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| Spook: Science Tackles the Afterlife | Mary Roach | 0.00 | |
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| The Making of a Chef: Mastering Heat at the Culinary Institute of America | Michael Ruhlman | 0.00 | |
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| The Silver Ships: 02 - Libre | S.H. Jucha | 0.00 | |
| The Silver Ships: 03 - Méridien | S.H. Jucha | 0.00 | |
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| Brewtality: Extreme Horror Anthology | V.A., ? ? (ed.) | 0.00 | |
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| Nightmare Magazine: 009 | V.A., ? ? (ed.) | 0.00 | |
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| Nightmare Magazine: 110 | V.A., ? ? (ed.) | 0.00 | |
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| Nightmare Magazine: 114 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: 115 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: 116 | V.A., ? ? (ed.) | 0.00 | |
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| Nightmare Magazine: 120 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: 121 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: 122 | V.A., ? ? (ed.) | 0.00 | |
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| Nightmare Magazine: 083 | V.A., ? ? (ed.) | 0.00 | |
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| Nightmare Magazine: 099 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: - January 2017 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: - May 2015 | V.A., ? ? (ed.) | 0.00 | |
| Nightmare Magazine: | V.A., ? ? (ed.) | 0.00 | |
| House of Windows | John Langan | 0.00 | |
| Sefira and Other Betrayals | John Langan | 0.00 | |
| The Collected Short Fiction | John Langan | 0.00 | |
| Mr. Gaunt and Other Uneasy Encounters | John Langan | 0.00 | |
| The Man Who Solved the Market | Gregory Zuckerman | 0.00 | |
| Kolymsky Heights | Lionel Davidson | 0.00 | |
| Dangling Man | Saul Bellow | 0.00 | |
| Mr. Sammler's Planet | Saul Bellow | 0.00 | |
| Ravelstein | Saul Bellow | 0.00 | |
| Seize the Day | Saul Bellow | 0.00 | |
| The Victim | Saul Bellow | 0.00 | |
| There Is Simply Too Much to Think about | Saul Bellow | 0.00 | |
| Saul Bellow Letters | Saul Bellow, Benjamin Taylor | 0.00 | |
| The Actual | Saul Bellow | 0.00 | |
| The Collected Stories Of Saul Bellow | Saul Bellow | 0.00 | |
| Herzog | Saul Bellow | 0.00 | |
| Fairy Tales | George MacDonald | 0.00 | |
| The Great y | Michael Pettis | 0.00 | |
| Whirligig | Paul Fleischman | 0.00 | |
| Life at the Bottom: The Worldview That Makes the Underclass | Theodore Dalrymple | 0.00 | |
| The Tribe | Bari Wood | 0.00 | |
| Let's Go Play at the Adams' | Mendal W. Johnson | 0.00 | |
| Familiar Spirit | Lisa Tuttle | 0.00 | |
| Space Eldritch | Howard Tayler | 0.00 | |
| Quantum Enigma | Bruce Rosenblum, Fred Kuttner | 0.00 | |
| The Water-Babies | Charles Kingsley | 0.00 | |
| Through The Brazilian Wilderness | Theodore Roosevelt | 0.00 | |
| Festus | Philip James Bailey | 0.00 | |
| The House on the Cliff | Franklin W. Dixon | 0.00 | |
| News from Nowhere | William Morris | 0.00 | |
| Playing Sick | Marc Feldman | 0.00 | |
| The Medical Detectives: Volume II | Berton Roueché | 0.00 | |
| And Further Narratives of Medical: The Incurable Wound | Berton Roueché | 0.00 | |
| Why arkable Story of Risk | Peter L. Bernstein | 0.00 | |
| Wish I Were Here: Boredom and the Interface | Mark Kingwell | 0.00 | |
| Pragmatism and The Meaning of Truth | William James | 0.00 | |
| Incompleteness: The Proof and Paradox of Kurt Gödel | Rebecca Goldstein | 0.00 | |
| How to Live. What to Do: in Search of Ourselves in Life and Literature | Josh Cohen | 0.00 | |
| Everything and More: A Compact History of Infinity | David Foster Wallace | 0.00 | |
| The Merchant Prince of Poverty Row Harry Cohn of Columbia | Bernard F. Dick | 0.00 | |
| King Cohn: The Life and Times of Harry Cohn | Bob Thomas | 0.00 | |
| Nark | Joe Eszterhas | 0.00 | |
| Hollywood Animal | Joe Eszterhas | 0.00 | |
| The Merchant Prince of Poverty Row Harry Cohn of Columbia | Bernard F. Dick On Human Nature | Roger Scruton | 0.00 |
| Failure of the New Economics | Henry Hazlitt | 0.00 | |
| The Golden Keel | Desmond Bagley | 0.00 | |
| High Citadel | Desmond Bagley | 0.00 | |
| Wyatt's Hurricane | Desmond Bagley | 0.00 | |
| Landslide | Desmond Bagley | 0.00 | |
| The Vivero Letter | Desmond Bagley | 0.00 | |
| The Spoilers | Desmond Bagley | 0.00 | |
| Running Blind | Desmond Bagley | 0.00 | |
| The Freedom Trap | Desmond Bagley | 0.00 | |
| The Tightrope Men | Desmond Bagley | 0.00 | |
| The Snow Tiger | Desmond Bagley | 0.00 | |
| The Enemy | Desmond Bagley | 0.00 | |
| Flyaway | Desmond Bagley | 0.00 | |
| Bahama Crisis | Desmond Bagley | 0.00 | |
| Windfall | Desmond Bagley | 0.00 | |
| Night of Error | Desmond Bagley | 0.00 | |
| Juggernaut | Desmond Bagley | 0.00 | |
| Domino Island | Desmond Bagley | 0.00 | |
| Writer: An Enquiry Into a Novelist | Desmond Bagley | 0.00 | |
| Thinkertoys: A Handbook of Creative-Thinking Techniques | Michael Michalko | 0.00 | |
| Words and Rules: The Ingredients of Language | Steven Pinker | 0.00 | |
| Kwik Krimes | V.A., Otto Penzler (ed.) | 0.00 | |
| Hulda: 3 - The Mist | Ragnar Jonasson | 0.00 | |
| The King of Oil: The Secret Lives of Marc Rich | Daniel Ammann | 0.00 | |
| The Lost Cause | Cory Doctorow | 0.00 | |
| Jesse Livermore: Speculator King | Paul Sarnoff | 0.00 | |
| Jesse Livermore: Boy Plunger | Tom Rubython | 0.00 | |
| Jesse Livermore: World's Greatest Stock Trader | Richard Smitten | 0.00 | |
| And God Created Burton | Tom Rubython | 0.00 | |
| Jesse Livermore, Boy Plunger: The Man Who Sold America Short | Paul Tudor Jones, Jesse Lauriston Livermore, Tom Rubython | 0.00 | |
| Shunt: The Story of James Hunt | Tom Rubython | 0.00 | |
| Trade Like Jesse Livermore | Richard Smitten | 0.00 | |
| No Enemy But Time | Michael Bishop | 0.00 | |
| The Falling Woman | Pat Murphy | 0.00 | |
| Stations of the Tide | Michael Swanwick | 0.00 | |
| Hellmira: The Union's Most Infamous Civil War Prison Camp - Elmira, NY | Derek Maxfield, Chris Mackowski | 0.00 | |
| The Upanishads | V.A., Vernon Katz (tr.), Thomas Egenes (tr.) | 0.00 | |
| The Upanishads | V.A., Sri M. (tr.) | 0.00 | |
| Mind and Matter | Erwin Schrödinge | 0.00 | |
| Science Theory and Man | Erwin Schrödinger | 0.00 | |
| My View of the World | Erwin Schrödinger | 0.00 | |
| Nature and the Greeks | Erwin Schrödinger | 0.00 | |
| Science and the Human Temperature | Erwin Schrödinger | 0.00 | |
| But I Trusted You | Ann Rule | 0.00 | |
| Dead by Sunset | Ann Rule | 0.00 | |
| Everything She Ever Wanted | Ann Rule | 0.00 | |
| Heart Full of Lies a True Story of Desire and Death | Ann Rule | 0.00 | |
| Without Pity | Ann Rule | 0.00 | |
| A Fever in the Heart | Ann Rule | 0.00 | |
| A Rage to Kill and Other True Cases | Ann Rule | 0.00 | |
| Bitter Harvest | Ann Rule | 0.00 | |
| Don't Look Behind You | Ann Rule | 0.00 | |
| Empty Promises | Ann Rule | 0.00 | |
| in the Still of the Night | Ann Rule | 0.00 | |
| Last Dance, Last Chance | Ann Rule | 0.00 | |
| Mortal Danger | Ann Rule | 0.00 | |
| Empty Promises: And Other True Cases | Ann Rule | 0.00 | |
| The I-5 Killer | Ann Rule | 0.00 | |
| Worth More Dead | Ann Rule | 0.00 | |
| A Splendor of Letters | Nicholas A. Basbanes | 0.00 | |
| about the Author Inside the Creative Process | Nicholas A. Basbanes | 0.00 | |
| A World of Letters | Nicholas A. Basbanes | 0.00 | |
| Cross of Snow: A Life of Henry Wadsworth Longfellow | Nicholas A. Basbanes | 0.00 | |
| Every Book Its pstead | Elias Canetti | 0.00 | |
| The Tongue Set Free | Elias Canetti | 0.00 | |
| Agony of Flies | Elias Canetti | 0.00 | |
| The Torch in my Ear | Elias Canetti | 0.00 | |
| I Want to Keep Smashing Myself Until I Am Whole | Elias Canetti | 0.00 | |
| Suicide Supper Club | Rhett DeVane | 0.00 | |
| Prisoner's Dilemma: John von Neumann, Game Theory, and the Puzzle of the Bomb | William Poundstone | 0.00 | |
| Conversation about the Meaning of Life | David Benatar | 0.00 | |
| Extraordinary Popular Delusions and the Madness of Crowds | Charles Mackay | 0.00 | |
| Mean Justice | Edward Humes | 0.00 | |
| Mississippi Mud | Edward Humes | 0.00 | |
| The Forever Witness | Edward Humes | 0.00 | |
| Life, Death, and Meaning | David Benatar | 0.00 | |
| The Eyes of Texas | V.A., Michael Bracken (ed.) | 0.00 | |
| Monkey Girl | Edward Humes | 0.00 | |
| Humanx Commonwealth: 4 - Voyage to the City of the Dead | Alan Dean Foster | 0.00 | |
| The Creature from Jekyll Island: A Second Look at the Federal onov | Emmanuel Carrère | 0.00 | |
| The Haunted Mustache | Joe McGee | 0.00 | |
| The Book of Silence | Lawrence Watt-Evans | 0.00 | |
| The Last Book of Wonder | Lord Dunsany | 0.00 | |
| Yondering | Louis L'amour | 0.00 | |
| Megapack: Martian | V.A., ? ? (ed.) | 0.00 | |
| Megapack: Occult Detective | V.A., ? ? (ed.) | 0.00 | |
| The Moustache | Emmanuel Carrère | 0.00 | |
| No Matter How Loud I Shout | Edward Humes | 0.00 | |
| Schrader's Chord | Scott Leeds | 0.00 | |
| The Psychological Foundations of Culture | John Tooby, Leda Cosmides | 0.00 | |
| True Crime: British Killers | Jason Neal | 0.00 | |
| The Panic of 1792: The History and Legacy of America's First Financial Crisis | Charles River | 0.00 | |
| Butter | Asako Yuzuki, Polly Barton (tr.) | 0.00 | |
| Airframe | Crichton Michael | 0.00 | |
| Sovietistan: Travels in Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan, and Uzbekistan | Erika Fatland | 0.00 | |
| The Stranger in the Woods: The Extraordinary Story of the Last True Hermit | Michael Finkel | 0.00 | |
| Atomic Design | Brad Frost | 0.00 | |
| The Trading Game | Gary Stevenson | 0.00 | |
| Same Bed Different Dreams | Ed Park | 0.00 | |
| Burma Sahib | Paul Theroux | 0.00 | |
| Knowledge and Decisions | Thomas Sowell | 0.00 | |
| Discrimination and Disparities | Thomas Sowell | 0.00 | |
| Never | Ken Follett | 0.00 | |
| Triple | Ken Follett | 0.00 | |
| Jackdaws | Ken Follett | 0.00 | |
| Whiteout | Ken Follett | 0.00 | |
| The Third Twin | Ken Follett | 0.00 | |
| Wo ld ithout End | Ken Follett | 0.00 | |
| No Pain Like This Body | Harold Sonny Ladoo | 0.00 | |
| Leonard and Hungry Paul | Ronan Hession | 0.00 | |
| Oranges | John McPhee | 0.00 | |
| Exit Black | Joe Pitkin | 0.00 | |
| The Satanic Verses | Salmon Rushdie | 0.00 | |
| The Strangest Man: The Hidden Life of Paul Dirac, Mystic of the Atom | Graham Farmelo | 0.00 | |
| Clear | Carys Davies | 0.00 | |
| Billy Budd | Herman Melville | 0.00 | |
| Iniscences of the Son-of-a-Gentleman, in the Merchant Service | Herman Melville | 0.00 | |
| Pierre | Herman Melville | 0.00 | |
| Israel Potter | Herman Melville | 0.00 | |
| The Confidence Man | Herman Melville | 0.00 | |
| The Piazza Tales | Herman Melville | 0.00 | |
| Typee | Herman Melville | 0.00 | |
| Omoo | Herman Melville | 0.00 | |
| Death Ship | B. Traven | 0.00 | |
| Dead Brigade | James Lovegrove | 0.00 | |
| Edgewise | Graham Masterton | 0.00 | |
| Unspeakable | Graham Masterton | 0.00 | |
| The Heirloom | Graham Masterton | 0.00 | |
| Plague | Graham Masterton | 0.00 | |
| The True and Only Heaven: Progress and Its Critics | Christopher Lasch | 0.00 | |
| The New Radicalism in America, 1889 | Christopher Lasch | 0.00 | |
| Short Tall Tales | Brian Lumley | 0.00 | |
| Dandelion Wine | Ray Bradbury | 0.00 | |
| Travels | Michael Crichton | 0.00 | |
| Sartor Resartus | Thomas Carlyle | 0.00 | |
| Grokking Algorithms, Second Edition | Aditya Y. Bhargava | 0.00 | |
| Put Your Ass Where Your Heart Wants to Be | Steven Pressfield | 0.00 | |
| Human Action | Ludwig Von Mises | 0.00 | |
| Liberty and Property | Ludwig von Mises | 0.00 | |
| Pillar to the Sky | William R. Forstchen | 0.00 | |
| Needle's Secret | Marc Girardot | 0.00 | |
| The Causes of the Economic Crisis | Ludwig von Mises | 0.00 | |
| The Psychology of Conspiracy Theories | Jan-Willem Van Prooijen | 0.00 | |
| There Was a Country: A Personal History of Biafra | Chinua Achebe | 0.00 | |
| Styles of Radical Will | Susan Sontag | 0.00 | |
| Human Horror | Jon Athan | 0.00 | |
| Invisible Cities | Italo Calvino | 0.00 | |
| Thereby Hangs a Tale | Charles E. Funk | 0.00 | |
| Horsefeathers | Charles E. Funk | 0.00 | |
| Tales of Japan | Kotaro Chiba | 0.00 | |
| And Thereby Hangs a Tale | Jeffrey Archer | 0.00 | |
| Sweetland | Michael Crummey | 0.00 | |
| The Vivisector | Patrick White | 0.00 | |
| Frost | Thomas Bernhard | 0.00 | |
| Gargoyles | Thomas Bernhard | 0.00 | |
| Concrete | Thomas Bernhard | 0.00 | |
| Extinction | Thomas Bernhard | 0.00 | |
| A Charm of Words | Eric Partridge | 0.00 | |
| Correction | Thomas Bernhard | 0.00 | |
| My Prizes | Thomas Bernhard | 0.00 | |
| Woodcutters | Thomas Bernhard | 0.00 | |
| Thérèse Raquin | Émile Zola | 0.00 | |
| L'Assommoir | Émile Zola | 0.00 | |
| La Terre | Émile Zola | 0.00 | |
| Axiom's End | Lindsay Ellis | 0.00 | |
| Old Masters | Thomas Bernhard | 0.00 | |
| On the Mountain | Thomas Bernhard | 0.00 | |
| New as Bernhard in San Salvador | Horacio Moya | 0.00 | |
| The Lime Works | Thomas Bernhard | 0.00 | |
| The Loser | Thomas Bernhard | 0.00 | |
| The Voice Imitator | Thomas Bernhard | 0.00 | |
| Wittgenstein's Nephew | Thomas Bernhard | 0.00 | |
| The Eye of Shiva | Amaury de Riencourt | 0.00 | |
| The Happiness Hypothesis | John Haidt | 0.00 | |
| The WEIRDest people in the World | Joseph Heinrich | 0.00 | |
| The Body Keeps the Score | Van der Kolk | 0.00 | |
| Trauma and the Soul | Donald Kalsched | 0.00 | |
| The Inner World of Trauma | Donald Kalsched | 0.00 | |
| The Seven Types of Atheism | John Gray | 0.00 | |
| Ultimate Journey | Robert A. Monroe | 0.00 | |
| Far Journeys | Robert A. Monroe | 0.00 | |
| Journeys out of the Body | Robert A. Monroe | 0.00 | |
| The Sacred History | Mark Booth | 0.00 | |
| Beyond Order | Jordan Peterson | 0.00 | |
| Behave: The Biology of Humans at Our Best and Worst | Robert Sapolsky | 0.00 | |
| Dominion | Tom Holland | 0.00 | |
| Why Nations Fail | James A. Robinson, Daron Acemoglu | 0.00 | |
| The Origins of Political Order | Francis Fukuyama | 0.00 | |
| Regime Change | Deneen | 0.00 | |
| A Conflict of Visions | Thomas Sowell | 0.00 | |
| Honor | Bowman Hall | 0.00 | |
| Meditations | Marcus Aurelius | 0.00 | |
| Nihilism | Seraphim Rose | 0.00 | |
| e Change | Patrick Deneen | 0.00 | |
| The Immortality Key | Brian Muraresku | 0.00 | |
| The Secret of our Success | Joseph Heinrich | 0.00 | |
| Seeing like a State | James Scott | 0.00 | |
| War, What is it Good for | Ian Morris | 0.00 | |
| The Coming Caesars | Amaury de Riencourt | 0.00 | |
| War, Peace and War | Peter Turchin | 0.00 | |
| Maps of Meaning | Jordan Peterson | 0.00 | |
| Man and His Symbols | Carl Jung | 0.00 | |
| The World After Liberalism | Matthew Rose | 0.00 | |
| The Ascent of Humanity | Albert Eisenstein | 0.00 | |
| The Knowledge Machine | Michael Strevens | 0.00 | |
| The Infinite Staircase | Geoffrey Moore | 0.00 | |
| The Invention of Yesterday | Tamim Ansary | 0.00 | |
| Envy | Helmut Schoeck | 0.00 | |
| The Fate of Empires | Arthur John Hubbard | 0.00 | |
| The Righteous Mind | John Haidt | 0.00 | |
| Cynical Theories | James Lindsay | 0.00 | |
| Foragers, Farmers and Fossil Fuels | Ian Morris | 0.00 | |
| The Philosophy of History | Georg Wilhelm Friedrich Hegel | 0.00 | |
| A History of Western Philosophy | Bertrand Russel | 0.00 | |
| The Web of Existence | Jeremy Lent | 0.00 | |
| Trump and the Post Truth World | Ken Wilbur | 0.00 | |
| Spiral Dynamics | Ken Wilbur | 0.00 | |
| The Laws of Human Nature | Robert Greene | 0.00 | |
| Sapiens | Yuval Noah Harari | 0.00 | |
| Homo Deus | Yuval Noah Harari | 0.00 | |
| The Rise of the West | William McNeil | 0.00 | |
| The Blank Slate | Steven Pinker | 0.00 | |
| The Decline of the West | Oswald Spengler | 0.00 | |
| A Secret History of the World | Mark Booth | 0.00 | |
| Forgotten Truth | Houston Smith | 0.00 | |
| Hermeticism | Julius Evola | 0.00 | |
| The Object | Joshua T. Calvert | 0.00 | |
| The Comfort Crisis | Michael Easter | 0.00 | |
| All for Nothing | Walter Kempowski, Anthea Bell (tr.) | 0.00 | |
| The Fall of Man | Mitchell White | 0.00 | |
| The Neglected Sun | Fritz Vahrenholt, Sebastian Luning | 0.00 | |
| Possibilities | Herbie Hancock, Lisa Dickey | 0.00 | |
| The Old Man and the Boy | Robert Ruark | 0.00 | |
| Singapore Noir | V.A., Cheryl Lu-Lien Tan (ed.) | 0.00 | |
| This Time Is Different: Eight Centuries of Financial Folly | Carmen M. Reinhart, Kenneth S. Rogoff | 0.00 | |
| Deep South | Paul Theroux | 0.00 | |
| On the Plain of Snakes | Paul Theroux | 0.00 | |
| Burn | Herman Pontzer | 0.00 | |
| Banking and the Business Cycle | Murray Rothbard | 0.00 | |
| Capital, Interest, and Profit | Murray Rothbard | 0.00 | |
| Chicago vs Austrian Economics | Murray Rothbard | 0.00 | |
| Conservation and Property Rights | Murray Rothbard | 0.00 | |
| Demand and Supply | Murray Rothbard | 0.00 | |
| Economic Depressions: Their Cause and Cure | Murray Rothbard | 0.00 | |
| Gold Standard Before the Civil War, 1984 | Murray Rothbard | 0.00 | |
| Keynes the Man: Hero or Villain | Murray Rothbard | 0.00 | |
| Labor | Murray Rothbard | 0.00 | |
| Labor and Unions | Murray Rothbard | 0.00 | |
| Mises in One Lesson | Murray Rothbard | 0.00 | |
| Money and Prices | Murray Rothbard | 0.00 | |
| The Current State of World Affairs | Murray Rothbard | 0.00 | |
| The Founding of the Federal an Blows Gasket | Patricia Pearson | 0.00 | |
| Wish You Were | Here Patricia Pearson | 0.00 | |
| South | Babak Lakghomi | 0.00 | |
| American Tragedy | Theodore Dreiser | 0.00 | |
| Pastoralia | George Saunders | 0.00 | |
| Eruption | James Patterson, Michael Crichton | 0.00 | |
| Firstborn | Arthur C. Clarke, Stephen Baxter | 0.00 | |
| The Wind from the Sun | Arthur C. Clarke | 0.00 | |
| Astounding Days: The Science Fictional Autobiography | Arthur C. Clarke | 0.00 | |
| Childhood's End | Arthur C. Clarke | 0.00 | |
| Cradle | Arthur C. Clarke | 0.00 | |
| Imperial Earth | Arthur C. Clarke | 0.00 | |
| Richter 10 | Arthur C. Clarke | 0.00 | |
| The City and the Stars | Arthur C. Clarke | 0.00 | |
| The Deep Range | Arthur C. Clarke | 0.00 | |
| The Ghost from the Grand Banks | Arthur C. Clarke | 0.00 | |
| The Last Theorem | Arthur C. Clarke | 0.00 | |
| The Light of Other Days | Arthur C. Clarke | 0.00 | |
| The Sands of Mars | Arthur C. Clarke | 0.00 | |
| First Born | Arthur C. Clarke, Stephen Baxter | 0.00 | |
| The Queering of the American Child | Logan Lancing, James Lindsay | 0.00 | |
| Dental Diet | Steven Lin | 0.00 | |
| Pottenger's Cats | Francis M. Pottenger | 0.00 | |
| Pottenger's Prophecy | Kesten Gray, Scherwitz Deborah, Larry Graham | 0.00 | |
| Eat Like a Human | Bill Schindler | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 1 | Edward Gibbon Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 2 | Edward Gibbon Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 3 | Edward Gibbon Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 4 | Edward Gibbon Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 5 | Edward Gibbon Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 6 | Edward Gibbon Esq. | 0.00 | |
| Tales from the White Hart | Arthur C. Clarke | 0.00 | |
| The Invisible Doctrine | George Monbiot, Peter Hutchison | 0.00 | |
| The March of Muscovy: Ivan the Terrible and the Growth of the Russian Empire, 1400 - 1648 | Harold Lamb | 0.00 | |
| Alexander of Macedon: The Journey to World's End | Harold Lamb | 0.00 | |
| Tiger Chair | Max Brooks | 0.00 | |
| American Rust | Philipp Meyer | 0.00 | |
| Flow | Mihaly Csikszentmihalyi | 0.00 | |
| Tales of Ten Worlds | Arthur C. Clarke | 0.00 | |
| The Histories | Herodotus, Tom Holland (tr.) | 0.00 | |
| From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir | Alain Silver, James Ursini | 0.00 | |
| When McKinsey Comes to Town | Walt Bogdanich, Michael Forsythe | 0.00 | |
| Nothing but the Night | John Williams | 0.00 | |
| Eart Orderhlight | Arthur C. Clarke | 0.00 | |
| Degenerations of Democracy | Craig Calhoun, Dilip Parameshwar Gaonkar, Charles Taylor | 0.00 | |
| The Little Sparrow Murders | Seishi Yokomizo | 0.00 | |
| Monsters | Nick Cutter | 0.00 | |
| Girl, Missing | Dreda Say Mitchell, Ryan Carter | 0.00 | |
| Creature from the Crevasse | Michael Cole | 0.00 | |
| A Dangerous Man | William W. Johnstone, J.A. Johnstone | 0.00 | |
| Medieval Horizons | Ian Mortimer | 0.00 | |
| Creative Evolution | Henri Bergson | 0.00 | |
| Dark Calories | Catherine Shanahan | 0.00 | |
| Crystallizing Public Opinion | Edward Bernays | 0.00 | |
| The Edward Bernays Demoocracy | Federico Finchelstein | 0.00 | |
| Man and Technics: A Contribution to a Philosophy of Life | Oswald Spengler | 0.00 | |
| Monster from the Abyss | Michael Cole | 0.00 | |
| Democracy or Else: How to Save America in 10 Easy Steps | Jon Favreau, Jon Lovett, Tommy Vietor, Josh Halloway | 0.00 | |
| From Beirut to Jerusalem | Thomas L. Friedman | 0.00 | |
| All the Colors of the Dark | Chris Whita | 0.00 | |
| On Food and Cooking | Harold McGee | 0.00 | |
| Keys to Good Cooking | Harold McGee | 0.00 | |
| The Pretty Girl Killer | Andrew Byrne | 0.00 | |
| Atoll X | Russell James | 0.00 | |
| The Missing Family | Tim Weaver | 0.00 | |
| Hunter | Ross Greenwood | 0.00 | |
| Denver Noir | V.A., Cynthia Swanson (ed.) | 0.00 | |
| The Black Angel | Cornell Woolrich | 0.00 | |
| The Tempest | Peter Cawdron | 0.00 | |
| Boleslaw Prus: A Short Story Collection | Boleslaw Prus | 0.00 | |
| The Logic of Scientific Discovery | Karl Popper | 0.00 | |
| The Invention of Prehistory: Empire, Violence, and Our Obsession with Human Origins | Stefanos Geroulanos | 0.00 | |
| The Two Fundamental Problems of the Theory of Knowledge | Karl Popper | 0.00 | |
| How to Steal a Presidential Election | Lawrence Lessig, Matthew Seligman | 0.00 | |
| Police Deception and Dishonesty: The Logic of Lying | Luke William Hunt | 0.00 | |
| Mr. Wright | Ian Wright | 0.00 | |
| Spycraft | Nadine Akkerman | 0.00 | |
| Storm Warning | David Bell | 0.00 | |
| Vathek | William Beckford | 0.00 | |
| The Great God Pan and Other Weird Tales | Arthur Machen | 0.00 | |
| Unhumans: The Secret History of Communist | Erica Denise Gigante | 0.00 | |
| The Long Haul | Alex Hibbert | 0.00 | |
| 'Twixt Land and Sea | Joseph Conrad | 0.00 | |
| Paper Cage | Tom Baragwanath | 0.00 | |
| Crab Attack | Michael Cole | 0.00 | |
| This Thing between Us | Gus Moreno | 0.00 | |
| Incidents around the House | Josh Malerman | 0.00 | |
| The Cocaine Diaries | Jeff Farrell, Paul Keany | 0.00 | |
| The Yugo | Jason Vuic | 0.00 | |
| The Swamp Peddlers | Jason Vuic | 0.00 | |
| Slam the Big Door | John D. MacDonald | 0.00 | |
| A Key to the Suite | John D. MacDonald | 0.00 | |
| The Brass Cupcake | John D. MacDonald | 0.00 | |
| I Will Ruin You | Linwood Barclay | 0.00 | |
| Processing: Creative Coding and Generative Art | Ira Greenberg, Dianna Xu, Deepak Kumar | 0.00 | |
| Processing: Creative Coding and Generative Art: 2 | Ira Greenberg | 0.00 | |
| Processing 2: Creative Coding Hotshot | Nikolaus Gradwohl | 0.00 | |
| Hospital | Sanya Rushdi, Arunava Sinha (tr.) | 0.00 | |
| Wasted Education: How We Fail Our Graduates in Science, Technology, Engineering, and Math | John D. Skrentn | 0.00 | |
| How to Not Die Alone | Logan Ury | 0.00 | |
| Typhoon | Joseph Conrad | 0.00 | |
| Butcher | Joyce Carol Oates | 0.00 | |
| She's Not Sorry | Mary Kubica | 0.00 | |
| I'm Traveling Alone | Samuel Bjork | 0.00 | |
| Mosquito Warrior: Yellow Fever, Public Health, and the Forgotten Career of General | William C. Gorgas Carol R. Byerl | 0.00 | |
| How Not to Be Stupid | Adam Robinson | 0.00 | |
| Best Team Wins | Adam Robinson | 0.00 | |
| Word Smart | Adam Robinson | 0.00 | |
| More Word Smart | Adam Robinson | 0.00 | |
| Chasing the Scream | Johann Hari | 0.00 | |
| Stolen Focus | Johann Hari | 0.00 | |
| Grieving Is Loving | Joanne Cacciatore, Johann Hari | 0.00 | |
| Magic Pill | Johann Hari | 0.00 | |
| The Happiness Industry | William Davies | 0.00 | |
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| In Search of Lost Time | Marcl Proust | 0.00 | |
| Nostradamus ate my hampster | Robert Rankin | 0.00 | |
| The Hollow Chocolate Bunnies of the Apocolypse: Eddie Bear Series Book 01 | Robert Rankin | 0.00 | |
| Report from the Interior | Paul Auster | 0.00 | |
| In the Country of Last Things | Paul Auster | 0.00 | |
| Mr Vertigo | Paul Auster | 0.00 | |
| The Nautical Chart | Arturo Perez-Reverte | 0.00 | |
| Tower of Babel | Michael Sears | 0.00 | |
| Caesar's Commentaries: On the Gallic War and on the Civil War | Gaius Julius Caesar, ? ? (tr.) | 0.00 | |
| It's Even Worse Than It Looks | Thomas Mann | 0.00 | |
| A Man and His Presidents: William F. Buckley | Alvin S. Felzenberg | 0.00 | |
| Liveship Traders: 1 - Ship of Magic | Robin Hobb | 0.00 | |
| Liveship Traders: 2 - The Mad Ship | Robin Hobb | 0.00 | |
| Liveship Traders: 3 - Ship of Destiny | Robin Hobb | 0.00 | |
| In the Field of Fire | V.A., Jeanne Van Buren Dann (ed.), Jack Dann (ed.) | 0.00 | |
| Speechless: Controlling Words, Controlling Minds | Michael Knowles | 0.00 | |
| God's Battalions: The Case for Crusades | Rodney Stark | 0.00 | |
| In the Miso Soup | Ryu Murakami | 0.00 | |
| The Butcher Boy | Patrick McCabe | 0.00 | |
| Winterwood | Patrick McCabe | 0.00 | |
| The Master of Auschwitz: Memoirs of Rudolf Hoess, Kommandant SS | Rudolf Höss, Constantine Fitzgibbon (tr.) | 0.00 | |
| Scarsden: 3 - Trust | Chris Hammer | 0.00 | |
| In Defense of History | Richard J. Evans | 0.00 | |
| Far Futures | V.A., Gregory Benford (ed.) | 0.00 | |
| Masters of Deception: The Gang That Rules Cyberspace | Michele Slatalla | ♀ | 0.00 |
| Hitler's Jet Plane: The Me 262 Story | Mano Ziegler | 0.00 | |
| The Blue Nowhere | Jeffery Deaver | 0.00 | |
| A Worse Place Than Hell: How the Civil War Battle of Fredericksburg Changed a Nation | John Matteson | 0.00 | |
| Lieutanant Dangerous | Jeff Danziger | 0.00 | |
| Cat Crimes for the Holidays | Martin H. Greenberg (ed.), Ed Gorman (ed.), Larry Segriff (ed.) | 0.00 | |
| Isaac Asimov Countdown 2000 Collection | Martin H. Greenberg (ed.), Isaac Asimov (ed.) | 0.00 | |
| Hell! Said the Duchess | Michael Arlen | 0.00 | |
| The Holographic Universe: The Revolutionary Theory of Reality | Michael Talbot | 0.00 | |
| Naked Money | Charley Wheelan | 0.00 | |
| The Motley Fool Investment Guide | Tom Gardner, David Gardner | 0.00 | |
| Gig: Americans Talk about Their Jobs | John Bowe (ed.) | 0.00 | |
| Repeat | Neal Pollack | 0.00 | |
| Trouble Is my Business and Other Short Stories | Raymond Chandler | 0.00 | |
| The Passions and the Interests: Political Arguments for Capitalism Before Its Triumph | Albert Hirschman | 0.00 | |
| The Devil's Pleasure Palace: The Cult of Critical [Race] Theory and the Subversion of the West | Michael Walsh | 0.00 | |
| Conviction Machine: Standing Up to Federal Prosecutorial Abuse | Harvey A. Silverglate | 0.00 | |
| Lore of Nutrition: Challenging Conventional Dietary Beliefs | Tim Noakes | 0.00 | |
| The Year's Best Science Fiction: 01. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 02. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 03. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 04. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 05. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 06. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 07. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 08. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 09. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 10. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 11. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 12. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 13. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 14. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 15. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 16. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 18. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 19. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| The Year's Best Science Fiction: 20. Annual Collection | V.A., Gardner Dozois (ed.) | 0.00 | |
| Greatest Science Fiction Stories of the 20th Century | Harlan Ellison, Ursula K. Le Guin, Arthur C. Clarke, Clifford D. Simak, Frederik Pohl | 0.00 | |
| We Could Do Worse | V.A., Martin Greenberg (ed.) | 0.00 | |
| The Best from Fantasy and Science Fiction: The 50th Anniversary Anthology | V.A., Edward L. Ferman (ed.), Gordon Van Gelder (ed.) | 0.00 | |
| Telegraph Avenue | Michael Chabon | 0.00 | |
| In Cold Blood | Truman Capote | 0.00 | |
| Devil In the White City: Murder, Magic, and Madness at the Fair That Changed America | Erik Larson | 0.00 | |
| Tetralogue: I'm right, you're Wrong | Timothy Williamson | 0.00 | |
| Be Afraid!: Tales of Horror | V.A., Edo van Belkom (ed.) | 0.00 | |
| Book of Number | Joshua Cohen | 0.00 | |
| The Age of Revolution | Eric Hobsbawm | 0.00 | |
| Come on In | Charles Bukowski | 0.00 | |
| Paternus: 1 | Dyrk Ashton | 0.00 | |
| Paternus: 2 | Dyrk Ashton | 0.00 | |
| Paternus: 3 | Dyrk Ashton | 0.00 | |
| Duration and Simultaneity, with reference to Einstein's Theory | Henri Bergson | 0.00 | |
| Jerusalem 1913: The Origins of the Arab-Israeli Conflict | Amy Dockser Marcus | 0.00 | |
| The Quantum Labyrinth: How Richard Feynman and John Wheeler Revolutionized Time and Reality | Paul Halpern | 0.00 | |
| Collider: The Search for the World's Smallest Particles | Paul Halpern | 0.00 | |
| Reconnaissance Man | Aaron Clarey | 0.00 | |
| Sanity Is The Future of Wealth: Why Leftists Are Doomed to Poverty and Insanity | Aaron Clarey | 0.00 | |
| The Free-Lance Pallbearers | Ishmael Reed | 0.00 | |
| The Last Days of Louisiana Red | Ishmael Reed | 0.00 | |
| Yellow Back Radio Broke-Down | Ishmael Reed | 0.00 | |
| The Vicar of Bullhampton | Anthony Trollope | 0.00 | |
| Wendigo Trail: You'll Wish it was Prairie Madness | Nathan Tarantla | 0.00 | |
| Crimes of the Educators: How Utopians are using Government Schools to Destroy America's Children | Samuel Blumenfeld, Alex Newman | 0.00 | |
| Kay's Anatomy: A Complete (and Completely Disgusting) Guide to the Human Body | Adam Kay | 0.00 | |
| The Shadow Over Santa Susana: Black Magic, Mind Control And The Manson Family Mythos | Adam Gorightly | 0.00 | |
| Progress and Poverty: An Inquiry into the Cause of Industrial Depressions and the Increase of Want with Increase in Wealth | Henry George | 0.00 | |
| Wilhelm Reich in Hell | Robert Anton Wilson | 0.00 | |
| Right Where You Are Sitting Now: Further Tales of the Illuminati | Robert Anton Wilson | 0.00 | |
| No More Secondhand Gods and other Writings | Buckminster Fuller | 0.00 | |
| Leave Society | Tao Lin | 0.00 | |
| An Occurrence At Owl Creek Bridge | Ambrose Bierce | 0.00 | |
| Reading Rawls: Critical Studies of A Theory of Justice | Norman Daniels | 0.00 | |
| Truth and Justification | Jürgen Habermas, Barbara Fultner (tr.) | 0.00 | |
| Inside the Third Reich | Albert Speer | 0.00 | |
| The Curse of Cash | Kenneth S. Rogoff | 0.00 | |
| The Last Days of Socrates | Plato, Christopher Rowe (tr.) | 0.00 | |
| 81 Days Below Zero: The Incredible Survival Story of a World War II Pilot in Alaska's Frozen Wilderness | Brian Murphy, Toula Vlahou | 0.00 | |
| Tiger in the Sea: The Ditching of Flying Tiger 923 and the Desperate Struggle for Survival | Eric Lindner | 0.00 | |
| On the Border with Crook | John G. Bourke | 0.00 | |
| N-4 Down: The Hunt for the Arctic Airship Italia | Mark Piesing | 0.00 | |
| Adventures in my Youth: A German Soldier on the Eastern Front 1941-45 | Armin Scheiderbauer | 0.00 | |
| Falling from the Sky (Anthology) | V.A. Carlton Mellick III (ed.) | 0.00 | |
| Every Time We Meet At The Dairy Queen, Your Whole Fucking Face Exploded | Carlton Mellick III | 0.00 | |
| The Magazine of Bizarro Fiction Volume 2 | V.A., Kevin Donihe (ed.), Carlton Mellick III (ed.) | 0.00 | |
| Reincarnation | Carlton Mellick III | 0.00 | |
| Parasite Milk | Carlton Mellick III | 0.00 | |
| Zombies: Encounters with the Hungry Dead | Carlton Mellick III | 0.00 | |
| The Mammoth Bool of Best New Horror: Volume 03 | V.A., Stephen Jones (ed.), Ramsey Campbell (ed.) | 0.00 | |
| The Mammoth Bool of Best New Horror: Volume 04 | V.A., Stephen Jones (ed.), Ramsey Campbell (ed.) | 0.00 | |
| The Mammoth Bool of Best New Horror: Volume 05 | V.A., Stephen Jones (ed.), Ramsey Campbell (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 08 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 09 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 10 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 11 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 12 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 13 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 14 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 15 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 16 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 17 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 18 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 19 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 20 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 21 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 22 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 23 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 24 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 25 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 26 | V.A., Stephen Jones (ed.) | 0.00 | |
| The Mammoth Book of Best New Horror: Volume 27 | V.A., Stephen Jones (ed.) | 0.00 | |
| Nebula Awards: 25 | V.A., Michael Bishop (ed.) | 0.00 | |
| The Invasion of Europe by the Barbarians | John Bagnell Bury | 0.00 | |
| Endless October: Short Stories from A Traveling Bird Hunter | Randy Schultz, Michael F.S.W. Morrison | 0.00 | |
| The Gular Archipelago | Aleksandr Solzhenitsin | 0.00 | |
| Four-dimensionalism: An Ontology of Persistence And Time | Theodore Sider | 0.00 | |
| Whitewash: The Story of a Weed Killer, Cancer, and the Corruption of Science | Carey Gillam | 0.00 | |
| Testosterone for Life: Recharge Your Vitality, Sex Drive, Muscle Mass, and Overall Health | Abraham Morgentaler | 0.00 | |
| Harmonies of Political Economy: 1 | Frederic Bastiat | 0.00 | |
| Harmonies of Political Economy: 2 | Frederic Bastiat | 0.00 | |
| Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger, Expanded 3. ed. | Charles T. Munger, Peter D. Kaufman, Ed Wexler, Warren E. Buffet | 0.00 | |
| The Return of the Black Widowers | Isaac Asimov | 0.00 | |
| Haunted Nights | Ellen Datlow, Garth Nix, Kelley Armstrong, Pat Cadigan, John R. Little, Lisa Morton, Eric J. Guignard | 0.00 | |
| To Kill A Mockingbird | Harper Lee | 0.00 | |
| Revolt in 2100 | Robert A. Heinlein | 0.00 | |
| The Fantasies of Robert A. Heinlein | Robert A. Heinlein | 0.00 | |
| The Green Hills of Earth | Robert A. Heinlein | 0.00 | |
| The Man Who Sold The Moon | Robert A. Heinlein | 0.00 | |
| Juveniles: 03 - Red Planet | Robert A. Heinlein | 0.00 | |
| Juveniles: 04 - Farmer in the Sky | Robert A. Heinlein | 0.00 | |
| McSweeney's Mammoth Treasury of Thrilling Tales | V.A., Michael Chabon (ed.) | 0.00 | |
| Chaos Under Heaven Trump, Xi, and the Battle for the Twenty-First Century | Josh Rogin | 0.00 | |
| The ballad of Halo Jones | Alan Moore | 0.00 | |
| The Dark: New Ghost Stories | V.A., Ellen Datlow (ed.) | 0.00 | |
| The Big Goodbye Chinatown and the Last Years of Hollywood | Sam Wasson | 0.00 | |
| Secret Rendezvous | Kobo Abe | 0.00 | |
| The Mammoth Book of Vintage Science Fiction | V.A., Isaac Asimov (ed.), Martin H. Greenberg (ed.), Charles G. Waugh (ed.) | 0.00 | |
| The Shadow Year | Jeffrey Ford | 0.00 | |
| I Flew for the Führer | Heinz Knoke | 0.00 | |
| One Hundred Years of Solitude | Gabriel García Márquez, Gregory Rabassa (tr.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2004 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 July | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2006 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2007 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2008 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2009 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2010 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2011 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 January-February | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 March | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 April | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 May | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 June | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 July-August | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 September | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 October | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 November | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2012 December | V.A., Stanley Schmidt (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 January-February | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 March | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 April | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 May | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 June | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 July-August | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 September | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 October | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 November | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2013 December | V.A., Stanley Schmidt (ed.), Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 March | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 May | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 September | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 November | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2014 December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 March | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 May | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 September | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 November | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2015 December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 March | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 May | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 September | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 November | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2016 December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 March | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 May | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 September | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 November | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2017 December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 March | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 May | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 September | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 November | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2018 December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 March | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 May | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 September | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 November | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2019 December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2020 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2020 March-April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2020 May-June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2020 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2020 September-October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2020 November-December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2021 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2021 March-April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2021 May-June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2021 July-August | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2021 September-October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2021 November-December | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2023 January-February | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2023 March-April | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2023 May-June | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2023 September-October | V.A., Trevor Quachri (ed.) | 0.00 | |
| Analog Science Fiction and Fact: 2023 November-December | V.A., Trevor Quachri (ed.) | 0.00 | |
| March of the Titans: The Complete History of the White Race | Arthur Kemp | g | 0.00 |
| Restricted Data: The History of Nuclear Secrecy in the United States | Alex Wellerstein | 0.00 | |
| Strange Bedfellows: Adventures in the Science, History, and Surprising Secrets of STDs | Ina Park | ♀ | 0.00 |
| Gothic! Ten Original Dark Tales | V.A., Deborah Noyes (ed.) | 0.00 | |
| You Don't Want to Know: The grisly, jaw-dropping and most macabre moments from history, nature and beyond | James Felton | 0.00 | |
| Adaptations: From Short Story to Big Screen | V.A., Stephanie Harrison (ed.) | 0.00 | |
| Night without End | Alistair MacLean | 0.00 | |
| The Horrors: Terrifying Tales | V.A., Peter Carver (ed.) | 0.00 | |
| Winter World: 2 - The Solar War | A.G. Riddle | 0.00 | |
| Public Opinion | Walter Lippmann | ♀ | 0.00 |
| The Resurrection Wager | Christopher Coates | 0.00 | |
| Immune: A Journey Into the Mysterious System That Keeps You Alive | Philipp Dettmer | 0.00 | |
| Get Anyone to do Anything | David J. Lieberman | 0.00 | |
| The Story of Civilization: I | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: II | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: III | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: IV | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: V | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: VI | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: VII | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: VIII | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: IX | Will Durant, Ariel Durant | 0.00 | |
| The Story of Philosophy: The Lives and Opinions of the Greater Philosophers | Will Durant | 0.00 | |
| The Last Child, The King of Lies, Redemption Road | John Hart | 0.00 | |
| Titan: The Life of John D. Rockefeller, Sr. | Ron Chernow | 0.00 | |
| Government versus Markets | Vito Tanzi | 0.00 | |
| Fiscal Policy and Economic Reform: Essays in Honor of Vito Tanzi | Mario Blejer | 0.00 | |
| I'm Not Sam | Jack Ketchum | 0.00 | |
| Books of Blood: 1 | Clive Barker | 0.00 | |
| Books of Blood: 2 | Clive Barker | 0.00 | |
| Books of Blood: 3 | Clive Barker | 0.00 | |
| Books of Blood: 4 | Clive Barker | 0.00 | |
| Books of Blood: 5 | Clive Barker | 0.00 | |
| Books of Blood: 6 | Clive Barker | 0.00 | |
| A Week In the Unlife | David J. Schow | 0.00 | |
| Red Light | David J. Schow | 0.00 | |
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| Seeing Red | David J. Schow | 0.00 | |
| Size Nothing | David J. Schow | 0.00 | |
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| The Shaft | David J. Schow | 0.00 | |
| The Thing Too Hideous to Describe | David J. Schow | 0.00 | |
| Upgunned | David J. Schow | 0.00 | |
| Visitation | David J. Schow | 0.00 | |
| Water Music | David J. Schow | 0.00 | |
| Why Rudy Can't Read | David J. Schow | 0.00 | |
| Untimely Death | Cyril Hare | 0.00 | |
| Worlds of Tomorrow | August Derleth (ed.) | 0.00 | |
| Time to Come | August Derleth (ed.) | 0.00 | |
| Solar Pon Omnibus: Volume 1 | August Derleth, Basil Cooper (ed.) | 0.00 | |
| Solar Pon Omnibus: Volume 2 | August Derleth, Basil Cooper (ed.) | 0.00 | |
| Paul Revere's Bells | Edward D. Hoch | 0.00 | |
| Quests of Simon Ark | Edward D. Hoch | 0.00 | |
| Stop at Nothing | Edward D. Hoch | 0.00 | |
| The Adventure of the Domino Club | Edward D. Hoch | 0.00 | |
| Evan Tanner: Tanner's Tiger an Evan Tanner Novel | Lawrence Block | 0.00 | |
| Evan Tanner: Tanner's Virgin an Evan Tanner Novel | Lawrence Block | 0.00 | |
| Matthew Scudder: 03 - In the Midst of Death | Lawrence Block | 0.00 | |
| Matthew Scudder: 04 - A Stab In the Dark | Lawrence Block | 0.00 | |
| Hap Collins and Leonard Pine: Veil's Visit: a Taste of Hap and Leonard | Joe R. Lansdale | 0.00 | |
| Hap Collins and Leonard Pine: Devil Red | Joe R. Lansdale | 0.00 | |
| Hap Collins and Leonard Pine: Hyenas | Joe R. Lansdale | 0.00 | |
| Hap Collins and Leonard Pine: Dead Aim | Joe R. Lansdale | 0.00 | |
| Hap Collins and Leonard Pine: Hoodoo Harry | Joe R. Lansdale | 0.00 | |
| Creatures: Thirty Years of Monsters | John Langan (ed.), Paul Tremblay (ed.) | 0.00 | |
| Weird Detectives: Recent Investigations | V.A., Paula Guran (ed.) | 0.00 | |
| Drive-In: 1 - A 'B' Movie with Blood and Popcorn, Made in Texas | Joe R. Lansdale | 0.00 | |
| Drive-In: 2 - Not Just One of Them Sequels | Joe R. Lansdale | 0.00 | |
| Drive-In: 3 - The Bus Tour | Joe R. Lansdale | 0.00 | |
| Drive-In Date | Joe R. Lansdale | 0.00 | |
| Let Me In | John Ajvide Lindqvist | 0.00 | |
| Let the Right One In | John Ajvide Lindqvist | 0.00 | |
| The Bridge of San Luis Rey | Thornton Wilder | 0.00 | |
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| Net- Net Stock Strategy A | Benjamin Graham | 0.00 | |
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| The Stuff of Thought Language as a Window into Human Nature | Steven Pinker | 0.00 | |
| Red-Handed: How American Elites Get Rich Helping China Win | Peter Schweizer | 0.00 | |
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| Legends II: Unabridged Selections: Unabridged Selections | Robert Silverberg (ed.) | 0.00 | |
| Legends II: New Short Novels by the Masters of Modern Fantasy | Robert Silverberg (ed.) | 0.00 | |
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| Violence and the Sacred | René Girard | 0.00 | |
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| Lost in Space | Pat Cadigan | ♀ | 0.00 |
| Ill Seen Ill Said | Samuel Beckett | 0.00 | |
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| The Lost Level: 2 - Return to the Lost Level | Brian Keene | 0.00 | |
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| Take the Long Way Home | Brian Keene | 0.00 | |
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| The Third Reich Is Listening: Inside German Codebreaking 1939-45 | Christian Jennings | 0.00 | |
| Character Analysis | Wilhelm Reich | c | 0.00 |
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| Before Insulin | J.J. Connington | 0.00 | |
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| The Short Story: A Very Short Introduction | Andrew Kahn | 0.00 | |
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| The Gay Rebellion | Robert W. Chambers | 0.00 | |
| Complete Weird Tales of Robert W. Chambers | Robert W. Chambers | 0.00 | |
| Home in the World | Amartya Sen | 0.00 | |
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| The Eye of Moloch | Glenn Beck | 0.00 | |
| Agent 21: 1 - Agent 21 | Glenn Beck, Harriet Parke | 0.00 | |
| Agent 21: 2 - Into the Shadows | Glenn Beck, Harriet Parke | 0.00 | |
| The Great Reset: Joe Biden and the Rise of Twenty-First Century Fascism | Glenn Beck | 0.00 | |
| The Lewis and Clark Journals: An American Epic of Discovery | Lewis, Clark | 0.00 | |
| Bomb Shelter: Love, Time, and Other Explosives | Mary Laura Philpott | ♀ | 0.00 |
| Gone at Midnight: The Mysterious Death of Elisa Lam | Jake Anderson | 0.00 | |
| Republic, Lost | Lawrence Lessig | 0.00 | |
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| Priceless: The Case that Brought Down the Visa-MasterCard Bank Cartel | Lloyd Constantine | 0.00 | |
| In the Dragon's Shadow: Southeast Asia in the Chinese Century | Sebastian Strangio | 0.00 | |
| The Revelation | Bentley Little | 0.00 | |
| The Collapse of Yugoslavia 1991-99 | Alastair Finlan | 0.00 | |
| A Moveable Feast | Ernest Hemingway | 0.00 | |
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| Plays Well with Others: The Surprising Science Behind Why Everything You Know about Relationships Is (Mostly) Wrong | Eric Barker | 0.00 | |
| The Order of Time | Carlo Rovelli | 0.00 | |
| Stories of Red Hanrahanpg | William Butler Yeats | 0.00 | |
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| No Red Lights: Reflections on Life, 50 Years in Venture Capital, and Never Driving Alone | Alan J. Patricof | 0.00 | |
| Dragonslayers: Six Presidents and Their War with the Swamp | Larry Schweikart | 0.00 | |
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| After the Banquet | Yukio Mishima | 0.00 | |
| 1774: The Long Year of Revolution | Mary Beth Norton | 0.00 | |
| Harmless Like You | Rowan Hisayo Buchanan | 0.00 | |
| Below the Earth | Lucas Pederson | 0.00 | |
| Frank: The True Story that Inspired the Movie | Jon Ronson | 0.00 | |
| Talon and Chantry | Louis L'Amour | 0.00 | |
| The Best of R.A. Lafferty | R.A. Lafferty | 0.00 | |
| The Rise and Reign of the Mammals | Steve Brusatte | 0.00 | |
| The Invisible Kingdom: Reimagining Chronic Illness | Meghan O'Rourke | 0.00 | |
| Religion and Science | Bertrand Russell | 0.00 | |
| The Conquest of Happiness | Bertrand Russell | 0.00 | |
| Destiny's Road | Larry Niven | 0.00 | |
| The Company Man | Robert Jackson Bennett | 0.00 | |
| Red Tide | Larry Niven | 0.00 | |
| The Draco Tavern | Larry Niven | 0.00 | |
| Ringworld: 1 - Ringworld | Larry Niven | 0.00 | |
| Ringworld: 2 - The Ringworld Engineers | Larry Niven | 0.00 | |
| Ringworld: 3 - Ringworld Throne | Larry Niven | 0.00 | |
| Ringworld: 4 - Ringworld's Children | Larry Niven | 0.00 | |
| Ringworld: 5 - Fate of Worlds; Return from the Ringworld | Larry Niven | 0.00 | |
| Harsh Times | Mario Vargas Llosa, Adrian Nathan West | 0.00 | |
| Remains | Michael McBride | 0.00 | |
| Infinity Twice Removed | William C. Rasmussen, Michael McBride | 0.00 | |
| Japan Sinks | Sakyo Komatsu | 0.00 | |
| The Citadel | A.J. Cronin | 0.00 | |
| Redneck Eldritch | V.A., ? ? (ed.) | 0.00 | |
| In Heaven, Everything Is Fine: Fiction Inspired by David Lynch | V.A., Cameron Pierce (ed.) | 0.00 | |
| Eversion | Alastair Reynolds | 0.00 | |
| Haunted Liverpool 34 | Tom Slemen | 0.00 | |
| Rumpole At Christmas | John Mortimer | 0.00 | |
| This Is Your Captain Speaking: Stories from the Flight Deck | Doug Morris | 0.00 | |
| Mr Finchley Discovers His England | Victor Canning | 0.00 | |
| Confessions | Kanae Minato, Stephen Snyder (tr.) | 0.00 | |
| The Precipice: Existential Risk and the Future of Humanity | Toby Ord | 0.00 | |
| The Regulators | Stephen King | 0.00 | |
| Thinner | Stephen King | 0.00 | |
| Bacteria: A Very Short Introduction | Sebastian G.B. Amyes | 0.00 | |
| Redemption | Mike Lawson | 0.00 | |
| The Beached Ones | Colleen M. Story | 0.00 | |
| Lost in Time | A.G. Riddle | 0.00 | |
| In with the Devil: A Fallen Hero, a Serial Killer, and a Dangerous Bargain | James Keene | 0.00 | |
| In the Night Room | Peter Straub | 0.00 | |
| The 100 Best Books Horror | Stephen Jones, Kim Newman | 0.00 | |
| Haunts (Reliquaries of the Dead) | V.A., Stephen Jones (ed.) | 0.00 | |
| Psychomania! | V.A., Stephen Jones (ed.) | 0.00 | |
| In the Shadow of Frankenstein: Tales of the Modern Prometheus | V.A., Stephen Jones (ed.) | 0.00 | |
| In the Footsteps of Dracula | V.A., Stephen Jones (ed.) | 0.00 | |
| Chiral Mad: 3 | V.A., Michael Bailey (ed.) | 0.00 | |
| Bladerunner: 3 - Replicant Night | K.W. Jeter | 0.00 | |
| Bladerunner: 4 - Eye and Talon | K.W. Jeter | 0.00 | |
| The Lazarus Heist from Hollywood to High Finance: Inside North Korea's Global Cyber War | Geoff White | 0.00 | |
| Very Bad People the Inside Story of the Fight Against the World's Network of Corruption | Patrick Alley | g | 0.00 |
| Retail Gangster: The Insane, Real-Life Story of Crazy Eddie | Gary Weiss | 0.00 | |
| Grave Predictions | V.A., ? ? (ed.) | 0.00 | |
| The Gutter and the Grave | Ed McBain | 0.00 | |
| The Girl with the Long Green Heart | Lawrence Block | 0.00 | |
| The Great Fiction: Property, Economy, Society, and the Politics of Decline | Hans-Hermann Hoppe, Jeffrey A. Tucker, Stephan Kinsella | 0.00 | |
| 99 Ways to Leave Leviathan: Foundation for Economic Education | Max Borders, Jeffrey A. Tucker | 0.00 | |
| Liberty or Lockdown-American Instittute for Economic Research | Jeffrey Tucker | 0.00 | |
| The Trap: What It Is. How It Works. and How We Escape Its Illusions | David Icke | 0.00 | |
| A Wolf at the Door and Other Retold Fairy Tales | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| The Lottery and Other Stories | Shirley Jackson | 0.00 | |
| Life Among the Savages | Shirley Jackson | 0.00 | |
| Invisible Monsters Remix | Chuck Palahniuk | 0.00 | |
| Dark Matter: A Century of Speculative Fiction from the African Diaspora | V.A., Sheree Renée Thomas (ed.) | g | 0.00 |
| When Worlds Collide | Edwin Balmer, Philip Wylie | 0.00 | |
| Getting Off | Lawrence Block | 0.00 | |
| The Things that Make Me Weak and Strange Get Engineered Away | Cory Doctorow | 0.00 | |
| Oxygen: The Molecule that Made the World | Nick Lane | 0.00 | |
| The Phantom of the Opera | Gaston Leroux, Ribière (tr.) | 0.00 | |
| In Laymon's Terms | V.A., Richard Chizmar (ed.) | 0.00 | |
| In the Dark | Richard Laymon | 0.00 | |
| Time Travel: Recent Trips | V.A., Paula Guran (ed.) | 0.00 | |
| Absent Company | Steve Rasnic Tem | 0.00 | |
| In Fading Suns and Dying Moons | John Varley | 0.00 | |
| In the Bowl | John Varley | 0.00 | |
| The Blue Lagoon | Henry De Vere Stacpoole | 0.00 | |
| More Alive and Less Lonely: On Books and Writers | Jonathan Lethem | 0.00 | |
| So the Wind Won't Blow It All Away | Richard Brautigan | 0.00 | |
| Pan's Garden: a Volume of Nature Stories | Algernon Blackwood | 0.00 | |
| In the Dark of the Night | John Saul | 0.00 | |
| The Making of an Elder Culture Reflections on the Future of Americas Most Audacious Generation | Theodore Roszak | 0.00 | |
| Point Counter Point | Aldous Huxley | 0.00 | |
| Weird Tales of Horror | David J. West | 0.00 | |
| Ah, Sweet Mystery of Life | Roald Dahl | 0.00 | |
| Mistletoe Mysteries: tales of Yuletide Murder | V.A., Charlotte MacLeod (ed.) | 0.00 | |
| Swan Sister: Fairy Tales Retold | V.A., Ellen Datlow (ed.), Terri Windling (ed.) | 0.00 | |
| A Monetary and Fiscal History of the United States, 1961-2021 | Alan S. Blinder | 0.00 | |
| Best American Crime Writing: 2003 | V.A., Otto Penzler (ed.), Thomas H. Cook(ed.) | 0.00 | |
| FLOKI'S BLADE and Other Dream Fictions | White, Edward Lucas | 0.00 | |
| Crow Killer: The Saga of Liver-Eating Johnson | Raymond W. Thorp, Robert Bunker | 0.00 | |
| The Exquisite Machine: The New Science of the Heart | Sian E. Harding | 0.00 | |
| The New Adventures of Sherlock Holmes Series: 3 - Sherlock Holmes and the Twelve Thefts of Christmas | Tim Major | 0.00 | |
| In Watermelon Sugar | Richard Brautigan | 0.00 | |
| Rommel Drives on Deep into Egypt | Richard Brautigan | 0.00 | |
| Across the Land and Water: Selected Poems | W.G. Sebald | 0.00 | |
| The Rest of the Story | Paul Harvey | 0.00 | |
| Nelson Mandela's Favorite African Folktales | V.A., Nelson Mandela (ed.) | 0.00 | |
| Jumper | Steven Gould | 0.00 | |
| The Year's Best Science Fiction and Fantasy for Teens: 2005 | V.A., V (ed.) | 0.00 | |
| Burn-In | P.W. Singer, August Cole | 0.00 | |
| Light at the Edge of the World: A Journey through the Realm of Vanishing Cultures | Wade Davis | 0.00 | |
| Shadows in the Sun: Travels to Landscapes of Spirit and Desire-Island Press | Wade Davis | 0.00 | |
| The Unconquered: In Search of the Amazon | Scott Wallace | 0.00 | |
| Mother of God: An Extraordinary Journey into the Uncharted Tributaries of the Western Amazon | Paul Rosolie | 0.00 | |
| In the Sky | Octave Mirbeau | 0.00 | |
| Religion of the Apostles: Orthodox Christianity in the First Century | Stephen De Young | 0.00 | |
| Year's Best Horror Stories: 02 Walk on the Wild Side | V.A., Karl Edward Wagner (ed.) | 0.00 | |
| Moneyball | Michael Lewis | 0.00 | |
| The Pillow Book of Sei Shonagon: the Diary of a Courtesan in Tenth Century Japan | Sei Shonagon, Dennis Washburn, Arthur Waley | 0.00 | |
| The Volcano Lover | Susan Sontag | g♀ | 0.00 |
| When the Stress Falls | Susan Sontag | g♀ | 0.00 |
| Sheerwater | Leah Swann | 0.00 | |
| Wild Dogs | Michael Trant | 0.00 | |
| The Inheritance | Gabriel Bergmoser | 0.00 | |
| And What Do You Do, Mr Gable | Richard Flanagan | 0.00 | |
| In a Dark Wood Wandering: A Novel of the Middle Ages | Hella S. Haasse | 0.00 | |
| Regarding the Pain of Others | Susan Sontag | g♀ | 0.00 |
| Stories | Susan Sontag | g♀ | 0.00 |
| Where the Stress Falls | Susan Sontag | g♀ | 0.00 |
| Regarding the Pain of Others | Raymond Carver | 0.00 | |
| Trawler | Redmond O'Hanlon | 0.00 | |
| Self-Reliance | Ralph Waldo Emerson | 0.00 | |
| A Rich Young Man: A Novel Based on the Life of Saint Anthony of Padua | John E. Beahn | 0.00 | |
| In Defense of Women | H.L. Mencken | 0.00 | |
| Children of the Mire | Octavio Pas | 0.00 | |
| Itinerary | Octavio Pas | 0.00 | |
| Marcel Duchamp | Octavio Pas | 0.00 | |
| A Farce to Be Reckoned with | Roger Zelazny | 0.00 | |
| A Night in the Lonesome October | Roger Zelazny | 0.00 | |
| Recital | Roger Zelazny | 0.00 | |
| Mythology of Mesopotamia | History Brought Alive | 0.00 | |
| A Reference Library Supplement April 2012 | James E. Gunn | 0.00 | |
| We Spread | Iain Reid | 0.00 | |
| The Ocean at the End of the Lane | Neil Gaiman | 0.00 | |
| The Polar Express | Chris Van Allsburg | 0.00 | |
| Mercury: 1 - Falls | Robert Kroese | 0.00 | |
| Mercury: 2 - Rests | Robert Kroese | 0.00 | |
| Mercury: 3 - Revolts | Robert Kroese | 0.00 | |
| Mercury: 4 - Rises | Robert Kroese | 0.00 | |
| Mercury: 5 - Shrugs | Robert Kroese | 0.00 | |
| The Big Sheep: 1 - The Big Sheep | Robert Kroese | 0.00 | |
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| Uncanny Magazine: 01 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 02 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 03 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 04 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 05 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 06 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 07 | V.A., ? ? (ed.) | 0.00 | |
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| Uncanny Magazine: 10 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 11 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 12 | V.A., ? ? (ed.) | 0.00 | |
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| Uncanny Magazine: 15 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 16 | V.A., ? ? (ed.) | 0.00 | |
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| Uncanny Magazine: 19 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 20 | V.A., ? ? (ed.) | 0.00 | |
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| Uncanny Magazine: 23 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 24 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 25 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 26 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: 27 | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: Editorial Staff | V.A., ? ? (ed.) | 0.00 | |
| Uncanny Magazine: The Best of | V.A., ? ? (ed.) | 0.00 | |
| Fables Retold | V.A., ? ? (ed.) | 0.00 | |
| Invisible Man | Ralph Ellison | 0.00 | |
| Murder City: Ciudad Juarez and the Global Economy's New Killing Fields | Charles Bowden | 0.00 | |
| The Killing Fields: Harvest of Women | Diana Washington Valdez | 0.00 | |
| Survival in the killing fields | Haing Ngor, Roger Warner | 0.00 | |
| I Survived the Killing Fields: The True Life Story of a Cambodian Refugee | Seng Kok Ung | 0.00 | |
| The Age of Reason | Thomas Paine | 0.00 | |
| Wild Life: Adventures of an Evolutionary Biologist | Robert Trivers | 0.00 | |
| If Nietzsche Were a Narwhal: What Animal Intelligence Reveals about Human Stupidity | Justin Gregg | 0.00 | |
| Golf My Own Damn Way: A Real Guy's Guide to Chopping Ten Strokes Off Your Score | John Daly, Glen Waggoner | 0.00 | |
| My Life in and out of the Rough | John Daly | 0.00 | |
| In Short Measures: Three Novellas | Michael Ruhlman | 0.00 | |
| Salumi: The Craft of Italian Dry Curing | Michael Ruhlman, Brian Polcyn | 0.00 | |
| Book of Schmaltz: Love Song to a Forgotten Fat | Michael Ruhlman, Donna Turner Ruhlman | 0.00 | |
| Have at It, Sister | Bill Griffeth | 0.00 | |
| Maphead: Charting the Wide, Weird World of Geography Wonks | Tantor Media, Kirby Heyborne, Ken Jennings | 0.00 | |
| Little Ghosts | Gregg Dunnett | 0.00 | |
| The Great Taking | David Rogers Webb | 0.00 | |
| Reveries of the Solitary Walker | Jean-Jacques Rousseau | 0.00 | |
| Maths on the Back of an Envelope: Clever Ways to (Roughly) Calculate Anything | Rob Eastaway | 0.00 | |
| The Number: What Do You Need for the Rest of Your Life and What Will It Cost? | Lee Eisenberg | 0.00 | |
| How to Read a Book: The Classic Guide to Intelligent Reading | Mortimer J. Adler, Charles Van Doren | 0.00 | |
| Things that Fall from the Sky | Selja Ahava, Emily Jeremiah (tr.), Fleur Jeremiah (tr.) | 0.00 | |
| In the Distance | Hernan Diaz | 0.00 | |
| War on Ivermectic: The Medicine that Saved Millions | Pierre Kory | 0.00 | |
| Triumph of the Optimists | Elroy Dimson, Paul Marsh, Mike Staunton | 0.00 | |
| Factfulness: Ten Reasons We're Wrong about the World and Why Things Are Better Than You Think | Hans Rosling | 0.00 | |
| Political Ponerolgy | Andrew M. Lobaczewski | 0.00 | |
| The Book of Ebenezer Le Page | G.B. Edwards | 0.00 | |
| The Wager: A Tale of Shipwreck, Mutiny and Murder | David Grann | 0.00 | |
| Confessions of an Economic Hit Man | John Perkins | 0.00 | |
| Master of the Revels: A Return to Neal Stephenson's D.O.D.O. | Nicole Galland | 0.00 | |
| Pertinax: The Son of a Slave Who Became Roman Emperor | Simon Elliott | 0.00 | |
| Rendezvous with Rama | Arthur C. Clarke | 0.00 | |
| Dreamsnake | Vonda N. McIntyre | 0.00 | |
| Barbarians inside the Gates and Other Controversial Essays | Thomas Sowell | 0.00 | |
| The Core of an Onion: Peeling the Rarest Common Food:Featuring More Than 100 Historical Recipes | Mark Kurlansky | 0.00 | |
| D.O.A. I: Extreme Horror Anthology | V.A., ? ? (ed.) | 0.00 | |
| D.O.A. II: Extreme Horror Collection | V.A., ? ? (ed.) | 0.00 | |
| D.O.A. III: Extreme Horror Collection | V.A., ? ? (ed.) | 0.00 | |
| In the Year of Our Lord 2202 | Edward Lee | 0.00 | |
| The Feud That Sparked the Renaissance: How Brunelleschi and Ghiberti Changed the Art World | Paul Robert Walker | 0.00 | |
| Mediocre Monk: A Stumbling Search for Answers in a Forest Monastery | Grant Lindsley | 0.00 | |
| The Reaping | Bernard Taylor | 0.00 | |
| Nightblood | Chris T. Martindale | 0.00 | |
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| Stage Fright | Garrett Boatman | 0.00 | |
| A Luminous Republic | Andrés Barba, Lisa Dillman (tr.) | 0.00 | |
| Why Read: Selected Writings 2001-2021 | Will Self | 0.00 | |
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| Thinking as a Science | Henry Hazlitt | 0.00 | |
| Hazlitt on English Literature: An Introduction to the Appreciation of Literature | Jacob Zeitlin William Hazlitt | 0.00 | |
| How Fiction Works | James Wood | 0.00 | |
| Writer: An Enquiry into a Novelist | Desmond Bagley | 0.00 | |
| Mind and Matter | Erwin Schrödinger | 0.00 | |
| In the Still of the Night | Ann Rule | 0.00 | |
| No Regrets | Ann Rule | 0.00 | |
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| About the Author Inside the Creative Process | Nicholas A. Basbanes | 0.00 | |
| Every Book Its Reader: The Power of the Printed Word to Stir the World | Nicholas A. Basbanes | 0.00 | |
| On Paper: The Everything of Its Two | Nicholas A. Basbanes | 0.00 | |
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| Crowds and Power | Elias Canetti | 0.00 | |
| Notes from Hampstead | Elias Canetti | 0.00 | |
| The Creature from Jekyll Island: A Second Look at the Federal Reserve | Edward G. Griffin | 0.00 | |
| Hate Is in the Air | Jon Athan | 0.00 | |
| Megapack: Fritz Leiber: 1 | Fritz Leiber | 0.00 | |
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| Ultimate Fritz Leiber | Fritz Leiber | 0.00 | |
| Limonov | Emmanuel Carrère | 0.00 | |
| Megapack: Wildside | V.A., ? ? (ed.) | 0.00 | |
| Yondering | V.A., Reginald Robert (ed.) | 0.00 | |
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| The Psychological Foundations of Culture | Tooby, Cosmides | 0.00 | |
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| World without End | Ken Follett | 0.00 | |
| The Dogma of Christ and Other Essays on Religion, Psychology and Culture | Erich Fromm | 0.00 | |
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| Kill for Me Kill for You | Steve Cavanag | 0.00 | |
| Redburn: His First Voyage: Being the Sailor-boy Confessions and Reminiscences of the Son-of-a-Gentleman, in the Merchant Service | Herman Melville | 0.00 | |
| Famine | Graham Masterton | 0.00 | |
| Turtles All the Way Down | The Turtles Team | 0.00 | |
| The Structure of Scientific Revolutions | Thomas S. Kuhn | 0.00 | |
| A Flat Place | Noreen Masud | 0.00 | |
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| The Road to Serfdom | Friedrich A. Hayek | 0.00 | |
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| Eight Centuries of Financial Folly | Carmen M. Reinhart, Kenneth S. Rogoff | 0.00 | |
| A History of the Second World War | Liddell Hart | 0.00 | |
| Tragedy and Hope | Carroll Quiggley | 0.00 | |
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| The Founding of the Federal Reserve, 1984 | Murray Rothbard | 0.00 | |
| The Future of Austrian Economics | Murray Rothbard | 0.00 | |
| Two Just Wars: 1776 and 1861 | Murray Rothbard | 0.00 | |
| Opening Heaven's Door | Patricia Pearson | 0.00 | |
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| The Fountains of Paradise | Arthur C. Clarke | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 1 | Edward Gibbon, Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 2 | Edward Gibbon, Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 3 | Edward Gibbon, Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 4 | Edward Gibbon, Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 5 | Edward Gibbon, Esq. | 0.00 | |
| History of the Decline and Fall of the Roman Empire: 6 | Edward Gibbon, Esq. | 0.00 | |
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| Albion's Seed | David Hackett Fischer | 0.00 | |
| The Funhouse | Dean Koontz | 0.00 | |
| An Introduction to Metaphysics | Henri Bergson | 0.00 | |
| The Soviet Century | Moshe Lewin | 0.00 | |
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| Unhumans: The Secret History of Communist Revolutions | Jack Posobiec, Joshua Lisec | 0.00 | |
| Blue Ruin | Hari Kunzru | 0.00 | |
| Book Madness: A Story of Book Collectors in America | Denise Gigante | 0.00 | |
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| Processing: Creative Coding and Generative Art in Processing: 2 | Ira Greenberg | 0.00 | |
| Wasted Education: How We Fail Our Graduates in Science, Technology, Engineering, and Math | John D. Skren | 0.00 | |
| How to not Die Alone | Logan Ury | 0.00 | |
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| Pearl | Josh Malerm | 0.00 | |
| Behave | Robert Sapolsky | 0.00 | |
| Rise of the West | William H. McNeill | 0.00 | |
| The Military Revolution | Geoffrey Parker | 0.00 | |
| The Global Crisis | Geoffrey Parker | 0.00 | |
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| Creative Coincidences: The Next Phase of Human Evolution | José Silva, Ed Bernd Jr. | 0.00 | |
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| How to Be a Vigilante: A Diary | Luke Smitherd | 0.00 | |
| A Violent Heart | David Fennell | 0.00 | |
| The Story of Civilization: 01 - Our Oriental Heritage | Will Durant | 0.00 | |
| The Story of Civilization: 02 - The Life of Greece | Will Durant | 0.00 | |
| The Story of Civilization: 03 - Caesar and Christ | Will Durant | 0.00 | |
| The Story of Civilization: 04 - Age of Faith | Will Durant | 0.00 | |
| The Story of Civilization: 05 - Renaissance | Will Durant | 0.00 | |
| The Story of Civilization: 06 - Reformation | Will Durant | 0.00 | |
| The Story of Civilization: 07 - The Age of Reason Begins | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: 08 - Age of Louis XIV | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: 09 - The Age of Voltaire | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: 10 - Rousseau and Revolution | Will Durant, Ariel Durant | 0.00 | |
| The Story of Civilization: 11 - Age of Napoleon | Will Durant, Ariel Durant | 0.00 | |
| The Man on Table Ten | Luke Smitherd | 0.00 | |
| The Physics of the Dead | Luke Smitherd | 0.00 | |
| Smile Smile Ship Start! | ? | 0.00 | |
| Bells Hells: What Doesn't Break | Cassandra Khaw, Critical Role | 0.00 | |
| Head Full of Knives | Luke Smitherd | 0.00 | |
| Diary of an Oxygen Thief | ? | 0.00 | |
| The Other Renaissance | Paul Strathern | 0.00 | |
| Meditations for Mortals | Oliver Burkeman | 0.00 | |
| Kigller Christmas | John Hall | 0.00 | |
| The Trembling of a Leaf | W. Somerset Maugham | 0.00 | |
| Revival | Stephen King | 0.00 | |
| Doctor Sleep | Stephen King | 0.00 | |
| Think like a Stoic: Ancient Wisdom for Today's World | Massimo Pigliucci | 0.00 | |
| Pet Sematary | Stephen Kin | 0.00 | |
| Notes from the Fog: Stories | Ben Marcus | 0.00 | |
| This World Is Full of Monsters | James VanderMeer | 0.00 | |
| Brain Power | Catherine de Lange | 0.00 | |
| American Ripper: The Enigma of America's Serial Killer Cop | Patrick Kendrick | 0.00 | |
| Beasts Head for Home | Abe Kobo | 0.00 | |
| Secret Rendezvous | Abe Kobo | 0.00 | |
| Bubba Cosmic Blood-Suckers | Joe R Lansdale | 0.00 | |
| The Drive-In: A B-Movie with Blood and Popcorn, Made in Texas | Joe R Lansdale | 0.00 | |
| Cosmic Rape | Theodore Sturgeon | 0.00 | |
| Nopo Gets His Men | Harold Davis | 0.00 | |
| Ten Thousand | Harold Coyle | 0.00 | |
| Operation Wunderland | Erwin Bekier | 0.00 | |
| Barn, Bloood, Rock n' Roll | Joe Zito | 0.00 | |
| Blood Blitzkrieg | Will Belford | 0.00 | |
| Terminal Compromise: Computer Terrorism: When Privacy and Freedom Are Victims | Winn Schwartau | 0.00 |
